superb classic Woody Allen existential romantic comedy

Rating: 8/10 (15 June 2013)

Woody Allen's dry comedic genius, existential observations and relationship witticisms make for one of the classics of 70s cinema. Annie Hall is much emulated, much copied and quoted and Diane Keaton in the titular role is her charming, quirky and bashful self. The chemistry between them is natural and seemingly genuine and it makes for a great film.
Allen, playing Alvy Singer, a neurotic, hypochondriac, somewhat egocentric, stand-up comedian/writer, falls for Annie Hall (Keaton) when introduced at a tennis game, and their diverse characters make for ups and down of their relationship. The humour is intelligent and typical of Allen's self-effacing style, and often he engages the audience in straight to camera conversation. He narrates, as the style of the film is autobiographical, and some of the narration is told through flashbacks where up to date characters observe what went on in the past. It's a clever mix of styles, and the direction and script are sharp and tight. It's not aged particularly well but the wit of the dialogue, Allen's timeless narrative and comedic wisdom hasn't aged at all. His observations about relationships and people's behaviour is as true now as it was then. A true classic of cinema and I can't believe it's taken me this long to see it. Not disappointing. Look out for some very familiar faces... Christopher Walken, Colleen Dewhurst and Carol Kane.