Definition: Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Positive Example 1 -
Input: CONTEXT: I think it's deliberately ambiguous. If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world. If it's fantasy, then of course only Ofelia can see these thing because she imagined them. I think part of Del Toro's purpose in the film was to maintain the plausibility of both of these interpretations. <sep> Q: Is Ofelia just dreaming things to get herself in a fairy world? A: If it's fantasy, then of course only Ofelia can see these thing because she imagined them  Q: Are the things happening for real but visible only to Ofelia? A: If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world  <sep> FOLLOWUP_Q: When Vidal pulls the mandrake root out of Ofelia's mother's bed, is it just a normal root?
Output: No

Positive Example 2 -
Input: CONTEXT: Spider-Man: Homecoming is following the Captain America: Civil War. I've seen the same trailer - and the clip with Spidey holding Cap's shield seems to be lifted straight from the CA:CW movie during the airport fight. Later in the trailer (or in another trailer), Peter is boasting to his friend about meeting Iron Man and the Avengers, and how he stole Captain America's shield from him.  <sep> FOLLOWUP_Q: When did Spider-Man steal Captain America's shield?
Output: Yes

Negative Example 1 -
Input: CONTEXT: Logan's plan earlier in the movie was to buy a sailboat and sail to the ocean with the Professor, where they would spend their last days. Out on the sea, the Professor wouldn't pose a threat to other humans when he lost his control over his ability. If I am not mistaken the Professor liked that idea - being out on the sea. When he died and Logan buried him, it was near a lake, so he was at least near water - Since Logan was emotional about the death of the Professor these were the only words he managed to say as a kind of eulogy. <sep> Q: What was Logan's plan? A: to buy a sailboat and sail to the ocean with the Professor <sep> FOLLOWUP_Q: Where did logan bury Professor?
Output: No

Negative Example 2 -
Input: CONTEXT: Yes. He's supposed to be the same character. The timeline of the story arc is all over the place now but Spectre could be regarded as a prequel to the series before Daniel Craig. Some say a reboot but apparently its all supposed to be the same story. This falls apart because of Judi Denchs M, Bond's previous encounters with Spectre and Blofeld etc though. <sep> Q: Is Franz Oberhauser related to the original Blofeld? A: He's supposed to be the same character <sep> FOLLOWUP_Q: Why was Bond running over the train?
Output: Yes

Now complete the following example -
Input: CONTEXT: The annoying phone ring in the Once Upon a Time in America scene you quoted, is there not for the purpose of annoying the viewer (which I admit id does a bit), but is there to share with the viewer and impress in the audience the feeling experienced by Noodles (De Niro). In order to reach the desidered effect, it has to be long and certainly not pleasant. The phone ring is not real, it's just in Noodles head and expresses the metaphorical ring of his guilty conscience, which is stirred in the opium den by the newspaper's headlines hovering over the photos of Max, Patsy and Cockeye that read "Bootleggers trapped by Feds; Three Slain". Noodles tries once again to obliterate the painful memory of his betrayal triggered by the newspaper by sucking greedily on the opium pipe, bu to no avail. The scene is also beautifully edited in reverse, thus the audience does really understand the meaning of the ringing phone only at the end of the sequence, when we see Noodles picking up the phone and calling the desk of Sergeant Halloran (we are only shown the nametag on his desk). When Halloran (or one of his agents) picks up, the ringing stops and is replaced by a deafening, high-pitched noise that forces Noodles to stand up, no matter the amount of opium smoked. Here's the phone ring scene from Youtube:  <sep>  Q: What is the significance of annoying phone ring? A: The annoying phone ring in the Once Upon a Time in America scene you quoted, is there not for the purpose of annoying the viewer (which I admit id does a bit  Q: What is the purpose for it if not for annoying the viewer? A: is there to share with the viewer and impress in the audience the feeling experienced by Noodles (De Niro  Q: What feeling is Noodles experiencing? A: The phone ring is not real, it's just in Noodles head and expresses the metaphorical ring of his guilty conscience  <sep> FOLLOWUP_Q: What was Noodles feeling guilty about?
Output: 


Answer: Yes