Almost Nonexistent narrative, beautifully executed mood

Rating: Null/10 (30 August 2011)

Like most people, I was impressed with the boot camp portion of the film and love the performances of R Lee Ermey and Vincent D'Onofrio, the latter of which creates a character that I think ranks among Buffalo Bill and Norman Bates in terms of being disturbing, and among Bambi and Hellen Keller in terms of being sympathetic. Kubrick uses a sparse amount of dialog in these scenes that isn't Ermey barking orders and insults to his recruits, creating an unnerving, almost lonely and inhuman feeling that is only amplified by the bootcamp sequences disturbing finale.
The second half of the film, taking place in Vietnam, is much less a story than it is a few scenes concerning the same men, highlighting various aspects of the Vietnam War. The meaning and execution of this part of the film has been questioned by many, who criticize it as being disjointed and without any real clear premise, aspects that I view as part of the films strength. After all, wasn't the Vietnam War fought under dubious pretenses, with no clear end in sight and without anybody really knowing what was going on? By giving us these random episodes, Kubrick is giving us a taste of what it must have felt like to fight in the Vietnam War, questionable meaning and all. This is best shown in a scene were members of a platoon are questioned about the war, and none can seem to come to a consensus, much less stay on topic. Nobody has any idea whats going on, why it is happening, and what might happen next.
Overall, those looking for a excellent example of deft direction and superb sets (particularly in the climactic scene) will be pleased, those looking for another Platoon will not.