Metaphysical thrillride

Rating: 10/10 (22 November 1999)

This movie was an amazing experience -- alternately hilarious, perplexing, dazzling, disturbing, surreal, moving, and intellectually engaging (frequently several of these within one scene). I don't know how to describe the "plot," beyond the bits you no doubt have heard in the press, but I can say that it will take you through an amazing journey in two hours. The superb script challenges your notions of free will, sense of "self," and control -- but without seeming preachy or philosophically dry. I am amazed that director Spike Jonze has created such a complex and layered work -- but one which is internally consistent -- in his first work that runs over 4 minutes. The main themes are echoed throughout the film and by each of the main characters. For example, the idea of "control" is taken up with manipulative (sociopathic?) woman who views people as mere instruments to satisfy her desires, several characters who attempt varying degrees of emotional control over their partners, and in the actual and metaphorical "puppet masters" at work in the film.
It is interesting to note that Jonze and writer Charlie Kaufmann make light of the philosophical dimension to the film by having John Cusack's befuddled character give a confused take on the "metaphysical implications" of his first experience "being John Malkovich" early in the film. In a way, this sets the tone for the film, as its creators say: "this is serious stuff, but don't take us too seriously." I encourage everyone to seek out and enjoy the richness of this film.