Talking' about everything upon nothing. If this has been a Sit-com series, couldn't have seen the second season.

Rating: 3/10 (27 September 2008)

A telly-familiar face from the production crew of the Simpsons series, James L. Brooks, directs a 5-year old screenplay and rakes up a pretentious cast of actors. The original script has been written by Mark Andrus in 1992, and has been developed differently from its origin in 5 years time by the director James L. Brooks. The length of the time passed in between this period has surely deprived the efficiency of its editing. Hence, we shouldn't have expected a good relation between the storyline and the plot. Thankfully, James L. Brooks hasn't even put a plot on view. So we get a simple sit-com entirely tied to the actors' contribution in this comedy/family movie.
When a movie goes nowhere via its point, comedy is the easiest cure to make it find a way. Consider a horror movie, you watch it but you don't feel any fear; in order to be meant for something, a horror can be cured with some comedy, that way can it only become interesting. On the other hand, comedy is the hardest cure to make a point-lost movie find a way; 'cause you gotta have Oscar worthy performances at least to make it worth to watch. As Good As It Gets is the worst movie of 1997 with its technical features:
Editing is the worst, screenplay is a mess, no camera aspects, no successful sound editing or mixing(no one has no idea how can a puppy murmur through a garbage chute and can be heard inside an apartment unit), art decoration has zero achievement(that's why it's a sit-com) ; at the same time As Good As It Gets is at its best for 4 great performances: Helen Hunt and Jack Nicholson at the leading, Greg Kinnear and Cuba Gooding Jr. at the supporting. If a Hollywood movie is just leaning upon its cast, why watching Hollywood then?
As Good As It Gets absolutely deserved its 2 actor-based Oscars and in total 3 actor-based nominations. The other 4 nominations are a fine cods-wallop!
Priggery and meticulousness are very well staged by Nicholson, playing a quirky character at the culminating point of capturing viewers' attention, reminding us of Bart Simpson at age 60; especially with his style of walking crab-wise on the street. Helen Hunt plays and heartens a mother of a sick child within bearing of her vicissitude of fortune at one side, bearing Jack Nicholson as the menace of her emotional argument at the opposite side. Cuba Gooding Jr. is a self-assertive individual and the only person in the movie who can deliver a replication to Nicholson. Additionally, Greg Kinnear is the gingerbread of the movie playing the beaten and robbed gay artist. Because each one of the actors has a complete different view of life, the non-plotted script magnetizes us growing our curiosity on if they ever roll up like a hedgehog together.
As Good As It Gets made me want to watch Seinfeld. Based upon same idea, to play along with each other, Seinfeld is much much more better than this one of its analogous. There is absolutely no technical feature to make As Good As It Gets a worth-watching movie. It is likable only for its remarkable acting.