A fascinating transition for the Hughes Bros.

Rating: 8/10 (2 January 2020)

Known for their hard-hitting, well crafted cult-classic 'hood' films Menace II Society and Dead Presidents, From Hell represents an exciting transition for a familial duo of directors known usually for their street-savy tales of karma and retribution.
From Hell is visually stunning; Whitechapel District is immaculately recreated thanks to the backbreaking sweat of 140 Craftsmen and crew members working relentlessly over a twelve week period on a 20 acre plot to construct one of the finest sets ever seen in a period piece of the Victorian era.
Superb writing and the immersive acting from the movie's forerunners resurrects the nightlife of 19th century London for the big screen and the careful attention to detail borne of what is obviously rigorously-researched history really showcases some of the film's most fascinating scenes. Opium dens and sanitariums and morgues are seedy, gritty and absolutely thriving with an electric sense of tantalizing dread and morbidity. Icepick lobotomies and vivisection make some onscreen cameos, so if you're the squeamish type than From Hell will be a difficult watch for you.
Regardless of any sort of revisionism or dramatic licensing, From Hell is a riveting watch from the first minute to last. The trademark Hughes Brothers nihilism is peppered throughout the film, however their signature 'come uppance' climax seen in Menace/Presidents is absent here, marking another transition for the brotherly team as well as showcasing their capacity for artistic growth.
The Hughes Bros. know damn well how to make an addictive and stylish crime thriller, and From Hell is no different. They've created a masterful piece of cinema here and anyone jonesing for a fantastic murder mystery would do well to give From Hell a late-night, lights-out viewing. Johnny Depp and Ian Holm are of particular note here for their outstanding performances. Plus, it's one of the few times you get to hear Depp speak in a British accent.
8/10, a definite must see.