Powerful film

Rating: 8/10 (4 August 2017)

I was looking forward to see this film as I missed it at the cinema and am a firm believer that Edward Norton is one of the most talented actors of his generation and is always worth seeing (even if some of his films have given less than he deserves). It was maybe better that I only saw it recently as I was able to enjoy it without all the hype and fighting over who did what to who, or all the comments from director Kaye as to his opinions of the film. Having seen the pompous fool interviewed several times, I find it quite self assuring that I don't agree with his opinions of it!
The plot is a mix of flashback into Derek's hate filled past (told in b&w) and the present (colour) where he is desperate to save his brother and family from suffering anymore from his 'sins'. As a basic narrative the film struggles at times to make a solid story and seems to be trying too hard to create confrontations to up the drama within the film. It still works mind you but this is not it's best asset.
The main thing the film does well is to be a very true representation of white male disillusionment. The film avoids painting these people as monsters straightaway (although makes no bones that they are confused, misled and wrong). The arguments and discussions they have in the film are not so far from reality that the characters seem fiction – the characters and the film's world seem very real. The film's message that hate is no way to live no matter who it is directed at may be a little simplistic but it is a valid point. One particular weakness which I felt was a little hamfisted was Derek's 'road to Damascus' experience in prison – it was OK but was far too easy given the character we had just seen brutally kill several black men.
The other main selling point the film has is a performance by Norton that simply ensures he steals nearly every scene he is in. In b&w flashback he is at his best – a larger than life character who is never allowed to just be seen as a thug. Norton acts out the various stages of his life well and makeup ensures that he looks younger when required. In the present he is less dominant but still is very good giving a different performance. Furlong is also very strong, although he only has a few scenes where he is able to be outside of Norton's shadow. Support from Balk, Gould, D'Angelo and Brooks is mixed – Gould's Jewish character is only in the film to allow for one scene to occur, while Brooks' righteous teacher is simply a 'morally upright teacher' with no meat on his character.