Gone Girl a tragic piece of cinema.

Rating: 10/10 (6 November 2015)

I began to see Gone Girl innocently to 1am. My goal was to await the arrival physiological sleep, disrupt the film and continue the next day. Undoubtedly I underestimated Fincher, ruined my night's sleep and my innocence could not be more pathetic, since after the first flashback to the three and a half minutes of footage the director grabs you and will not released until two hours later. In my case it would be a restful night ended in a reflective vigilance on social relations in today's world. I thought start analyzing Girl Gone according to the diagram in my classes studied film: characters, story structure, treatment, codes and iconography, meaning and generic identification. But I realized that this analysis is more complex since Gone Girl waive one genre because it is an art-house film. A tragic piece belonging to the genus intellectual stage where the characters move in a complex plot and are marked by unhappiness of her marriage and false public image that the media has created both. It is a reflection of Fincher about the meaning of marriage, family, love of the couple and in general about the meaning of life in American society and social relationships. A strong criticism of the media surface, the TV shows and the two ends of television journalism: the interviewer classy and tabloid journalist, which ultimately feed on carrion same exaggerate reality and alienate the viewer. The film ends with an identical opening scene, with which Fincher gives a cyclic closed and impregnates his authorial stamp.