A Rocky for a new generation

Rating: 10/10 (26 November 2015)

Creed isn't a modern day remake nor is it a quick Thanksgiving cash grab; it's a Rocky for a new generation. Directed and co-written by Ryan Coogler with the aid of scribe Aaron Covington, the creative duo, like Adonis, are looking to make a name for themselves, and boy have they ever surprised. Flowing with the hip-hop sounds and urban pride, Creed thrives on contemporary cultural undertones alongside the elderly Italian. The initially dependent Adrian from the first film is replaced by the independent Bianca (Tessa Thomson) opposite to Adonis—sporting a promising music career and intolerance for bullshit. Just as tough, however, is Coogler and Cinematographer Maryse Alberti's grounded rendering of Philly, both in and outside the ring. Lit by the natural flooding of sunlight either in the gym or the street, or intensified with dimly lit tunnels, shots in and leading into the ring are extended for as long as possible. Without a series of cuts, Adonis feels more vulnerable; seeing him walk into the ring, punch, get punched, and punch again all in the same take feels raw and authentic. The accord of Coogler to demand the boxing prowess, focus, and trust of Jordon exudes in these heart-pounding moments.
FULL REVIEW HERE: indieadam.com/2015/11/26/creed-2015-review-indie-adam/