From pitch black class to pure camp!

Rating: 6/10 (27 February 2005)

I'm always up for a story about that handles about demons and darkness, so I was pretty enthusiast in anticipating this "Constantine". It's the third comic book adaptation in row that centers on a anti-hero (after "Hellboy" and "The Punisher"), men that are really not too keen on the supernatural powers they developed or were born with. John Constantine is a sinister private eye, capable of whooping demon-butt back to the depths of hell. His duty is to keep an eye on "halflings", beings that attempt to cross over the borders of heaven, hell and earth. When Constantine is approached by police woman Angela Dobson for help concerning the strange suicide case of her twin sister, they slowly discover that Satan's son is preparing his arrival on earth. Many people around this website seem to hold a grudge against Keanu Reeves but I really liked him in this role. The "you-don't-like-it-go-to-hell" attitude really suits him! Unlike many other 'critics' here, I really enjoyed the first hour of "Constantine" as it features a constantly ominous atmosphere, sublime black humor and even a few efficient and impressive shock moments (the cows!!). The images of hell, or simply the use of special effects in general, is well considered and very compelling while the interactions between Reeves and fellow unearthly creatures often leads to terrific kitschy fun. Unfortunately, but almost evidently, director Lawrence can't keep up this quality-level and the film sinks deep towards the worthless camp section. The twists then become more ridiculous, the cheese factor increases and the effects become more and more flamboyant. The only real aspect to enjoy during the second hour is a glorious OTT appearance by Peter Stormare (Fargo, 8mm) as Lucifer. "Constantine" sure isn't the turkey many people here claim it to be, but by no means it's an essential milestone, neither.