20 Years Later Revisiting This

Rating: 6/10 (16 April 2020)

After 20 years, I'd have to say...it doesn't hold up that well. BUT, that's not to say, it brings a tug of nostalgia for that era of Jerry Bruckheimer slick music video retreads of "Flashdance"
A lot of it is due to Diane Warren's corny soundtrack music. And those of us who were in college by now, have a slight shiver when we hear her anthems. Which nearly toppled another Jerry Bruckheimer gem "Con Air" with "How Do I Live Without You" Oof.
The present day woman would consider that dis-empowering to be so attached to a man (or perhaps this could be used towards other women). Speaking of which, the topic at hand is "Coyote Ugly." Presumably, an article led to this story (written by Gina Wendkos). I recall a friend had moved to New York City and discovered a bar called Hogs and Heifers, which shared very similar rambunctious behavior (nailing bras to the wall). And dancing on bars and so forth. In Jerry Bruckheimer world...it's PG-13. So none of the topless stuff is displayed (unless you get the unrated DVD/Blu-Ray which shows Piper Perabo's funbags).
Though this movie is about making it in the big city, it is somewhat laughable at the truncated timeline. Within a few weeks Violet Sanford (Perabo) becomes the hottest songwriter in the country with a number 1 hit that is sung by Leanne Rhimes. And though these girls are suppose to be world and tough, the painfully model casting of...Tyra Banks, Bridget Moynahan, Izabella Miko and Maria Bello set this in a truly fantastical mystical world I'd reserve for...um...say Hollywood. If that was the intention than kudos to director David McNally. To me, it seems less genuine. Jennifer Beals would seem like a dog up agains these girls.
Any way, great to see John Goodman pop up as Violet's New Jersey dad (though still seems like he can't shake that Dan Conner-ness) and Bud Cort's very small cameo.
Clearly this movie was made to rake in the jiggle factor. So, cheers to them for recognizing what it exists for. Also special note to cinematographer Amir Mokri. Great lighting. I feel this may get a re-release in the future. That will stand up well.