Brilliant photography/costumes make long story delightful

Rating: 9/10 (14 August 2006)

Most fans of the director agree that "Barry Lyndon" is a departure from other Stanley Kubrick films, yet the master's signature can be seen throughout this brilliantly photographed gem. Admittedly long, "Barry Lyndon" is never boring. Many of the scenes are drawn out not by action or dialog, but by the consumption of the breathtakingly beautiful countryside, appearing at times "computer-enhanced", as the human eye is not accustomed to so much visual delight.
The story of a young Irishman (played by a dashing Ryan O'Neil) of middle class standing, who has aspirations to "marry well". Handsome and well-spoken, the young Barry is still self-absorbed and in many ways stubborn and determined. Through trickery and scheming, he marries a rich Noblewoman (portrayed by Marisa Berensen), but quickly shows his true colors as shameless playboy. Abusive to his step-son, even plotting to assure his wife's fortune to be waved into his own pockets, Barry eventually alienates himself from all acquaintances. The final "fate" with which he meets (after 3 hours of viewing) is sure to deliver "satisfaction" to the audience.
Kubrick's script received a nomination, but not the actual Oscar. Statuettes did go to the outstanding Cinematography, Costume Design, Set Design and Art Direction. Look for a deliciously fitting Epilogue in the final frame! Among the period dramas of old King George's Day, Barry Lyndon has a special place.