True Cinema

Rating: Null/10 (1 October 2011)

For whatever reason, too many film makers have been concentrating on making movies that look and feel like reality.
DRIVE feels like a film. One that makes you appreciate the movie experience. So many things are right about this film. The cinematography, music supervision and directing make this one of the best movies I've seen in years.
There is an artistic quality evident. A quality that is lacking from most productions today.
Initially, I had my reservations. I don't like to follow the crowd and other than word of mouth, I did not hear much about the film. Other than "This is suppose to be good."
Initially, this film will conjure up images of some of the best movies based in Los Angeles. Michael Mann's HEAT and Harris's BOILING POINT. There is something about Los Angeles. As a photographer, I feel as though light is read differently in Los Angeles. You get hues and tones that you would not have access to, shooting in a place like New York City.
The director, Refn, really displayed his creative talents here. The film editing was exceptional and immediately, Refn's style will conjure up images of Tarantino, but with dare I say, more experience.
Ryan Gosling was solid, but it was Albert Brooks who really stole the show with an unforgettable performance. I'd be surprised if Brooks does not receive an Oscar nomination.
This isn't a typical film. You'll have to watch this film twice to soak it up and really understand it.
The music supervision and soundtrack is amazing. There is a retro feel you get while listening.
In a world where film does not always equal cinema, this is an artistic masterpiece.