Loaded with stereotypes galore (some offensive)

Rating: 4/10 (3 January 2019)

This movie makes me scratch my head; it is the first decent suspenseful movie I've seen in years, yet, it shoots itself in the foot by introducing out-of-left-field characters and couplings. And an impressive amount of seriously stereotyped characters, which I believe some people would find offensive and racist at worst, unabashedly politically-correct at best. Caution: there be spoilers.
Sandra Bullock's character finds herself 9-months pregnant and stranded in a house full of stereotypes, herself included; she is a pregnant woman who was dumped by her no-good husband or boyfriend (I'm not sure which, perhaps both, and I give them my nod of understanding in this matter). This collection of people includes, believe-it-or-not, the following:
First, the Bad People
-- A loud-mouthed bald white male who is an unending string of a-hole quips, so, of course, he would also seem to be a Trump supporter (guessing from his paraphrasing of a well-known Trump campaign message). This man is the token Angry White Male that the media loves to talk about at election time.
-- A white guy who is a crazy escapee, and tries to kill them, even the babies.
-- Oh, and a monster never shown (is it white too? I'm surprised that one of the characters doesn't just come out and say it).
--- Midway through Sandra's efforts to save herself, she is attacked by, what? Oh, yes, another crazy white guy, but this one is also a redneck. Even better use of stereotypes.
The producers spared no insult in this movie, and crammed in as many as they could. For instance, now:
The Good Guys
-- I love this one: an Asian male, who just happens to be gay, and also a really nice guy. Being a good guy, he sacrifices himself to save the others.
-- A black teenager who is all-wise beyond his years, and already understands what is going on, when no one else has a clue yet. He is also a hero, when he sacrifices himself to save the others.
-- A black male who is the de facto protector of the group, calm, intelligent, caring, and thoughtful. And seriously ripped. I think he sacrifices himself to save the others. (See a pattern here?)
Oh, and he hits on a very pregnant Sandra Bullock. Does he eventually nail her even though the world is ending right outside the window? ---of course he does.
Now, Bonus Stereotype Fillers
-- This one is recklessly obvious (well, I suppose they all are really). We also have a heavy-set white woman, also very pregnant, who admits (as she should), that she doesn't really know how to do *anything*, because people have always done everything for her because... wait for it... she has been "privileged"! Did you see what they did there? She's white, and admits that she has been privileged. There you go, there is your token White Privilege persona. Whoa. Mind. Blown.
-- Last and least, there is a teen couple (sadly, not same-sex), who are white, stupid, and think only of themselves. They also give us a sex scene, because, well, why not? At least in slasher movies, you know that the kids that are screwing are going to meet a terrible end, because they screwed around. Fair enough. But this sex scene was thrown in for no apparent reason.
It truly saddens me that the producers were unable, in the time allotted, to install a wheelchair-bound transexual character. But you can this stereotype victim would be heroic and sacrifice themselves to save every else.
I was so incredulous with the characters in this movie that it was impossible to actually enjoy the good parts. Personally, I grew tired of Hollywood cramming a politically-correct agenda down my throat many years ago, and clearly they are not close to being done.
This movie was so patently patronizing that there is little point in listing the long list of plot holes and outright lack of intelligence. It was bad enough to start with.