Definition: Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Positive Example 1 -
Input: CONTEXT: I think it's deliberately ambiguous. If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world. If it's fantasy, then of course only Ofelia can see these thing because she imagined them. I think part of Del Toro's purpose in the film was to maintain the plausibility of both of these interpretations. <sep> Q: Is Ofelia just dreaming things to get herself in a fairy world? A: If it's fantasy, then of course only Ofelia can see these thing because she imagined them  Q: Are the things happening for real but visible only to Ofelia? A: If it's real, the inconsistencies are easily explained by Vidal's fascist belief system. These elements simply are not part of his world  <sep> FOLLOWUP_Q: When Vidal pulls the mandrake root out of Ofelia's mother's bed, is it just a normal root?
Output: No

Positive Example 2 -
Input: CONTEXT: Spider-Man: Homecoming is following the Captain America: Civil War. I've seen the same trailer - and the clip with Spidey holding Cap's shield seems to be lifted straight from the CA:CW movie during the airport fight. Later in the trailer (or in another trailer), Peter is boasting to his friend about meeting Iron Man and the Avengers, and how he stole Captain America's shield from him.  <sep> FOLLOWUP_Q: When did Spider-Man steal Captain America's shield?
Output: Yes

Negative Example 1 -
Input: CONTEXT: Logan's plan earlier in the movie was to buy a sailboat and sail to the ocean with the Professor, where they would spend their last days. Out on the sea, the Professor wouldn't pose a threat to other humans when he lost his control over his ability. If I am not mistaken the Professor liked that idea - being out on the sea. When he died and Logan buried him, it was near a lake, so he was at least near water - Since Logan was emotional about the death of the Professor these were the only words he managed to say as a kind of eulogy. <sep> Q: What was Logan's plan? A: to buy a sailboat and sail to the ocean with the Professor <sep> FOLLOWUP_Q: Where did logan bury Professor?
Output: No

Negative Example 2 -
Input: CONTEXT: Yes. He's supposed to be the same character. The timeline of the story arc is all over the place now but Spectre could be regarded as a prequel to the series before Daniel Craig. Some say a reboot but apparently its all supposed to be the same story. This falls apart because of Judi Denchs M, Bond's previous encounters with Spectre and Blofeld etc though. <sep> Q: Is Franz Oberhauser related to the original Blofeld? A: He's supposed to be the same character <sep> FOLLOWUP_Q: Why was Bond running over the train?
Output: Yes

Now complete the following example -
Input: CONTEXT: Let us assume that the love that Persephone once enjoyed was with Merovingian. Merovingian and Persephone have slightly more human traits than other programs, they enjoy fine food, wine, languages. While Persephone talks of love, Merovingian displays lust ("The lipstick that is not on Merovingian's face"). Merovingian is shown to cheat on Persephone. Surprisingly, he uses a special code to trigger sexual reactions in a woman and gets serviced by her! Persephone's envy leads her to give Neo and gang the Key Maker's location. The Oracle mentions Merovingian to be the oldest of them, a powerful program. No program other than the Oracle has the purpose to be human like. The fact that Merovingian and Persephone turn human-like is them exhibiting programmatic roguishness. Their initial purpose is not mentioned, but the period of love that Persephone mentions is when they went rogue. Merovingian controls the virtual afterlife through the train-man program. This is where exiled programs seek refuge. Though this is the current operation, perhaps in the beginning, Merovingian was created with the purpose of Programmatic Garbage Collection. Once a program has served its purpose it needs to be de-allocated from the computing resource pool. (Eg: JVM provided by Java has a Garbage Collector which does a clean up periodically). The program Persephone was perhaps a supporting function to this Programmatic Garbage Collection, which is how they met.  <sep>  Q: What were the origins of Persephone in The Matrix: Reloaded? A: Though this is the current operation, perhaps in the beginning, Merovingian was created with the purpose of Programmatic Garbage Collection  Q: Why would they create a program with no use? A: No program other than the Oracle has the purpose to be human like. The fact that Merovingian and Persephone turn human-like is them exhibiting programmatic roguishness  Q: Are there any other characters in the matrix that are similar? A: Persephone turn human-like is them exhibiting programmatic roguishness  <sep> FOLLOWUP_Q: When did the movie The matrix: reloaded come out
Output: 


Answer: No