This is one ghost story worth listening to. It's really good. I really do love it! Ditto.

Rating: 7/10 (8 January 2020)

One of the directors of 1980 parody comedy 'Airplane' making a gut wrenchingly emotional romantic murder drama? Surely, you can't be serious. Yes, I am and don't call me Shirley. This film was nearly a masterpiece in the way it was shot. The way the camera foreshadowing the villain's turn from the reflection of the mirror of angel statue being lifted in to the antagonist being greedy about the apartment was magnificent. The spooky dark opening with the dust of the apartment looking like spirits was haunting and the horrific, guttural cries they make created by slowing down recordings of babies crying are chilling. Even the appearance of glowing light being shine down on the titular character whenever he's about to leave was powerful even if some of the special effects are dated. To give you an idea of how good the movie directed by Jerry Zucker really was. Some movie theaters actually gave out free tissue packets to attendees during its original run because how much of an emotional tear jerking watch, the film can bring. Trust me even I was crying after witnessing this film. However the story written by Bruce Joel Rubin of a murdered man's ghost, Sam Wheat (Patrick Swayze) staying behind to warn his girlfriend Molly Jensen (Demi Moore) of impending danger, with the help of a reluctant psychic Oda Mae Brown (Whoopi Goldberg) did have some flaws. Mostly in the way the filmmakers introduce some of the spirit's powers such as possessions and moving items. First off, I felt like the film could had introduce the Subway Ghost played well by Vincent Schiavelli a little bit better. It was a bit weird for the ghost to interference with Sam when he is following Willie Lopez (Rick Aviles) but the titular character was still able to keep track of his killer even afterward being toss off the train. Honestly that scene should had been cut as it was bit jarring. The movie could had introduce that individual a lot later in the film. For example after Sam finds out that his best friend Carl Bruner (Tony Goldwyn)'s true motives. He could go back to the train heading back to Molly from 321 Prospect Place feeling depressed; only to find out that he is in the presence of another ghost. It's here where they should had a fight; only for Wheat not to give up and somewhat challenge him to teach him that ability. Yes it would be more of a Deus ex machina too convenient event than it originally was, but it would also made that moment a lot more emotional and powerful. Since the movie didn't do that; it always bug me why Sam didn't go back to the train station after witnessing it the first time. Why does it take him a whole bunch of filler scenes later to figure that out when knocking off a picture? Honestly a lot of what Sam does seem pretty idiotic. As fun as it is to watch Sam torment the villain with his ghost powers, writing out his name on the computer was not the brightest decision nor was going into the body of Oda Mae when the antagonists are heading their way. That along is really dumb. It's not like he didn't know that it can drain his powers. He witness another ghost do that earlier in the film. Talking about that scene; why was the point of the ghost doing that in the first place? It's not like he couldn't see his wife's hair. It's very visional. Don't get why he was surprised by it. Anyways those whole possession scenes felt forced nor does it make sense in the story as Sam never told anybody about Mae's powers. Plus it's kinda rapey as the ghost did that without her permission or her consent. It kinda disgusting and not that funny. Despite that, Goldberg did made me laugh at certain parts of the film. She was wonderful for the most part. Glad that Swayze convinced her to do this role to the point that he was willing to drop out if she didn't. She ended up winning the Academy Award for Best Supporting Actress that year. As for Swayze, I do think that he did a good job as the titular character even if Sam is little bland and dumbfounded. His reaction to betrayal and feeling sorry for others felt real. Along with that the pottery scene involving him is very steamy and sensual. It's the film most remembered and most parodied moment. Pretty impressive for a scene that contain no nudity other than Swayze being shirtless. While the song that went along with the scene, 'Unchained Melody' by the Righteous Brothers originally was about a prisoner hoping his girl will wait for him felt unrelated in a surface level to the scene as Sam has yet became a ghost with chained limitations. It still work so well with the movie that it was put back into the billboard charts after 30 years from its first debut. It's very romantic. Even composer Maurice Jarrie orchestral version of the song was emotional to listen to. The scene where Sam says farewell to Molly was heartbreaking. Demi Moore really did act. The way that she can cry on cue and seem flabbergasted really made this moment seem special even if her character was somewhat underdeveloped for most of the film. That scene along became more heartbreaking since Patrick Swayze's passing in 2009. It's somewhat hard to watch now. Regardless in 2010 a foreign remake was made in Japan & a musical production of Ghost hit Broadway in 2012. Still overall: No reboot can beat this movie with its great use of horror, comedy and romantic tone. It's one worth possessing.