Dramatization of the deadliest sniper in US history

Rating: 8/10 (11 March 2015)

It's easy to romanticize about soldiers, but snipers have their own unique and alluring shroud of mystique. Any gamer can tell you how cool it is to play Call of Duty and be the hotshot camping out on some rooftop picking off bad guys all day long. In films, you can look at Enemy at the Gates or Barry Pepper's character in Saving Private Ryan and marvel at a sniper's deadly prowess. Far be it for me to comment on what experiences soldiers of any kind go through, I have no doubt that the reality of being a sniper is nowhere near as glamorous as the media makes it out to be; it's a burdensome duty in which one has to take lives indiscriminately in order to save lives. I can't even imagine the stress of having to evaluate who lives and who dies - to include women and children - in the heat of the moment.
The deadliest marksman in US history - Chris Kyle - is the focus of this film: the real-life Navy SEAL who served four tours of duty in the Iraq war. The movie tracks his career across all four tours, with occasional breaks where he reunites with his wife and has difficulty adjusting to civilian life. Thus, the film dishes out two different conflicts: the fight against al-Qaeda on one hand, and the struggle to adjust to life after war on the other hand. Both narrative strands offer their share of compelling scenes; the combat is quite intense and harrowing, while the family drama emphasizes stress and emotion aptly. Together, it's a consistently-engaging experience that will truly underscore the intensity of war, and the hardship of overcoming post-traumatic stress.
I have no idea how close the film adapts real-life events, but a few contrivances can be spotted easily. It is quite the black-and-white film that glosses over the complexities of the war. I almost pegged it as a pro-war movie, until the last act started to emphasize the futility of the war effort and illustrate the hardships of veterans. The film does outright refer to Iraqis as "savage;" it's probably meant to label the regime rather than the entire country or culture, but it can be taken the wrong way easily. There are strands of jingoism that will rub some viewers the wrong way.
All that being said, I was personally enamored by the characters; I found them easy to follow and relate to, and it made their journey in and out of war a compelling one. The film sets up an actual villain sniper that Chris has to take down; I don't know if this was invented for the movie or what, but I thoroughly enjoyed the sniper-vs-sniper plot. The film has its fair share of messages; on one hand, the film does emphasize the "this is why we fight" message, but on the other it digresses into the physical, emotional, and psychological damage on the characters and their families. These aren't subtle themes at all, but I felt the two together formed a point and counterpoint that keeps the film rather well-rounded.
This film uses good-looking photography and punchy editing. Bradley Cooper is excellent as the main character, and the other actors aren't too bad either. Writing is okay. All the sets, props, and costumes look authentic and creditable. Special effects are sparingly used, and mostly okay. Sound design is superb. Music is okay.
American Sniper is for snipers what The Hurt Locker is for guys who defuse bombs. I favor American Sniper more though, because it doesn't have nearly as many stupid parts as The Hurt Locker, and Chris Kyle is a far more compelling character. The character is ultimately what makes the film most watchable, and with quality acting, it is well worth seeing.
4/5 (Experience: Good | Story: Good | Film: Good)