Harold Abrahams...dynamite

Rating: Null/10 (23 January 2003)

The strength of this movie is the study in character contrast and development, with the added attractions of a historical setting and the soaring, ethereal musical score of Evangelos Papathanassiou.
The film is anchored in the character study of the introspective, brooding, and complex persona of Harold Abrahams, wonderfully portrayed by Ben Cross. Here is a man with all of the outward trappings of success: academic achievement, unexcelled athletic ability, wildly popular with his peers, yet tortured by an inbred inferiority complex and driven to lash out at the world in response. In the end, he conquers his inner demons through hard work, sacrifice, understanding of his fellow man, and the love of a good woman, to whom he opens his heart. I found myself thinking that Harold Abrahams is the kind of man I would want as my best friend, yet at the same time would find hard to become close with and relate to.
Ian Charleston's character (Eric Liddell) is a bit more one-dimensional. He is the archetypical Good Man, faithful to his family, his country, his friends, and his God. And in the end he triumphs through sheer force of will and by tapping that reservoir of inner strength that sustains him. As the crusty coach Sam Mussambini says, "He's a gut runner. Digs deep...".
It's a bit of a pity that the movie, long though it is, could not have delved more deeply into the other characters' background. Lord Andrew Lindsey is particularly appealing as Harold's and Eric's faithful friend who gives up his spot in his specialty race (the 400 m) to allow Eric a chance at the gold. Sybil Gordon is wonderful as Harold's love interest who tries to draw him out of his lonely world of bitterness and resentment and self-hatred ("You ran like a God. I was proud of you...", even after Harold loses a race for the first time in his life to a more determined Eric). Even some of the American competitors, who are only peripherally portrayed in the concluding segments, lend some color. Jackson Scholtz' reaching out to Eric Liddell gives one the sense that he knows the greatness of spirit that quietly resides in this unassuming Scotsman.
Its a wonderful story wonderfully told, and when its over you find yourself longing for it to continue, to see how these characters we've come to know over the previous two hours will turn out in the rest of their lives. Alas, the story of their lives is noted only in subtitles as the film closes.