Novel, yet unmistakably Tarantino

Rating: 8/10 (16 August 2016)

Review of Django (the "D" is silent)
Well, Django is certainly a Tarantino movie, but in my opinion, it is also one of his finest works (behind Pulp fiction, of course). Although I have to admit, sometimes the jury still seems to be out on Tarantino's style; this movie makes a definite case in his favor. Nevertheless, the story is one that is both timeless and novel at the same time. Classic man seeking lost love, but this man happens to be s freed slave bounty hunter, killin all the white folks that are deservin' of a killin' with the help of his German friend and benefactor. Beyond the story, however, Tarantino also solidifies his role as the modern epic storyteller sparing none of the gory, boring, long, beautifully shot details. Somehow it all works. The modern western epic is here to stay with Django (and eventually Hateful 8). Is Django perfect? No. If it was perfect would it truly be a Tarantino film? Again, I say no. Much like the Japanese principle of wabi-sabi, this film has a certain something that isn't quite right, but makes it oh, so memorable (although some-times maybe just a tad too memorable). But here I think there is the right amount (give or take a liter of blood) of Tarantino uniqueness without being totally overboard. Is it a life changing drama covering unspoken hot-button transcendental subjects; well, yes and no; in a Tarantino sort of way. In summary, it is long, but it moves and is, quite plainly, a good movie
Another thing that really pulls this movie together is the acting. Tarantino as usual, formulates the perfect balance between strange and just plain talented actors and actresses A wonderful amount of convincing acting comes from Mr. Foxx. Mr. Jackson is as talented as ever (perhaps too good) as the cranky old slave. Oh, and did I mention Leonardo Di CaprioÂ… enough said. In short, the story combined with the incredible acting make a worthy flick
What really seals the deal, however, is the incredible cinematography. Tarantino really finds himself at home in the incredible vistas of the near-west and south in antebellum America. I hope that you are able to find yourself in an IMAX for this bad boy. I think that this is really what licks the envelope for me. It should be noted that this doesn't rid the movie of the necessary Tarantinoisms. Story, talent, and technically beautiful. And as an extra add on Tarantino's choice in soundtrack is as eclectic and oddly appropriate as ever. I will give this movie the solid "really should see (aka 8.5/10). Enjoy.