Slow-burning Classic; truly one of the best films.

Rating: 10/10 (12 April 2001)

A strange, one-off film this one. A re-entry to the film noir genre twenty-five years on for Hollywood, that refines and extends the scope of the genre. Certainly up there with "The Third Man", "Touch of Evil" and "Rear Window" in the suspense and mystery stakes; "Chinatown" contains so much depth under the surface, and detail, that you'll feel cheated by the mediocrity of today's Hollywood output. A truly impressive script, coupled with vivid, disciplined direction from the skilled Roman Polanski, and ornate photography create a masterful, tangible atmosphere of rich dread. The performances rise to the occasion without being too OTT; Nicholson is a fine, laconic Gittes, Faye Dunaway is just right for this role; she has the right mixture of cold aloofness and tangible sensuality. Of course, the "She's my sister..." scene is wonderfully delivered by the wrought Dunaway. Ah yes, and John Huston, who has comparitively minimal screen time, makes a startling impression as Noah Cross; a thoroughly baneful figure. There is so much to savour in this masterpiece for those who can take in it at the correct, languid but progressive pace. The whole look of the film is immensely attractive and the dialogue is clever and often witty. On top of that, it is a serious film about moral and personal decadence, with the viewer left both doleful and exhilarated. The final scene is excellent, with a wonderful closing line, and direction to the close. One of the most ingenious, intoxicating of all films. Rating:- *****/*****