Ralph Fiennes is the dragon, again

Rating: 8/10 (13 February 2016)

Finally, after over 50 film versions of Hamlet, someone ventures into new Shakespearean territory, bringing the Bard's last tragedy, Coriolanus, to the big screen for the first time. Some may complain it's a lesser work- as if they want more of the same, and showing the audacity to pan Shakespeare- and specifically the play TS Eliot considered the Man from Stratford's greatest! In truth, Coriolanus is a perfect play for times of political turmoil, probably simpler than Hamlet but rich in its conflict, with international war tied up in domestic politics. We have a protagonist who heroically serves his country, but his tragic flaw is his anti-social nature and smugness that makes him unpopular at home.
We can see the decision was made to recast the play, based in ancient Rome, to the modern era. It's a device we've seen before with Romeo and Juliet (1996) and Hamlet (2000), and while it would seem appropriate to place the first Coriolanus film in its own time, the story translates to an age of media and modern warfare relatively well. Slate magazine considered the argument that placing Coriolanus in a new setting and making it work proves it is Shakespeare's greatest play. However, the magazine rejected that argument, noting Hamlet has been placed in every setting imaginable. Certainly, Macbeth as well has been adaptable- Orson Welles transported it to the 19th century Caribbean, while Akira Kurosawa brought it to feudal Japan. While this film may not prove Coriolanus is the best of Shakespeare's plays, it nevertheless reflects that the neglected play is brilliant.
Fiennes' film has a strong look and helps the viewer feel some of the intense conflict, though it's not a great film. Reading the play for the first time this week, I felt the politics were a lot more gripping than what was brought to the film. Ideally, Fiennes' film might encourage other filmmakers to make their attempts at more successfully adapting Coriolanus, or bring it back to its original setting. Alas, the poor box office performance of this film will likely discourage that- but I still salute Fiennes for his effort.