The Best thriller of 2004.

Rating: 9/10 (2 July 2005)

Collateral combines star power, great performances, top notch direction, a fantastic soundtrack and what is a bona fide contender to be called the best action scene in years. Quite simply, I can not think of a movie released in 2004 that thrilled me quite as much as Collateral. Collateral has Tom Cruise (Who rivals Sean Penn to be called my favorite actor of the generation of 40-something year olds) as Vincent, a smart, precise hit-man in Los Angeles to kill five targets in one night. He hires cabdriver Max (Jamie Foxx, in a now Oscar nominated performance) for the night and they're off. Max realizes that something is up around the time that Vincent leaves at the first stop and a dead body hits the roof of his cab. Upon his return, he replies that he didn't kill him, "Bullets and the fall killed him." Over the course of the night they make more stops, most of which turn into great scenes, whether they're going to a jazz club to off a guy or to a hospital to pay a visit to Max's mom. The scene I was referring to the best action scene in years takes place in a night club where Max and Vincent, some cops who think Max is the killer, a thug belonging to Vincent's employer who also thinks Max is the Killer, a cop who knows Max isn't the Killer, club security, Vincent's target and his bodyguards and a dance floor full of bystanders meet up. There is about five minutes of characters driving to the club that builds up tension beyond belief. When it goes down, it may be a flurry of gunfire, but with the setting of the club, the quality of Mann's direction and the coolest piece of music I've heard in a movie this year(Paul Oakenfold- Ready Steady Go,) it adds up to the best action scene of at least this year, topping even the car chases of movies like The Bourne Supremacy, Which I loved, The Matrix Reloaded, Which I liked, and I, Robot, Which I didn't care for. Collateral can be seen as an adrenaline pumping thriller, which it is, or as something more. For those of us who loved Mann's 1995 epic Heat, Collateral is definitely the latter. Mann makes references to heat in several ways. For those who thought that the subway finale was a disappointment, check out Heat. The nod there is that Heat begins on a subway platform and ends at the airport, while Collateral begins in the LAX terminal and ends on the subway. That is just one of several nods. When people have been saying stuff about the best thriller of 2004, they are frequently mentioning Collateral, The Bourne Supremacy and The Manchurian Candidate. While I consider Collateral a clear victor, I certainly understand why someone would mention The Bourne Supremacy, but The Manchurian Candidate was murky all the way through, had a weak ending and was a major step down from the 1962 version, which is one of the best movies ever made. I'll use the phrase that James Berardinelli uses on his favorite summer movies to wrap this up. When the dust settles, Collateral will be the best of this (Last) years summer movies. Sadly, Collateral only got two Oscar nods, Supporting Actor, Foxx, and Editing. However, that's more than any other mentioned summer thriller got. ***1/2 (Out of ****)