Kubrick's unheralded work of art

Rating: 10/10 (5 March 2002)

Warning: Plot spoilers ahead
Stanley Kubrick made many a masterpiece, no film lover would deny that. It's unfortunate however, that Barry Lyndon is often cited as a failure on his part, for it is breathtaking by any standards. It is beautifully constructed; not the least of its merits are the gorgeous sets, the haunting score (right up there with that from A Clockwork Orange), and the dazzling use of natural light. The screenplay also deserves praise, with the cryptic "spoiling" narration being an oddly effective touch. We the viewers are made to care about Barry's well being; I for one was rooting for his happiness in the beginning and was deeply saddened by his ultimate fate. In particular, I agree with the opinion of David Hughes, author of "The Complete Kubrick": the death of Barry's young son Bryan is one of the most heartbreaking scenes ever committed to cinema. Leon Vitali does a great job as Lord Bullingdon (especially during the intense climactic duel) but Ryan O'Neal in the title role is the film's one weakness. An actor with more charisma and range would have been better suited; O'Neal seems to be phoning it in at times. However, he is still an appealing star, and does not diminish the quality in any way.
All in all, this movie is long and slowly paced, and unlike most everything you've seen. It's not for all tastes, but if you like cinematic art, please give it a chance.
A very enthusiastic 9/10.