No one has heard our screams (requests) yet

Rating: 7/10 (11 August 2017)

"Alien: Covenant", remake and simultaneously prequel, is the latest entry in the saga of "Alien." The most recent feature film, under the leadership of Ridley Scott, is repulsive and intriguing when it wants but slow, abstruse and tragic when not realize that it is. Despite the fact that it boasts about the progression of the mistakes previously madeâ€”factor that to some extent is true, at least visuallyâ€”, the story of the crew reiterates falling into other vices that impede equating to the sci-fi horror bible as is the original "Alien".
Basing on the usual narrative biotype, Scottâ€”father of the sagaâ€” conceives the story on which horrific creatures evolve with a wide list of screenwriters. When you hear the name of more than two scriptwriters in the conception of a work, the reviews mostly tend to be unfavorable; It's really unheard of the project that manages to jell and fit all the ideas in the same plot with satisfaction. Here, Hollywood fixation about stuffing of elements a tale is present in the complete screenplay, more not in the sketch of the traditional story.
The protagonist, a capite ad calcem, is Michael Fassbender, who performs two characters worthy of praise. Fassbender decides to further explore his acting skills under a hard gestural and vocal force by portraying, respectively, androids David and Walter. The first one is a synthetic human model assigned to the crew of the USCSS that served as a guide and the second one is the most brand-new incorporation into "Alien" universe, Walter is the greatest triumph of trial and error in the creation of androids, being the first of a better-forged species than David 6's. Fassbender ratifies why he is one of the best actors of our century, thanks to the roles given by Scott.
In times of "Wonder Woman", Katherine Waterston's aim (Daniels) was neither to conquer nor emulate the original heroic lady interpreted by Sigourney Weaver, her character, always according to her, must be an example of thinking strength of women, of their aptness in any human field, of building hope and faith and a model role for future leaders; to emphasize the attitude of females in a sexist Hollywood, plainly. Her purposes have been fulfilled, but also, they have been notoriously distorted by external expressions.
And the new problems come to light. Attenuation of philosophical load, so characteristic of the saga being the promoter of its existence, is restricted to a ten-minute deep prologue where Walter and his creator refute on gods, origins and art matters. Another terrible mistake is the extremely long introductionâ€“more than sixty minutesâ€”to put us in the atmosphere of the characters, more than half of its initial act could be cut. However, the biggest mess is that indicated in the preceding paragraph. In addition to having a prestigious Oscar award by its special effects, in USCSS Nostromo movie the appearance of the aliens is scarce, thus, horror comes out of the tension of the situation, of the alert state that aroused a sudden jump of the alien, even, spaceship interiors produced uncertainty and insecurity, the famous and masterful suspense by which the work is praised. The flaw lies in the decision of Scott about redeeming himself with the short participation of the xenomorph on the screen, he sins due to innocent because although the first aftermath of the lethal virus in the body of a crewmember is frightening, disgusting and surprising, this pace begins to wander, a back and forth between scenes, leaving as the chief source of supposed terror to the alien, fantastically created by CGI, causing a suspense lack in the plot, unfortunately, affecting in the prediction of the final cliffhanger, however, concerning this, it leaves a feeling of wanting far more, blessed Walter!
Independent of the flaws of "Prometheus", "Alien: Covenant" amend some of the issues of the previous installments, however, adds many others placing the film in a limbo, in a loop. This movie fails to be classified under horror genreâ€”despite its delectable goreâ€” rather, it's an audio-visual sci-fi production that raises questions that no one requested and, in the end, doesn't respond the already proposed ones. Having as a measure of the quality Scott's previous films," Covenant "is far from being like the original movie, however, the way of introducing, artistically, the questionable story is fascinating, a paradise where they won't hear your screams, although, we're doing it. "The Path to Paradise begins in Hell", right now, we're going to the real hell, in all the extension and effect of the word.