The power of chinatown communication

Rating: 9/10 (28 October 2017)

"Chinatown" is not the most beloved, best-known, or most remembered of the films, but ironically, it is one of the most important films of the 70's, "chinatown" is not a kind film, and it's not even the best movie of Polanski, but his narrative capacity is absurd, even to this day there is a maxim in entertainment that is not true, that all the stories have already been told, it is up to the interlocutor to tell them in different ways, and that is precisely what this movie does, inspired by the great noir films of the 1940s, it is not a novelty, and at the same time it is unlike anything we have seen, such as "the unforgivable" of '92 is the last great act of the western genre in cinema - even out of season, "chinatown" does the same thing with the noair genre. The great point that draws attention to "chinatown" is his script, he is completely magnificent, I would say, which is a complete synthesis of the perfection of how to script a movie, in 2 hours we have complete development of all the characters, we have a simple plot which gains layers of depth every minute, we have problems that mix with the city, turning into a political and social plot while bringing a classic story of a detective full of twists, who at one point surrenders to the cliché, but then surprises the all showing that in "chinatown" there are no spaces for the obvious. The film touches on such as love, police, ethics, society, organized crime, rape, nothing in a very deep way but also nothing is shallow, it gives the introduction to the theme, and the viewer who links the dots, alias, "chinatown" is a film that has to be seen and reviewed to be able to connect the points in a more satisfactory way, and to have a broad and complete notion of its history, which is not easy to understand in the first one visited during the film. With a great photo, extremely clear and brings new york life together with an assembly that joins the script to bring a great rhythm to the film, and a soundtrack that combines but is not marked in technical parts, the film has no much to criticize, is not perfect, but is not far behind the artistic part of the film, part that brings jack nicholson who is incredibly in a centered role, and alias, doing a great performance, and the stunning Faye Dunaway, who we love and hate her throughout the film, and she makes the whole story run around her, and she succeeds in behaving like the guiding thread of the script, interpreting many facets. Polanski and his artistic team did a fine job here, their film is not perfect, it's true, but it's a pity that it's not such a remembered movie, because the same is wonderful.