Short notes on Eisenstein as a film maker

Rating: 10/10 (28 June 2000)

This is an example of film making under almost unique circumstances; in many ways Eisenstein's success could be attributed to the situation under which his films were made; but this belies the fact that he was an extraordinary talent. Potemkin contains imagery which even now is light years ahead of most standard, good film making. His ability to draw drama is second to none; witness in particular the famous scene upon the steps which pits helpless civilians against seemingly invincible soldiers. However beyond Eisenstein's aesthetics, it is worth noting the despair which engulfs this film; as a director he spares no emotion. To think what audiences of the 1920's made of this film is mind boggling; by todays standards it is not only epic but virtuoso; a depth that many film makers can only aspire to. However, despite all which I have said about this film in such a brief time, it's success ultimately rests upon the fact that it is unparallelled entertainment, more excitement and earthly fear than any other film that has since followed. Cinema, it would seem, peaked too early.