racial truths told beautifully

Rating: 9/10 (9 September 2005)

SPOILERS One of the largest problems in the modern world is this on going issue of race. Whilst an improvement on the 1960s, there is little point denying that racism still exists in the world. Stereotypes are as powerful today as ever and people live in fear or hatred of another due to the colour of their skin. In Paul Haggis' "Crash", this divide is brought to our screens and shows us a few home truths. Made with an excellent cast and with a wonderful script, the film reminds us that in the majority of life's decisions, racism is there. Whether intentional or subconscious, so much of what we do is driven by a dislike for someone of a different skin. This is the disturbing truth of this film and when you have finished feeling unclean and guilty, you realise that despite it's message, the film is a beautiful piece of cinema.
Over the period of one day, the lives of a number of Los Angeles inhabitants are intertwined. The racist cop (Matt Dillon), the robbed District Attourney (Brendan Fraser), the detective with family issues (Don Cheadle), and many others, all these individuals find their lives coming together in one big racist mess.
Beautifully shot, "Crash" is an amazing piece of work. Well written and directed by Paul Haggis, it absorbs from the opening moments and leaves you thinking about it's message long after it's closing credits.
The cast also do an exquisite job. Matt Dillon as the racist cop who seems to almost have racism built into his nature without any real reasoning, Don Cheadle as the detective who has to look after his mum, all are brilliant. The award for finest performance though has to go to Sandra Bullock's magnificent turn as the rich, recently robbed wife of the district attorney. Played as a bitch with no real friends who fears rather than hates particular groups, she assumes a constant misconception that all black and Mexican Americans are out to rob people.
One point also worthy of mention is the magnificent conversation between the characters of Anthony and Peter (Ludacris and Larenz Tate). Analysing life in a conversation reminiscent of Tarantino, the two discuss the evolution and position of the black man in society. Beautifully shot, this scene then springs as ironic when the two conform to the stereotypes by robbing Brendan Fraser and Sandra Bullock.
The problem with "Crash", if you can call it a problem, is simply that it forces us to look inside ourselves and examine our own takes on racism. It's a topic which needs self examination, but more often than not, people won't like what they see.
Ultimately though, as a piece of cinema, "Crash" is brilliant. Superbly written, shot and acted, it is a joy to watch. A strain, but a joy none the less. For home truths, you need to watch this film.