Houston, We Have the Future of Movies

Rating: 8/10 (4 October 2013)

Houston, We Have the Future of Movies
Assuming the average viewer interested in seeing this film knows what it's about, I'm going to skip the plot summary—albeit brief—and jump right into how much I loved this stunning piece of art.
Director Alfonso Cuarón has a knack for beauty—he directed the most magical of all the Harry Potter films, recreating the world with a dark splendor; his dystopian CHILDREN OF MEN was a cinematic wonderland; Y TU MAMA TAMBIEN was so gorgeous in its simplicity—and now he creates a quasi-horror film set in space that is so dazzling and magnificent a part of you wants to keep drifting aimlessly around the globe.
The film is a thrill-ride, with a booming and heart-racing score that perfectly coincides with the tempo and action. The performances from George Clooney and specifically Sandra Bullock, who basically carries the film on her shoulders, are strong. We are with Dr. Stone (Bullock) every step—or floating inch—of the way, and we don't want to lose contact. This is the future of film, and when executed the correct way, as this film is, the thought is beyond exciting. The effects are breathtaking—but most importantly they're unnoticeable. They flow along with the film as easily as Dr. Stone does in zero gravity.
Be warned—I wanted to immediately re-watch the film as soon as it was over; part of me was thankful I was on earth but another part of me was curious to take a trip around space—and perhaps get lost in it's beauty. And that's just it—the film is frighteningly seductive. But I don't mind at all. Give me more!