Seeing is Believing.

Rating: 5/10 (31 December 2018)

Behold, the most talked about film of 2018, appearing right at the tail-end, that has flooded your internet screens with memes and steaming hot takes. We've been in this new era of streaming cinema for a few years, but I've never seen a streamable film become such a phenomenon so quickly as Bird Box has. I barely new this film existed a week ago, by the end of the week, it was in my face everywhere. Perhaps it's because of it's mass availability. Perhaps it's because it's truly a groundbreaking horror classic we all didn't see coming. Perhaps it's because Sandra Bullock is so good in this, she's gotten herself into an instant comeback. Perhaps it's all of the above. Or... here me out.. perhaps it's all just hype. But you know what, I watched it to. I submitted, I succumbed, I jumped right into the fray and turned on Bird Box. I hand it to Netflix and nearly everyone involved in the making of Bird Box for bringing everyone to the table and tuning into the show. So much so that it's now being reported that 45 million subscribers streamed Bird Box within the first week of it's release. That's not a smash-hit, that's a gold mine.
In the end, Bird Box is truly, unfortunately, just hype. A B-Grade horror movie with a nice little gimmick. But it just doesn't try anything new, nor does it utilize the power of cinema in the profound, horrifying ways we all know it can be used. Many are describing it as A Quiet Place, but replacing noise with sight. A succinct description of Bird Box, and it's correct. But here is the catch, if you must limit a sense, you must enhance others, and you must present excruciating challenges that one must face in eliminating an entire sense, vital to the human condition. Bird Box should be mind-blowing, and yet it settles. It takes the easiest way out. If you've seen any generic Horror movie, you've seen Bird Box. Maybe not with the same budget and high-end actors as Bird Box, but you've seen this movie already nonetheless.
A terrifying virus is sweeping the entire civilized world, and it just stepped foot in America. An epidemic of sudden mass suicides. You've heard of the living undead, try the living "wish I was" dead. But these folks don't need Prozac. No, their longing for death comes from a more mystical source. A fantastical being, said to be so beautiful, it makes life itself unbearable. Thankfully, we never get to see what this being is. Chances are, if we did, we'd all be reaching for a blindfold to put on. Malorie Hayes (Bullock), a single mother who never asked or deserved any of this is put to to the test as she loses her sister to the being and seeks shelter in a "half-way house" of perfect strangers all looking to survive and keep their virgin eyes unscathed. It's all a matter of who isn't stupid or unlucky enough to die first. Malorie, through sheer badassery, makes it far enough to protect herself and two newborn children, out of sight and out of mind, so to say.
I wish I was scared. I wish this movie gripped me. But instead of praying on our own worst fears (which is what the world's greatest horror movies have ever done) Bird Box takes a terrifying dilemma, and only shows us one dimension. One by one, we see the characters fall victim to the accursed sight, but the viewer doesn't feel it with them. It was as though we all were under the blindfold. An emotional, empathetic blindfold. The dialogue is cheesy. Indistinguishable from a Sci-Fy channel variety Horror movie. The cinematography does it's thing and at time works, but it never goes far enough. Props to the performances by Bullock, Sarah Paulson and even John Malkovich. They were as serious and committed as they should have been to this material. But nothing ever comes together. It's a bit disheartening.
For many, seeing is believing, and most Netflix users have and will see Bird Box. If nothing else, a phenomenon can be worth participating in as a cultural experience. Even if the experience leaves much to be desired.