A technical wonder, a visual stunner

Rating: Null/10 (5 October 2013)

James Cameron has called Alfonso Cuaron's GRAVITY "the greatest space film ever made." I want to believe he means... "after 2001: A SPACE ODYSSEY," although that should be a given, right? Nonetheless, Cuaron's follow-up to his brilliant CHILDREN OF MEN (2006) is another landmark in the sci-fi genre. The premise is simple, but the execution is what makes it a work of art. Dr. Ryan Stone (Sandra Bullock), a biomedical engineer from Illinois, and astronaut Matt Kowalski (George Clooney), must find a way to survive after an accident leaves them lost in space. The universal themes of survival and resistance (in space!) give room for Cuaron and his troupe to create some of the most beautiful visual effects you'll ever see.
As of 10/04/2013, I have seen only 3 films that have used 3D technology to really complement storytelling: Wim Wenders' PINA (2011), Martin Scorsese's HUGO (2011), and GRAVITY. However, even though GRAVITY is just as impressive technically as the aforementioned titles, it is my least favorite of the three because of its lead actors. Clooney is just being Clooney, and although this is the best Bullock has ever been, that hardly means much to me as I think she's a very bland actress. That soulless stare remains there, and I can't help but wonder what someone like Jessica Chastain could have done with this role. In Sandra's defense, I can also say she doesn't compromise the overall quality of the film too much, but she is my major complain about it (there's even an obvious "Oscar scene" written just for her).
GRAVITY may just fall short of masterpiece level, but it's still a fascinating film for its technical achievements. If the Academy does not recognize the work of cinematographer Emmanuel Lubezki this time, they never will. Go see it in 3D as it's supposed to be seen, and enjoy the ride.