No Atonement To Critics

Rating: 9/10 (13 February 2011)

Sadly I have read many articles on this film in which critics have pedantically pointed out the faults with this film. Yes, no doubt, there is always the risk of achieving historical inaccuracies when shooting films set in the past, that's a given. However to those who take pride in picking apart every single fault, maybe you should stop wasting your time, sit back and admire the sheer technological and performing brilliance of this feature.
James McAvoy and Keira Knightley are two of Britain's most aspiring first class actors, and in this film they really show it. After all, this film is a love story, so the convincing chemistry between the actors is highly important. Luckily both performances fit this specification perfectly, and what the audience are treated to is a romance which breaks all the boundaries. The story begins on a country estate in Southern England with 13 year old Briony Tallis, an ambitious, intelligent, aspiring young play- write. Upon seeing her sister Cecilia Tallis (Keira Knightley) by the fountain with gardener Robbie Turner (James McAvoy) she develops an irrational vendetta against the latter based a series of misinterpreted events through her childish imagination. Finally, she accuses the Cambridge graduate of a crime he didn't commit, causing repercussions for the whole family.
What follows is a tantalising, fast paced films which incorporates a healthy mix of elements which puts the film as a half romance half thriller. The Film splits off into a triple narrative, exploring the lives of Robbie, Cecilia and eventually Briony as the country is struck by the effects of WWII. Here the film breaks new boundaries, including a stunning continuous shot of the scene at Dunkirk as well as the trials and tribulations of working at a wartime hospital.
What is never lost is the chemistry between the lovers. Despite them being apart for much of the latter part of the film, it encapsulates the struggles of putting a relationship to the test. The film never looses out on its romantic side, striking a poignant chord with the audience, allowing you to really understand the deep connection between the two protagonists.
In terms of its thriller elements, the fast pace is achieved partly through its commendable score, considered usage of 'type-writer' noises during Briony's scenes to not only achieve tension but to also exemplify her unfailing imagination. Additionally, through successful characterisation we are able to view the changing emotions plaguing her as she comes to term with the wrongs she has committed.
All in all, what this films represents is a pioneering adaptation which succeeds in delivering a near faultless drama consisting of all the right elements. Graced by superb performances, considered camera usage, developed characterisation and an emotional score, this film will leave you stunned. It successfully analyses the consequences of childish misinterpretation and the taxing battles for retribution and redemption in a context which keeps the audience guessing throughout. This film is not just a film, it is a love story, thriller and even a war film, all rolled into an emotional journey of determination which never fails in delivering.
82/100