Existential Sci-Fi Noir

Rating: 10/10 (29 May 2005)

When I first saw this in it's initial theatrical release, I was too young to appreciate it. This is one of the few films that has gotten better through the years. It was way ahead of it's time and groundbreaking in starting the Sci-Fi Noir genre.
I strongly prefer the "director's cut" version because it does not condescend to the viewer, and lets the viewer interpret the film for their selves. For instance, in the original version the narration speculates that Roy saved Deckard's life because he valued life so much. My interpretation is that Roy just did not want to die alone. The symbolism of the dove flying away when Roy dies is truly beautiful.
The cinematography and music is just as important as the story in this film. Without this film, there would have never been "Total Recall," "Dark City," or "The Matrix." All those films deal with the possibility of memory implants and question our concept of who we are.
This is a film I can watch over and over and find new meaning.