America's ass

Rating: 1/10 (14 May 2019)

No better words can describe this bizarre and uncomfortable anomaly. It carries a sanctimony dwarfing even Saving Private Ryan, as cinema history now replaces actual history. As the camera passed the ensemble, I saw Michael Douglas and my eyes immediately looked for Charlie Sheen. Michelle Pfeiffer in black drab, I looked for Barnabas Collins. The great popcorn funeral, then why stop short at Marvel? In fact the death of America is all across this. (The subliminal programming of Joe Biden as Captain America was screamingly obvious.) Remember, none of this is preposterous as the movie itself. The time heist is closest to examining its theater in the way of Dickens, which provides a decade of cinema to act against so continues this new tradition of cinema as memory functioning via its own footage as our own psychology on screen. It's always regret, what if, accepting failure, parental. "When you time travel, time fights back." It's saying the universe is self-aware, unfolding, and we play into it. See how most in the past are willing to accept the truth--except--when they face themselves, then it's antagonism and sarcasm in every case. As in ego in the way of the collectivist utopia. Most interesting is Thanos's relationship with future Thanos, they never meet, but the villain aiding himself in outcomes as the output adjusts the input, creates a cinema study in machine learning as omnipotence. "A world where no one knows the horrors that led to their existence." This is already the case. Remember he won 11,999,999 times, making this film in god's eye where the monkeys bash the keyboard to a perfect series of events in self-sacrifice and the unity of the collectivist hive: the women army, the buddhist army, the african army, twenty films join in one to destroy the fascist eugenicist. But with twelve million realities and just one being our film, then isn't half dying overwhelmingly the lesser of evils compared to millions of realities everyone died due to their meddling? Their good intention becomes an abominable evil compared to Thanos's great heroism in saving half the universe. Lastly, the 'all in one' showdown is like Ready Player One except the Oasis is the cinema screen itself. Cinema is realizing a mind of its own and turning the game against us. (Should Marvel have a seat in the UN next?) Theater was once a vessel for humanity to ritualize its experience in boldness and vividness, now instead humanity is the vessel of cinema to awaken itself to our form. The hyper-reactivity doesn't pantomime our dramas rather it's the agenda of the hyper A.I. to replace us with this sort of proto-idealism. All the while we merrily train the borg like captcha through our dollars giving it the exact schematics to dictate us. The snap of the thumb kills the audience instead.