A film with no real center and told from multiple point of views, Dunkirk is nevertheless a showcase of artistry and emotional beats

Rating: 9/10 (21 July 2019)

Non-linear story lines can get lost and muddied under a lesser director, but not with Nolan. A film with no real center and told from multiple point of views, Dunkirk is nevertheless a showcase of artistry and emotional beats.
Dunkirk is told from three perspectives, all under duress from the same enemy. The film is a masterpiece in editing as it builds drama and tension by exchanging scenes between the multiple point of views to present character development. The first half hour builds the premise as the characters find ways to escape their encirclement from the enemy. As the story progresses scenes are alternatively presented to show moments of despair, relief and hope. Solid acting from the cast carries the film and makes the viewers sympathize with their predicament. Heroism is sprinkled throughout, never missing the point that in war casualty is inevitable. Sacrifice, trauma, the need for self-preservation and survival is ever present and is explored by the various interactions between the characters.
The film's truly shines in the artistic department. Glorious cinematography, production design, special effects and powerful score. It is worth watching for those qualities alone.
Ultimately, the premise of having no real center is what makes Dunkirk short of a masterpiece.
9/10