A fantastic invocation of the 18th century.

Rating: 10/10 (22 November 2008)

Barry Lyndon may be one of the least popular of all of Stanley Kubrick's films, but it is by no means deserving of this reputation. This historical epic explores an era in Europe that is often overshadowed in America by the events of the so called French and Indian War (which was in all actuality an extension of the seven years war that is portrayed in the film) and the subsequent American Revolution. Although it follows the life of one man it touches on many issues that were highly relevant in those days, especially the very Candide- like way that Barry finds himself in a military career. Overall the film goes a great distance to evoke the feel of the late 18th century and archives this end spectacularly.
The term "Costume Epic" finds in this film perhaps its most astounding fulfillment. Indeed, one of Barry Lyndon's most notable features is the extensive and beautiful costuming. Not only are the styles and make-up of the period represented, but there is a lovely treatment of the military uniforms and equipment used during the Seven Years War.
The stunning cinematography, and of course the famously candlelit scenes, deserve mention. The locations used in the film are stunning to say the least, with broad country vistas and rich noble villas presented in a style reminiscent of painters of the 18th and 19th centuries. The candlelit scenes are both technically and visually impressive, and go a long way towards capturing the feel of the period.
The story itself oftentimes seems secondary to the visual splendor of the film, but is of good quality in and of itself. It is not tremendously innovative, as many other Kubrick films are, in terms of content, but the story is told well. Narration is put to excellent effect, giving the whole film the book-like feel that can be found quite often in Kubrick's films.
Overall, though it is easy to overlook as a part of his career, Barry Lyndon deserves a place among the most notable of Kubrick's achievements, right along with films like A Clockwork Orange and Full Metal Jacket, if only for its invocation of its temporal setting alone.