Mann returns to his roots

Rating: 8/10 (20 August 2004)

If it wasn't for Michael Mann, L.A. wouldn't look like a hip and cool world devoid of artistry and intrigue. Let's face it, the city is the real star in the movie, illustrating its compact world and displaying why it looks so multi-cultural. The lights, the darkness, and the shadows all mesh well with the technology and shallowness that is always associated with the city.
But enough about L.A. The film in general is worthy of its late summer release: enough plot movement to keep you interested and a script that isn't weighed down with overbearing cliches. Throw in the great camera work and a not so hammy Tom Cruise, and the film works on multiple levels. And speaking of Cruise, the more he tries to get out of his typical character, the better he seems to look. His portrayal of Vincent is spot on, even if a few of his monologues in the cab seem a little bit contrived. Jamie Fox also produced the same effect, showing that both actors can actually do something if they work with a talented director.
It's hard to say much more about this film due to its utter (yet fascinating) simplicity. It's just one of those films that you have to experience and get swept away with. Sadly, there aren't too many like that anymore.