has expressed regret.” But, as the criticism of Clinton as First Lady became more caustic, Karel became more empathetic. “When I’m playing him, I feel powerful,” the Donald Trump impersonator John Di Domenico explained to Slate last year. As the hysteria of the 2016 Presidential election intensifies, a more troubling threat than bullshit preoccupies Karel. They’re usually artists who want to do a bunch of stuff. Then the commercial ends. Miami Bass producers were clinical in the art of moving butts—their main concern. In a recent interview, Zay and Zayion described recording their version of “Knuck If You Buck” on a home laptop. But challenges, and the songs that score them, add a connective, traceable nervous system to the writhing mass of grainy video loops. Their revivals underscore