An Unfairly Criticized Powerhouse

Rating: 10/10 (4 December 2008)

Paul Haggis' "Crash" has become a film that people love to hate. All over the message boards on this site, people are expressing their outrage regarding "Crash's" Best Picture victory. Look, I understand that the movie is a little over-the-top at times, and goes a little too far to make its point, but I still believe it was worthy of the Oscar.
I'll tell you why. In particular three scenes jump out at me as three of the best I've ever seen. The two standouts -- the scene in which Matt Dillon saves Thandie Newton, and the scene in which we are led to believe that Michael Pena's adorable daughter has been shot -- are masterful. So well-timed, well-shot, executed, and emotional. Just breathtaking.
The third, the sleeper of the trio, is our introduction to Pena's daughter and their relationship. When he comes home after a frustrating encounter with Sandra Bullock's shaken character, we see his origin, what's going on behind that first scene. Pena is no "gangbanger," as Bullock puts it. He's an excellent, caring, sensitive father with a daughter who is nothing short of an angel.
It's fitting that the Persian storekeeper refers to her as "his angel," toward the end of the film. Pena's interaction with her involving the "Invisible Cloak," is captivating. We are amazed at what a good father he is, and how sweet his only child is. Very touching.
I agree with those who were unimpressed by Brendan Fraser's performance, and some who weren't particularly impressed by Bullock. I'll give you that; but Dillon, Newton, Pena, and Terrence Howard were outstanding. Ryan Philippe held up his end, as well.
Hey, we know that Haggis is trying to hit us hard with "Crash." But what's the big deal? Some people really are THAT racist. There's no doubt about it.
I say, let him hit us. Melodramatic at times, but still ultimately successful. A moving film.