The only merit is to join in a romantic comedy to two stars or promises of fashion,.

Rating: 3/10 (30 April 2017)

Although not very fruitful, Justin Timberlake already has on his back a filmography of more than a fortnight of titles like actor. He will not always play the flute and will be hired to play the roles of Zuckerberg's partner in 'The Social Network' or one of Nick Cassavetes's 'Alpha Dog' dealers - but there he is, with productions designed (almost) entirely he. With the right to friction is based on several formulas. The first, pure Hollywood marketing: to join in a romantic comedy to two stars or promises of fashion, Timberlake and Mila Kunis, the surprise, revelation or whatever you want of 'Black Swan', the thriller of Darren Aronofsky. The second, to resurrect for the umpteenth time, although with more sex, the old formula of the comedies with Doris Day and Rock Hudson. The third, to compose a script - part of an argument co-written by Harley Peyton, producer and screenwriter of several episodes of 'Twin Peaks', who would say it - would be applauded in some of Robert McKee's master classes, Perfectly gutted, his scenes dramatically strong - that is to say - and those of relaxation, the gags scattered in moderation - is a "serious" film about love and dislike, about sex with or without sex, about, in the Depth, the impossibility of platonic love or relationship without emotions and desires - and the two or three secondary characters incorporated by veteran actors who give brightness to the subject, but they are not totally digressions: the mother of the protagonist, a nostalgic- ____________________________________________________________________