When it sticks with it's heroes, it's consistently laugh-out-loud funny

Rating: 6/10 (10 November 2014)

"I want you to do exactly what you did last time!" bawls Captain Dickson (Ice Cube). No-one really expected 21 Jump Street (2012), a re-boot of a long-dead TV show, to be a hit. But it was, and a hit spells sequel in Hollywood. And so returning directors Phil Lord and Christopher Miller, fresh off the colossal success of The Lego Movie (2014), use 22 Jump Street as a canvas to riff-on the idea of sequels. Actually, to label it as a canvas is not doing it justice - Lord and Miller, two of the wackiest and most inventive directors of our time, stretch it out, beat it with a hammer, and make a strange yet lovable mess out of it.
Schmidt (Jonah Hill) and Jenko (Channing Tatum) do exactly what their captain says and head to college, going undercover to bust yet another drug ring. The film embraces repetition wholeheartedly, all the with a winning wink to camera, so we have a Vietnamese Jesus (as opposed to Korean), a suspicious teacher, explosive action-movie car chases, homoerotic bonding, an accidental drug intake, and plenty of scantily-clad ladies. It's a formula that has worked once already - the first film was a hoot and Tatum truly excelled - so the director's laugh at their own willingness to bend to demand and their audience's willingness to lap it up, but never in an offensive way. Lord and Miller make sure you're in on the joke.
But simply acknowledging the cliché doesn't necessarily mean that it makes for entirely satisfying viewing. The jokes are clever, yes, but it still means that we have to sit through a very similar film as we did the first. This is where Lord and Miller's energy really becomes important, as the visual pizazz and the sheer momentum of the one-liners and zippy editing prove an easy distraction from what could have ultimately been a one-joke movie. In one inspired scene, Schmidt and Jenko trip on Why-Phy (the new drug), with Schmidt having a bummer and Jenko euphoric. They share a split screen, each in their own weird little world, as Schmidt tries to break the barrier into Jenko's more colourful trip. It's a crazy scene, especially for a widespread release, but delivered with such commitment that it proves a ballsy move.
It's a shame that the action scenes get in the way, offering plenty of gunshots and explosions but never really rise above the kind of thing we've been given before in the old action movies it's lampooning. Other aspects also don't quite work - Schmidt's relationship with the gorgeous Maya (Amber Stevens) just feels unrealistic, Queen Latifah's appearance as Dickson's wife spawns a few jokes that simply don't work, and the whole thing feels over- long. But when it sticks with it's heroes, the film is consistently laugh-out-loud funny, and Tatum again delivers a performance that will leave many scratching their heads in disbelief at the idea that this is indeed the same person as the pouting, dead-eyed t**t from Step Up (2006).
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