Very nicely done!!

Rating: 9/10 (6 June 2016)

Can't really pick out anything poor in this.
Goodman's character was a bit of a departure for him. I guess the closest would be Hudsucker Proxy. He's a off-kilter jerk, not sure where he's coming from. He looks the part of a kidnapping weirdo, which initially disappointed me for being cliché.
Then after all the drama, he turns into a likable dad who just went overboard after the end of the world.
Finally at the end he's...we're not really sure. It wasn't cliché. Was he a pervert? Did he kidnap the girl as a daughter surrogate? Did he even kill the girl?
I did think that not telling the female lead that it was the end of the world was a device to add conflict and departed from what Goodman's character would have done. But that's forgivable.
All in all, I'd nominate him for an Oscar, maybe in Supporting. Not sure if he should win, though.
I'm not quite sure that they played enough with the element of if it really was the end of the world or not. The diseased woman on the other side of the hatch was good, and the supposed cars/helicopters (actually aliens in the end) was good. But---I felt a bit was missing.
Nice scene with the man/woman doing their monologues about their past. Very well done and was a springboard for subsequent turns.
I think I was expecting it not to be the end of the world once the girl escaped, but it was better that it was. It was a quick turn from the tone previously, but provided a solid 15 minute ending. And her arch was nice when she previously established that she runs when things are tough. But at the literal fork in the road, she chooses to drive toward the war.
Very highly recommended.