Perhaps as close to perfect as a film can be

Rating: 9/10 (23 April 2013)

As I sat watching this film, two things occurred to me. First, that I was having a tough time finding any significant flaws in the movie (more about that in a moment). Second, that I found myself tearing up repeatedly...that's how inspirational this film is. And I say these things as a White person who doesn't particularly like baseball; never been to game.
In terms of being nigh-on perfect, I doubt that there is such a thing as a perfect film, and this is not a "greatest" film, because I, at least, reserve plaudits of that sort for spectacle films. But where is a significant flaw here? I just don't find one. Oh, I would have liked Max Gail's role as the old manager filled out a bit more...but that's a personal preference, and it probably wouldn't have made the film any better. I thought I might want to have seen a longer full-life bio-pic, but later I changed my mind. This was about being the first, and took us through that phase of Robinson's story. I've also heard people say that Spike Lee should have directed. Why? Because he's Black and would have pounded the injustices into our heads more? No thanks.
The performances here are remarkable. Chadwick Boseman, as Robinson, plays it just right...perfect. He makes Robinson a hero, but not always a perfect man. And, there is a slight facial resemblance to Robinson. But what he most importantly brings to the film is respect. I hope to see a lot more of Boseman on the silver screen in the future.
While this is not Harrison Ford's greatest role, it may be his best. What I mean by that is that usually -- like most actors -- Ford plays Ford. That's what we go to see. Here, however, he becomes immersed in the role of Branch Rickey and truly plays the character, instead of himself. We're talking best supporting actor nominee here, I think...and it may be an honor long overdue.
Nicole Beharie, as Robinson's wife, is excellent as well. Hamish Linklater as player Ralph Branca, was also very good. And it was nice to see Max Gail again...maybe his role could have been upgraded just a tad. Of course, director Brian Helgeland deserves a lot of credit here. When I looked at a list of his projects over the years, it was interesting to see no real type of film that he concentrates on.
A remarkable film which I recommend very, very highly. You'll feel like you know these interesting human beings.