Greatest Film Ever.

Rating: 10/10 (3 October 2011)

Peter Schaffer's "Amadeus" is my nomination for the greatest film of all time. There is much to review; however, I will stick to the core principals which make this film so timeless. Most of the universally acclaimed works in cinema are usually recognized for their mastery of a certain cinematic feature. Very few films extend into the reaches of all-around perfection where no single element is embellished to anchor the film.
Amadeus's perfection begins in script, which evolves complex psychological profiles of two antipodal characters: Salieri and Mozart. The plot begins with what you think is a Cain and Abel archetype, but you soon find that the two composers are not at war with another. The real conflict lays in Salieri's mind, which is tormented by the level of genius that the impious Mozart possessed. Throughout the film, Salieri argues with his own conscience while blaming a god he claims to no longer believe in for his suffering.
Aside from the brilliant writing, the production values of this film are all grade A: the set design, the costume design, the cinematography, the sound editing and film score. The film was entirely shot with natural light which in my opinion makes this film the most aesthetically beautiful Hollywood film. The cast was entirely comprised of relatively unknown actors and actresses, who all gave performances above what most mainstream players would have at the time. Abraham's portrayal of Salieri ranks among the finest performances in any English-speaking role. Compare his acting as Young Salieri, depicted as a stern and polite gentleman to his acting as Old Salieri, who smiles with comical look of defeat. The polarization is drastic, yet it is the same character. Not to mention Hulce's awkwardly cunning work as Mozart.
Forman's directing compulsively executes a delicate blend of over-the- top and subtle scenes, while thoroughly setting into place everything going on from the direction of the lead roles down to every single extra. Not one piece of this film was overlooked by Forman's attention to detail and realism. His work equates in cinema to that of which was done by the subject of the biopic in music.
I don't think you have to have an intrigue in classical music or 18th Century Europe to enjoy this gem. I recommend this film for anyone who enjoys a cerebral movie done in homage to the older styles of American cinema. This film will make you laugh, cry, and most importantly think.