Stanley Kubrick's expose of the corrupt establishment with Illuminati symbology

Rating: 4/10 (30 March 2008)

While perusing the Jeff Rense-Benjamin Fulford interview transcript in researching Chinese secret society that have issued the threat to exterminate members of the Illuminati over nefarious New World Order plans, I came across this portion.
"FULFORD: ...They are not going to get away with this. They'd better realize it. It's game up. They've been exposed. People know about them. They are onto their game. And it's not going to work.
All you've got to do is target the Eye. Hollywood - the people in Hollywood have been trying to warn the Americans for years! If you look at Tolkien's movie, you have this Eye on the top of a mountain. Destroy the Eye and save the world.
Or (destroy) the masters. Stanley Kubrick gave up his life to expose these people. . . .
RENSE: What happened to Stanley Kubrick? I don't mean the precise cause of death, but where was he going that got him into trouble with these people?
FULFORD: It was the movie Eyes Wide Shut, exposing the Masonic orgies. They showed that there were people being killed. This is probably based on real events.
I haven't done the proper research, but there is an old man who dies in Eyes Wide Shut. If I'm not mistaken, the man in the movie died exactly the way Stanley Kubrick died in real life, just as he finished the movie.
RENSE: It is also suggested that Kubrick was involved in creating the - at least some hoaxed Apollo moon footage, and knew all about that. His wife has intimated as much since his death."
I consider myself a fan of Stanley Kubrick, and I find this revelation, while outlandish, fascinating.
Admittedly, when I was a young man, I did not enjoy Eyes Wide Shut as a plodding and ludicrously turgid movie.
The strange circumstance of Kubrick's March 7, 1999 death at his home -- and the family refuse to release the exact cause of death other than natural cause (may be sudden cardiac arrest) -- shortly after approving the lock on final cut and before the film was released in theatres in North America and some regions on July 16 provide a new perspective that might explain his reclusive & somewhat eccentric lifestyle beginning in the early 70's and why it led naturally to the subject of his final film.
While Kubrick's genius was undoubted to some who appreciate stimulating cinematic art, he chose to relocate to Great Britain to settle as his permanent home beginning in about 1962 after having endured the experience of dealing with the stress and frustration of Hollywood large-scale production & demanding actors (Spartacus). He had not set foot on American soil sometime after the 60's since (he attended April 1968 premiere of 2001: A Space Odyssey in New York City), if the assumption is correct.
Kubrick was famous for the perfectionist style in cold, detached, subliminal, psychologically inhumane and challenging cinematic aesthetics and his preferred approach to adapt the published materials for the screen. He chose Arthur Schnitzler's obscure psychosexual drama novella Traumnovelle (alternatively called Dream Story) to form the basis of the film production removed from general comprehension in plot depth more complex than his previous films.
It's been several years since I saw Eyes Wide Shut for the second time, in my vain attempt to evaluate the movie on its merit in story and theme comprehension. Now that years have passed and my knowledge of the Illuminati and Zionism acquired, I have learned, by viewing the video on YouTube, the appliance of occult symbols in purposefully obscured "satirical context" to accentuate Kubrick's cleverly veiled use of theme on the deadly contagion of mind control, lust, corruption, avarice, deceit, treachery and power vested in the secret society conspiring to swindle, debaunch, brutalize, violate and enslave humanity in Eyes Wide Shut.
While (perhaps rightly) condemned by the mystified and bored audiences for its sheer tedium and incomprehensibility of the bizarre, nonsensical story, Eyes Wide Shut may have a valid point that emerged belatedly, as the truth of the disturbing events and facts divulged and theorized in the alternative media and on the information superhighway of the Internet give our conscious mind food for thought -- the events tracing to the secret societies involving ambitious power to control financial and political businesses in governing the national and international affairs, intelligence services and occult participation within the ranks of the Illuminati, et cetera.
This is precisely Mr. Kubrick's intention. The interpretation of his prophetic warnings can also be found in another film A.I. (themes of searching for maternal love, inhumanity and human extinction) which Steven Spielberg studiously developed for production soon after his friend's untimely passing.
As far as the circumstance of Kubrick's death at the age of 70 is concerned, I may never know whether his death, which is still a great loss for modern cinema nine years later, was a retribution by one of the secret societies angry at the expose of the supposedly discreet activities to bring awareness to the general audience.
The general audience's poor reception of Eyes Wide Shut in reaction -- complaining about the slow-moving tedium and weirdly idiotic story (especially the bedroom scene of a long-winded marital communication in drugged state, escape from the cult's grip & the last scene involving the singular utterance of F-word) -- may have brought relief to the Illuminati that depend on the trust of the controlled media not to shed the light on the treasonous activity in the long-term plan to usurp power and introduce globalist totalitarian tyranny.
May Stanley Kubrick rest in eternal peace, having departed this mortal plane to leave behind his illuminating message to mankind the warning on the rise of occult tyranny and optimism in renewed hope and faith in the good of humanity.
Postscript: YouTube "kubrick illuminati symbology" for a 9-minute video that interpret Kubrick's warning as intended.