No respect for the integrity of the movie-goer

Rating: 1/10 (31 July 2014)

*Spoilers at bottom*
This awful trite relies on racist stereotypes, errors in geography and anachronisms to sustain a not-quite-fully-thought-out plot line. This poorly planned escapade of idiocy is an insult to anyone who paid the overpriced theatre admission and anyone who wasted any of their time watching.
The pacing of this film is inconsistent and faulty. Glaring plot holes eliminate the suspended disbelief that is required to digest any pseudo-authenticity that this film may contain. Very little effort was made to check the veracity of the depictions in this film (see the Goofs section for this film).
While some parts of the film are exciting, comical and shocking, these fleeting moments are carelessly strung together in a story that will unfortunately be blindly cherished by people who worship Tarantino's reputation and previous work. The intention to make a great film may have been absent from Tarantino's process because he probably takes it for granted that people will pay to see almost any film that his name is associated with.
*****SPOILER ALERT: In the end, Tarantino has ripped all of us off (maybe purposefully because he holds such contempt for society). At the abrupt end of this film, Django and Broomhilda are riding away on horseback in the night, in the slave-owning South, away from a multiple homicide and from the burning wreckage of the mansion of a reputable and wealthy plantation owner. They will likely be killed or re-captured, either way the filmmaker has ended his film on a weak note by ignoring the real-life implications of slavery and racism in exchange for an exploitive and glorified re-telling of story that relates to many of the social inequalities that continue to plague our society.
Boo-urns. Worst ending ever.