Noticed

Rating: 9/10 (30 May 2019)

Despite being subconsciously aware of just how in over his head he is, the sheer secrecy and audacity of the activities taking
place in the rustic andornate chateau outside of New York City was far too captivating for Dr. Harford to pull away from.
Perhaps not considered his best work (while some seem entrapped in discovering patterns and symbolism of his earlier works -
where it seemed more of focus, I believe Eyes Wide Shut (EWS) provided a better glimpse in Kubrick's visionary ability to convey
a real-life adult fairy tale while never breaking the concrete confines of the real world in which it is set), Kubrick undoubtedly
"gave it his all" in what many refer to as the "orgy scene" near the middle of Eyes Wide Shut. The buildup to this moment
might've seemed intense,with exposure to the concept of sexuality from many different angles, but as Dr. Harford makes his
arrangement with the cabbie to request he stay put until his return - the viewer can't help but to get excited. As he shares the
password, one can only use their best guess as to what lies beyond the mansion doors. The initial effect when viewed first time
is jaw-dropping: the dark lighting, the deep red of the carpeting and drapery, the entire scene screams at a very primitive and
human ceremonial event. The only missing ingredient that ensures "separation of church and flesh," would be the costumes -
notably the masks worn by the event's attendees. When Dr. Harford finds his way to the main ballroom and feasts his eyes
on the incense burning, the crowds, and the kneeling women - there is no mistaking his inability to grasp the realities of where
he's found himself while also feeling entirely captivated. Perhaps most memorable - though excusable if one is unable to recall
due to the intense visuals, is the Gregorian chant heard throughout. The masks become increasingly important in relation to
this chant because although it seems more than likely that it would become from the man in the red cape - one can only assume
with a roomful of masked and robed figures. The two major closeups - like bookends - occur when Dr. Harford is first noticed
by a male and female couple from above. The importance here is that they are keenly aware of his uninvited presence,
though not of who he actually is. Once Dr. Harford is required to remove his mask, it is clear that everyone in the room
now knows of his visage, but the only positive reaction - and second closeup - is that of a masked female from above. The story
would later come full circle when it is realized that she chose to sacrifice for him because he had saved her life previously.
I believe the lighting in each of these closeups tells its own story, one of darkness and one of light, respectively, providing a
sort of "microcosm" for the rest of the film - one that begins in darkness and unfulfilled desire, and one of light, being saved,
and finding one's way back to their lover.