Eavesdropping on History

Rating: 9/10 (13 March 2005)

Greetings again from the darkness. Any filmmaker takes a risk putting the image of Adolf Hitler on screen. Many argue that providing any type of human image for this monster is too good for him. On the other hand, many believe there is much to learn from this tragic, horrific era. "Downfall" is based on two separate books by Joachim Fest and Traudl Junge. The movie begins and ends with portions of Frau Junge's final interview. It is painful to watch her in her 80's still struggling with choices made in her 20's. Her conscience still eating away as she asks the question of herself, "Could I have known?".
Director Oliver Hirschbiegel has crafted a docu-drama that leaves us feeling as if we are in the bunker during those final 12 days. The emotions of all involved are gut-wrenching. It is stunning to witness Hitler's balancing act of continuing his pursuit of world dominance in front of his officers, while carefully orchestrating his own demise behind closed doors.
While most of the acting is top notch, there are 4 performances that truly stand out. Alexandria Maria Lara as Traudl Junge was a joy to watch as she dutifully and loyally carries out her job tasks, while maintaining an immense respect and admiration for her boss. Juliane Kohler as Eva Braun literally brightens the screen and bunker every time she appears. Apparently comfortable with her place in history - beside her man in a hopeless situation, her smile never leaves as she exudes confidence for those closest to Hitler. Corinna Hartouch as Magda Goebbels ALMOST had me believing that lovingly poisoning one's kids could be forgivable when losing a way of life that has absorbed into their soul.
Of course, what really makes this film work is the chillingly masterful performance of Bruno Ganz. It is as if we are watching home movies from the bunker. His power while strategizing with the officers and charm when dealing with kids and women are frightening. The most amazing times, however, come during his moments of soul-searching as he realizes the dream is lost.
Accept this as an insight into history and not an attempt to humanize the monster. There are no signs that the filmmaker has attempted to excuse any of the decisions made by the regime. This is strictly a historical perspective on the confusion and paranoia brought on when power thirsty types lose their way. Amazing to watch.