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After the fall of the Umayyad Caliphate, numerous local dynasties emerged, including the Rustamids, Aghlabids, Fatimids, Zirids, Hammadids, Almoravids, Almohads and the Zayyanids. The Christians left in three waves: after the initial conquest, in the 10th century and the 11th. The last were evacuated to Sicily by the Normans and the few remaining died out in the 14th century. During the Middle Ages, North Africa was home to many great scholars, saints and sovereigns including Judah Ibn Quraysh, the first grammarian to mention Semitic and Berber languages, the great Sufi masters Sidi Boumediene (Abu Madyan) and Sidi El Houari, and the Emirs Abd Al Mu'min and Yāghmūrasen. It was during this time that the Fatimids or children of Fatima, daughter of Muhammad, came to the Maghreb. These "Fatimids" went on to found a long lasting dynasty stretching across the Maghreb, Hejaz and the Levant, boasting a secular inner government, as well as a powerful army and navy, made up primarily of Arabs and Levantines extending from Algeria to their capital state of Cairo. The Fatimid caliphate began to collapse when its governors the Zirids seceded. To punish them the Fatimids sent the Arab Banu Hilal and Banu Sulaym against them. The resultant war is recounted in the epic Tāghribāt. In Al-Tāghrībāt the Amazigh Zirid Hero Khālīfā Al-Zānatī asks daily, for duels, to defeat the Hilalan hero Ābu Zayd al-Hilalī and many other Arab knights in a string of victories. The Zirids, however, were ultimately defeated ushering in an adoption of Arab customs and culture. The indigenous Amazigh tribes, however, remained largely independent, and depending on tribe, location and time controlled varying parts of the Maghreb, at times unifying it (as under the Fatimids). The Fatimid Islamic state, also known as Fatimid Caliphate made an Islamic empire that included North Africa, Sicily, Palestine, Jordan, Lebanon, Syria, Egypt, the Red Sea coast of Africa, Tihamah, Hejaz and Yemen. Caliphates from Northern Africa traded with the other empires of their time, as well as forming part of a confederated support and trade network with other Islamic states during the Islamic Era. The Berber people historically consisted of several tribes. The two main branches were the Botr and Barnès tribes, who were divided into tribes, and again into sub-tribes. Each region of the Maghreb contained several tribes (for example, Sanhadja, Houara, Zenata, Masmouda, Kutama, Awarba, and Berghwata). All these tribes made independent territorial decisions. Several Amazigh dynasties emerged during the Middle Ages in the Maghreb and other nearby lands.
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Ibn Khaldun provides a table summarising the Amazigh dynasties of the Maghreb region, the Zirid, Ifranid, Maghrawa, Almoravid, Hammadid, Almohad, Merinid, Abdalwadid, Wattasid, Meknassa and Hafsid dynasties. Both of the Hammadid and Zirid empires as well as the Fatimids established their rule in all of the Maghreb countries. The Zirids ruled land in what is now Algeria, Tunisia, Morocco, Libya, Spain, Malta and Italy. The Hammadids captured and held important regions such as Ouargla, Constantine, Sfax, Susa, Algiers, Tripoli and Fez establishing their rule in every country in the Maghreb region. The Fatimids which was created and established by the Kutama Berbers conquered all of North Africa as well as Sicily and parts of the Middle East. Following the Berber revolt numerous independent states emerged across the Maghreb. In Algeria the Rustamid Kingdom was established. The Rustamid realm stretched from Tafilalt in Morocco to the Nafusa mountains in Libya including south, central and western Tunisia therefore including territory in all of the modern day Maghreb countries, in the south the Rustamid realm expanded to the modern borders of Mali and included territory in Mauritania. Once extending their control over all of the Maghreb, part of Spain and briefly over Sicily, originating from modern Algeria, the Zirids only controlled modern Ifriqiya by the 11th century. The Zirids recognised nominal suzerainty of the Fatimid caliphs of Cairo. El Mu'izz the Zirid ruler decided to end this recognition and declared his independence. The Zirids also fought against other Zenata Kingdoms, for example the Maghrawa, a Berber dynasty originating from Algeria and which at one point was a dominant power in the Maghreb ruling over much of Morocco and western Algeria including Fez, Sijilmasa, Aghmat, Oujda, most of the Sous and Draa and reaching as far as M'sila and the Zab in Algeria. As the Fatimid state was at the time too weak to attempt a direct invasion, they found another means of revenge. Between the Nile and the Red Sea were living Bedouin nomad tribes expelled from Arabia for their disruption and turbulency. The Banu Hilal and the Banu Sulaym for example, who regularly disrupted farmers in the Nile Valley since the nomads would often loot their farms. The then Fatimid vizier decided to destroy what he could not control, and broke a deal with the chiefs of these Bedouin tribes. The Fatimids even gave them money to leave. Whole tribes set off with women, children, elders, animals and camping equipment. Some stopped on the way, especially in Cyrenaica, where they are still one of the essential elements of the settlement but most arrived in Ifriqiya by the Gabes region, arriving 1051.
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The Zirid ruler tried to stop this rising tide, but with each encounter, the last under the walls of Kairouan, his troops were defeated and the Arabs remained masters of the battlefield. The Arabs usually did not take control over the cities, instead looting them and destroying them. The invasion kept going, and in 1057 the Arabs spread on the high plains of Constantine where they encircled the Qalaa of Banu Hammad (capital of the Hammadid Emirate), as they had done in Kairouan a few decades ago. From there they gradually gained the upper Algiers and Oran plains. Some of these territories were forcibly taken back by the Almohads in the second half of the 12th century. The influx of Bedouin tribes was a major factor in the linguistic, cultural Arabisation of the Maghreb and in the spread of nomadism in areas where agriculture had previously been dominant. Ibn Khaldun noted that the lands ravaged by the Banu Hilal tribes had become completely arid desert. The Almohads originating from modern day Morocco, although founded by a man originating from modern day Algeria known as Abd al-Mu'min would soon take control over the Maghreb. During the time of the Almohad Dynasty Abd al-Mu'min's tribe, the Koumïa, were the main supporters of the throne and the most important body of the empire. Defeating the weakening Almoravid Empire and taking control over Morocco in 1147, they pushed into Algeria in 1152, taking control over Tlemcen, Oran, and Algiers, wrestling control from the Hilian Arabs, and by the same year they defeated Hammadids who controlled Eastern Algeria. Following their decisive defeat in the Battle of Las Navas de Tolosa in 1212 the Almohads began collapsing, and in 1235 the governor of modern-day Western Algeria, Yaghmurasen Ibn Zyan declared his independence and established the Kingdom of Tlemcen and the Zayyanid dynasty. Warring with the Almohad forces attempting to restore control over Algeria for 13 years, they defeated the Almohads in 1248 after killing their Caliph in a successful ambush near Oujda. The Zayyanids retained their control over Algeria for 3 centuries. Much of the eastern territories of Algeria were under the authority of the Hafsid dynasty, although the Emirate of Bejaia encompassing the Algerian territories of the Hafsids would occasionally be independent from central Tunisian control. At their peak the Zayyanid kingdom included all of Morocco as its vassal to the west and in the east reached as far as Tunis which they captured during the reign of Abu Tashfin. After several conflicts with local Barbary pirates sponsored by the Zayyanid sultans, Spain decided to invade Algeria and defeat the native Kingdom of Tlemcen. In 1505, they invaded and captured Mers el Kébir, and in 1509 after a bloody siege, they conquered Oran.
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Following their decisive victories over the Algerians in the western-coastal areas of Algeria, the Spanish decided to get bolder, and invaded more Algerian cities. In 1510, they led a series of sieges and attacks, taking over Bejaia in a large siege, and leading a semi-successful siege against Algiers. They also besieged Tlemcen. In 1511, they took control over Cherchell and Jijel, and attacked Mostaganem where although they were not able to conquer the city, they were able to force a tribute on them. Early modern era. In 1516, the Turkish privateer brothers Aruj and Hayreddin Barbarossa, who operated successfully under the Hafsids, moved their base of operations to Algiers. They succeeded in conquering Jijel and Algiers from the Spaniards with help from the locals who saw them as liberators from the Christians, but the brothers eventually assassinated the local noble Salim al-Tumi and took control over the city and the surrounding regions. Their state is known as the Regency of Algiers. When Aruj was killed in 1518 during his invasion of Tlemcen, Hayreddin succeeded him as military commander of Algiers. The Ottoman sultan gave him the title of beylerbey and a contingent of some 2,000 janissaries. With the aid of this force and native Algerians, Hayreddin conquered the whole area between Constantine and Oran (although the city of Oran remained in Spanish hands until 1792). The next beylerbey was Hayreddin's son Hasan, who assumed the position in 1544. He was a Kouloughli or of mixed origins, as his mother was an Algerian Mooresse. Until 1587 Beylerbeylik of Algiers was governed by Beylerbeys who served terms with no fixed limits. Subsequently, with the institution of a regular administration, governors with the title of pasha ruled for three-year terms. The pasha was assisted by an autonomous janissary unit, known in Algeria as the Ojaq who were led by an agha. Discontent among the ojaq rose in the mid-1600s because they were not paid regularly, and they repeatedly revolted against the pasha. As a result, the agha charged the pasha with corruption and incompetence and seized power in 1659. Plague had repeatedly struck the cities of North Africa. Algiers lost between 30,000 and 50,000 inhabitants to the plague in 1620–21, and had high fatalities in 1654–57, 1665, 1691 and 1740–42. The Barbary pirates preyed on Christian and other non-Islamic shipping in the western Mediterranean Sea. The pirates often took the passengers and crew on the ships and sold them or used them as slaves. They also did a brisk business in ransoming some of the captives. According to Robert Davis, from the 16th to 19th century, pirates captured 1 million to 1.25 million Europeans as slaves.
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They often made raids on European coastal towns to capture Christian slaves to sell at slave markets in North Africa and other parts of the Ottoman Empire. In 1544, for example, Hayreddin Barbarossa captured the island of Ischia, taking 4,000 prisoners, and enslaved some 9,000 inhabitants of Lipari, almost the entire population. In 1551, the Ottoman governor of Algiers, Turgut Reis, enslaved the entire population of the Maltese island of Gozo. Barbary pirates often attacked the Balearic Islands. The threat was so severe that residents abandoned the island of Formentera. The introduction of broad-sail ships from the beginning of the 17th century allowed them to branch out into the Atlantic. In July 1627 two pirate ships from Algiers under the command of Dutch pirate Jan Janszoon sailed as far as Iceland, raiding and capturing slaves. Two weeks earlier another pirate ship from Salé in Morocco had also raided in Iceland. Some of the slaves brought to Algiers were later ransomed back to Iceland, but some chose to stay in Algeria. In 1629, pirate ships from Algeria raided the Faroe Islands. In 1659, the Janissaries stationed in Algiers, also known commonly as the Odjak of Algiers; and the Reis or the company of corsair captains rebelled, they removed the Ottoman viceroy from power, and placed one of its own in power. The new leader received the title of "Agha" then "Dey" in 1671, and the right to select passed to the divan, a council of some sixty military senior officers. Thus Algiers became a sovereign military republic. It was at first dominated by the odjak; but by the 18th century, it had become the dey's instrument. Although Algiers remained nominally part of the Ottoman Empire, in reality they acted independently from the rest of the Empire, and often had wars with other Ottoman subjects and territories such as the Beylik of Tunis. The dey was in effect a constitutional autocrat. The dey was elected for a life term, but in the 159 years (1671–1830) that the system was in place, fourteen of the twenty-nine deys were assassinated. Despite usurpation, military coups and occasional mob rule, the day-to-day operation of the Deylikal government was remarkably orderly. Although the regency patronised the tribal chieftains, it never had the unanimous allegiance of the countryside, where heavy taxation frequently provoked unrest. Autonomous tribal states were tolerated, and the regency's authority was seldom applied in the Kabylia, although in 1730 the Regency was able to take control over the Kingdom of Kuku in western Kabylia. Many cities in the northern parts of the Algerian desert paid taxes to Algiers or one of its Beys.
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Barbary raids in the Mediterranean continued to attack Spanish merchant shipping, and as a result, the Spanish Empire launched an invasion in 1775, then the Spanish Navy bombarded Algiers in 1783 and 1784. For the attack in 1784, the Spanish fleet was to be joined by ships from such traditional enemies of Algiers as Naples, Portugal and the Knights of Malta. Over 20,000 cannonballs were fired, but all these military campaigns were doomed and Spain had to ask for peace in 1786 and paid 1 million pesos to the Dey. In 1792, Algiers took back Oran and Mers el Kébir, the two last Spanish strongholds in Algeria. In the same year, they conquered the Moroccan Rif and Oujda, which they then abandoned in 1795. In the 19th century, Algerian pirates forged affiliations with Caribbean powers, paying a "license tax" in exchange for safe harbor of their vessels. Attacks by Algerian pirates on American merchantmen resulted in the First and Second Barbary Wars, which ended the attacks on U.S. ships in 1815. A year later, a combined Anglo-Dutch fleet, under the command of Lord Exmouth bombarded Algiers to stop similar attacks on European fishermen. These efforts proved successful, although Algerian piracy would continue until the French conquest in 1830. French colonisation (1830–1962). Under the pretext of a slight to their consul, the French invaded and captured Algiers in 1830. According to several historians, the methods used by the French to establish control over Algeria reached genocidal proportions. Historian Ben Kiernan wrote on the French conquest of Algeria: "By 1875, the French conquest was complete. The war had killed approximately 825,000 indigenous Algerians since 1830". French losses from 1831 to 1851 were 92,329 dead in the hospital and only 3,336 killed in action. In 1872, The Algerian population stood at about 2.9 million. French policy was predicated on "civilising" the country. The slave trade and piracy in Algeria ceased following the French conquest. The conquest of Algeria by the French took some time and resulted in considerable bloodshed. A combination of violence and disease epidemics caused the indigenous Algerian population to decline by nearly one-third from 1830 to 1872. On 17 September 1860, Napoleon III declared "Our first duty is to take care of the happiness of the three million Arabs, whom the fate of arms has brought under our domination." During this time, only Kabylia resisted, the Kabylians were not colonised until after the Mokrani Revolt in 1871.
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Alexis de Tocqueville wrote and never completed an unpublished essay outlining his ideas for how to transform Algeria from an occupied tributary state to a colonial regime, wherein he advocated for a mixed system of "total domination and total colonisation" whereby French military would wage total war against civilian populations while a colonial administration would provide rule of law and property rights to settlers within French occupied cities. From 1848 until independence, France administered the whole Mediterranean region of Algeria as an integral part and "département" of the nation. One of France's longest-held overseas territories, Algeria became a destination for hundreds of thousands of European immigrants, who became known as "colons" and later, as "Pied-Noirs." Between 1825 and 1847, 50,000 French people emigrated to Algeria. These settlers benefited from the French government's confiscation of communal land from tribal peoples, and the application of modern agricultural techniques that increased the amount of arable land. Many Europeans settled in Oran and Algiers, and by the early 20th century they formed a majority of the population in both cities. During the late 19th and early 20th century, the European share was almost a fifth of the population. The French government aimed at making Algeria an assimilated part of France, and this included substantial educational investments especially after 1900. The indigenous cultural and religious resistance heavily opposed this tendency, but in contrast to the other colonised countries' path in central Asia and Caucasus, Algeria kept its individual skills and a relatively human-capital intensive agriculture. During the Second World War, Algeria came under Vichy control before being liberated by the Allies in Operation Torch, which saw the first large-scale deployment of American troops in the North African campaign. Gradually, dissatisfaction among the Muslim population, which lacked political and economic status under the colonial system, gave rise to demands for greater political autonomy and eventually independence from France. In May 1945, the uprising against the occupying French forces was suppressed through what is now known as the Sétif and Guelma massacre. Tensions between the two population groups came to a head in 1954, when the first violent events of what was later called the Algerian War began after the publication of the Declaration of 1 November 1954. Historians have estimated that between 30,000 and 150,000 Harkis and their dependents were killed by the National Liberation Front (FLN) or by lynch mobs in Algeria. The FLN used hit and run attacks in Algeria and France as part of its war, and the French conducted severe reprisals. In addition, the French destroyed over 8,000 villages and relocated over 2 million Algerians to concentration camps. The war led to the death of hundreds of thousands of Algerians and hundreds of thousands of injuries.
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Historians, like Alistair Horne and Raymond Aron, state that the actual number of Algerian Muslim war dead was far greater than the original FLN and official French estimates but was less than the 1 million deaths claimed by the Algerian government after independence. Horne estimated Algerian casualties during the span of eight years to be around 700,000. The war uprooted more than 2 million Algerians. The war against French rule concluded in 1962, when Algeria gained complete independence following the March 1962 Evian agreements and the July 1962 self-determination referendum. The first three decades of independence (1962–1991). The number of European "Pied-Noirs" who fled Algeria totaled more than 900,000 between 1962 and 1964. The exodus to mainland France accelerated after the Oran massacre of 1962, in which hundreds of militants entered European sections of the city and began attacking civilians. Algeria's first president was the Front de Libération Nationale (FLN) leader Ahmed Ben Bella. Morocco's claim to portions of western Algeria led to the Sand War in 1963. Ben Bella was overthrown in 1965 by Houari Boumédiène, his former ally and defence minister. Under Ben Bella, the government had become increasingly socialist and authoritarian; Boumédienne continued this trend. However, he relied much more on the army for his support, and reduced the sole legal party to a symbolic role. He collectivised agriculture and launched a massive industrialisation drive. Oil extraction facilities were nationalised. This was especially beneficial to the leadership after the international 1973 oil crisis. Boumédienne's successor, Chadli Bendjedid, introduced some liberal economic reforms. He promoted a policy of Arabisation in Algerian society and public life. Teachers of Arabic, brought in from other Muslim countries, spread conventional Islamic thought in schools and sowed the seeds of a return to Orthodox Islam. The Algerian economy became increasingly dependent on oil, leading to hardship when the price collapsed during the 1980s oil glut. Economic recession caused by the crash in world oil prices resulted in Algerian social unrest during the 1980s; by the end of the decade, Bendjedid introduced a multi-party system. Political parties developed, such as the Islamic Salvation Front (FIS), a broad coalition of Muslim groups. Civil War (1991–2002) and aftermath. In December 1991 the Islamic Salvation Front dominated the first of two rounds of legislative elections. Fearing the election of an Islamist government, the authorities intervened on 11 January 1992, cancelling the elections. Bendjedid resigned and a High Council of State was installed to act as the Presidency. It banned the FIS, triggering a civil insurgency between the Front's armed wing, the Armed Islamic Group, and the national armed forces, in which more than 100,000 people are thought to have died.
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The Islamist militants conducted a violent campaign of civilian massacres. At several points in the conflict, the situation in Algeria became a point of international concern, most notably during the crisis surrounding Air France Flight 8969, a hijacking perpetrated by the Armed Islamic Group. The Armed Islamic Group declared a ceasefire in October 1997. Algeria held elections in 1999, considered biased by international observers and most opposition groups which were won by President Abdelaziz Bouteflika. He worked to restore political stability to the country and announced a "Civil Concord" initiative, approved in a referendum, under which many political prisoners were pardoned, and several thousand members of armed groups were granted exemption from prosecution under a limited amnesty, in force until 13 January 2000. The AIS disbanded and levels of insurgent violence fell rapidly. The Groupe Salafiste pour la Prédication et le Combat (GSPC), a splinter group of the Armed Islamic Group, continued a terrorist campaign against the Government. Bouteflika was re-elected in the April 2004 presidential election after campaigning on a programme of national reconciliation. The programme comprised economic, institutional, political and social reform to modernise the country, raise living standards, and tackle the causes of alienation. It also included a second amnesty initiative, the Charter for Peace and National Reconciliation, which was approved in a referendum in September 2005. It offered amnesty to most guerrillas and Government security forces. In November 2008, the Algerian Constitution was amended following a vote in Parliament, removing the two-term limit on Presidential incumbents. This change enabled Bouteflika to stand for re-election in the 2009 presidential elections, and he was re-elected in April 2009. During his election campaign and following his re-election, Bouteflika promised to extend the programme of national reconciliation and a $150-billion spending programme to create three million new jobs, the construction of one million new housing units, and to continue public sector and infrastructure modernisation programmes. A continuing series of protests throughout the country started on 28 December 2010, inspired by similar protests across the Middle East and North Africa. On 24 February 2011, the government lifted Algeria's 19-year-old state of emergency. The government enacted legislation dealing with political parties, the electoral code, and the representation of women in elected bodies. In April 2011, Bouteflika promised further constitutional and political reform. However, elections are routinely criticised by opposition groups as unfair and international human rights groups say that media censorship and harassment of political opponents continue. On 2 April 2019, Bouteflika resigned from the presidency after mass protests against his candidacy for a fifth term in office.
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In December 2019, Abdelmadjid Tebboune became Algeria's president, after winning the first round of the presidential election with a record abstention rate – the highest of all presidential elections since Algeria's democracy in 1989. Tebboune is accused of being close to the military and being loyal to the deposed president. Tebboune rejects these accusations, claiming to be the victim of a witch hunt. He also reminds his detractors that he was expelled from the Government in August 2017 at the instigation of oligarchs languishing in prison. In September 2024, President Tebboune won a second term with a landslide 84.3 percent of the vote, although his opponents called the results fraud. Geography. Since the 2011 breakup of Sudan, and the creation of South Sudan, Algeria has been the largest country in Africa, and the Mediterranean Basin. Its southern part includes a significant portion of the Sahara. To the north, the Tell Atlas forms with the Saharan Atlas, further south, two parallel sets of reliefs in approaching eastbound, and between which are inserted vast plains and highlands. Both Atlas tend to merge in eastern Algeria. The vast mountain ranges of Aures and Nememcha occupy the entire northeastern Algeria and are delineated by the Tunisian border. The highest point is Mount Tahat (). Algeria lies mostly between latitudes 19° and 37°N (a small area is north of 37°N and south of 19°N), and longitudes 9°W and 12°E. Most of the coastal area is hilly, sometimes even mountainous, and there are a few natural harbours. The area from the coast to the Tell Atlas is fertile. South of the Tell Atlas is a steppe landscape ending with the Saharan Atlas; farther south, there is the Sahara desert. The Hoggar Mountains (), also known as the Hoggar, are a highland region in central Sahara, southern Algeria. They are located about south of the capital, Algiers, and just east of Tamanghasset. Algiers, Oran, Constantine, and Annaba are Algeria's main cities. Climate and hydrology. In this region, midday desert temperatures can be hot year round. After sunset, however, the clear, dry air permits rapid loss of heat, and the nights are cool to chilly. Enormous daily ranges in temperature are recorded. Rainfall is fairly plentiful along the coastal part of the Tell Atlas, ranging from annually, the amount of precipitation increasing from west to east. Precipitation is heaviest in the northern part of eastern Algeria, where it reaches as much as in some years. Farther inland, the rainfall is less plentiful. Algeria also has ergs, or sand dunes, between mountains.
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Among these, in the summer time when winds are heavy and gusty, temperatures can go up to . Fauna and flora. The varied vegetation of Algeria includes coastal, mountainous and grassy desert-like regions which all support a wide range of wildlife. In Algeria forest cover is around 1% of the total land area, equivalent to 1,949,000 hectares (ha) of forest in 2020, up from 1,667,000 hectares (ha) in 1990. In 2020, naturally regenerating forest covered 1,439,000 hectares (ha) and planted forest covered 510,000 hectares (ha). Of the naturally regenerating forest 0% was reported to be primary forest (consisting of native tree species with no clearly visible indications of human activity) and around 6% of the forest area was found within protected areas. For the year 2015, 80% of the forest area was reported to be under public ownership, 18% private ownership and 2% with ownership listed as other or unknown. Many of the creatures constituting the Algerian wildlife live in close proximity to civilisation. The most commonly seen animals include the wild boars, jackals, and gazelles, although it is not uncommon to spot fennecs (foxes), and jerboas. Algeria also has a small African leopard and Saharan cheetah population, but these are seldom seen. A species of deer, the Barbary stag, inhabits the dense humid forests in the north-eastern areas. The fennec fox is the national animal of Algeria. A variety of bird species makes the country an attraction for bird watchers. The forests are inhabited by boars and jackals. Barbary macaques are the sole native monkey. Snakes, monitor lizards, and numerous other reptiles can be found living among an array of rodents throughout the semi arid regions of Algeria. Many animals are now extinct, including the Barbary lions, Atlas bears and crocodiles. In the north, some of the native flora includes Macchia scrub, olive trees, oaks, cedars and other conifers. The mountain regions contain large forests of evergreens (Aleppo pine, juniper, and evergreen oak) and some deciduous trees. Fig, eucalyptus, agave, and various palm trees grow in the warmer areas. The grape vine is indigenous to the coast. In the Sahara region, some oases have palm trees. Acacias with wild olives are the predominant flora in the remainder of the Sahara. Algeria had a 2018 Forest Landscape Integrity Index mean score of 5.22/10, ranking it 106th globally out of 172 countries. Camels are used extensively; the desert also abounds with venomous and nonvenomous snakes, scorpions, and numerous insects. Government and politics. Algeria's government has been described as authoritarian, and elected politicians have relatively little sway over affairs in the country.
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Instead, a group of unelected civilian and military "décideurs" ("deciders"), known as "le pouvoir" ("the power"), de facto rule the country, even deciding who should be president. The most powerful man might have been Mohamed Mediène, the head of military intelligence, before he was brought down during the 2019 protests. In recent years, many of these generals have died, retired, or been imprisoned. After the death of General Larbi Belkheir, previous president Bouteflika put loyalists in key posts, notably at Sonatrach, and secured constitutional amendments that made him re-electable indefinitely, until he was brought down in 2019 during protests. The head of state is the President of Algeria, who is elected for a five-year term. The president is limited to two five-year terms. The most recent presidential election was planned to be in April 2019, but widespread protests erupted on 22 February against the president's decision to participate in the election, which resulted in President Bouteflika announcing his resignation on 3 April. Abdelmadjid Tebboune, an independent candidate, was elected as president after the election eventually took place on 12 December 2019. Protestors refused to recognise Tebboune as president, citing demands for comprehensive reform of the political system. Algeria has universal suffrage at 18 years of age. The President is the head of the army, the Council of Ministers and the High Security Council. He appoints the Prime Minister who is also the head of government. The Algerian parliament is bicameral; the lower house, the People's National Assembly, has 462 members who are directly elected for five-year terms, while the upper house, the Council of the Nation, has 144 members serving six-year terms, of which 96 members are chosen by local assemblies and 48 are appointed by the president. According to the constitution, no political association may be formed if it is "based on differences in religion, language, race, gender, profession, or region". In addition, political campaigns must be exempt from the aforementioned subjects. Parliamentary elections were last held in June 2021. In the elections, the FLN lost 66 of its seats, but remained the largest party with 98 seats. Other parties included the Movement of the Society for Peace which won 65 seats, the National Rally for Democracy which won 58 seats, the Future Front which won 48 seats, and the National Construction Movement which won 39 seats. Foreign relations. Algeria is included in the European Union's European Neighbourhood Policy (ENP) which aims at bringing the EU and its neighbours closer.
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Giving incentives and rewarding best performers, as well as offering funds in a faster and more flexible manner, are the two main principles underlying the European Neighbourhood Instrument (ENI) that came into force in 2014. It has a budget of €15.4 billion and provides the bulk of funding through a number of programmes. In 2009, the French government agreed to compensate victims of nuclear tests in Algeria. Defence Minister Hervé Morin stated that "It's time for our country to be at peace with itself, at peace thanks to a system of compensation and reparations", when presenting the draft law on the payouts. Algerian officials and activists believe that this is a good first step and hope that this move would encourage broader reparation. Tensions between Algeria and Morocco in relation to the Western Sahara have been an obstacle to tightening the Arab Maghreb Union, nominally established in 1989, but which has carried little practical weight. On 24 August 2021, Algeria announced the break of diplomatic relations with Morocco. Military. The military of Algeria consists of the People's National Army (ANP), the Algerian National Navy (MRA), and the Algerian Air Force (QJJ), plus the Territorial Air Defence Forces. It is the direct successor of the National Liberation Army (Armée de Libération Nationale or ALN), the armed wing of the nationalist National Liberation Front which fought French colonial occupation during the Algerian War of Independence (1954–62). Total military personnel include 147,000 active, 150,000 reserve, and 187,000 paramilitary staff (2008 estimate). Service in the military is compulsory for men aged 19–30, for a total of 12 months. The military expenditure was 4.3% of the gross domestic product (GDP) in 2012. Algeria has the second-largest military in North Africa with the largest defence budget in Africa ($10 billion). Most of Algeria's weapons are imported from Russia, with whom they are a close ally. In 2007, the Algerian Air Force signed a deal with Russia to purchase 49 MiG-29SMT and 6 MiG-29UBT at an estimated cost of $1.9 billion. Russia is also building two 636-type diesel submarines for Algeria. Algeria is the 90th most peaceful country in the world, according to the 2024 Global Peace Index. Human rights. Algeria has been categorised by the US government funded Freedom House as "not free" since it began publishing such ratings in 1972, with the exception of 1989, 1990, and 1991, when the country was labelled "partly free". In December 2016, the "Euro-Mediterranean Human Rights Monitor" issued a report regarding violation of media freedom in Algeria.
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It clarified that the Algerian government imposed restrictions on freedom of the press; expression; and right to peaceful demonstration, protest and assembly as well as intensified censorship of the media and websites. Due to the fact that the journalists and activists criticise the ruling government, some media organisations' licenses are cancelled. Independent and autonomous trade unions face routine harassment from the government, with many leaders imprisoned and protests suppressed. In 2016, a number of unions, many of which were involved in the 2010–2012 Algerian Protests, have been deregistered by the government. Homosexuality is illegal in Algeria. Public homosexual behavior is punishable by up to two years in prison. Despite this, about 26% of Algerians think that homosexuality should be accepted, according to the survey conducted by the BBC News Arabic-Arab Barometer in 2019. Algeria showed the highest LGBT acceptance compared to other Arab countries where the survey was conducted. Human Rights Watch has accused the Algerian authorities of using the COVID-19 pandemic as an excuse to prevent pro-democracy movements and protests in the country, leading to the arrest of youths as part of social distancing. Administrative divisions. Algeria is divided into 58 provinces ("wilayas"), 553 districts ("daïras") and 1,541 municipalities ("baladiyahs"). Each province, district, and municipality is named after its seat, which is usually the largest city. The administrative divisions have changed several times since independence. When introducing new provinces, the numbers of old provinces are kept, hence the non-alphabetical order. With their official numbers, currently (since 1983) they are: Economy. Algeria's currency is the dinar (DZD). The economy remains dominated by the state, a legacy of the country's socialist post-independence development model. In June 2024 The World Bank's 2024 report marks a turning point for Algeria, which joins the select club of upper-middle-income countries. This economic rise, the result of an ambitious development strategy, places the country in the same category as emerging powers such as China, Brazil and Turkey In recent years, the Algerian government has halted the privatisation of state-owned industries and imposed restrictions on imports and foreign involvement in its economy. These restrictions are just starting to be lifted off recently although questions about Algeria's slowly-diversifying economy remain. Algeria has struggled to develop industries outside hydrocarbons in part because of high costs and an inert state bureaucracy. The government's efforts to diversify the economy by attracting foreign and domestic investment outside the energy sector have done little to reduce high youth unemployment rates or to address housing shortages.
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The country is facing a number of short-term and medium-term problems, including the need to diversify the economy, strengthen political, economic and financial reforms, improve the business climate and reduce inequalities among regions. A wave of economic protests in February and March 2011 prompted the Algerian government to offer more than $23 billion in public grants and retroactive salary and benefit increases. Public spending has increased by 27% annually during the past five years. The 2010–14 public-investment programme will cost US$286 billion, 40% of which will go to human development. Thanks to strong hydrocarbon revenues, Algeria has a cushion of $173 billion in foreign currency reserves and a large hydrocarbon stabilisation fund. In addition, Algeria's external debt is extremely low at about 2% of GDP. The economy remains very dependent on hydrocarbon wealth, and, despite high foreign exchange reserves (US$178 billion, equivalent to three years of imports), current expenditure growth makes Algeria's budget more vulnerable to the risk of prolonged lower hydrocarbon revenues. Algeria has not joined the WTO, despite several years of negotiations but is a member of the Greater Arab Free Trade Area, the African Continental Free Trade Area, and has an association agreement with the European Union. Turkish direct investments have accelerated in Algeria, with total value reaching $5 billion. As of 2022, the number of Turkish companies present in Algeria has reached 1,400. In 2020, despite the pandemic, more than 130 Turkish companies were created in Algeria. Oil and natural resources. Algeria, whose economy is reliant on petroleum, has been an OPEC member since 1969. Its crude oil production stands at around 1.1 million barrels/day, but it is also a major gas producer and exporter, with important links to Europe. Hydrocarbons have long been the backbone of the economy, accounting for roughly 60% of budget revenues, 30% of GDP, and 87.7% of export earnings. Algeria has the 10th-largest reserves of natural gas in the world and is the sixth-largest gas exporter. The U.S. Energy Information Administration reported that in 2005, Algeria had of proven natural gas reserves. It also ranks 16th in oil reserves. Non-hydrocarbon growth for 2011 was projected at 5%. To cope with social demands, the authorities raised expenditure, especially on basic food support, employment creation, support for SMEs, and higher salaries. High hydrocarbon prices have improved the current account and the already large international reserves position. Income from oil and gas rose in 2011 as a result of continuing high oil prices, though the trend in production volume is downward.
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Production from the oil and gas sector in terms of volume continues to decline, dropping from 43.2 million tonnes to 32 million tonnes between 2007 and 2011. Nevertheless, the sector accounted for 98% of the total volume of exports in 2011, against 48% in 1962, and 70% of budgetary receipts, or US$71.4 billion. The Algerian national oil company is Sonatrach, which plays a key role in all aspects of the oil and natural gas sectors in Algeria. All foreign operators must work in partnership with Sonatrach, which usually has majority ownership in production-sharing agreements. Access to biocapacity in Algeria is lower than world average. In 2016, Algeria had 0.53 global hectares of biocapacity per person within its territory, much less than the world average of 1.6 global hectares per person. In 2016, Algeria used 2.4 global hectares of biocapacity per person – their ecological footprint of consumption. This means they use just under 4.5 times as much biocapacity as Algeria contains. As a result, Algeria is running a biocapacity deficit. In April 2022, diplomats from Italy and Spain held talks after Rome's move to secure large volume of Algerian gas stoked concerns in Madrid. Under the deal between Algeria's Sonatrach and Italy's Eni, Algeria will send an additional 9 billion cubic metres of gas to Italy by next year and in 2024. Research and alternative energy sources. Algeria has invested an estimated 100 billion dinars towards developing research facilities and paying researchers. This development programme is meant to advance alternative energy production, especially solar and wind power. Algeria is estimated to have the largest solar energy potential in the Mediterranean, so the government has funded the creation of a solar science park in Hassi R'Mel. Currently, Algeria has 20,000 research professors at various universities and over 780 research labs, with state-set goals to expand to 1,000. Besides solar energy, areas of research in Algeria include space and satellite telecommunications, nuclear power and medical research. Labour market. The overall rate of unemployment was 11.8% in 2023. The government strengthened in 2011 the job programmes introduced in 1988, in particular in the framework of the programme to aid those seeking work (Dispositif d'Aide à l'Insertion Professionnelle). Despite a decline in total unemployment, youth and women unemployment is high. Tourism. The development of the tourism sector in Algeria had previously been hampered by a lack of facilities, but since 2004 a broad tourism development strategy has been implemented resulting in many hotels of a high modern standard being built.
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There are several UNESCO World Heritage Sites in Algeria which includes Al Qal'a of Beni Hammad, the first capital of the Hammadid empire; Tipasa, a Phoenician and later Roman town;Djémila and Timgad, both Roman ruins; M'Zab Valley, a limestone valley containing a large urbanised oasis; and the Casbah of Algiers, an important citadel. The only natural World Heritage Site in Algeria is the Tassili n'Ajjer, a mountain range. Transport. Two trans-African automobile routes pass through Algeria: The Algerian road network is the densest in Africa; its length is estimated at of highways, with more than 3,756 structures and a paving rate of 85%. This network will be complemented by the East-West Highway, a major infrastructure project currently under construction. It is a three-way, highway, linking Annaba in the extreme east to the Tlemcen in the far west. Algeria is also crossed by the Trans-Sahara Highway, which is now completely paved. This road is supported by the Algerian government to increase trade between the six countries crossed: Algeria, Mali, Niger, Nigeria, Chad, and Tunisia. Demographics. Algeria has a population of an estimated 45.6 million, of which the majority, 75% to 85% are ethnically Arab. At the outset of the 20th century, its population was approximately 4 million. About 90% of Algerians live in the northern, coastal area; the inhabitants of the Sahara desert are mainly concentrated in oases, although some 1.5 million remain nomadic or partly nomadic. 28.1% of Algerians are under the age of 15. Between 90,000 and 165,000 Sahrawis from Western Sahara live in the Sahrawi refugee camps, in the western Algerian Sahara desert. There are also more than 4,000 Palestinian refugees, who are well integrated and have not asked for assistance from the United Nations High Commissioner for Refugees (UNHCR). In 2009, 35,000 Chinese migrant workers lived in Algeria. The largest concentration of Algerian migrants outside Algeria is in France, which has reportedly over 1.7 million Algerians of up to the second generation. Ethnic groups. Arabs and indigenous Berbers as well as Phoenicians, Romans, Vandals, Byzantine Greeks, Turks, various Sub-Saharan Africans, and French have contributed to the history and culture of Algeria. Descendants of Andalusi refugees are also present in the population of Algiers and other cities. Moreover, Spanish was spoken by these Aragonese and Castillian Morisco descendants deep into the 18th century, and even Catalan was spoken at the same time by Catalan Morisco descendants in the small town of Grish El-Oued. Centuries of Arab migrations to the Maghreb since the seventh century shifted the demographic scope in Algeria. Estimates vary based on different sources.
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The majority of the population of Algeria is ethnically Arab, constituting between 75% and 80% to 85% of the population. Berbers who make up between 15% and 20% to 24% of the population are divided into many groups with varying languages. The largest of these are the Kabyles, who live in the Kabylie region east of Algiers, the Chaoui of Northeast Algeria, the Tuaregs in the southern desert and the Shenwa people of North Algeria. During the colonial period, there was a large (10% in 1960) European population who became known as "Pied-Noirs". They were primarily of French, Spanish and Italian origin. Almost all of this population left during the war of independence or immediately after its end. Languages. Modern Standard Arabic and Berber are the official languages. Algerian Arabic (Darja) is the language used by the majority of the population. Colloquial Algerian Arabic has some Berber loanwords which represent 8% to 9% of its vocabulary. Berber has been recognised as a "national language" by the constitutional amendment of 8 May 2002. Kabyle, the predominant Berber language, is taught and is partially co-official (with a few restrictions) in parts of Kabylie. Kabyle has a significant Arabic, French, Latin, Greek, Phoenician and Punic substratum, and Arabic loanwords represent 35% of the total Kabyle vocabulary. In February 2016, the Algerian constitution passed a resolution that made Berber an official language alongside Arabic. Algeria emerged as a bilingual state after 1962. Colloquial Algerian Arabic is spoken by about 83% of the population and Berber by 27%. Although French has no official status in Algeria, it has one of the largest Francophone populations in the world, and French is widely used in government, media (newspapers, radio, local television), and both the education system (from primary school onwards) and academia due to Algeria's colonial history. It can be regarded as a lingua franca of Algeria. In 2008, 11.2 million Algerians could read and write in French. In 2013, it was estimated that 60% of the population could speak or understand French. In 2022, it was estimated that 33% of the population was Francophone. The use of English in Algeria, though limited in comparison to the previously mentioned languages, has increased due to globalisation. In 2022 it was announced that English would be taught in elementary schools. Religion. Islam is the predominant religion in Algeria, with its adherents, mostly Sunnis, accounting for 99% of the population according to a 2021 CIA "World Factbook" estimate, and 97.9% according to Pew Research in 2020.
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There are about 290,000 Ibadis in the M'zab Valley in the region of Ghardaia. Prior to independence, Algeria was home to more than 1.3 million Christians (mostly of European ancestry). Most of the Christian settlers left to France after the country's independence. Today, estimates of the Christian population range from 100,000 to 200,000. Algerian citizens who are Christians predominantly belong to Protestant denominations, which have seen increased pressure from the government in recent years including many forced closures. According to the Arab Barometer in 2018–2019, the vast majority of Algerians (99.1%) continue to identify as Muslim. The June 2019 Arab Barometer-BBC News report found that the percentage of Algerians identifying as non-religious has grown from around 8% in 2013 to around 15% in 2018. The Arab Barometer December 2019, found that the growth in the percentage of Algerians identifying as non-religious is largely driven by young Algerians, with roughly 25% describing themselves as non-religious. However, the 2021 Arab Barometer report found that those who said they were not religious among Algerians has decreased, with just 2.6% identifying as non-religious. In that same report, 69.5% of Algerians identified as religious and another 27.8% identifying as somewhat religious. Algeria has given the Muslim world a number of prominent thinkers, including Emir Abdelkader, Abdelhamid Ben Badis, Mouloud Kacem Naît Belkacem, Malek Bennabi and Mohamed Arkoun. Health. In 2018, Algeria had the highest numbers of physicians in the Maghreb region (1.72 per 1,000 people), nurses (2.23 per 1,000 people), and dentists (0.31 per 1,000 people). Access to "improved water sources" was around 97.4% of the population in urban areas and 98.7% of the population in the rural areas. Some 99% of Algerians living in urban areas, and around 93.4% of those living in rural areas, had access to "improved sanitation". According to the World Bank, Algeria is making progress towards its goal of "reducing by half the number of people without sustainable access to improved drinking water and basic sanitation by 2015". Given Algeria's young population, policy favours preventive health care and clinics over hospitals. In keeping with this policy, the government maintains an immunisation programme. However, poor sanitation and unclean water still cause tuberculosis, hepatitis, measles, typhoid fever, cholera and dysentery. The poor generally receive healthcare free of charge. Health records have been maintained in Algeria since 1882 and began adding Muslims living in the south to their vital record database in 1905 during French rule. Education.
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Since the 1970s, in a centralised system that was designed to significantly reduce the rate of illiteracy, the Algerian government introduced a decree by which school attendance became compulsory for all children aged between 6 and 15 years who have the ability to track their learning through the 20 facilities built since independence, now the literacy rate is around 92.6%. Since 1972, Arabic is used as the language of instruction during the first nine years of schooling. From the third year, French is taught and it is also the language of instruction for science classes. The students can also learn English, Italian, Spanish and German. In 2008, new programmes at the elementary appeared, therefore the compulsory schooling does not start at the age of six anymore, but at the age of five. Apart from the 122 private schools, the Universities of the State are free of charge. After nine years of primary school, students can go to a high school or to an educational institution. The school offers two programmes: general or technical. At the end of the third year of secondary school, students pass the exam of the baccalaureate, which allows once it is successful to pursue graduate studies in universities and institutes. Education is officially compulsory for children between the ages of six and 15. In 2008, the illiteracy rate for people over 10 was 22.3%, 15.6% for men and 29.0% for women. The province with the lowest rate of illiteracy was Algiers Province at 11.6%, while the province with the highest rate was Djelfa Province at 35.5%. Algeria has 26 universities and 67 institutions of higher education, which must accommodate a million Algerians and 80,000 foreign students in 2008. The University of Algiers, founded in 1879, is the oldest, it offers education in various disciplines (law, medicine, science and letters). Twenty-five of these universities and almost all of the institutions of higher education were founded after the independence of the country. Even if some of them offer instruction in Arabic like areas of law and the economy, most of the other sectors such as science and medicine continue to be provided in French and English. Among the most important universities, there are the University of Sciences and Technology Houari Boumediene, the University of Mentouri Constantine, and University of Oran Es-Senia. The University of Abou Bekr Belkaïd in Tlemcen and University of Batna Hadj Lakhdar occupy the 26th and 45th row in Africa. Algeria was ranked 115th in the Global Innovation Index in 2024. Culture. Modern Algerian literature, split between Arabic, Tamazight and French, has been strongly influenced by the country's recent history.
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Famous novelists of the 20th century include Mohammed Dib, Albert Camus, Kateb Yacine and Ahlam Mosteghanemi while Assia Djebar is widely translated. Among the important novelists of the 1980s were Rachid Mimouni, later vice-president of Amnesty International, and Tahar Djaout, murdered by an Islamist group in 1993 for his secularist views. Malek Bennabi and Frantz Fanon are noted for their thoughts on decolonisation; Augustine of Hippo was born in Tagaste (modern-day Souk Ahras); and Ibn Khaldun, though born in Tunis, wrote the Muqaddima while staying in Algeria. The works of the Sanusi family in pre-colonial times, and of Emir Abdelkader and Sheikh Ben Badis in colonial times, are widely noted. The Latin author Apuleius was born in Madaurus (Mdaourouch), in what later became Algeria. Contemporary Algerian cinema is varied in terms of genre, exploring a wider range of themes and issues. There has been a transition from cinema which focused on the war of independence to films more concerned with the everyday lives of Algerians. Art. Algerian painters, like Mohammed Racim and Baya, attempted to revive the prestigious Algerian past prior to French colonisation, at the same time that they have contributed to the preservation of the authentic values of Algeria. In this line, Mohamed Temam, Abdelkhader Houamel have also returned through this art, scenes from the history of the country, the habits and customs of the past and the country life. Other new artistic currents including the one of M'hamed Issiakhem, Mohammed Khadda and Bachir Yelles, appeared on the scene of Algerian painting, abandoning figurative classical painting to find new pictorial ways, to adapt Algerian paintings to the new realities of the country through its struggle and its aspirations. Mohammed Khadda and M'hamed Issiakhem have been notable in recent years. Literature. The historic roots of Algerian literature go back to the Numidian and Roman African era, when Apuleius wrote "The Golden Ass", the only Latin novel to survive in its entirety. This period had also known Augustine of Hippo, Nonius Marcellus and Martianus Capella, among many others. The Middle Ages have known many Arabic writers who revolutionised the Arab world literature, with authors like Ahmad al-Buni, Ibn Manzur and Ibn Khaldoun, who wrote the Muqaddimah while staying in Algeria, and many others. Albert Camus was an Algerian-born French Pied-Noir author. In 1957, he was awarded the Nobel Prize in Literature. Today Algeria contains, in its literary landscape, big names having not only marked the Algerian literature, but also the universal literary heritage in Arabic and French.
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As a first step, Algerian literature was marked by works whose main concern was the assertion of the Algerian national entity, there is the publication of novels as the "Algerian trilogy" of Mohammed Dib, or even "Nedjma" of Kateb Yacine novel which is often regarded as a monumental and major work. Other known writers will contribute to the emergence of Algerian literature whom include Mouloud Feraoun, Malek Bennabi, Malek Haddad, Moufdi Zakaria, Abdelhamid Ben Badis, Mohamed Laïd Al-Khalifa, Mouloud Mammeri, Frantz Fanon, and Assia Djebar. In the aftermath of the independence, several new authors emerged on the Algerian literary scene, they will attempt through their works to expose a number of social problems, among them there are Rachid Boudjedra, Rachid Mimouni, Leila Sebbar, Tahar Djaout and Tahir Wattar. Currently, a part of Algerian writers tends to be defined in a literature of shocking expression, due to the terrorism that occurred during the 1990s, the other party is defined in a different style of literature who staged an individualistic conception of the human adventure. Among the most noted recent works, there is the writer, "the swallows of Kabul" and "the attack" of Yasmina Khadra, "the oath of barbarians" of Boualem Sansal, "memory of the flesh" of Ahlam Mosteghanemi and the last novel by Assia Djebar "nowhere in my father's House". Cinema. The Algerian state's interest in film-industry activities can be seen in the annual budget of DZD 200 million (EUR 1.3 million) allocated to production, specific measures and an ambitious programme plan implemented by the Ministry of Culture to promote national production, renovate the cinema stock and remedy the weak links in distribution and exploitation. The financial support provided by the state, through the Fund for the Development of the Arts, Techniques and the Film Industry (FDATIC) and the Algerian Agency for Cultural Influence (AARC), plays a key role in the promotion of national production. Between 2007 and 2013, FDATIC subsidised 98 films (feature films, documentaries and short films). In mid-2013, AARC had already supported a total of 78 films, including 42 feature films, 6 short films and 30 documentaries. According to the European Audiovisual Observatory's LUMIERE database, 41 Algerian films were distributed in Europe between 1996 and 2013; 21 films in this repertoire were Algerian-French co-productions. "Days of Glory" (2006) and "Outside the Law" (2010) recorded the highest number of admissions in the European Union, 3,172,612 and 474,722, respectively.
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Algeria won the for "Chronicle of the Years of Fire" (1975), two Oscars for "Z" (1969), and other awards for the Italian-Algerian movie "The Battle of Algiers". Cuisine. Algerian cuisine is rich and diverse as a result of interactions and exchanges with other cultures and nations over the centuries. It is based on both land and sea products. Conquests or demographic movement towards the Algerian territory were two of the main factors of exchanges between the different peoples and cultures. The Algerian cuisine is a mix of Arab, Berber, Turkish and French roots. Algerian cuisine offers a variety of dishes depending on the region and the season, but vegetables and cereals remain at its core. Most of the Algerian dishes are centered around bread, meats (lamb, beef or poultry), olive oil, vegetables, and fresh herbs. Vegetables are often used for salads, soups, tajines, couscous, and sauce-based dishes. Of all the Algerian traditional dishes available, the most famous one is couscous, recognized as a national dish. Sports. Various games have existed in Algeria since antiquity. In the Aures, people played several games such as El Kherba or El khergueba (chess variant). Playing cards, checkers and chess games are part of Algerian culture. Racing (fantasia) and rifle shooting are part of cultural recreation of the Algerians. Football is the most popular sport in the country. The Algerian national football team, known as the Desert Foxes, has a strong fan base and has achieved success both domestically and internationally. Algeria has a long history in other sports such as athletics, boxing, volleyball, handball and the study of martial arts. Algerian athletes have competed in the Olympic Games and have won medals in various events. Many sports clubs and organisations exist in Algeria to promote and develop sports among young people. The Ministry of Youth and Sports in Algeria manages sport-related activities. Explanatory notes. Citations. General bibliography.
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List of Atlas Shrugged characters
This is a list of characters in Ayn Rand's 1957 novel "Atlas Shrugged." Major characters. The following are major characters from the novel. Protagonists. Dagny Taggart. Dagny Taggart is the protagonist of the novel. She is vice president in charge of operations for Taggart Transcontinental, under her brother, James Taggart. Given James' incompetence, Dagny is responsible for all the workings of the railroad. Francisco d'Anconia. Francisco d'Anconia is one of the central characters in "Atlas Shrugged", an owner by inheritance of the world's largest copper mining operation. He is a childhood friend, and the first love, of Dagny Taggart. A child prodigy of exceptional talents, Francisco was dubbed the "climax" of the d'Anconia line, an already prestigious Argentine family of skilled industrialists. He was a classmate of John Galt and Ragnar Danneskjöld and student of both Hugh Akston and Robert Stadler. He began working while still in school to show that he could have been successful without the aid of his family's wealth. Later, Francisco bankrupts the d'Anconia business to put it out of others' reach. His full name is given as "Francisco Domingo Carlos Andres Sebastián d'Anconia". John Galt. John Galt is the primary male hero of "Atlas Shrugged". He initially appears as an unnamed menial worker for Taggart Transcontinental, who often dines with Eddie Willers in the employees' cafeteria, and leads Eddie to reveal important information about Dagny Taggart and Taggart Transcontinental. Only Eddie's side of their conversations is given in the novel. Later in the novel, the reader discovers this worker's true identity. Before working for Taggart Transcontinental, Galt worked as an engineer for the Twentieth Century Motor Company, where he secretly invented a generator of usable electric energy from ambient static electricity, but abandoned his prototype, and his employment, when dissatisfied by an easily corrupted novel system of payment. This prototype was found by Dagny Taggart and Hank Rearden. Galt himself remains concealed throughout much of the novel, working a job and living by himself, where he unites the most skillful inventors and business leaders under his leadership. He delivers a lengthy broadcast speech that presents the author's philosophy of Objectivism. Henry "Hank" Rearden. Henry (known as "Hank") Rearden is one of the central characters in "Atlas Shrugged". He owns the most important steel company in the United States, and invents Rearden Metal, an alloy stronger, lighter, cheaper and tougher than steel. He lives in Philadelphia with his wife Lillian, his brother Philip, and his elderly mother.
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Rearden represents a type of self-made man and eventually divorces Lillian, abandons his steel mills following a bloody assault by government-planted workers, and joins John Galt's strike. Eddie Willers. Edwin "Eddie" Willers is the Special Assistant to the vice-president in Charge of Operations at Taggart Transcontinental. His father and grandfather worked for the Taggarts, and himself likewise. He is completely loyal to Dagny and to Taggart Transcontinental. Willers does not possess the creative ability of Galt's associates, but matches them in moral courage and is capable of appreciating and making use of their creations. After Dagny shifts her attention and loyalty to saving the captive Galt, Willers maintains the railroad until its collapse. Ragnar Danneskjöld. One of Galt's first followers, and world-famous as a pirate, who seizes relief ships sent from the United States to the People's States of Europe. He works to ensure that once those espousing Galt's philosophy are restored to their rightful place in society, they have enough capital to rebuild the world. Kept in the background for much of the book, Danneskjöld makes a personal appearance to encourage Rearden to persevere in his increasingly difficult situation, and gives him a bar of gold as compensation for the income taxes he has paid over the last several years. Danneskjöld is married to the actress Kay Ludlow; their relationship is kept hidden from the outside world, which only knows of Ludlow as a retired film star. Considered a misfit by Galt's other adherents, he views his actions as a means to speed the world along in understanding Galt's perspective. According to Barbara Branden, who was closely associated with Rand at the time the book was written, there were sections written describing Danneskjöld's adventures at sea, cut from the final published text. In a 1974 comment at a lecture, Rand said that Danneskjöld's name was a tribute to Victor Hugo's novel "Hans of Iceland", wherein the hero becomes the first of the Counts of Danneskjöld. In the published book, Danneskjöld is always seen through the eyes of others (Dagny Taggart or Hank Rearden), except for a brief paragraph in the very last chapter. Antagonists. James Taggart. The President of Taggart Transcontinental and the book's most important antagonist. Taggart is an expert influence peddler but incapable of making operational decisions on his own. He relies on his sister, Dagny Taggart, to actually run the railroad, but nonetheless opposes her in almost every endeavor because of his various anti-capitalist moral and political beliefs. In a sense, he is the antithesis of Dagny.
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This contradiction leads to the recurring absurdity of his life: the desire to overcome those on whom his life depends, and the horror that he will succeed at this. In the final chapters of the novel, he suffers a complete mental breakdown upon realizing that he can no longer deceive himself in this respect. Lillian Rearden. The unsupportive wife of Hank Rearden, who dislikes his habits and (secretly at first) seeks to ruin Rearden to prove her own value. Lillian achieves this, when she passes information to James Taggart about her husband's affair with his sister. This information is used to blackmail Rearden to sign a Gift Certificate which delivers all the property rights of Rearden Metal to others. Lillian thereafter uses James Taggart for sexual satisfaction, until Hank abandons her. Dr. Floyd Ferris. Ferris is a biologist who works as "co-ordinator" at the State Science Institute. He uses his position there to deride reason and productive achievement, and publishes a book entitled "Why Do You Think You Think?" He clashes on several occasions with Hank Rearden, and twice attempts to blackmail Rearden into giving up Rearden Metal. He is also one of the group of looters who tries to get Rearden to agree to the Steel Unification Plan. Ferris hosts the demonstration of the Project X weapon, and is the creator of the Ferris Persuader, a torture machine. When John Galt is captured by the looters, Ferris uses the device on Galt, but it breaks down before extracting the information Ferris wants from Galt. Ferris represents the group which uses brute force on the heroes to achieve the ends of the looters. Dr. Robert Stadler. A former professor at Patrick Henry University, and along with colleague Hugh Akston, mentor to Francisco d'Anconia, John Galt, and Ragnar Danneskjöld. He has since become a sell-out, one who had great promise but squandered it for social approval, to the detriment of the free. He works at the State Science Institute where all his inventions are perverted for use by the military, including a sound-based weapon known as Project X (Xylophone). He is killed when Cuffy Meigs (see below) drunkenly overloads the circuits of Project X, causing it to destroy itself and every structure and living thing in a 100-mile radius. The character was, in part, modeled on J. Robert Oppenheimer, whom Rand had interviewed for an earlier project, and his part in the creation of nuclear weapons. To his former student Galt, Stadler represents the epitome of human evil, as the "man who knew better" but chose not to act for the good. Wesley Mouch.
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The incompetent and treacherous lobbyist whom Hank Rearden reluctantly employs in Washington, who rises to prominence and authority throughout the novel through trading favours and disloyalty. In return for betraying Hank by helping broker the Equalization of Opportunity Bill (which, by restricting the number of businesses each person may own to one, forces Hank to divest most of his companies), he is given a senior position at the Bureau of Economic Planning and National Resources. Later in the novel he becomes its Top Co-ordinator, a position that eventually becomes Economic Dictator of the country. Mouch's mantra, whenever a problem arises from his prior policy, is to say, "I can't help it. I need wider powers." Secondary characters. The following secondary characters also appear in the novel. References.
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Scientific study of humans, human behavior, and societies Anthropology is the scientific study of humanity, concerned with human behavior, human biology, cultures, societies, and linguistics, in both the present and past, including archaic humans. Social anthropology studies patterns of behavior, while cultural anthropology studies cultural meaning, including norms and values. The term sociocultural anthropology is commonly used today. Linguistic anthropology studies how language influences social life. Biological or physical anthropology studies the biological development of humans. Archaeology, often termed as "anthropology of the past," studies human activity through investigation of physical evidence. It is considered a branch of anthropology in North America and Asia, while in Europe, archaeology is viewed as a discipline in its own right or grouped under other related disciplines, such as history and palaeontology. Etymology. The abstract noun "anthropology" is first attested in reference to history. Its present use first appeared in Renaissance Germany in the works of Magnus Hundt and Otto Casmann. Their Neo-Latin ' derived from the combining forms of the Greek words "ánthrōpos" (, "human") and "lógos" (, "study"). Its adjectival form appeared in the works of Aristotle. It began to be used in English, possibly via French ', by the early 18th century. Origin and development of the term. Through the 19th century. In 1647, the Bartholins, early scholars of the University of Copenhagen, defined "" as follows: Anthropology, that is to say the science that treats of man, is divided ordinarily and with reason into Anatomy, which considers the body and the parts, and Psychology, which speaks of the soul. Sporadic use of the term for some of the subject matter occurred subsequently, such as the use by Étienne Serres in 1839 to describe the natural history, or paleontology, of man, based on comparative anatomy, and the creation of a chair in anthropology and ethnography in 1850 at the French National Museum of Natural History by Jean Louis Armand de Quatrefages de Bréau. Various short-lived organizations of anthropologists had already been formed. The Société Ethnologique de Paris, the first to use the term "ethnology", was formed in 1839 and focused on methodically studying human races. After the death of its founder, William Frédéric Edwards, in 1842, it gradually declined in activity until it eventually dissolved in 1862. Meanwhile, the Ethnological Society of New York, currently the American Ethnological Society, was founded on its model in 1842, as well as the Ethnological Society of London in 1843, a break-away group of the Aborigines' Protection Society. These anthropologists of the times were liberal, anti-slavery, and pro-human-rights activists.
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They maintained international connections. Anthropology and many other current fields are the intellectual results of the comparative methods developed in the earlier 19th century. Theorists in diverse fields such as anatomy, linguistics, and ethnology, started making feature-by-feature comparisons of their subject matters, and were beginning to suspect that similarities between animals, languages, and folkways were the result of processes or laws unknown to them then. For them, the publication of Charles Darwin's "On the Origin of Species" was the epiphany of everything they had begun to suspect. Darwin himself arrived at his conclusions through comparison of species he had seen in agronomy and in the wild. Darwin and Wallace unveiled evolution in the late 1850s. There was an immediate rush to bring it into the social sciences. Paul Broca in Paris was in the process of breaking away from the Société de biologie to form the first of the explicitly anthropological societies, the Société d'Anthropologie de Paris, meeting for the first time in Paris in 1859. When he read Darwin, he became an immediate convert to "Transformisme", as the French called evolutionism. His definition now became "the study of the human group, considered as a whole, in its details, and in relation to the rest of nature". Broca, being what today would be called a neurosurgeon, had taken an interest in the pathology of speech. He wanted to localize the difference between man and the other animals, which appeared to reside in speech. He discovered the speech center of the human brain, today called Broca's area after him. His interest was mainly in Biological anthropology, but a German philosopher specializing in psychology, Theodor Waitz, took up the theme of general and social anthropology in his six-volume work, entitled "Die Anthropologie der Naturvölker", 1859–1864. The title was soon translated as "The Anthropology of Primitive Peoples". The last two volumes were published posthumously. Waitz defined anthropology as "the science of the nature of man". Following Broca's lead, Waitz points out that anthropology is a new field, which would gather material from other fields, but would differ from them in the use of comparative anatomy, physiology, and psychology to differentiate man from "the animals nearest to him". He stresses that the data of comparison must be empirical, gathered by experimentation. The history of civilization, as well as ethnology, are to be brought into the comparison. It is to be presumed fundamentally that the species, man, is a unity, and that "the same laws of thought are applicable to all men". Waitz was influential among British ethnologists.
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In 1863, the explorer Richard Francis Burton and the speech therapist James Hunt broke away from the Ethnological Society of London to form the Anthropological Society of London, which henceforward would follow the path of the new anthropology rather than just ethnology. It was the 2nd society dedicated to general anthropology in existence. Representatives from the French "Société" were present, though not Broca. In his keynote address, printed in the first volume of its new publication, "The Anthropological Review", Hunt stressed the work of Waitz, adopting his definitions as a standard. Among the first associates were the young Edward Burnett Tylor, inventor of cultural anthropology, and his brother Alfred Tylor, a geologist. Previously Edward had referred to himself as an ethnologist; subsequently, an anthropologist. Similar organizations in other countries followed: The Anthropological Society of Madrid (1865), the American Anthropological Association in 1902, the Anthropological Society of Vienna (1870), the Italian Society of Anthropology and Ethnology (1871), and many others subsequently. The majority of these were evolutionists. One notable exception was the Berlin Society for Anthropology, Ethnology, and Prehistory (1869) founded by Rudolph Virchow, known for his vituperative attacks on the evolutionists. Not religious himself, he insisted that Darwin's conclusions lacked empirical foundation. During the last three decades of the 19th century, a proliferation of anthropological societies and associations occurred, most independent, most publishing their own journals, and all international in membership and association. The major theorists belonged to these organizations. They supported the gradual osmosis of anthropology curricula into the major institutions of higher learning. By 1898, 48 educational institutions in 13 countries had some curriculum in anthropology. None of the 75 faculty members were under a department named anthropology. 20th and 21st centuries. Anthropology as a specialized field of academic study developed much through the end of the 19th century. Then it rapidly expanded beginning in the early 20th century to the point where many of the world's higher educational institutions typically included anthropology departments. Thousands of anthropology departments have come into existence, and anthropology has also diversified from a few major subdivisions to dozens more. Practical anthropology, the use of anthropological knowledge and technique to solve specific problems, has arrived; for example, the presence of buried victims might stimulate the use of a forensic archaeologist to recreate the final scene. The organization has also reached a global level. For example, the World Council of Anthropological Associations (WCAA), "a network of national, regional and international associations that aims to promote worldwide communication and cooperation in anthropology", currently contains members from about three dozen nations.
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Since the work of Franz Boas and Bronisław Malinowski in the late 19th and early 20th centuries, "social" anthropology in Great Britain and "cultural" anthropology in the US have been distinguished from other social sciences by their emphasis on cross-cultural comparisons, long-term in-depth examination of context, and the importance they place on participant-observation or experiential immersion in the area of research. Cultural anthropology, in particular, has emphasized cultural relativism, holism, and the use of findings to frame cultural critiques. This has been particularly prominent in the United States, from Boas' arguments against 19th-century racial ideology, through Margaret Mead's advocacy for gender equality and sexual liberation, to current criticisms of post-colonial oppression and promotion of multiculturalism. Ethnography is one of its primary research designs as well as the text that is generated from anthropological fieldwork. In Great Britain and the Commonwealth countries, the British tradition of social anthropology tends to dominate. In the United States, anthropology has traditionally been divided into the four field approach developed by Franz Boas in the early 20th century: "biological" or "physical" anthropology; "social", "cultural", or "sociocultural" anthropology; archaeological anthropology; and linguistic anthropology. These fields frequently overlap but tend to use different methodologies and techniques. European countries with overseas colonies tended to practice more ethnology (a term coined and defined by Adam F. Kollár in 1783). It is sometimes referred to as sociocultural anthropology in the parts of the world that were influenced by the European tradition. Fields. Anthropology is a global discipline involving humanities, social sciences and natural sciences. Anthropology builds upon knowledge from natural sciences, including the discoveries about the origin and evolution of "Homo sapiens", human physical traits, human behavior, the variations among different groups of humans, how the evolutionary past of "Homo sapiens" has influenced its social organization and culture, and from social sciences, including the organization of human social and cultural relations, institutions, social conflicts, etc. Early anthropology originated in Classical Greece and Persia and studied and tried to understand observable cultural diversity. As such, anthropology has been central in the development of several new (late 20th century) interdisciplinary fields such as cognitive science, global studies, and various ethnic studies. According to Clifford Geertz, ...anthropology is perhaps the last of the great nineteenth-century conglomerate disciplines still for the most part organizationally intact.
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Long after natural history, moral philosophy, philology, and political economy have dissolved into their specialized successors, it has remained a diffuse assemblage of ethnology, human biology, comparative linguistics, and prehistory, held together mainly by the vested interests, sunk costs, and administrative habits of academia, and by a romantic image of comprehensive scholarship. Sociocultural anthropology has been heavily influenced by structuralist and postmodern theories, as well as a shift toward the analysis of modern societies. During the 1970s and 1990s, there was an epistemological shift away from the positivist traditions that had largely informed the discipline. During this shift, enduring questions about the nature and production of knowledge came to occupy a central place in cultural and social anthropology. In contrast, archaeology and biological anthropology remained largely positivist. Due to this difference in epistemology, the four sub-fields of anthropology have lacked cohesion over the last several decades. Sociocultural. Sociocultural anthropology draws together the principal axes of cultural anthropology and social anthropology. Cultural anthropology is the comparative study of the manifold ways in which people "make sense" of the world around them, while social anthropology is the study of the "relationships" among individuals and groups. Cultural anthropology is more related to philosophy, literature and the arts (how one's culture affects the experience for self and group, contributing to a more complete understanding of the people's knowledge, customs, and institutions), while social anthropology is more related to sociology and history. In that, it helps develop an understanding of social structures, typically of others and other populations (such as minorities, subgroups, dissidents, etc.). There is no hard-and-fast distinction between them, and these categories overlap to a considerable degree. Inquiry in sociocultural anthropology is guided in part by cultural relativism, the attempt to understand other societies in terms of their own cultural symbols and values. Accepting other cultures in their own terms moderates reductionism in cross-cultural comparison. This project is often accommodated in the field of ethnography. Ethnography can refer to both a methodology and the product of ethnographic research, i.e. an ethnographic monograph. As a methodology, ethnography is based upon long-term fieldwork within a community or other research site. Participant observation is one of the foundational methods of social and cultural anthropology. Ethnology involves the systematic comparison of different cultures. The process of participant-observation can be especially helpful to understanding a culture from an emic (conceptual, vs. etic, or technical) point of view. The study of kinship and social organization is a central focus of sociocultural anthropology, as kinship is a human universal.
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Sociocultural anthropology also covers economic and political organization, law and conflict resolution, patterns of consumption and exchange, material culture, technology, infrastructure, gender relations, ethnicity, childrearing and socialization, religion, myth, symbols, values, etiquette, worldview, sports, music, nutrition, recreation, games, food, festivals, and language (which is also the object of study in linguistic anthropology). Comparison across cultures is a key element of method in sociocultural anthropology, including the industrialized (and de-industrialized) West. The Standard Cross-Cultural Sample (SCCS) includes 186 such cultures. Biological. Biological anthropology and physical anthropology are synonymous terms to describe anthropological research focused on the study of humans and non-human primates in their biological, evolutionary, and demographic dimensions. It examines the biological and social factors that have affected the evolution of humans and other primates, and that generate, maintain or change contemporary genetic and physiological variation. Archaeological. Archaeology is the study of the human past through its material remains. Artifacts, faunal remains, and human altered landscapes are evidence of the cultural and material lives of past societies. Archaeologists examine material remains in order to deduce patterns of past human behavior and cultural practices. Ethnoarchaeology is a type of archaeology that studies the practices and material remains of living human groups in order to gain a better understanding of the evidence left behind by past human groups, who are presumed to have lived in similar ways. Linguistic. Linguistic anthropology (not to be confused with anthropological linguistics) seeks to understand the processes of human communications, verbal and non-verbal, variation in language across time and space, the social uses of language, and the relationship between language and culture. It is the branch of anthropology that brings linguistic methods to bear on anthropological problems, linking the analysis of linguistic forms and processes to the interpretation of sociocultural processes. Linguistic anthropologists often draw on related fields including sociolinguistics, pragmatics, cognitive linguistics, semiotics, discourse analysis, and narrative analysis. Ethnography. Ethnography is a method of analysing social or cultural interaction. It often involves participant observation though an ethnographer may also draw from texts written by participants of in social interactions. Ethnography views first-hand experience and social context as important. Tim Ingold distinguishes ethnography from anthropology arguing that anthropology tries to construct general theories of human experience, applicable in general and novel settings, while ethnography concerns itself with fidelity. He argues that the anthropologist must make his writing consistent with their understanding of literature and other theory but notes that ethnography may be of use to the anthropologists and the fields inform one another. Key topics by field: sociocultural. Art, media, music, dance and film. Art.
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One of the central problems in the anthropology of art concerns the universality of 'art' as a cultural phenomenon. Several anthropologists have noted that the Western categories of 'painting', 'sculpture', or 'literature', conceived as independent artistic activities, do not exist, or exist in a significantly different form, in most non-Western contexts. To surmount this difficulty, anthropologists of art have focused on formal features in objects which, without exclusively being 'artistic', have certain evident 'aesthetic' qualities. Boas' "Primitive Art", Claude Lévi-Strauss' "The Way of the Masks" (1982) or Geertz's 'Art as Cultural System' (1983) are some examples in this trend to transform the anthropology of 'art' into an anthropology of culturally specific 'aesthetics'. Media. Media anthropology (also known as the anthropology of media or mass media) emphasizes ethnographic studies as a means of understanding producers, audiences, and other cultural and social aspects of mass media. The types of ethnographic contexts explored range from contexts of media production (e.g., ethnographies of newsrooms in newspapers, journalists in the field, film production) to contexts of media reception, following audiences in their everyday responses to media. Other types include cyber anthropology, a relatively new area of internet research, as well as ethnographies of other areas of research which happen to involve media, such as development work, social movements, or health education. This is in addition to many classic ethnographic contexts, where media such as radio, the press, new media, and television have started to make their presences felt since the early 1990s. Music. Ethnomusicology is an academic field encompassing various approaches to the study of music (broadly defined), that emphasize its cultural, social, material, cognitive, biological, and other dimensions or contexts instead of or in addition to its isolated sound component or any particular repertoire. Ethnomusicology can be used in a wide variety of fields, such as teaching, politics, cultural anthropology etc. While the origins of ethnomusicology date back to the 18th and 19th centuries, it was formally termed "ethnomusicology" by Dutch scholar Jaap Kunst c. 1950. Later, the influence of study in this area spawned the creation of the periodical "Ethnomusicology" and the Society of Ethnomusicology. Visual. Visual anthropology is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. While the term is sometimes used interchangeably with ethnographic film, visual anthropology also encompasses the anthropological study of visual representation, including areas such as performance, museums, art, and the production and reception of mass media.
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Visual representations from all cultures, such as sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphs, paintings, and photographs are included in the focus of visual anthropology. Economic, political economic, applied and development. Economic. Economic anthropology attempts to explain human economic behavior in its widest historic, geographic and cultural scope. It has a complex relationship with the discipline of economics, of which it is highly critical. Its origins as a sub-field of anthropology begin with the Polish-British founder of anthropology, Bronisław Malinowski, and his French compatriot, Marcel Mauss, on the nature of gift-giving exchange (or reciprocity) as an alternative to market exchange. Economic Anthropology remains, for the most part, focused upon exchange. The school of thought derived from Marx and known as Political Economy focuses on production, in contrast. Economic anthropologists have abandoned the primitivist niche they were relegated to by economists, and have now turned to examine corporations, banks, and the global financial system from an anthropological perspective. Political economy. Political economy in anthropology is the application of the theories and methods of historical materialism to the traditional concerns of anthropology, including, but not limited to, non-capitalist societies. Political economy introduced questions of history and colonialism to ahistorical anthropological theories of social structure and culture. Three main areas of interest rapidly developed. The first of these areas was concerned with the "pre-capitalist" societies that were subject to evolutionary "tribal" stereotypes. Sahlin's work on hunter-gatherers as the "original affluent society" did much to dissipate that image. The second area was concerned with the vast majority of the world's population at the time, the peasantry, many of whom were involved in complex revolutionary wars such as in Vietnam. The third area was on colonialism, imperialism, and the creation of the capitalist world-system. More recently, these political economists have more directly addressed issues of industrial (and post-industrial) capitalism around the world. Applied. Applied anthropology refers to the application of the method and theory of anthropology to the analysis and solution of practical problems. It is a "complex of related, research-based, instrumental methods which produce change or stability in specific cultural systems through the provision of data, initiation of direct action, and/or the formulation of policy". Applied anthropology is the practical side of anthropological research; it includes researcher involvement and activism within the participating community. It is closely related to development anthropology (distinct from the more critical anthropology of development). Development. Anthropology of development tends to view development from a "critical" perspective.
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The kind of issues addressed and implications for the approach involve pondering why, if a key development goal is to alleviate poverty, is poverty increasing? Why is there such a gap between plans and outcomes? Why are those working in development so willing to disregard history and the lessons it might offer? Why is development so externally driven rather than having an internal basis? In short, why does so much planned development fail? Kinship, feminism, gender and sexuality. Kinship. "Kinship" can refer both to "the study of" the patterns of social relationships in one or more human cultures, or it can refer to "the patterns of social relationships" themselves. Over its history, anthropology has developed a number of related concepts and terms, such as "descent", "descent groups", "lineages", "affines", "cognates", and even "fictive kinship". Broadly, kinship patterns may be considered to include people related both by descent (one's social relations during development), and also relatives by marriage. Within kinship you have two different families. People have their biological families and it is the people they share DNA with. This is called consanguinity or "blood ties". People can also have a chosen family in which they chose who they want to be a part of their family. In some cases, people are closer with their chosen family more than with their biological families. Feminist. Feminist anthropology is a four field approach to anthropology (archeological, biological, cultural, linguistic) that seeks to reduce male bias in research findings, anthropological hiring practices, and the scholarly production of knowledge. Anthropology engages often with feminists from non-Western traditions, whose perspectives and experiences can differ from those of white feminists of Europe, America, and elsewhere. From the perspective of the Western world, historically such 'peripheral' perspectives have been ignored, observed only from an outsider perspective, and regarded as less-valid or less-important than knowledge from the Western world. Exploring and addressing that double bias against women from marginalized racial or ethnic groups is of particular interest in intersectional feminist anthropology. Feminist anthropologists have stated that their publications have contributed to anthropology, along the way correcting against the systemic biases beginning with the "patriarchal origins of anthropology (and (academia)" and note that from 1891 to 1930 doctorates in anthropology went to males more than 85%, more than 81% were under 35, and only 7.2% to anyone over 40 years old, thus reflecting an age gap in the pursuit of anthropology by first-wave feminists until later in life.
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This correction of systemic bias may include mainstream feminist theory, history, linguistics, archaeology, and anthropology. Feminist anthropologists are often concerned with the construction of gender across societies. Gender constructs are of particular interest when studying sexism. According to St. Clair Drake, Vera Mae Green was, until "[w]ell into the 1960s", the only African American female anthropologist who was also a Caribbeanist. She studied ethnic and family relations in the Caribbean as well as the United States, and thereby tried to improve the way black life, experiences, and culture were studied. However, Zora Neale Hurston, although often primarily considered to be a literary author, was trained in anthropology by Franz Boas, and published "Tell my Horse" about her "anthropological observations" of voodoo in the Caribbean (1938). Feminist anthropology is inclusive of the anthropology of birth as a specialization, which is the anthropological study of pregnancy and childbirth within cultures and societies. Medical, nutritional, psychological, cognitive and transpersonal. Medical. Medical anthropology is an interdisciplinary field which studies "human health and disease, health care systems, and biocultural adaptation". It is believed that William Caudell was the first to discover the field of medical anthropology. Currently, research in medical anthropology is one of the main growth areas in the field of anthropology as a whole. It focuses on the following six basic fields: Other subjects that have become central to medical anthropology worldwide are violence and social suffering (Farmer, 1999, 2003; Beneduce, 2010) as well as other issues that involve physical and psychological harm and suffering that are not a result of illness. On the other hand, there are fields that intersect with medical anthropology in terms of research methodology and theoretical production, such as "cultural psychiatry" and "transcultural psychiatry" or "ethnopsychiatry". Nutritional. Nutritional anthropology is a synthetic concept that deals with the interplay between economic systems, nutritional status and food security, and how changes in the former affect the latter. If economic and environmental changes in a community affect access to food, food security, and dietary health, then this interplay between culture and biology is in turn connected to broader historical and economic trends associated with globalization. Nutritional status affects overall health status, work performance potential, and the overall potential for economic development (either in terms of human development or traditional western models) for any given group of people. Psychological. Psychological anthropology is an interdisciplinary subfield of anthropology that studies the interaction of cultural and mental processes.
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This subfield tends to focus on ways in which humans' development and enculturation within a particular cultural group – with its own history, language, practices, and conceptual categories – shape processes of human cognition, emotion, perception, motivation, and mental health. It also examines how the understanding of cognition, emotion, motivation, and similar psychological processes inform or constrain our models of cultural and social processes. Cognitive. Cognitive anthropology seeks to explain patterns of shared knowledge, cultural innovation, and transmission over time and space using the methods and theories of the cognitive sciences (especially experimental psychology and evolutionary biology) often through close collaboration with historians, ethnographers, archaeologists, linguists, musicologists and other specialists engaged in the description and interpretation of cultural forms. Cognitive anthropology is concerned with what people from different groups know and how that implicit knowledge changes the way people perceive and relate to the world around them. Transpersonal. Transpersonal anthropology studies the relationship between altered states of consciousness and culture. As with transpersonal psychology, the field is much concerned with altered states of consciousness (ASC) and transpersonal experience. However, the field differs from mainstream transpersonal psychology in taking more cognizance of cross-cultural issues – for instance, the roles of myth, ritual, diet, and text in evoking and interpreting extraordinary experiences. Political and legal. Political. Political anthropology concerns the structure of political systems, looked at from the basis of the structure of societies. Political anthropology developed as a discipline concerned primarily with politics in stateless societies, a new development started from the 1960s, and is still unfolding: anthropologists started increasingly to study more "complex" social settings in which the presence of states, bureaucracies and markets entered both ethnographic accounts and analysis of local phenomena. The turn towards complex societies meant that political themes were taken up at two main levels. Firstly, anthropologists continued to study political organization and political phenomena that lay outside the state-regulated sphere (as in patron-client relations or tribal political organization). Secondly, anthropologists slowly started to develop a disciplinary concern with states and their institutions (and on the relationship between formal and informal political institutions). An anthropology of the state developed, and it is a most thriving field today. Geertz's comparative work on "Negara", the Balinese state, is an early, famous example. Legal. Legal anthropology or anthropology of law specializes in "the cross-cultural study of social ordering". Earlier legal anthropological research often focused more narrowly on conflict management, crime, sanctions, or formal regulation. More recent applications include issues such as human rights, legal pluralism, and political uprisings. Public.
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Public anthropology was created by Robert Borofsky, a professor at Hawaii Pacific University, to "demonstrate the ability of anthropology and anthropologists to effectively address problems beyond the discipline – illuminating larger social issues of our times as well as encouraging broad, public conversations about them with the explicit goal of fostering social change". Nature, science, and technology. Cyborg. Cyborg anthropology originated as a sub-focus group within the American Anthropological Association's annual meeting in 1993. The sub-group was very closely related to STS and the Society for the Social Studies of Science. Donna Haraway's 1985 "Cyborg Manifesto" could be considered the founding document of cyborg anthropology by first exploring the philosophical and sociological ramifications of the term. Cyborg anthropology studies humankind and its relations with the technological systems it has built, specifically modern technological systems that have reflexively shaped notions of what it means to be human beings. Digital. Digital anthropology is the study of the relationship between humans and digital-era technology and extends to various areas where anthropology and technology intersect. It is sometimes grouped with sociocultural anthropology, and sometimes considered part of material culture. The field is new, and thus has a variety of names with a variety of emphases. These include techno-anthropology, digital ethnography, cyberanthropology, and virtual anthropology. Ecological. Ecological anthropology is defined as the "study of cultural adaptations to environments". The sub-field is also defined as, "the study of relationships between a population of humans and their biophysical environment". The focus of its research concerns "how cultural beliefs and practices helped human populations adapt to their environments, and how their environments change across space and time. The contemporary perspective of environmental anthropology, and arguably at least the backdrop, if not the focus of most of the ethnographies and cultural fieldworks of today, is political ecology. Many characterize this new perspective as more informed with culture, politics and power, globalization, localized issues, century anthropology and more. The focus and data interpretation is often used for arguments for/against or creation of policy, and to prevent corporate exploitation and damage of land. Often, the observer has become an active part of the struggle either directly (organizing, participation) or indirectly (articles, documentaries, books, ethnographies). Such is the case with environmental justice advocate Melissa Checker and her relationship with the people of Hyde Park. Environment. Social sciences, like anthropology, can provide interdisciplinary approaches to the environment. Professor Kay Milton, Director of the Anthropology research network in the School of History and Anthropology, describes anthropology as distinctive, with its most distinguishing feature being its interest in non-industrial indigenous and traditional societies.
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Anthropological theory is distinct because of the consistent presence of the concept of culture; not an exclusive topic but a central position in the study and a deep concern with the human condition. Milton describes three trends that are causing a fundamental shift in what characterizes anthropology: dissatisfaction with the cultural relativist perspective, reaction against cartesian dualisms which obstructs progress in theory (nature culture divide), and finally an increased attention to globalization (transcending the barriers or time/space). Environmental discourse appears to be characterized by a high degree of globalization. (The troubling problem is borrowing non-indigenous practices and creating standards, concepts, philosophies and practices in western countries.) Anthropology and environmental discourse now have become a distinct position in anthropology as a discipline. Knowledge about diversities in human culture can be important in addressing environmental problems - anthropology is now a study of human ecology. Human activity is the most important agent in creating environmental change, a study commonly found in human ecology which can claim a central place in how environmental problems are examined and addressed. Other ways anthropology contributes to environmental discourse is by being theorists and analysts, or by refinement of definitions to become more neutral/universal, etc. In exploring environmentalism - the term typically refers to a concern that the environment should be protected, particularly from the harmful effects of human activities. Environmentalism itself can be expressed in many ways. Anthropologists can open the doors of environmentalism by looking beyond industrial society, understanding the opposition between industrial and non-industrial relationships, knowing what ecosystem people and biosphere people are and are affected by, dependent and independent variables, "primitive" ecological wisdom, diverse environments, resource management, diverse cultural traditions, and knowing that environmentalism is a part of culture. Historical. Ethnohistory is the study of ethnographic cultures and indigenous customs by examining historical records. It is also the study of the history of various ethnic groups that may or may not exist today. Ethnohistory uses both historical and ethnographic data as its foundation. Its historical methods and materials go beyond the standard use of documents and manuscripts. Practitioners recognize the utility of such source material as maps, music, paintings, photography, folklore, oral tradition, site exploration, archaeological materials, museum collections, enduring customs, language, and place names. Religion. The anthropology of religion involves the study of religious institutions in relation to other social institutions, and the comparison of religious beliefs and practices across cultures. Modern anthropology assumes that there is complete continuity between magical thinking and religion, and that every religion is a cultural product, created by the human community that worships it. Urban. Urban anthropology is concerned with issues of urbanization, poverty, and neoliberalism.
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Ulf Hannerz quotes a 1960s remark that traditional anthropologists were "a notoriously agoraphobic lot, anti-urban by definition". Various social processes in the Western World as well as in the "Third World" (the latter being the habitual focus of attention of anthropologists) brought the attention of "specialists in 'other cultures'" closer to their homes. There are two main approaches to urban anthropology: examining the types of cities or examining the social issues within the cities. These two methods are overlapping and dependent of each other. By defining different types of cities, one would use social factors as well as economic and political factors to categorize the cities. By directly looking at the different social issues, one would also be studying how they affect the dynamic of the city. Key topics by field: archaeological and biological. Anthrozoology. Anthrozoology (also known as "human–animal studies") is the study of interaction between living things. It is an interdisciplinary field that overlaps with a number of other disciplines, including anthropology, ethology, medicine, psychology, veterinary medicine and zoology. A major focus of anthrozoologic research is the quantifying of the positive effects of human-animal relationships on either party and the study of their interactions. It includes scholars from a diverse range of fields, including anthropology, sociology, biology, and philosophy. Biocultural. Biocultural anthropology is the scientific exploration of the relationships between human biology and culture. Physical anthropologists throughout the first half of the 20th century viewed this relationship from a racial perspective; that is, from the assumption that typological human biological differences lead to cultural differences. After World War II the emphasis began to shift toward an effort to explore the role culture plays in shaping human biology. Evolutionary. Evolutionary anthropology is the interdisciplinary study of the evolution of human physiology and human behaviour and the relation between hominins and non-hominin primates. Evolutionary anthropology is based in natural science and social science, combining the human development with socioeconomic factors. Evolutionary anthropology is concerned with both biological and cultural evolution of humans, past and present. It is based on a scientific approach, and brings together fields such as archaeology, behavioral ecology, psychology, primatology, and genetics. It is a dynamic and interdisciplinary field, drawing on many lines of evidence to understand the human experience, past and present. Forensic. Forensic anthropology is the application of the science of physical anthropology and human osteology in a legal setting, most often in criminal cases where the victim's remains are in the advanced stages of decomposition. A forensic anthropologist can assist in the identification of deceased individuals whose remains are decomposed, burned, mutilated or otherwise unrecognizable.
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The adjective "forensic" refers to the application of this subfield of science to a court of law. Palaeoanthropology. Paleoanthropology combines the disciplines of paleontology and physical anthropology. It is the study of ancient humans, as found in fossil hominid evidence such as petrifacted bones and footprints. Genetics and morphology of specimens are crucially important to this field. Markers on specimens, such as enamel fractures and dental decay on teeth, can also give insight into the behaviour and diet of past populations. Organizations. Contemporary anthropology is an established science with academic departments at most universities and colleges. The single largest organization of anthropologists is the American Anthropological Association (AAA), which was founded in 1903. Its members are anthropologists from around the globe. In 1989, a group of European and American scholars in the field of anthropology established the European Association of Social Anthropologists (EASA) which serves as a major professional organization for anthropologists working in Europe. The EASA seeks to advance the status of anthropology in Europe and to increase visibility of marginalized anthropological traditions and thereby contribute to the project of a global anthropology or world anthropology. Hundreds of other organizations exist in the various sub-fields of anthropology, sometimes divided up by nation or region, and many anthropologists work with collaborators in other disciplines, such as geology, physics, zoology, paleontology, anatomy, music theory, art history, sociology and so on, belonging to professional societies in those disciplines as well. Ethics. As the field has matured it has debated and arrived at ethical principles aimed at protecting both the subjects of anthropological research as well as the researchers themselves, and professional societies have generated codes of ethics. Anthropologists, like other researchers (especially historians and scientists engaged in field research), have over time assisted state policies and projects, especially colonialism. Some commentators have contended: Cultural relativism. As part of their quest for scientific objectivity, present-day anthropologists typically urge cultural relativism, which has an influence on all the sub-fields of anthropology. This is the notion that cultures should not be judged by another's values or viewpoints, but be examined dispassionately on their own terms. There should be no notions, in good anthropology, of one culture being better or worse than another culture. Ethical commitments in anthropology include noticing and documenting genocide, infanticide, racism, sexism, mutilation (including circumcision and subincision), and torture. Topics like racism, slavery, and human sacrifice attract anthropological attention and theories ranging from nutritional deficiencies, to genes, to acculturation, to colonialism, have been proposed to explain their origins and continued recurrences.
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To illustrate the depth of an anthropological approach, one can take just one of these topics, such as racism, and find thousands of anthropological references, stretching across all the major and minor sub-fields. Military involvement. Anthropologists' involvement with the U.S. government, in particular, has caused bitter controversy within the discipline. Franz Boas publicly objected to US participation in World War I, and after the war he published a brief exposé and condemnation of the participation of several American archaeologists in espionage in Mexico under their cover as scientists. But by the 1940s, many of Boas' anthropologist contemporaries were active in the allied war effort against the Axis Powers (Nazi Germany, Fascist Italy, and Imperial Japan). Many served in the armed forces, while others worked in intelligence (for example, Office of Strategic Services and the Office of War Information). At the same time, David H. Price's work on American anthropology during the Cold War provides detailed accounts of the pursuit and dismissal of several anthropologists from their jobs for communist sympathies. Attempts to accuse anthropologists of complicity with the CIA and government intelligence activities during the Vietnam War years have turned up little. Many anthropologists (students and teachers) were active in the antiwar movement. Numerous resolutions condemning the war in all its aspects were passed overwhelmingly at the annual meetings of the American Anthropological Association (AAA). Professional anthropological bodies often object to the use of anthropology for the benefit of the state. Their codes of ethics or statements may proscribe anthropologists from giving secret briefings. The Association of Social Anthropologists of the UK and Commonwealth (ASA) has called certain scholarship ethically dangerous. The "Principles of Professional Responsibility" issued by the American Anthropological Association and amended through November 1986 stated that "in relation with their own government and with host governments ... no secret research, no secret reports or debriefings of any kind should be agreed to or given." The current "Principles of Professional Responsibility" does not make explicit mention of ethics surrounding state interactions. Anthropologists, along with other social scientists, were working with the US military as part of the US Army's strategy in Afghanistan. "The Christian Science Monitor" reports that "Counterinsurgency efforts focus on better grasping and meeting local needs" in Afghanistan, under the "Human Terrain System" (HTS) program; in addition, HTS teams are working with the US military in Iraq.
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In 2009, the American Anthropological Association's Commission on the Engagement of Anthropology with the US Security and Intelligence Communities (CEAUSSIC) released its final report concluding, in part, that: When ethnographic investigation is determined by military missions, not subject to external review, where data collection occurs in the context of war, integrated into the goals of counterinsurgency, and in a potentially coercive environment – all characteristic factors of the HTS concept and its application – it can no longer be considered a legitimate professional exercise of anthropology. In summary, while we stress that constructive engagement between anthropology and the military is possible, CEAUSSIC suggests that the AAA emphasize the incompatibility of HTS with disciplinary ethics and practice for job seekers and that it further recognize the problem of allowing HTS to define the meaning of 'anthropology' within DoD. Post-World War II developments. Before WWII British 'social anthropology' and American 'cultural anthropology' were still distinct traditions. After the war, enough British and American anthropologists borrowed ideas and methodological approaches from one another that some began to speak of them collectively as 'sociocultural' anthropology. Basic trends. There are several characteristics that tend to unite anthropological work. One of the central characteristics is that anthropology tends to provide a comparatively more holistic account of phenomena and tends to be highly empirical. The quest for holism leads most anthropologists to study a particular place, problem or phenomenon in detail, using a variety of methods, over a more extensive period than normal in many parts of academia. In the 1990s and 2000s, calls for clarification of what constitutes a culture, of how an observer knows where his or her own culture ends and another begins, and other crucial topics in writing anthropology were heard. These dynamic relationships, between what can be observed on the ground, as opposed to what can be observed by compiling many local observations remain fundamental in any kind of anthropology, whether cultural, biological, linguistic or archaeological. Biological anthropologists are interested in both human variation and in the possibility of human universals (behaviors, ideas or concepts shared by virtually all human cultures). They use many different methods of study, but modern population genetics, participant observation and other techniques often take anthropologists "into the field," which means traveling to a community in its own setting, to do something called "fieldwork." On the biological or physical side, human measurements, genetic samples, nutritional data may be gathered and published as articles or monographs. Along with dividing up their project by theoretical emphasis, anthropologists typically divide the world up into relevant time periods and geographic regions.
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Human time on Earth is divided up into relevant cultural traditions based on material, such as the Paleolithic and the Neolithic, of particular use in archaeology. Further cultural subdivisions according to tool types, such as Olduwan or Mousterian or Levalloisian help archaeologists and other anthropologists in understanding major trends in the human past. Anthropologists and geographers share approaches to culture regions as well, since mapping cultures is central to both sciences. By making comparisons across cultural traditions (time-based) and cultural regions (space-based), anthropologists have developed various kinds of comparative method, a central part of their science. Commonalities between fields. Because anthropology developed from so many different enterprises (see History of anthropology), including but not limited to fossil-hunting, exploring, documentary film-making, paleontology, primatology, antiquity dealings and curatorship, philology, etymology, genetics, regional analysis, ethnology, history, philosophy, and religious studies, it is difficult to characterize the entire field in a brief article, although attempts to write histories of the entire field have been made. Some authors argue that anthropology originated and developed as the study of "other cultures", both in terms of time (past societies) and space (non-European/non-Western societies). For example, the classic of urban anthropology, Ulf Hannerz in the introduction to his seminal "Exploring the City: Inquiries Toward an Urban Anthropology" mentions that the "Third World" had habitually received most of attention; anthropologists who traditionally specialized in "other cultures" looked for them far away and started to look "across the tracks" only in late 1960s. Now there exist many works focusing on peoples and topics very close to the author's "home". It is also argued that other fields of study, like History and Sociology, on the contrary focus disproportionately on the West. In France, the study of Western societies has been traditionally left to sociologists, but this is increasingly changing, starting in the 1970s from scholars like Isac Chiva and journals like "Terrain" ("fieldwork") and developing with the center founded by Marc Augé ("Le Centre d'anthropologie des mondes contemporains", the Anthropological Research Center of Contemporary Societies). Since the 1980s it has become common for social and cultural anthropologists to set ethnographic research in the North Atlantic region, frequently examining the connections between locations rather than limiting research to a single locale. There has also been a related shift toward broadening the focus beyond the daily life of ordinary people; increasingly, research is set in settings such as scientific laboratories, social movements, governmental and nongovernmental organizations and businesses. See also. Lists. Notes. References. Works cited. Further reading. Dictionaries and encyclopedias. Fieldnotes and memoirs.
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Histories. Textbooks and key theoretical works.
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Agricultural science
Academic field within biology Agricultural science (or agriscience for short) is a broad multidisciplinary field of biology that encompasses the parts of exact, natural, economic and social sciences that are used in the practice and understanding of agriculture. Professionals of the agricultural science are called agricultural scientists or agriculturists. History. In the 18th century, Johann Friedrich Mayer conducted experiments on the use of gypsum (hydrated calcium sulfate) as a fertilizer. In 1843, John Bennet Lawes and Joseph Henry Gilbert began a set of long-term field experiments at Rothamsted Research in England, some of which are still running as of 2018. In the United States, a scientific revolution in agriculture began with the Hatch Act of 1887, which used the term "agricultural science". The Hatch Act was driven by farmers' interest in knowing the constituents of early artificial fertilizer. The Smith–Hughes Act of 1917 shifted agricultural education back to its vocational roots, but the scientific foundation had been built. For the next 44 years after 1906, federal expenditures on agricultural research in the United States outpaced private expenditures. Fields or related disciplines. * Agricultural biotechnology Scope. Agriculture, agricultural science, and agronomy are closely related. However, they cover different concepts: Research topics. Agricultural sciences include research and development on: References.
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Alchemy
Branch of natural philosophy Alchemy (from the Arabic word , ) is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practised in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD. Greek-speaking alchemists often referred to their craft as "the Art" (τέχνη) or "Knowledge" (ἐπιστήμη), and it was often characterised as mystic (μυστική), sacred (ἱɛρά), or divine (θɛíα). Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical "magnum opus" ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of these projects. Islamic and European alchemists developed a basic set of laboratory techniques, theories, and terms, some of which are still in use today. They did not abandon the Ancient Greek philosophical idea that everything is composed of four elements, and they tended to guard their work in secrecy, often making use of cyphers and cryptic symbolism. In Europe, the 12th-century translations of medieval Islamic works on science and the rediscovery of Aristotelian philosophy gave birth to a flourishing tradition of Latin alchemy. This late medieval tradition of alchemy would go on to play a significant role in the development of early modern science (particularly chemistry and medicine). Modern discussions of alchemy are generally split into an examination of its exoteric practical applications and its esoteric spiritual aspects, despite criticisms by scholars such as Eric J. Holmyard and Marie-Louise von Franz that they should be understood as complementary. The former is pursued by historians of the physical sciences, who examine the subject in terms of early chemistry, medicine, and charlatanism, and the philosophical and religious contexts in which these events occurred. The latter interests historians of esotericism, psychologists, and some philosophers and spiritualists. The subject has also made an ongoing impact on literature and the arts. Etymology. The word alchemy comes from old French "alquemie", "alkimie", used in Medieval Latin as . This name was itself adopted from the Arabic word ().
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The Arabic in turn was a borrowing of the Late Greek term "khēmeía" (), also spelled "khumeia" () and "khēmía" (), with "al-" being the Arabic definite article 'the'. Together this association can be interpreted as 'the process of transmutation by which to fuse or reunite with the divine or original form'. Several etymologies have been proposed for the Greek term. The first was proposed by Zosimos of Panopolis (3rd–4th centuries), who derived it from the name of a book, the "Khemeu." Hermann Diels argued in 1914 that it rather derived from χύμα, used to describe metallic objects formed by casting. Others trace its roots to the Egyptian name ' (hieroglyphic 𓆎𓅓𓏏𓊖 ' ), meaning 'black earth', which refers to the fertile and auriferous soil of the Nile valley, as opposed to red desert sand. According to the Egyptologist Wallis Budge, the Arabic word "ʾ" actually means "the Egyptian [science]", borrowing from the Coptic word for "Egypt", ' (or its equivalent in the Mediaeval Bohairic dialect of Coptic, '). This Coptic word derives from Demotic ', itself from ancient Egyptian '. The ancient Egyptian word referred to both the country and the colour "black" (Egypt was the "black Land", by contrast with the "red Land", the surrounding desert). History. Alchemy encompasses several philosophical traditions spanning some four millennia and three continents. These traditions' general penchant for cryptic and symbolic language makes it hard to trace their mutual influences and genetic relationships. One can distinguish at least three major strands, which appear to be mostly independent, at least in their earlier stages: Chinese alchemy, centered in China; Indian alchemy, centered on the Indian subcontinent; and Western alchemy, which occurred around the Mediterranean and whose center shifted over the millennia from Greco-Roman Egypt to the Islamic world, and finally medieval Europe. Chinese alchemy was closely connected to Taoism and Indian alchemy with the Dharmic faiths. In contrast, Western alchemy developed its philosophical system mostly independent of but influenced by various Western religions. It is still an open question whether these three strands share a common origin, or to what extent they influenced each other. Hellenistic Egypt. The start of Western alchemy may generally be traced to ancient and Hellenistic Egypt, where the city of Alexandria was a center of alchemical knowledge, and retained its pre-eminence through most of the Greek and Roman periods. Following the work of André-Jean Festugière, modern scholars see alchemical practice in the Roman Empire as originating from the Egyptian goldsmith's art, Greek philosophy and different religious traditions.
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Tracing the origins of the alchemical art in Egypt is complicated by the pseudepigraphic nature of texts from the Greek alchemical corpus. The treatises of Zosimos of Panopolis, the earliest historically attested author (fl. c. 300 AD), can help in situating the other authors. Zosimus based his work on that of older alchemical authors, such as Mary the Jewess, Pseudo-Democritus, and Agathodaimon, but very little is known about any of these authors. The most complete of their works, The "Four Books" of Pseudo-Democritus, were probably written in the first century AD. Recent scholarship tends to emphasize the testimony of Zosimus, who traced the alchemical arts back to Egyptian metallurgical and ceremonial practices. It has also been argued that early alchemical writers borrowed the vocabulary of Greek philosophical schools but did not implement any of its doctrines in a systematic way. Zosimos of Panopolis wrote in the "Final Abstinence" (also known as the "Final Count"). Zosimos explains that the ancient practice of "tinctures" (the technical Greek name for the alchemical arts) had been taken over by certain "demons" who taught the art only to those who offered them sacrifices. Since Zosimos also called the demons "the guardians of places" (, ) and those who offered them sacrifices "priests" (, ), it is fairly clear that he was referring to the gods of Egypt and their priests. While critical of the kind of alchemy he associated with the Egyptian priests and their followers, Zosimos nonetheless saw the tradition's recent past as rooted in the rites of the Egyptian temples. Mythology. Zosimos of Panopolis asserted that alchemy dated back to Pharaonic Egypt where it was the domain of the priestly class, though there is little to no evidence for his assertion. Alchemical writers used Classical figures from Greek, Roman, and Egyptian mythology to illuminate their works and allegorize alchemical transmutation. These included the pantheon of gods related to the Classical planets, Isis, Osiris, Jason, and many others. The central figure in the mythology of alchemy is Hermes Trismegistus (or Thrice-Great Hermes). His name is derived from the god Thoth and his Greek counterpart Hermes. Hermes and his caduceus or serpent-staff, were among alchemy's principal symbols. According to Clement of Alexandria, he wrote what were called the "forty-two books of Hermes", covering all fields of knowledge. The "Hermetica" of Thrice-Great Hermes is generally understood to form the basis for Western alchemical philosophy and practice, called the hermetic philosophy by its early practitioners. These writings were collected in the first centuries of the common era. Technology.
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The dawn of Western alchemy is sometimes associated with that of metallurgy, extending back to 3500 BC. Many writings were lost when the Roman emperor Diocletian ordered the burning of alchemical books after suppressing a revolt in Alexandria (AD 292). Few original Egyptian documents on alchemy have survived, most notable among them the Stockholm papyrus and the Leyden papyrus X. Dating from AD 250–300, they contained recipes for dyeing and making artificial gemstones, cleaning and fabricating pearls, and manufacturing of imitation gold and silver. These writings lack the mystical, philosophical elements of alchemy, but do contain the works of Bolus of Mendes (or Pseudo-Democritus), which aligned these recipes with theoretical knowledge of astrology and the classical elements. Between the time of Bolus and Zosimos, the change took place that transformed this metallurgy into a Hermetic art. Philosophy. Alexandria acted as a melting pot for philosophies of Pythagoreanism, Platonism, Stoicism and Gnosticism which formed the origin of alchemy's character. An important example of alchemy's roots in Greek philosophy, originated by Empedocles and developed by Aristotle, was that all things in the universe were formed from only four elements: earth, air, water, and fire. According to Aristotle, each element had a sphere to which it belonged and to which it would return if left undisturbed. The four elements of the Greek were mostly qualitative aspects of matter, not quantitative, as our modern elements are; "...True alchemy never regarded earth, air, water, and fire as corporeal or chemical substances in the present-day sense of the word. The four elements are simply the primary, and most general, qualities by means of which the amorphous and purely quantitative substance of all bodies first reveals itself in differentiated form." Later alchemists extensively developed the mystical aspects of this concept. Alchemy coexisted alongside emerging Christianity. Lactantius believed Hermes Trismegistus had prophesied its birth. St Augustine later affirmed this in the 4th and 5th centuries, but also condemned Trismegistus for idolatry. Examples of Pagan, Christian, and Jewish alchemists can be found during this period. Most of the Greco-Roman alchemists preceding Zosimos are known only by pseudonyms, such as Moses, Isis, Cleopatra, Democritus, and Ostanes. Others authors such as Komarios, and Chymes, we only know through fragments of text. After AD 400, Greek alchemical writers occupied themselves solely in commenting on the works of these predecessors. By the middle of the 7th century alchemy was almost an entirely mystical discipline. It was at that time that Khalid Ibn Yazid sparked its migration from Alexandria to the Islamic world, facilitating the translation and preservation of Greek alchemical texts in the 8th and 9th centuries. Byzantium.
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Greek alchemy was preserved in medieval Byzantine manuscripts after the fall of Egypt, and yet historians have only relatively recently begun to pay attention to the study and development of Greek alchemy in the Byzantine period. India. The 2nd millennium BC text Vedas describe a connection between eternal life and gold. A considerable knowledge of metallurgy has been exhibited in a third-century AD text called Arthashastra which provides ingredients of explosives (Agniyoga) and salts extracted from fertile soils and plant remains (Yavakshara) such as saltpetre/nitre, perfume making (different qualities of perfumes are mentioned), granulated (refined) Sugar. Buddhist texts from the 2nd to 5th centuries mention the transmutation of base metals to gold. According to some scholars Greek alchemy may have influenced Indian alchemy but there are no hard evidences to back this claim. The 11th-century Persian chemist and physician Abū Rayhān Bīrūnī, who visited Gujarat as part of the court of Mahmud of Ghazni, reported that they have a science similar to alchemy which is quite peculiar to them, which in Sanskrit is called Rasāyana and in Persian Rasavātam. It means the art of obtaining/manipulating "Rasa": nectar, mercury, and juice. This art was restricted to certain operations, metals, drugs, compounds, and medicines, many of which have mercury as their core element. Its principles restored the health of those who were ill beyond hope and gave back youth to fading old age. The goals of alchemy in India included the creation of a divine body (Sanskrit "divya-deham") and immortality while still embodied (Sanskrit "jīvan-mukti"). Sanskrit alchemical texts include much material on the manipulation of mercury and sulphur, that are homologized with the semen of the god Śiva and the menstrual blood of the goddess Devī. Some early alchemical writings seem to have their origins in the Kaula tantric schools associated to the teachings of the personality of Matsyendranath. Other early writings are found in the Jaina medical treatise "Kalyāṇakārakam" of Ugrāditya, written in South India in the early 9th century. Two famous early Indian alchemical authors were Nāgārjuna Siddha and Nityanātha Siddha. Nāgārjuna Siddha was a Buddhist monk. His book, "Rasendramangalam", is an example of Indian alchemy and medicine. Nityanātha Siddha wrote "Rasaratnākara", also a highly influential work. In Sanskrit, "rasa" translates to "mercury", and Nāgārjuna Siddha was said to have developed a method of converting mercury into gold. Scholarship on Indian alchemy is in the publication of "The Alchemical Body" by David Gordon White. A modern bibliography on Indian alchemical studies has been written by White.
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The contents of 39 Sanskrit alchemical treatises have been analysed in detail in G. Jan Meulenbeld's "History of Indian Medical Literature". The discussion of these works in HIML gives a summary of the contents of each work, their special features, and where possible the evidence concerning their dating. Chapter 13 of HIML, "Various works on rasaśāstra and ratnaśāstra" (or "Various works on alchemy and gems") gives brief details of a further 655 (six hundred and fifty-five) treatises. In some cases Meulenbeld gives notes on the contents and authorship of these works; in other cases references are made only to the unpublished manuscripts of these titles. A great deal remains to be discovered about Indian alchemical literature. The content of the Sanskrit alchemical corpus has not yet (2014) been adequately integrated into the wider general history of alchemy. Islamic world. After the fall of the Roman Empire, the focus of alchemical development moved to the Islamic World. Much more is known about Islamic alchemy because it was better documented: indeed, most of the earlier writings that have come down through the years were preserved as Arabic translations. The word "alchemy" itself was derived from the Arabic word "al-kīmiyā" (الكيمياء). The early Islamic world was a melting pot for alchemy. Platonic and Aristotelian thought, which had already been somewhat appropriated into hermetical science, continued to be assimilated during the late 7th and early 8th centuries through Syriac translations and scholarship. In the late ninth and early tenth centuries, the Arabic works attributed to Jābir ibn Hayyān (Latinized as "Geber" or "Geberus") introduced a new approach to alchemy. Paul Kraus, who wrote the standard reference work on Jabir, put it as follows: To form an idea of the historical place of Jabir's alchemy and to tackle the problem of its sources, it is advisable to compare it with what remains to us of the alchemical literature in the Greek language. One knows in which miserable state this literature reached us. Collected by Byzantine scientists from the tenth century, the corpus of the Greek alchemists is a cluster of incoherent fragments, going back to all the times since the third century until the end of the Middle Ages. The efforts of Berthelot and Ruelle to put a little order in this mass of literature led only to poor results, and the later researchers, among them in particular Mrs. Hammer-Jensen, Tannery, Lagercrantz, von Lippmann, Reitzenstein, Ruska, Bidez, Festugière and others, could make clear only few points of detail ... The study of the Greek alchemists is not very encouraging.
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An even surface examination of the Greek texts shows that a very small part only was organized according to true experiments of laboratory: even the supposedly technical writings, in the state where we find them today, are unintelligible nonsense which refuses any interpretation. It is different with Jabir's alchemy. The relatively clear description of the processes and the alchemical apparati, the methodical classification of the substances, mark an experimental spirit which is extremely far away from the weird and odd esotericism of the Greek texts. The theory on which Jabir supports his operations is one of clearness and of an impressive unity. More than with the other Arab authors, one notes with him a balance between theoretical teaching and practical teaching, between the "'ilm" and the "amal". In vain one would seek in the Greek texts a work as systematic as that which is presented, for example, in the "Book of Seventy". Islamic philosophers also made great contributions to alchemical hermeticism. The most influential author in this regard was arguably Jabir. Jabir's ultimate goal was "Takwin", the artificial creation of life in the alchemical laboratory, up to, and including, human life. He analysed each Aristotelian element in terms of four basic qualities of "hotness", "coldness", "dryness", and "moistness". According to Jabir, in each metal two of these qualities were interior and two were exterior. For example, lead was externally cold and dry, while gold was hot and moist. Thus, Jabir theorized, by rearranging the qualities of one metal, a different metal would result. By this reasoning, the search for the philosopher's stone was introduced to Western alchemy. Jabir developed an elaborate numerology whereby the root letters of a substance's name in Arabic, when treated with various transformations, held correspondences to the element's physical properties. The elemental system used in medieval alchemy also originated with Jabir. His original system consisted of seven elements, which included the five classical elements (aether, air, earth, fire, and water) in addition to two chemical elements representing the metals: sulphur, "the stone which burns", which characterized the principle of combustibility, and mercury, which contained the idealized principle of metallic properties. Shortly thereafter, this evolved into eight elements, with the Arabic concept of the three metallic principles: sulphur giving flammability or combustion, mercury giving volatility and stability, and salt giving solidity. The atomic theory of corpuscularianism, where all physical bodies possess an inner and outer layer of minute particles or corpuscles, also has its origins in the work of Jabir.
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From the 9th to 14th centuries, alchemical theories faced criticism from a variety of practical Muslim chemists, including Alkindus, Abū al-Rayhān al-Bīrūnī, Avicenna and Ibn Khaldun. In particular, they wrote refutations against the idea of the transmutation of metals. From the 14th century onwards, many materials and practices originally belonging to Indian alchemy (Rasayana) were assimilated in the Persian texts written by Muslim scholars. East Asia. Researchers have found evidence that Chinese alchemists and philosophers discovered complex mathematical phenomena that were shared with Arab alchemists during the medieval period. Discovered in BC China, the "magic square of three" was propagated to followers of Abū Mūsā Jābir ibn Ḥayyān at some point over the proceeding several hundred years. Other commonalities shared between the two alchemical schools of thought include discrete naming for ingredients and heavy influence from the natural elements. The silk road provided a clear path for the exchange of goods, ideas, ingredients, religion, and many other aspects of life with which alchemy is intertwined. Whereas European alchemy eventually centered on the transmutation of base metals into noble metals, Chinese alchemy had a more obvious connection to medicine. The philosopher's stone of European alchemists can be compared to the Grand Elixir of Immortality sought by Chinese alchemists. In the hermetic view, these two goals were not unconnected, and the philosopher's stone was often equated with the universal panacea; therefore, the two traditions may have had more in common than initially appears. As early as 317 AD, Ge Hong documented the use of metals, minerals, and elixirs in early Chinese medicine. Hong identified three ancient Chinese documents, titled "Scripture of Great Clarity, Scripture of the Nine Elixirs", and "Scripture of the Golden Liquor," as texts containing fundamental alchemical information. He also described alchemy, along with meditation, as the sole spiritual practices that could allow one to gain immortality or to transcend. In his work "Inner Chapters of the Book of the Master Who Embraces Spontaneous Nature" (317 AD), Hong argued that alchemical solutions such as elixirs were preferable to traditional medicinal treatment due to the spiritual protection they could provide. In the centuries following Ge Hong's death, the emphasis placed on alchemy as a spiritual practice among Chinese Daoists was reduced. In 499 AD, Tao Hongjing refuted Hong's statement that alchemy is as important a spiritual practice as Shangqing meditation. While Hongjing did not deny the power of alchemical elixirs to grant immortality or provide divine protection, he ultimately found the "Scripture of the Nine Elixirs" to be ambiguous and spiritually unfulfilling, aiming to implement more accessible practising techniques.
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In the early 700s, Neidan (also known as internal alchemy) was adopted by Daoists as a new form of alchemy. Neidan emphasized appeasing the inner gods that inhabit the human body by practising alchemy with compounds found in the body, rather than the mixing of natural resources that was emphasized in early Dao alchemy. For example, saliva was often considered nourishment for the inner gods and did not require any conscious alchemical reaction to produce. The inner gods were not thought of as physical presences occupying each person, but rather a collection of deities that are each said to represent and protect a specific body part or region. Although those who practised Neidan prioritized meditation over external alchemical strategies, many of the same elixirs and constituents from previous Daoist alchemical schools of thought continued to be utilized in tandem with meditation. Eternal life remained a consideration for Neidan alchemists, as it was believed that one would become immortal if an inner god were to be immortalized within them through spiritual fulfilment. Black powder may have been an important invention of Chinese alchemists. It is said that the Chinese invented gunpowder while trying to find a potion for eternal life. Described in 9th-century texts and used in fireworks in China by the 10th century, it was used in cannons by 1290. From China, the use of gunpowder spread to Japan, the Mongols, the Muslim world, and Europe. Gunpowder was used by the Mongols against the Hungarians in 1241, and in Europe by the 14th century. Chinese alchemy was closely connected to Taoist forms of traditional Chinese medicine, such as Acupuncture and Moxibustion. In the early Song dynasty, followers of this Taoist idea (chiefly the elite and upper class) would ingest mercuric sulfide, which, though tolerable in low levels, led many to suicide. Thinking that this consequential death would lead to freedom and access to the Taoist heavens, the ensuing deaths encouraged people to eschew this method of alchemy in favour of external sources (the aforementioned Tai Chi Chuan, mastering of the qi, etc.) Chinese alchemy was introduced to the West by Obed Simon Johnson. Medieval Europe. The introduction of alchemy to Latin Europe may be dated to 11 February 1144, with the completion of Robert of Chester's translation of the ("Book on the Composition of Alchemy") from an Arabic work attributed to Khalid ibn Yazid. Although European craftsmen and technicians pre-existed, Robert notes in his preface that alchemy (here still referring to the elixir rather than to the art itself) was unknown in Latin Europe at the time of his writing. The translation of Arabic texts concerning numerous disciplines including alchemy flourished in 12th-century Toledo, Spain, through contributors like Gerard of Cremona and Adelard of Bath.
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Translations of the time included the Turba Philosophorum, and the works of Avicenna and Muhammad ibn Zakariya al-Razi. These brought with them many new words to the European vocabulary for which there was no previous Latin equivalent. Alcohol, carboy, elixir, and athanor are examples. Meanwhile, theologian contemporaries of the translators made strides towards the reconciliation of faith and experimental rationalism, thereby priming Europe for the influx of alchemical thought. The 11th-century St Anselm put forth the opinion that faith and rationalism were compatible and encouraged rationalism in a Christian context. In the early 12th century, Peter Abelard followed Anselm's work, laying down the foundation for acceptance of Aristotelian thought before the first works of Aristotle had reached the West. In the early 13th century, Robert Grosseteste used Abelard's methods of analysis and added the use of observation, experimentation, and conclusions when conducting scientific investigations. Grosseteste also did much work to reconcile Platonic and Aristotelian thinking. Through much of the 12th and 13th centuries, alchemical knowledge in Europe remained centered on translations, and new Latin contributions were not made. The efforts of the translators were succeeded by that of the encyclopaedists. In the 13th century, Albertus Magnus and Roger Bacon were the most notable of these, their work summarizing and explaining the newly imported alchemical knowledge in Aristotelian terms. Albertus Magnus, a Dominican friar, is known to have written works such as the "Book of Minerals" where he observed and commented on the operations and theories of alchemical authorities like Hermes Trismegistus, pseudo-Democritus and unnamed alchemists of his time. Albertus critically compared these to the writings of Aristotle and Avicenna, where they concerned the transmutation of metals. From the time shortly after his death through to the 15th century, more than 28 alchemical tracts were misattributed to him, a common practice giving rise to his reputation as an accomplished alchemist. Likewise, alchemical texts have been attributed to Albert's student Thomas Aquinas. Roger Bacon, a Franciscan friar who wrote on a wide variety of topics including optics, comparative linguistics, and medicine, composed his "Great Work" () for Pope Clement IV as part of a project towards rebuilding the medieval university curriculum to include the new learning of his time. While alchemy was not more important to him than other sciences and he did not produce allegorical works on the topic, he did consider it and astrology to be important parts of both natural philosophy and theology and his contributions advanced alchemy's connections to soteriology and Christian theology. Bacon's writings integrated morality, salvation, alchemy, and the prolongation of life. His correspondence with Clement highlighted this, noting the importance of alchemy to the papacy.
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Like the Greeks before him, Bacon acknowledged the division of alchemy into practical and theoretical spheres. He noted that the theoretical lay outside the scope of Aristotle, the natural philosophers, and all Latin writers of his time. The practical confirmed the theoretical, and Bacon advocated its uses in natural science and medicine. In later European legend, he became an archmage. In particular, along with Albertus Magnus, he was credited with the forging of a brazen head capable of answering its owner's questions. Soon after Bacon, the influential work of Pseudo-Geber (sometimes identified as Paul of Taranto) appeared. His "Summa Perfectionis" remained a staple summary of alchemical practice and theory through the medieval and renaissance periods. It was notable for its inclusion of practical chemical operations alongside sulphur-mercury theory, and the unusual clarity with which they were described. By the end of the 13th century, alchemy had developed into a fairly structured system of belief. Adepts believed in the macrocosm-microcosm theories of Hermes, that is to say, they believed that processes that affect minerals and other substances could have an effect on the human body (for example, if one could learn the secret of purifying gold, one could use the technique to purify the human soul). They believed in the four elements and the four qualities as described above, and they had a strong tradition of cloaking their written ideas in a labyrinth of coded jargon set with traps to mislead the uninitiated. Finally, the alchemists practised their art: they actively experimented with chemicals and made observations and theories about how the universe operated. Their entire philosophy revolved around their belief that man's soul was divided within himself after the fall of Adam. By purifying the two parts of man's soul, man could be reunited with God. United Kingdom legislation In the 14th century, alchemy became more accessible to Europeans outside the confines of Latin-speaking churchmen and scholars. Alchemical discourse shifted from scholarly philosophical debate to an exposed social commentary on the alchemists themselves. Dante, Piers Plowman, and Chaucer all painted unflattering pictures of alchemists as thieves and liars. Pope John XXII's 1317 edict, "Spondent quas non-exhibent" forbade the false promises of transmutation made by pseudo-alchemists. Roman Catholic Inquisitor General Nicholas Eymerich's "Directorium Inquisitorum", written in 1376, associated alchemy with the performance of demonic rituals, which Eymerich differentiated from magic performed in accordance with scripture. This did not, however, lead to any change in the Inquisition's monitoring or prosecution of alchemists. In 1404, Henry IV of England banned the practice of multiplying metals by the passing of the Gold and Silver Act 1403 (5 Hen.
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4. c. 4) (although it was possible to buy a licence to attempt to make gold alchemically, and a number were granted by Henry VI and Edward IV). These critiques and regulations centered more around pseudo-alchemical charlatanism than the actual study of alchemy, which continued with an increasingly Christian tone. The 14th century saw the Christian imagery of death and resurrection employed in the alchemical texts of Petrus Bonus, John of Rupescissa, and in works written in the name of Raymond Lull and Arnold of Villanova. Nicolas Flamel is a well-known alchemist to the point where he had many pseudepigraphic imitators. Although the historical Flamel existed, the writings and legends assigned to him only appeared in 1612. A common idea in European alchemy in the medieval era was a metaphysical "Homeric chain of wise men that link[ed] heaven and earth" that included ancient pagan philosophers and other important historical figures. Renaissance and early modern Europe. During the Renaissance, Hermetic and Platonic foundations were restored to European alchemy. The dawn of medical, pharmaceutical, occult, and entrepreneurial branches of alchemy followed. In the late 15th century, Marsilio Ficino translated the Corpus Hermeticum and the works of Plato into Latin. These were previously unavailable to Europeans who for the first time had a full picture of the alchemical theory that Bacon had declared absent. Renaissance Humanism and Renaissance Neoplatonism guided alchemists away from physics to refocus on mankind as the alchemical vessel. Esoteric systems developed that blended alchemy into a broader occult Hermeticism, fusing it with magic, astrology, and Christian cabala. A key figure in this development was German Heinrich Cornelius Agrippa (1486–1535), who received his Hermetic education in Italy in the schools of the humanists. In his "De Occulta Philosophia", he attempted to merge Kabbalah, Hermeticism, and alchemy. He was instrumental in spreading this new blend of Hermeticism outside the borders of Italy. Paracelsus (Philippus Aureolus Theophrastus Bombastus von Hohenheim, 1493–1541) cast alchemy into a new form, rejecting some of Agrippa's occultism and moving away from chrysopoeia. Paracelsus pioneered the use of chemicals and minerals in medicine and wrote, "Many have said of Alchemy, that it is for the making of gold and silver. For me such is not the aim, but to consider only what virtue and power may lie in medicines." His hermetical views were that sickness and health in the body relied on the harmony of man the microcosm and Nature the macrocosm.
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He took an approach different from those before him, using this analogy not in the manner of soul-purification but in the manner that humans must have certain balances of minerals in their bodies, and that certain illnesses of the body had chemical remedies that could cure them. Iatrochemistry refers to the pharmaceutical applications of alchemy championed by Paracelsus. John Dee (13 July 1527 – December 1608) followed Agrippa's occult tradition. Although better known for angel summoning, divination, and his role as astrologer, cryptographer, and consultant to Queen Elizabeth I, Dee's alchemical "Monas Hieroglyphica", written in 1564 was his most popular and influential work. His writing portrayed alchemy as a sort of terrestrial astronomy in line with the Hermetic axiom "As above so below". During the 17th century, a short-lived "supernatural" interpretation of alchemy became popular, including support by fellows of the Royal Society: Robert Boyle and Elias Ashmole. Proponents of the supernatural interpretation of alchemy believed that the philosopher's stone might be used to summon and communicate with angels. Entrepreneurial opportunities were common for the alchemists of Renaissance Europe. Alchemists were contracted by the elite for practical purposes related to mining, medical services, and the production of chemicals, medicines, metals, and gemstones. Rudolf II, Holy Roman Emperor, in the late 16th century, famously received and sponsored various alchemists at his court in Prague, including Dee and his associate Edward Kelley. King James IV of Scotland, Julius, Duke of Brunswick-Lüneburg, Henry V, Duke of Brunswick-Lüneburg, Augustus, Elector of Saxony, Julius Echter von Mespelbrunn, and Maurice, Landgrave of Hesse-Kassel all contracted alchemists. John's son Arthur Dee worked as a court physician to Michael I of Russia and Charles I of England but also compiled the alchemical book "Fasciculus Chemicus". Although most of these appointments were legitimate, the trend of pseudo-alchemical fraud continued through the Renaissance. "Betrüger" would use sleight of hand, or claims of secret knowledge to make money or secure patronage. Legitimate mystical and medical alchemists such as Michael Maier and Heinrich Khunrath wrote about fraudulent transmutations, distinguishing themselves from the con artists. False alchemists were sometimes prosecuted for fraud. The terms "chemia" and "alchemia" were used as synonyms in the early modern period, and the differences between alchemy, chemistry and small-scale assaying and metallurgy were not as neat as in the present day. There were important overlaps between practitioners, and trying to classify them into alchemists, chemists and craftsmen is anachronistic. For example, Tycho Brahe (1546–1601), an alchemist better known for his astronomical and astrological investigations, had a laboratory built at his Uraniborg observatory/research institute.
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Michael Sendivogius ("Michał Sędziwój", 1566–1636), a Polish alchemist, philosopher, medical doctor and pioneer of chemistry wrote mystical works but is also credited with distilling oxygen in a lab sometime around 1600. Sendivogious taught his technique to Cornelius Drebbel who, in 1621, applied this in a submarine. Isaac Newton devoted considerably more of his writing to the study of alchemy (see Isaac Newton's occult studies) than he did to either optics or physics. Other early modern alchemists who were eminent in their other studies include Robert Boyle, and Jan Baptist van Helmont. Their Hermeticism complemented rather than precluded their practical achievements in medicine and science. Later modern period. The decline of European alchemy was brought about by the rise of modern science with its emphasis on rigorous quantitative experimentation and its disdain for "ancient wisdom". Although the seeds of these events were planted as early as the 17th century, alchemy still flourished for some two hundred years, and in fact may have reached its peak in the 18th century. As late as 1781 James Price claimed to have produced a powder that could transmute mercury into silver or gold. Early modern European alchemy continued to exhibit a diversity of theories, practices, and purposes: "Scholastic and anti-Aristotelian, Paracelsian and anti-Paracelsian, Hermetic, Neoplatonic, mechanistic, vitalistic, and more—plus virtually every combination and compromise thereof." Robert Boyle (1627–1691) pioneered the scientific method in chemical investigations. He assumed nothing in his experiments and compiled every piece of relevant data. Boyle would note the place in which the experiment was carried out, the wind characteristics, the position of the Sun and Moon, and the barometer reading, all just in case they proved to be relevant. This approach eventually led to the founding of modern chemistry in the 18th and 19th centuries, based on revolutionary discoveries and ideas of Lavoisier and John Dalton. Beginning around 1720, a rigid distinction began to be drawn for the first time between "alchemy" and "chemistry". By the 1740s, "alchemy" was now restricted to the realm of gold making, leading to the popular belief that alchemists were charlatans, and the tradition itself nothing more than a fraud. In order to protect the developing science of modern chemistry from the negative censure to which alchemy was being subjected, academic writers during the 18th-century scientific Enlightenment attempted to divorce and separate the "new" chemistry from the "old" practices of alchemy. This move was mostly successful, and the consequences of this continued into the 19th, 20th and 21st centuries. During the occult revival of the early 19th century, alchemy received new attention as an occult science.
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The esoteric or occultist school that arose during the 19th century held the view that the substances and operations mentioned in alchemical literature are to be interpreted in a spiritual sense, less than as a practical tradition or protoscience. This interpretation claimed that the obscure language of the alchemical texts, which 19th century practitioners were not always able to decipher, were an allegorical guise for spiritual, moral or mystical processes. Two seminal figures during this period were Mary Anne Atwood and Ethan Allen Hitchcock, who independently published similar works regarding spiritual alchemy. Both rebuffed the growing successes of chemistry, developing a completely esoteric view of alchemy. Atwood wrote: "No modern art or chemistry, notwithstanding all its surreptitious claims, has any thing in common with Alchemy." Atwood's work influenced subsequent authors of the occult revival including Eliphas Levi, Arthur Edward Waite, and Rudolf Steiner. Hitchcock, in his "Remarks Upon Alchymists" (1855) attempted to make a case for his spiritual interpretation with his claim that the alchemists wrote about a spiritual discipline under a materialistic guise in order to avoid accusations of blasphemy from the church and state. In 1845, Baron Carl Reichenbach, published his studies on Odic force, a concept with some similarities to alchemy, but his research did not enter the mainstream of scientific discussion. In 1946, Louis Cattiaux published the Message Retrouvé, a work that was at once philosophical, mystical and highly influenced by alchemy. In his lineage, many researchers, including Emmanuel and Charles d'Hooghvorst, are updating alchemical studies in France and Belgium. Women. Several women appear in the earliest history of alchemy. Michael Maier names four women who were able to make the philosophers' stone: Mary the Jewess, Cleopatra the Alchemist, Medera, and Taphnutia. Zosimos' sister Theosebia (later known as Euthica the Arab) and Isis the Prophetess also played roles in early alchemical texts. The first alchemist whose name we know was Mary the Jewess (c. 200 A.D.). Early sources claim that Mary (or Maria) devised a number of improvements to alchemical equipment and tools as well as novel techniques in chemistry. Her best known advances were in heating and distillation processes. The laboratory water-bath, known eponymously (especially in France) as the bain-marie, is said to have been invented or at least improved by her. Essentially a double-boiler, it was (and is) used in chemistry for processes that required gentle heating. The tribikos (a modified distillation apparatus) and the kerotakis (a more intricate apparatus used especially for sublimations) are two other advancements in the process of distillation that are credited to her.
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Although we have no writing from Mary herself, she is known from the early-fourth-century writings of Zosimos of Panopolis. After the Greco-Roman period, women's names appear less frequently in alchemical literature. Towards the end of the Middle Ages and beginning of the Renaissance, due to the emergence of print, women were able to access the alchemical knowledge from texts of the preceding centuries. Caterina Sforza, the Countess of Forlì and Lady of Imola, is one of the few confirmed female alchemists after Mary the Jewess. As she owned an apothecary, she would practice science and conduct experiments in her botanic gardens and laboratories. Being knowledgeable in alchemy and pharmacology, she recorded all of her alchemical ventures in a manuscript named ('Experiments'). The manuscript contained more than four hundred recipes covering alchemy as well as cosmetics and medicine. One of these recipes was for the water of talc. Talc, which makes up talcum powder, is a mineral which, when combined with water and distilled, was said to produce a solution which yielded many benefits. These supposed benefits included turning silver to gold and rejuvenation. When combined with white wine, its powder form could be ingested to counteract poison. Furthermore, if that powder was mixed and drunk with white wine, it was said to be a source of protection from any poison, sickness, or plague. Other recipes were for making hair dyes, lotions, lip colours. There was also information on how to treat a variety of ailments from fevers and coughs to epilepsy and cancer. In addition, there were instructions on producing the quintessence (or aether), an elixir which was believed to be able to heal all sicknesses, defend against diseases, and perpetuate youthfulness. She also wrote about creating the illustrious philosophers' stone. Some women known for their interest in alchemy were Catherine de' Medici, the Queen of France, and Marie de' Medici, the following Queen of France, who carried out experiments in her personal laboratory. Also, Isabella d'Este, the Marchioness of Mantua, made perfumes herself to serve as gifts. Due to the proliferation in alchemical literature of pseudepigrapha and anonymous works, however, it is difficult to know which of the alchemists were actually women. This contributed to a broader pattern in which male authors credited prominent noblewomen for beauty products with the purpose of appealing to a female audience. For example, in ("Gallant Recipe-Book"), the distillation of lemons and roses was attributed to Elisabetta Gonzaga, the duchess of Urbino. In the same book, Isabella d'Aragona, the daughter of Alfonso II of Naples, is accredited for recipes involving alum and mercury.
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Ippolita Maria Sforza is even referred to in an anonymous manuscript about a hand lotion created with rose powder and crushed bones. As the sixteenth century went on, scientific culture flourished and people began collecting "secrets". During this period "secrets" referred to experiments, and the most coveted ones were not those which were bizarre, but the ones which had been proven to yield the desired outcome. In this period, the only book of secrets ascribed to a woman was ('The Secrets of Signora Isabella Cortese'). This book contained information on how to turn base metals into gold, medicine, and cosmetics. However, it is rumoured that a man, Girolamo Ruscelli, was the real author and only used a female voice to attract female readers. In the nineteenth-century, Mary Anne Atwood's "A Suggestive Inquiry into the Hermetic Mystery" (1850) marked the return of women during the occult revival. Modern historical research. The history of alchemy has become a recognized subject of academic study. As the language of the alchemists is analysed, historians are becoming more aware of the connections between that discipline and other facets of Western cultural history, such as the evolution of science and philosophy, the sociology and psychology of the intellectual communities, kabbalism, spiritualism, Rosicrucianism, and other mystic movements. Institutions involved in this research include The Chymistry of Isaac Newton project at Indiana University, the University of Exeter Centre for the Study of Esotericism (EXESESO), the European Society for the Study of Western Esotericism (ESSWE), and the University of Amsterdam's Sub-department for the History of Hermetic Philosophy and Related Currents. A large collection of books on alchemy is kept in the Bibliotheca Philosophica Hermetica in Amsterdam. Journals which publish regularly on the topic of Alchemy include "Ambix", published by the Society for the History of Alchemy and Chemistry, and "Isis", published by the History of Science Society. Core concepts. Western alchemical theory corresponds to the worldview of late antiquity in which it was born. Concepts were imported from Neoplatonism and earlier Greek cosmology. As such, the classical elements appear in alchemical writings, as do the seven classical planets and the corresponding seven metals of antiquity. Similarly, the gods of the Roman pantheon who are associated with these luminaries are discussed in alchemical literature. The concepts of prima materia and anima mundi are central to the theory of the philosopher's stone. Magnum opus. The Great Work of Alchemy is often described as a series of four stages represented by colours. Modernity.
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Due to the complexity and obscurity of alchemical literature, and the 18th-century diffusion of remaining alchemical practitioners into the area of chemistry, the general understanding of alchemy in the 19th and 20th centuries was influenced by several distinct and radically different interpretations. Those focusing on the exoteric, such as historians of science Lawrence M. Principe and William R. Newman, have interpreted the "'Decknamen"' (or code words) of alchemy as physical substances. These scholars have reconstructed physicochemical experiments that they say are described in medieval and early modern texts. At the opposite end of the spectrum, focusing on the esoteric, scholars, such as Florin George Călian and Anna Marie Roos, who question the reading of Principe and Newman, interpret these same "Decknamen" as spiritual, religious, or psychological concepts. New interpretations of alchemy are still perpetuated, sometimes merging in concepts from New Age or radical environmentalism movements. Groups like the Rosicrucians and Freemasons have a continued interest in alchemy and its symbolism. Since the Victorian revival of alchemy, "occultists reinterpreted alchemy as a spiritual practice, involving the self-transformation of the practitioner and only incidentally or not at all the transformation of laboratory substances", which has contributed to a merger of magic and alchemy in popular thought. Esoteric interpretations of historical texts. In the eyes of a variety of modern esoteric and Neo-Hermetic practitioners, alchemy is primarily spiritual. In this interpretation, transmutation of lead into gold is presented as an analogy for personal transmutation, purification, and perfection. According to this view, early alchemists such as Zosimos of Panopolis (c. 300 AD) highlighted the spiritual nature of the alchemical quest, symbolic of a religious regeneration of the human soul. This approach is held to have continued in the Middle Ages, as metaphysical aspects, substances, physical states, and material processes are supposed to have been used as metaphors for spiritual entities, spiritual states, and, ultimately, transformation. In this sense, the literal meanings of 'Alchemical Formulas' hid a spiritual philosophy. In the Neo-Hermeticist interpretation, both the transmutation of common metals into gold and the universal panacea are held to symbolize evolution from an imperfect, diseased, corruptible, and ephemeral state toward a perfect, healthy, incorruptible, and everlasting state, so the philosopher's stone then represented a mystic key that would make this evolution possible. Applied to the alchemist, the twin goal symbolized their evolution from ignorance to enlightenment, and the stone represented a hidden spiritual truth or power that would lead to that goal.
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In texts that are believed to have been written according to this view, the cryptic alchemical symbols, diagrams, and textual imagery of late alchemical works are supposed to contain multiple layers of meanings, allegories, and references to other equally cryptic works; which must be laboriously decoded to discover their true meaning. In his 1766 "Alchemical Catechism", Théodore Henri de Tschudi suggested that the usage of the metals was symbolic: Q. When the Philosophers speak of gold and silver, from which they extract their matter, are we to suppose that they refer to the vulgar gold and silver? A. By no means; vulgar silver and gold are dead, while those of the Philosophers are full of life. Psychology. Alchemical symbolism has been important in analytical psychology and was revived and popularized from near extinction by the Swiss psychologist Carl Gustav Jung. Jung was initially confounded and at odds with alchemy and its images but after being given a copy of "The Secret of the Golden Flower", a Chinese alchemical text translated by his friend Richard Wilhelm, he discovered a direct correlation or parallel between the symbolic images in the alchemical drawings and the inner, symbolic images coming up in his patients' dreams, visions, or fantasies. He observed these alchemical images occurring during the psychic process of transformation, a process that Jung called "individuation". Specifically, he regarded the conjuring up of images of gold or Lapis as symbolic expressions of the origin and goal of this "process of individuation". Together with his alchemical "mystica soror" (mystical sister) Jungian Swiss analyst Marie-Louise von Franz, Jung began collecting old alchemical texts, compiled a lexicon of key phrases with cross-references, and pored over them. The volumes of work he wrote shed new light onto understanding the art of transubstantiation and renewed alchemy's popularity as a symbolic process of coming into wholeness as a human being where opposites are brought into contact and inner and outer, spirit and matter are reunited in the "hieros gamos", or divine marriage. His writings are influential in general psychology, but especially to those who have an interest in understanding the importance of dreams, symbols, and the unconscious archetypal forces (archetypes) that comprise all psychic life. Both von Franz and Jung have contributed significantly to the subject and work of alchemy and its continued presence in psychology as well as contemporary culture. Among the volumes Jung wrote on alchemy, his magnum opus is Volume 14 of his Collected Works, "Mysterium Coniunctionis". Literature. Alchemy has had a long-standing relationship with art, seen both in alchemical texts and in mainstream entertainment.
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"Literary alchemy" appears throughout the history of English literature from Shakespeare to J. K. Rowling, and also the popular Japanese manga "Fullmetal Alchemist". Here, characters or plot structure follow an alchemical magnum opus. In the 14th century, Chaucer began a trend of alchemical satire that can still be seen in recent fantasy works like those of the late Sir Terry Pratchett. Another literary work taking inspiration from the alchemical tradition is the 1988 novel "The Alchemist" by Brazilian writer Paulo Coelho. Visual artists have had a similar relationship with alchemy. While some used it as a source of satire, others worked with the alchemists themselves or integrated alchemical thought or symbols in their work. Music was also present in the works of alchemists and continues to influence popular performers. In the last hundred years, alchemists have been portrayed in a magical and spagyric role in fantasy fiction, film, television, novels, comics and video games. Science. One goal of alchemy, the transmutation of base substances into gold, is now known to be impossible by means of traditional chemistry, but possible by other physical means. Although not financially worthwhile, gold was synthesized in particle accelerators as early as 1941. See also. Notes. References. Citations. Sources used.
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Alien primarily refers to: Alien(s), or The Alien(s) may also refer to: See also. Topics referred to by the same term This page lists associated with the title .
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Astronomer
Scientist in the field of astronomy An astronomer is a scientist in the field of astronomy who focuses on a specific question or field outside the scope of Earth. Astronomers observe astronomical objects, such as stars, planets, moons, comets and galaxies – in either observational (by analyzing the data) or theoretical astronomy. Examples of topics or fields astronomers study include planetary science, solar astronomy, the origin or evolution of stars, or the formation of galaxies. A related but distinct subject is physical cosmology, which studies the Universe as a whole. Types. Astronomers typically fall under either of two main types: observational and theoretical. Observational astronomers make direct observations of celestial objects and analyze the data. In contrast, theoretical astronomers create and investigate models of things that cannot be observed. Because it takes millions to billions of years for a system of stars or a galaxy to complete a life cycle, astronomers must observe snapshots of different systems at unique points in their evolution to determine how they form, evolve, and die. They use this data to create models or simulations to theorize how different celestial objects work. Further subcategories under these two main branches of astronomy include planetary astronomy, astrobiology, stellar astronomy, astrometry, galactic astronomy, extragalactic astronomy, or physical cosmology. Astronomers can also specialize in certain specialties of observational astronomy, such as infrared astronomy, neutrino astronomy, x-ray astronomy, and gravitational-wave astronomy. Academic. History. Historically, astronomy was more concerned with the classification and description of phenomena in the sky, while astrophysics attempted to explain these phenomena and the differences between them using physical laws. Today, that distinction has mostly disappeared and the terms "astronomer" and "astrophysicist" are interchangeable. Professional astronomers are highly educated individuals who typically have a PhD in physics or astronomy and are employed by research institutions or universities. They spend the majority of their time working on research, although they quite often have other duties such as teaching, building instruments, or aiding in the operation of an observatory. The American Astronomical Society, which is the major organization of professional astronomers in North America, has approximately 8,200 members (as of 2024). This number includes scientists from other fields such as physics, geology, and engineering, whose research interests are closely related to astronomy. The International Astronomical Union comprises about 12,700 members from 92 countries who are involved in astronomical research at the PhD level and beyond (as of 2024).
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Contrary to the classical image of an old astronomer peering through a telescope through the dark hours of the night, it is far more common to use a charge-coupled device (CCD) camera to record a long, deep exposure, allowing a more sensitive image to be created because the light is added over time. Before CCDs, photographic plates were a common method of observation. Modern astronomers spend relatively little time at telescopes, usually just a few weeks per year. Analysis of observed phenomena, along with making predictions as to the causes of what they observe, takes the majority of observational astronomers' time. Activities and graduate degree training. Astronomers who serve as faculty spend much of their time teaching undergraduate and graduate classes. Most universities also have outreach programs, including public telescope time and sometimes planetariums, as a public service to encourage interest in the field. Those who become astronomers usually have a broad background in physics, mathematics, sciences, and computing in high school. Taking courses that teach how to research, write, and present papers are part of the higher education of an astronomer, while most astronomers attain both a Master's degree and eventually a PhD degree in astronomy, physics or astrophysics. PhD training typically involves 5-6 years of study, including completion of upper-level courses in the core sciences, a competency examination, experience with teaching undergraduates and participating in outreach programs, work on research projects under the student's supervising professor, completion of a PhD thesis, and passing a final oral exam. Throughout the PhD training, a successful student is financially supported with a stipend. Amateur astronomers. While there is a relatively low number of professional astronomers, the field is popular among amateurs. Most cities have amateur astronomy clubs that meet on a regular basis and often host star parties. The Astronomical Society of the Pacific is the largest general astronomical society in the world, comprising both professional and amateur astronomers as well as educators from 70 different nations. As with any hobby, most people who practice amateur astronomy may devote a few hours a month to stargazing and reading the latest developments in research. However, amateurs span the range from so-called "armchair astronomers" to people who own science-grade telescopes and instruments with which they are able to make their own discoveries, create astrophotographs, and assist professional astronomers in research. References.
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ASCII
American character encoding standard ASCII ( ), an acronym for American Standard Code for Information Interchange, is a character encoding standard for electronic communication. ASCII codes represent text in computers, telecommunications equipment, and other devices. ASCII has just 128 code points, of which only 95 are , which severely limit its scope. The set of available punctuation had significant impact on the syntax of computer languages and text markup. ASCII hugely influenced the design of character sets used by modern computers; for example the first 128 code points of Unicode are the same as ASCII. The Internet Assigned Numbers Authority (IANA) prefers the name US-ASCII for this character encoding. ASCII is one of the IEEE milestones. Overview. ASCII was developed in part from telegraph code. Its first commercial use was in the Teletype Model 33 and the Teletype Model 35 as a seven-bit teleprinter code promoted by Bell data services. Work on the ASCII standard began in May 1961, with the first meeting of the American Standards Association's (ASA) (now the American National Standards Institute or ANSI) X3.2 subcommittee. The first edition of the standard was published in 1963, underwent a major revision during 1967, and experienced its most recent update during 1986. Compared to earlier telegraph codes, the proposed Bell code and ASCII were both ordered for more convenient sorting (i.e., alphabetization) of lists and added features for devices other than teleprinters. The use of ASCII format for Network Interchange was described in 1969. That document was formally elevated to an Internet Standard in 2015. Originally based on the (modern) English alphabet, ASCII encodes 128 specified characters into seven-bit integers as shown by the ASCII chart in this article. Ninety-five of the encoded characters are printable: these include the digits "0" to "9", lowercase letters "a" to "z", uppercase letters "A" to "Z", and punctuation symbols. In addition, the original ASCII specification included 33 non-printing control codes which originated with Teletype models; most of these are now obsolete, although a few are still commonly used, such as the carriage return, line feed, and tab codes. For example, lowercase "i" would be represented in the ASCII encoding by binary 1101001 = hexadecimal 69 ("i" is the ninth letter) = decimal 105. Despite being an American standard, ASCII does not have a code point for the cent (¢).
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It also does not support English terms with diacritical marks such as résumé and jalapeño, or proper nouns with diacritical marks such as Beyoncé (although on certain devices characters could be combined with punctuation such as Tilde (~) and Backtick (`) to approximate such characters.) History. The American Standard Code for Information Interchange (ASCII) was developed under the auspices of a committee of the American Standards Association (ASA), called the X3 committee, by its X3.2 (later X3L2) subcommittee, and later by that subcommittee's X3.2.4 working group (now INCITS). The ASA later became the United States of America Standards Institute (USASI) and ultimately became the American National Standards Institute (ANSI). With the other special characters and control codes filled in, ASCII was published as ASA X3.4-1963, leaving 28 code positions without any assigned meaning, reserved for future standardization, and one unassigned control code. There was some debate at the time whether there should be more control characters rather than the lowercase alphabet. The indecision did not last long: during May 1963 the CCITT Working Party on the New Telegraph Alphabet proposed to assign lowercase characters to "sticks" 6 and 7, and International Organization for Standardization TC 97 SC 2 voted during October to incorporate the change into its draft standard. The X3.2.4 task group voted its approval for the change to ASCII at its May 1963 meeting. Locating the lowercase letters in "sticks" 6 and 7 caused the characters to differ in bit pattern from the upper case by a single bit, which simplified case-insensitive character matching and the construction of keyboards and printers. The X3 committee made other changes, including other new characters (the brace and vertical bar characters), renaming some control characters (SOM became start of header (SOH)) and moving or removing others (RU was removed). ASCII was subsequently updated as USAS X3.4-1967, then USAS X3.4-1968, ANSI X3.4-1977, and finally, ANSI X3.4-1986. Revisions. In the X3.15 standard, the X3 committee also addressed how ASCII should be transmitted (least significant bit first) and recorded on perforated tape. They proposed a 9-track standard for magnetic tape and attempted to deal with some punched card formats. Design considerations. Bit width. The X3.2 subcommittee designed ASCII based on the earlier teleprinter encoding systems. Like other character encodings, ASCII specifies a correspondence between digital bit patterns and character symbols (i.e. graphemes and control characters). This allows digital devices to communicate with each other and to process, store, and communicate character-oriented information such as written language.
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Before ASCII was developed, the encodings in use included 26 alphabetic characters, 10 numerical digits, and from 11 to 25 special graphic symbols. To include all these, and control characters compatible with the Comité Consultatif International Téléphonique et Télégraphique (CCITT) International Telegraph Alphabet No. 2 (ITA2) standard of 1932, FIELDATA (1956), and early EBCDIC (1963), more than 64 codes were required for ASCII. ITA2 was in turn based on Baudot code, the 5-bit telegraph code Émile Baudot invented in 1870 and patented in 1874. The committee debated the possibility of a shift function (like in ITA2), which would allow more than 64 codes to be represented by a six-bit code. In a shifted code, some character codes determine choices between options for the following character codes. It allows compact encoding, but is less reliable for data transmission, as an error in transmitting the shift code typically makes a long part of the transmission unreadable. The standards committee decided against shifting, and so ASCII required at least a seven-bit code. The committee considered an eight-bit code, since eight bits (octets) would allow two four-bit patterns to efficiently encode two digits with binary-coded decimal. However, it would require all data transmission to send eight bits when seven could suffice. The committee voted to use a seven-bit code to minimize costs associated with data transmission. Since perforated tape at the time could record eight bits in one position, it also allowed for a parity bit for error checking if desired. Eight-bit machines (with octets as the native data type) that did not use parity checking typically set the eighth bit to 0. Internal organization. The code itself was patterned so that most control codes were together and all graphic codes were together, for ease of identification. The first two so-called "ASCII sticks" (32 positions) were reserved for control characters. The "space" character had to come before graphics to make sorting easier, so it became position 20hex; for the same reason, many special signs commonly used as separators were placed before digits. The committee decided it was important to support uppercase 64-character alphabets, and chose to pattern ASCII so it could be reduced easily to a usable 64-character set of graphic codes, as was done in the DEC SIXBIT code (1963). Lowercase letters were therefore not interleaved with uppercase. To keep options available for lowercase letters and other graphics, the special and numeric codes were arranged before the letters, and the letter "A" was placed in position 41hex to match the draft of the corresponding British standard.
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The digits 0–9 are prefixed with 011, but the remaining 4 bits correspond to their respective values in binary, making conversion with binary-coded decimal straightforward (for example, 5 in encoded to 011"0101", where 5 is "0101" in binary). Many of the non-alphanumeric characters were positioned to correspond to their shifted position on typewriters; an important subtlety is that these were based on "mechanical" typewriters, not "electric" typewriters. Mechanical typewriters followed the "de facto" standard set by the Remington No. 2 (1878), the first typewriter with a shift key, and the shifted values of codice_1 were codice_2 – early typewriters omitted "0" and "1", using "O" (capital letter "o") and "l" (lowercase letter "L") instead, but codice_3 and codice_4 pairs became standard once 0 and 1 became common. Thus, in ASCII codice_5 were placed in the second stick, positions 1–5, corresponding to the digits 1–5 in the adjacent stick. The parentheses could not correspond to "9" and "0", however, because the place corresponding to "0" was taken by the space character. This was accommodated by removing codice_6 (underscore) from "6" and shifting the remaining characters, which corresponded to many European typewriters that placed the parentheses with "8" and "9". This discrepancy from typewriters led to bit-paired keyboards, notably the Teletype Model 33, which used the left-shifted layout corresponding to ASCII, differently from traditional mechanical typewriters. Electric typewriters, notably the IBM Selectric (1961), used a somewhat different layout that has become "de facto" standard on computers – following the IBM PC (1981), especially Model M (1984) – and thus shift values for symbols on modern keyboards do not correspond as closely to the ASCII table as earlier keyboards did. The codice_7 pair also dates to the No. 2, and the codice_8 pairs were used on some keyboards (others, including the No. 2, did not shift codice_9 (comma) or codice_10 (full stop) so they could be used in uppercase without unshifting). However, ASCII split the codice_11 pair (dating to No. 2), and rearranged mathematical symbols (varied conventions, commonly codice_12) to codice_13. Some then-common typewriter characters were not included, notably codice_14, while codice_15 were included as diacritics for international use, and codice_16 for mathematical use, together with the simple line characters codice_17 (in addition to common codice_18).
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The "@" symbol was not used in continental Europe and the committee expected it would be replaced by an accented "À" in the French variation, so the "@" was placed in position 40hex, right before the letter A. The control codes felt essential for data transmission were the start of message (SOM), end of address (EOA), end of message (EOM), end of transmission (EOT), "who are you?" (WRU), "are you?" (RU), a reserved device control (DC0), synchronous idle (SYNC), and acknowledge (ACK). These were positioned to maximize the Hamming distance between their bit patterns. Character order. ASCII-code order is also called "ASCIIbetical" order. Collation of data is sometimes done in this order rather than "standard" alphabetical order (collating sequence). The main deviations in ASCII order are: An intermediate order converts uppercase letters to lowercase before comparing ASCII values. Character set. ]] Character groups. Control characters. ASCII reserves the first 32 code points (numbers 0–31 decimal) and the last one (number 127 decimal) for control characters. These are codes intended to control peripheral devices (such as printers), or to provide meta-information about data streams, such as those stored on magnetic tape. Despite their name, these code points do not represent printable characters (i.e. they are not characters at all, but signals). For debugging purposes, "placeholder" symbols (such as those given in ISO 2047 and its predecessors) are assigned to them. For example, character 0x0A represents the "line feed" function (which causes a printer to advance its paper), and character 8 represents "backspace". refers to control characters that do not include carriage return, line feed or white space as non-whitespace control characters. Except for the control characters that prescribe elementary line-oriented formatting, ASCII does not define any mechanism for describing the structure or appearance of text within a document. Other schemes, such as markup languages, address page and document layout and formatting. The original ASCII standard used only short descriptive phrases for each control character. The ambiguity this caused was sometimes intentional, for example where a character would be used slightly differently on a terminal link than on a data stream, and sometimes accidental, for example the standard is unclear about the meaning of "delete". Probably the most influential single device affecting the interpretation of these characters was the Teletype Model 33 ASR, which was a printing terminal with an available paper tape reader/punch option.
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Paper tape was a very popular medium for long-term program storage until the 1980s, less costly and in some ways less fragile than magnetic tape. In particular, the Teletype Model 33 machine assignments for codes 17 (control-Q, DC1, also known as XON), 19 (control-S, DC3, also known as XOFF), and 127 (delete) became "de facto" standards. The Model 33 was also notable for taking the description of control-G (code 7, BEL, meaning audibly alert the operator) literally, as the unit contained an actual bell which it rang when it received a BEL character. Because the keytop for the O key also showed a left-arrow symbol (from ASCII-1963, which had this character instead of underscore), a noncompliant use of code 15 (control-O, shift in) interpreted as "delete previous character" was also adopted by many early timesharing systems but eventually became neglected. When a Teletype 33 ASR equipped with the automatic paper tape reader received a control-S (XOFF, an abbreviation for transmit off), it caused the tape reader to stop; receiving control-Q (XON, transmit on) caused the tape reader to resume. This so-called flow control technique became adopted by several early computer operating systems as a "handshaking" signal warning a sender to stop transmission because of impending buffer overflow; it persists to this day in many systems as a manual output control technique. On some systems, control-S retains its meaning, but control-Q is replaced by a second control-S to resume output. The 33 ASR also could be configured to employ control-R (DC2) and control-T (DC4) to start and stop the tape punch; on some units equipped with this function, the corresponding control character lettering on the keycap above the letter was TAPE and TAPE respectively. Delete vs backspace. The Teletype could not move its typehead backwards, so it did not have a key on its keyboard to send a BS (backspace). Instead, there was a key marked that sent code 127 (DEL). The purpose of this key was to erase mistakes in a manually-input paper tape: the operator had to push a button on the tape punch to back it up, then type the rubout, which punched all holes and replaced the mistake with a character that was intended to be ignored. Teletypes were commonly used with the less-expensive computers from Digital Equipment Corporation (DEC); these systems had to use what keys were available, and thus the DEL character was assigned to erase the previous character.
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Because of this, DEC video terminals (by default) sent the DEL character for the key marked "Backspace" while the separate key marked "Delete" sent an escape sequence; many other competing terminals sent a BS character for the backspace key. The early Unix tty drivers, unlike some modern implementations, allowed only one character to be set to erase the previous character in canonical input processing (where a very simple line editor is available); this could be set to BS "or" DEL, but not both, resulting in recurring situations of ambiguity where users had to decide depending on what terminal they were using (shells that allow line editing, such as ksh, bash, and zsh, understand both). The assumption that no key sent a BS character allowed Ctrl+H to be used for other purposes, such as the "help" prefix command in GNU Emacs. Escape. Many more of the control characters have been assigned meanings quite different from their original ones. The "escape" character (ESC, code 27), for example, was intended originally to allow sending of other control characters as literals instead of invoking their meaning, an "escape sequence". This is the same meaning of "escape" encountered in URL encodings, C language strings, and other systems where certain characters have a reserved meaning. Over time this interpretation has been co-opted and has eventually been changed. In modern usage, an ESC sent "to" the terminal usually indicates the start of a command sequence, which can be used to address the cursor, scroll a region, set/query various terminal properties, and more. They are usually in the form of a so-called "ANSI escape code" (often starting with a "Control Sequence Introducer", "CSI", "ESC [") from ECMA-48 (1972) and its successors. Some escape sequences do not have introducers, like the "Reset to Initial State", "RIS" command "ESC c". In contrast, an ESC read "from" the terminal is most often used as an out-of-band character used to terminate an operation or special mode, as in the TECO and vi text editors. In graphical user interface (GUI) and windowing systems, ESC generally causes an application to abort its current operation or to exit (terminate) altogether. End of line. The inherent ambiguity of many control characters, combined with their historical usage, created problems when transferring "plain text" files between systems. The best example of this is the newline problem on various operating systems.
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Teletype machines required that a line of text be terminated with both "carriage return" (which moves the printhead to the beginning of the line) and "line feed" (which advances the paper one line without moving the printhead). The name "carriage return" comes from the fact that on a manual typewriter the carriage holding the paper moves while the typebars that strike the ribbon remain stationary. The entire carriage had to be pushed (returned) to the right in order to position the paper for the next line. DEC operating systems (OS/8, RT-11, RSX-11, RSTS, TOPS-10, etc.) used both characters to mark the end of a line so that the console device (originally Teletype machines) would work. By the time so-called "glass TTYs" (later called CRTs or "dumb terminals") came along, the convention was so well established that backward compatibility necessitated continuing to follow it. When Gary Kildall created CP/M, he was inspired by some of the command line interface conventions used in DEC's RT-11 operating system. Until the introduction of PC DOS in 1981, IBM had no influence in this because their 1970s operating systems used EBCDIC encoding instead of ASCII, and they were oriented toward punch-card input and line printer output on which the concept of "carriage return" was meaningless. IBM's PC DOS (also marketed as MS-DOS by Microsoft) inherited the convention by virtue of being loosely based on CP/M, and Windows in turn inherited it from MS-DOS. Requiring two characters to mark the end of a line introduces unnecessary complexity and ambiguity as to how to interpret each character when encountered by itself. To simplify matters, plain text data streams, including files, on Multics used line feed (LF) alone as a line terminator. The tty driver would handle the LF to CRLF conversion on output so files can be directly printed to terminal, and NL (newline) is often used to refer to CRLF in UNIX documents. Unix and Unix-like systems, and Amiga systems, adopted this convention from Multics. On the other hand, the original Macintosh OS, Apple DOS, and ProDOS used carriage return (CR) alone as a line terminator; however, since Apple later replaced these obsolete operating systems with their Unix-based macOS (formerly named OS X) operating system, they now use line feed (LF) as well. The Radio Shack TRS-80 also used a lone CR to terminate lines.
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Computers attached to the ARPANET included machines running operating systems such as TOPS-10 and TENEX using CR-LF line endings; machines running operating systems such as Multics using LF line endings; and machines running operating systems such as OS/360 that represented lines as a character count followed by the characters of the line and which used EBCDIC rather than ASCII encoding. The Telnet protocol defined an ASCII "Network Virtual Terminal" (NVT), so that connections between hosts with different line-ending conventions and character sets could be supported by transmitting a standard text format over the network. Telnet used ASCII along with CR-LF line endings, and software using other conventions would translate between the local conventions and the NVT. The File Transfer Protocol adopted the Telnet protocol, including use of the Network Virtual Terminal, for use when transmitting commands and transferring data in the default ASCII mode. This adds complexity to implementations of those protocols, and to other network protocols, such as those used for E-mail and the World Wide Web, on systems not using the NVT's CR-LF line-ending convention. End of file/stream. The PDP-6 monitor, and its PDP-10 successor TOPS-10, used control-Z (SUB) as an end-of-file indication for input from a terminal. Some operating systems such as CP/M tracked file length only in units of disk blocks, and used control-Z to mark the end of the actual text in the file. For these reasons, EOF, or end-of-file, was used colloquially and conventionally as a three-letter acronym for control-Z instead of SUBstitute. The end-of-text character (ETX), also known as control-C, was inappropriate for a variety of reasons, while using control-Z as the control character to end a file is analogous to the letter Z's position at the end of the alphabet, and serves as a very convenient mnemonic aid. A historically common and still prevalent convention uses the ETX character convention to interrupt and halt a program via an input data stream, usually from a keyboard. The Unix terminal driver uses the end-of-transmission character (EOT), also known as control-D, to indicate the end of a data stream. In the C programming language, and in Unix conventions, the null character is used to terminate text strings; such null-terminated strings can be known in abbreviation as ASCIZ or ASCIIZ, where here Z stands for "zero". Table of codes. Control code table. Other representations might be used by specialist equipment, for example ISO 2047 graphics or hexadecimal numbers. Printable character table. At the time of adoption, the codes 20hex to 7Ehex would cause the printing of a visible character (a glyph), and thus were designated "printable characters". These codes represent letters, digits, punctuation marks, and a few miscellaneous symbols.
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There are 95 printable characters in total. The empty space between words, as produced by the space bar of a keyboard, is character code 20hex. Since the space character is visible in printed text it considered a "printable character", even though it is unique in having no visible glyph. It is listed in the printable character table, as per the ASCII standard, instead of in the control character table. Code 7Fhex corresponds to the non-printable "delete" (DEL) control character and is listed in the control character table. Earlier versions of ASCII used the up arrow instead of the caret (5Ehex) and the left arrow instead of the underscore (5Fhex). ]] Usage. ASCII was first used commercially during 1963 as a seven-bit teleprinter code for American Telephone & Telegraph's TWX (TeletypeWriter eXchange) network. TWX originally used the earlier five-bit ITA2, which was also used by the competing Telex teleprinter system. Bob Bemer introduced features such as the escape sequence. His British colleague Hugh McGregor Ross helped to popularize this work – according to Bemer, "so much so that the code that was to become ASCII was first called the "Bemer–Ross Code" in Europe". Because of his extensive work on ASCII, Bemer has been called "the father of ASCII". On March 11, 1968, US President Lyndon B. Johnson mandated that all computers purchased by the United States Federal Government support ASCII, stating: I have also approved recommendations of the Secretary of Commerce [Luther H. Hodges] regarding standards for recording the Standard Code for Information Interchange on magnetic tapes and paper tapes when they are used in computer operations. All computers and related equipment configurations brought into the Federal Government inventory on and after July 1, 1969, must have the capability to use the Standard Code for Information Interchange and the formats prescribed by the magnetic tape and paper tape standards when these media are used. ASCII was the most common character encoding on the World Wide Web until December 2007, when UTF-8 encoding surpassed it; UTF-8 is backward compatible with ASCII. Variants and derivations. As computer technology spread throughout the world, different standards bodies and corporations developed many variations of ASCII to facilitate the expression of non-English languages that used Roman-based alphabets. One could class some of these variations as "ASCII extensions", although some misuse that term to represent all variants, including those that do not preserve ASCII's character-map in the 7-bit range. Furthermore, the ASCII extensions have also been mislabelled as ASCII. 7-bit codes. From early in its development, ASCII was intended to be just one of several national variants of an international character code standard.
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Other international standards bodies have ratified character encodings such as ISO 646 (1967) that are identical or nearly identical to ASCII, with extensions for characters outside the English alphabet and symbols used outside the United States, such as the symbol for the United Kingdom's pound sterling (£); e.g. with code page 1104. Almost every country needed an adapted version of ASCII, since ASCII suited the needs of only the US and a few other countries. For example, Canada had its own version that supported French characters. Many other countries developed variants of ASCII to include non-English letters (e.g. é, ñ, ß, Ł), currency symbols (e.g. £, ¥), etc. See also YUSCII (Yugoslavia). It would share most characters in common, but assign other locally useful characters to several code points reserved for "national use". However, the four years that elapsed between the publication of ASCII-1963 and ISO's first acceptance of an international recommendation during 1967 caused ASCII's choices for the national use characters to seem to be "de facto" standards for the world, causing confusion and incompatibility once other countries did begin to make their own assignments to these code points. ISO/IEC 646, like ASCII, is a 7-bit character set. It does not make any additional codes available, so the same code points encoded different characters in different countries. Escape codes were defined to indicate which national variant applied to a piece of text, but they were rarely used, so it was often impossible to know what variant to work with and, therefore, which character a code represented, and in general, text-processing systems could cope with only one variant anyway. Because the bracket and brace characters of ASCII were assigned to "national use" code points that were used for accented letters in other national variants of ISO/IEC 646, a German, French, or Swedish, etc. programmer using their national variant of ISO/IEC 646, rather than ASCII, had to write, and thus read, something such as codice_19 instead of codice_20 C trigraphs were created to solve this problem for ANSI C, although their late introduction and inconsistent implementation in compilers limited their use. Many programmers kept their computers on ASCII, so plain-text in Swedish, German etc. (for example, in e-mail or Usenet) contained "{, }" and similar variants in the middle of words, something those programmers got used to.
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For example, a Swedish programmer mailing another programmer asking if they should go for lunch, could get "N{ jag har sm|rg}sar" as the answer, which should be "Nä jag har smörgåsar" meaning "No I've got sandwiches". In Japan and Korea, still as of the 2020s,[ [update]] a variation of ASCII is used, in which the backslash (5C hex) is rendered as ¥ (a Yen sign, in Japan) or ₩ (a Won sign, in Korea). This means that, for example, the file path C:\Users\Smith is shown as C:¥Users¥Smith (in Japan) or C:₩Users₩Smith (in Korea). In Europe, teletext character sets, which are variants of ASCII, are used for broadcast TV subtitles, defined by World System Teletext and broadcast using the DVB-TXT standard for embedding teletext into DVB transmissions. In the case that the subtitles were initially authored for teletext and converted, the derived subtitle formats are constrained to the same character sets. 8-bit codes. Eventually, as 8-, 16-, and 32-bit (and later 64-bit) computers began to replace 12-, 18-, and 36-bit computers as the norm, it became common to use an 8-bit byte to store each character in memory, providing an opportunity for extended, 8-bit relatives of ASCII. In most cases these developed as true extensions of ASCII, leaving the original character-mapping intact, but adding additional character definitions after the first 128 (i.e., 7-bit) characters. ASCII itself remained a seven-bit code: the term "extended ASCII" has no official status. For some countries, 8-bit extensions of ASCII were developed that included support for characters used in local languages; for example, ISCII for India and VISCII for Vietnam. Kaypro CP/M computers used the "upper" 128 characters for the Greek alphabet. Even for markets where it was not necessary to add many characters to support additional languages, manufacturers of early home computer systems often developed their own 8-bit extensions of ASCII to include additional characters, such as box-drawing characters, semigraphics, and video game sprites. Often, these additions also replaced control characters (index 0 to 31, as well as index 127) with even more platform-specific extensions. In other cases, the extra bit was used for some other purpose, such as toggling inverse video; this approach was used by ATASCII, an extension of ASCII developed by Atari. Most ASCII extensions are based on ASCII-1967 (the current standard), but some extensions are instead based on the earlier ASCII-1963. For example, PETSCII, which was developed by Commodore International for their 8-bit systems, is based on ASCII-1963.
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Likewise, many Sharp MZ character sets are based on ASCII-1963. IBM defined code page 437 for the IBM PC, replacing the control characters with graphic symbols such as smiley faces, and mapping additional graphic characters to the upper 128 positions. Digital Equipment Corporation developed the Multinational Character Set (DEC-MCS) for use in the popular VT220 terminal as one of the first extensions designed more for international languages than for block graphics. Apple defined Mac OS Roman for the Macintosh and Adobe defined the PostScript Standard Encoding for PostScript; both sets contained "international" letters, typographic symbols and punctuation marks instead of graphics, more like modern character sets. The ISO/IEC 8859 standard (derived from the DEC-MCS) provided a standard that most systems copied (or at least were based on, when not copied exactly). A popular further extension designed by Microsoft, Windows-1252 (often mislabeled as ISO-8859-1), added the typographic punctuation marks needed for traditional text printing. ISO-8859-1, Windows-1252, and the original 7-bit ASCII were the most common character encoding methods on the World Wide Web until 2008, when UTF-8 overtook them. ISO/IEC 4873 introduced 32 additional control codes defined in the 80–9F hexadecimal range, as part of extending the 7-bit ASCII encoding to become an 8-bit system. Unicode. Unicode and the ISO/IEC 10646 Universal Character Set (UCS) have a much wider array of characters and their various encoding forms have begun to supplant ISO/IEC 8859 and ASCII rapidly in many environments. While ASCII is limited to 128 characters, Unicode and the UCS support more characters by separating the concepts of unique identification (using natural numbers called "code points") and encoding (to 8-, 16-, or 32-bit binary formats, called UTF-8, UTF-16, and UTF-32, respectively). ASCII was incorporated into the Unicode (1991) character set as the first 128 symbols, so the 7-bit ASCII characters have the same numeric codes in both sets. This allows UTF-8 to be backward compatible with 7-bit ASCII, as a UTF-8 file containing only ASCII characters is identical to an ASCII file containing the same sequence of characters. Even more importantly, forward compatibility is ensured as software that recognizes only 7-bit ASCII characters as special and does not alter bytes with the highest bit set (as is often done to support 8-bit ASCII extensions such as ISO-8859-1) will preserve UTF-8 data unchanged. See also. References.
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Austin refers to: See also. Topics referred to by the same term This page lists associated with the title .
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Method of creating moving pictures Animation is a filmmaking technique whereby still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are either traditional animations or computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms. Animation is contrasted with live action, although the two do not exist in isolation. Many moviemakers have produced films that are a hybrid of the two. As CGI increasingly approximates photographic imagery, filmmakers can easily composite 3D animations into their film rather than using practical effects for showy visual effects (VFX). General overview. Computer animation can be very detailed 3D animation, while 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like paper cutouts, puppets, or clay figures. An animated cartoon or simply cartoon is an animated film, usually short, featuring an exaggerated visual style. The style takes inspiration from comic strips, gag cartoons, and other non-animated or still cartoons. It often features anthropomorphic animals, superheroes, or the adventures of human protagonists. Especially with animals that form a natural predator/prey relationship (e.g. cats and mice, coyotes and birds), the action often centers on violent pratfalls such as falls, collisions, and explosions that would be lethal in real life as well. During in the 1980s, "cartoon" was shortened to toon, referring to characters in animated productions. This term was first popularized in 1988 by the combined live-action/animated film "Who Framed Roger Rabbit", which introduced ToonTown, a world inhabited by animated characters, followed in 1990 by the animated TV series "Tiny Toon Adventures", which embraced the classic cartoon spirit with a new generation of characters. The illusion of animation—as in motion pictures in general—has traditionally been attributed to the persistence of vision and later to the phi phenomenon and beta movement, but the exact neurological causes are still uncertain. The illusion of motion caused by a rapid succession of images that minimally differ from each other, with unnoticeable interruptions, is a stroboscopic effect. While animators traditionally used to draw each part of the movements and changes of figures on transparent cels that could be moved over a separate background, computer animation is usually based on programming paths between key frames to maneuver digitally created figures throughout a digitally created environment.
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Analog mechanical animation media that rely on the rapid display of sequential images include the phenakistiscope, zoetrope, flip book, praxinoscope, and film. Television and video are popular electronic animation media that originally were analog and now operate digitally. For display on computers, technology such as the animated GIF and Flash animation were developed. In addition to short films, feature films, television series, animated GIFs, and other media dedicated to the display of moving images, animation is also prevalent in video games, motion graphics, user interfaces, and visual effects. The physical movement of image parts through simple mechanics—for instance, moving images in magic lantern shows—can also be considered animation. The mechanical manipulation of three-dimensional puppets and objects to emulate living beings has a very long history in automata. Electronic automata were popularized by Disney as animatronics. Etymology. The word "animation" comes to the Latin word "animātiō", meaning 'bestowing of life'. The earlier meaning of the English word is 'liveliness' and has been in use much longer than the meaning of 'moving image medium'. History. Before cinematography. Long before modern animation began, audiences around the world were captivated by the magic of moving characters. For centuries, master artists and craftsmen have brought puppets, automatons, shadow puppets, and fantastical lanterns to life, inspiring the imagination through physically manipulated wonders. In 1833, the stroboscopic disc (better known as the phenakistiscope) introduced the principle of modern animation, which would also be applied in the zoetrope (introduced in 1866), the flip book (1868), the praxinoscope (1877) and film. Silent era. When cinematography eventually broke through in the 1890s, the wonder of the realistic details in the new medium was seen as its biggest accomplishment. It took years before animation found its way to the cinemas. The successful short "The Haunted Hotel" (1907) by J. Stuart Blackton popularized stop motion and reportedly inspired Émile Cohl to create "Fantasmagorie" (1908), regarded as the oldest known example of a complete traditional (hand-drawn) animation on standard cinematographic film. Other great artistic and very influential short films were created by Ladislas Starevich with his puppet animations since 1910 and by Winsor McCay with detailed hand-drawn animation in films such as "Little Nemo" (1911) and "Gertie the Dinosaur" (1914). During the 1910s, the production of animated "cartoons" became an industry in the US. Successful producer John Randolph Bray and animator Earl Hurd, patented the cel animation process that dominated the animation industry for the rest of the century.
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Felix the Cat, who debuted in 1919, became the first fully realized anthropomorphic animal character in the history of American animation. American golden age. In 1928, "Steamboat Willie", featuring Mickey Mouse and Minnie Mouse, popularized film-with-synchronized-sound and put Walt Disney's studio at the forefront of the animation industry. Although Disney Animation's actual output relative to total global animation output has always been very small, the studio has overwhelmingly dominated the "aesthetic norms" of animation ever since. The enormous success of Mickey Mouse is seen as the start of the golden age of American animation that would last until the 1960s. The United States dominated the world market of animation with a plethora of cel-animated theatrical shorts. Several studios would introduce characters that would become very popular and would have long-lasting careers, including Walt Disney Productions' Goofy (1932) and Donald Duck (1934), Fleischer Studios/Paramount Cartoon Studios' Out of the Inkwell' Koko the Clown (1918), Bimbo and Betty Boop (1930), Popeye (1933) and Casper the Friendly Ghost (1945), Warner Bros. Cartoon Studios' Looney Tunes' Porky Pig (1935), Daffy Duck (1937), Elmer Fudd (1937–1940), Bugs Bunny (1938–1940), Tweety (1942), Sylvester the Cat (1945), Wile E. Coyote and the Road Runner (1949), MGM cartoon studio's Tom and Jerry (1940) and Droopy, Universal Cartoon Studios' Woody Woodpecker (1940), Terrytoons/20th Century Fox's Mighty Mouse (1942), and United Artists' Pink Panther (1963). Features before CGI. In 1917, Italian-Argentine director Quirino Cristiani made the first feature-length film "El Apóstol" (now lost), which became a critical and commercial success. It was followed by Cristiani's "Sin dejar rastros" in 1918, but one day after its premiere, the film was confiscated by the government. After working on it for three years, Lotte Reiniger released the German feature-length silhouette animation "Die Abenteuer des Prinzen Achmed" in 1926, the oldest extant animated feature. In 1937, Walt Disney Studios premiered their first animated feature "Snow White and the Seven Dwarfs", still one of the highest-grossing traditional animation features as of May 2020[ [update]]. The Fleischer studios followed this example in 1939 with "Gulliver's Travels" with some success.
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Partly due to foreign markets being cut off by the Second World War, Disney's next features "Pinocchio", "Fantasia" (both 1940), Fleischer Studios' second animated feature "Mr. Bug Goes to Town" (1941–1942) and Disney's feature films "Cinderella" (1950), "Alice in Wonderland" (1951) and "Lady and the Tramp" (1955) failed at the box office. For several decades, Disney was the only American studio to regularly produce animated features, until Ralph Bakshi became the first to release more than a handful of features. Sullivan-Bluth Studios began to regularly produce animated features starting with "An American Tail" in 1986. Although relatively few titles became as successful as Disney's features, other countries developed their own animation industries that produced both short and feature theatrical animations in a wide variety of styles, relatively often including stop motion and cutout animation techniques. Soviet Soyuzmultfilm animation studio, founded in 1936, produced 20 films (including shorts) per year on average and reached 1,582 titles in 2018. China, Czechoslovakia / Czech Republic, Italy, France, and Belgium were other countries that more than occasionally released feature films, while Japan became a true powerhouse of animation production, with its own recognizable and influential anime style of effective limited animation. Television. Animation became very popular on television since the 1950s, when television sets started to become common in most developed countries. Cartoons were mainly programmed for children, on convenient time slots, and especially US youth spent many hours watching Saturday-morning cartoons. Many classic cartoons found a new life on the small screen and by the end of the 1950s, the production of new animated cartoons started to shift from theatrical releases to TV series. Hanna-Barbera Productions was especially prolific and had huge hit series, such as "The Flintstones" (1960–1966) (the first prime time animated series), "Scooby-Doo" (since 1969) and Belgian co-production "The Smurfs" (1981–1989). The constraints of American television programming and the demand for an enormous quantity resulted in cheaper and quicker limited animation methods and much more formulaic scripts. Quality dwindled until more daring animation surfaced in the late 1980s and in the early 1990s with hit series, the first cartoon of The Simpsons (1987), which later developed into its own show (in 1989) and "SpongeBob SquarePants" (since 1999) as part of a "renaissance" of American animation. While US animated series also spawned successes internationally, many other countries produced their own child-oriented programming, relatively often preferring stop motion and puppetry over cel animation.
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Japanese anime TV series became very successful internationally since the 1960s, and European producers looking for affordable cel animators relatively often started co-productions with Japanese studios, resulting in hit series such as "Barbapapa" (The Netherlands/Japan/France 1973–1977), "Wickie und die starken Männer/小さなバイキング ビッケ (Vicky the Viking)" (Austria/Germany/Japan 1974), "Maya the Honey Bee" (Japan/Germany 1975) and "The Jungle Book" (Italy/Japan 1989). Switch from cels to computers. Computer animation was gradually developed since the 1940s. 3D wireframe animation started popping up in the mainstream in the 1970s, with an early (short) appearance in the sci-fi thriller "Futureworld" (1976). "The Rescuers Down Under" was the first feature film to be completely created digitally without a camera. It was produced using the Computer Animation Production System (CAPS), developed by Pixar in collaboration with The Walt Disney Company in the late 1980s, in a style similar to traditional cel animation. The so-called 3D style, more often associated with computer animation, became the dominant technique following the success of Pixar's "Toy Story" (1995), the first computer-animated feature in this style. Most of the cel animation studios switched to producing mostly computer-animated films around the 1990s, as it proved cheaper and more profitable. Not only the very popular 3D animation style was generated with computers, but also most of the films and series with a more traditional hand-crafted appearance, in which the charming characteristics of cel animation could be emulated with software, while new digital tools helped developing new styles and effects. Economic status. In 2010, the animation market was estimated to be worth circa US$80 billion. By 2021, the value had increased to an estimated US$370 billion. Animated feature-length films returned the highest gross margins (around 52%) of all film genres between 2004 and 2013. Animation as an art and industry continues to thrive as of the early 2020s. Education, propaganda and commercials. The clarity of animation makes it a powerful tool for instruction, while its total malleability also allows exaggeration that can be employed to convey strong emotions and to thwart reality. It has therefore been widely used for other purposes than mere entertainment. During World War II, animation was widely exploited for propaganda. Many American studios, including Warner Bros. and Disney, lent their talents and their cartoon characters to convey to the public certain war values. Some countries, including China, Japan and the United Kingdom, produced their first feature-length animation for their war efforts. Animation has been very popular in television commercials, both due to its graphic appeal, and the humour it can provide.
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Some animated characters in commercials have survived for decades, such as Snap, Crackle and Pop in advertisements for Kellogg's cereals. Tex Avery was the producer of the first Raid "Kills Bugs Dead" commercials in 1966, which were very successful for the company. Other media, merchandise and theme parks. Apart from their success in movie theaters and television series, many cartoon characters would also prove lucrative when licensed for all kinds of merchandise and for other media. Animation has traditionally been very closely related to comic books. While many comic book characters found their way to the screen (which is often the case in Japan, where many manga are adapted into anime), original animated characters also commonly appear in comic books and magazines. Somewhat similarly, characters and plots for video games (an interactive form of animation that became its own medium) have been derived from films and vice versa. Some of the original content produced for the screen can be used and marketed in other media. Stories and images can easily be adapted into children's books and other printed media. Songs and music have appeared on records and as streaming media. While very many animation companies commercially exploit their creations outside moving image media, The Walt Disney Company is the best known and most extreme example. Since first being licensed for a children's writing tablet in 1929, their Mickey Mouse mascot has been depicted on an enormous amount of products, as have many other Disney characters. This may have influenced some pejorative use of Mickey's name, but licensed Disney products sell well, and the so-called Disneyana has many avid collectors, and even a dedicated Disneyana Fan Club (since 1984). Disneyland opened in 1955 and features many attractions that were based on Disney's cartoon characters. Its enormous success spawned several other Disney theme parks and resorts. Disney's earnings from the theme parks have relatively often been higher than those from their movies. Awards. As with any other form of media, animation has instituted awards for excellence in the field. Many are part of general or regional film award programs, like the China's Golden Rooster Award for Best Animation (since 1981). Awards programs dedicated to animation, with many categories, include ASIFA-Hollywood's Annie Awards, the Emile Awards in Europe and the Anima Mundi awards in Brazil. Academy Awards. Apart from Academy Awards for Best Animated Short Film (since 1932) and Best Animated Feature (since 2002), animated movies have been nominated and rewarded in other categories, relatively often for Best Original Song and Best Original Score. "Beauty and the Beast" was the first animated film nominated for Best Picture, in 1991.
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"Up" (2009) and "Toy Story 3" (2010) also received Best Picture nominations, after the academy expanded the number of nominees from five to ten. Production. The creation of non-trivial animation works (i.e., longer than a few seconds) has developed as a form of filmmaking, with certain unique aspects. Traits common to both live-action and animated feature films are labor intensity and high production costs. The most important difference is that once a film is in the production phase, the marginal cost of one more shot is higher for animated films than live-action films. It is relatively easy for a director to ask for one more take during principal photography of a live-action film, but every take on an animated film must be manually rendered by animators (although the task of rendering slightly different takes has been made less tedious by modern computer animation). It is pointless for a studio to pay the salaries of dozens of animators to spend weeks creating a visually dazzling five-minute scene if that scene fails to effectively advance the plot of the film. Thus, animation studios starting with Disney began the practice in the 1930s of maintaining story departments where storyboard artists develop every single scene through storyboards, then handing the film over to the animators only after the production team is satisfied that all the scenes make sense as a whole. While live-action films are now also storyboarded, they enjoy more latitude to depart from storyboards (i.e., real-time improvisation). Another problem unique to animation is the requirement to maintain a film's consistency from start to finish, even as films have grown longer and teams have grown larger. Animators, like all artists, necessarily have individual styles, but must subordinate their individuality in a consistent way to whatever style is employed on a particular film. Since the early 1980s, teams of about 500 to 600 people, of whom 50 to 70 are animators, typically have created feature-length animated films. It is relatively easy for two or three artists to match their styles; synchronizing those of dozens of artists is more difficult. This problem is usually solved by having a separate group of visual development artists develop an overall look and palette for each film before the animation begins. While animators must "sacrifice their personal drawing styles so that the work of many hands appears to be that of one", visual development artists are allowed to "create new worlds, new characters, and new entertainment possibilities in their own individualistic graphic styles". Character designers on the visual development team draw model sheets to show how each character should look like with different facial expressions, posed in different positions, and viewed from different angles.
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On traditionally animated projects, maquettes were often sculpted to further help the animators see how characters would look from different angles. Unlike live-action films, animated films were traditionally developed beyond the synopsis stage through the storyboard format; the storyboard artists would then receive credit for writing the film. The traditional approach worked for several decades because prior to the 1960s, no one except Disney was attempting to regularly produce feature-length animated films. All other animation studios, with occasional exceptions, were producing short films only a few minutes in length. For short films, it was enough for the storyboard artists to work up a few visual gags and then string them together to form a crude plot. In 1960, Hanna-Barbera pioneered the longer animated sitcom format for television with "The Flintstones". Hanna-Barbera and the other early television animation studios soon discovered that storyboarding was far too inefficient to fill up a half-hour episode on the extremely tight budgets typical of television. During the 1960s, these studios experimented with a more efficient method for developing story material: a screenwriter is hired to draft a written screenplay which is approved and handed over to the storyboard artists for storyboarding. This method creates significant tension between screenwriters and storyboard artists, in that some artists feel that people who cannot draw should not be writing for animation, while some writers feel that artists do not understand how to write. Despite that tension, it has become and remains the dominant method by which animation studios develop both feature-length films and television shows. Techniques. Traditional. Traditional animation (also called cel animation or hand-drawn animation) is the process that was used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels, which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one against a painted background by a rostrum camera onto motion picture film. The traditional cel animation process became obsolete by the beginning of the 21st century. In modern traditionally animated films, animators' drawings and the backgrounds are either scanned into or drawn directly into a computer system. Various software programs are used to color the drawings and simulate camera movement and effects. The final animated piece is output to one of several delivery media, including traditional 35 mm film and newer media with digital video. The "look" of traditional cel animation is still preserved, and the character animators' work has remained essentially the same over the past 90 years.
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Some animation producers have used the term "tradigital" (a play on the words "traditional" and "digital") to describe cel animation that uses significant computer technology. Examples of traditionally animated feature films include "Pinocchio" (United States, 1940), "Animal Farm" (United Kingdom, 1954), "Lucky and Zorba" (Italy, 1998), and "The Illusionist" (British-French, 2010). Traditionally animated films produced with the aid of computer technology include "The Lion King" (US, 1994), "Anastasia" (US, 1997), "The Prince of Egypt" (US, 1998), "Akira" (Japan, 1988), "Spirited Away" (Japan, 2001), "The Triplets of Belleville" (France, 2003), and "The Secret of Kells" (Irish-French-Belgian, 2009). Full. Full animation is the process of producing high-quality traditionally animated films that regularly use detailed drawings and plausible movement, having a smooth animation. Fully animated films can be made in a variety of styles, from more realistically animated works like those produced by the Walt Disney studio ("The Little Mermaid", "Beauty and the Beast", "Aladdin", "The Lion King") to the more 'cartoon' styles of the Warner Bros. animation studio. Many of the Disney animated features are examples of full animation, as are non-Disney works, "The Secret of NIMH" (US, 1982), "The Iron Giant" (US, 1999), and "Nocturna" (Spain, 2007). Fully animated films are often animated on "twos", sometimes on "ones", which means that 12 to 24 drawings are required for a single second of film. Limited. Limited animation involves the use of less detailed or more stylized drawings and methods of movement usually a choppy or "skippy" movement animation. Limited animation uses fewer drawings per second, thereby limiting the fluidity of the animation. This is a more economic technique. Pioneered by the artists at the American studio United Productions of America, limited animation can be used as a method of stylized artistic expression, as in "Gerald McBoing-Boing" (US, 1951), "Yellow Submarine" (UK, 1968), and certain anime produced in Japan. Its primary use, however, has been in producing cost-effective animated content for media for television (the work of Hanna-Barbera, Filmation, and other TV animation studios) and later the Internet (web cartoons). Rotoscoping. Rotoscoping is a technique patented by Max Fleischer in 1917 where animators trace live-action movement, frame by frame.
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The source film can be directly copied from actors' outlines into animated drawings, as in "The Lord of the Rings" (US, 1978), or used in a stylized and expressive manner, as in "Waking Life" (US, 2001) and "A Scanner Darkly" (US, 2006). Some other examples are "Fire and Ice" (US, 1983), "Heavy Metal" (1981), and "Aku no Hana" (Japan, 2013). Live-action blending. Live-action/animation is a technique combining hand-drawn characters into live action shots or live-action actors into animated shots. One of the earlier uses was in Koko the Clown when Koko was drawn over live-action footage. Walt Disney and Ub Iwerks created a series of "Alice Comedies" (1923–1927), in which a live-action girl enters an animated world. Other examples include "Allegro Non Troppo" (Italy, 1976), "Who Framed Roger Rabbit" (US, 1988), "Volere volare" (Italy 1991), "Space Jam" (US, 1996) and "Osmosis Jones" (US, 2001). Stop motion. Stop motion is used to describe animation created by physically manipulating real-world objects and photographing them one frame of film at a time to create the illusion of movement. There are many different types of stop-motion animation, usually named after the materials used to create the animation. Computer software is widely available to create this type of animation; traditional stop-motion animation is usually less expensive but more time-consuming to produce than current computer animation. ; Puppetoons : Created using techniques developed by George Pal, are puppet-animated films that typically use a different version of a puppet for different frames, rather than manipulating one existing puppet. ; Strata-cut animation : Most commonly a form of clay animation in which a long bread-like "loaf" of clay, internally packed tight and loaded with varying imagery, is sliced into thin sheets, with the animation camera taking a frame of the end of the loaf for each cut, eventually revealing the movement of the internal images within. ; Silhouette animation : A variant of cutout animation in which the characters are backlit and only visible as silhouettes. Examples include "The Adventures of Prince Achmed" (Weimar Republic, 1926) and "Princes et Princesses" (France, 2000). ;Go motion : A variant of model animation that uses various techniques to create motion blur between frames of film, which is not present in traditional stop motion. The technique was invented by Industrial Light & Magic and Phil Tippett to create special effect scenes for the film "" (1980).
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Another example is the dragon named "Vermithrax" from the 1981 film "Dragonslayer". ; Graphic animation : Uses non-drawn flat visual graphic material (photographs, newspaper clippings, magazines, etc. ), which are sometimes manipulated frame by frame to create movement. At other times, the graphics remain stationary, while the stop-motion camera is moved to create on-screen action. ; Brickfilm : A subgenre of object animation involving using Lego or other similar brick toys to make an animation. These have had a recent boost in popularity with the advent of video sharing sites, YouTube and the availability of cheap cameras and animation software. Computer. Computer animation encompasses a variety of techniques, the unifying factor being that the animation is created digitally on a computer. 2D animation techniques tend to focus on image manipulation while 3D techniques usually build virtual worlds in which characters and objects move and interact. 3D animation can create images that seem real to the viewer. 2D. 2D animation figures are created or edited on the computer using 2D bitmap graphics and 2D vector graphics. This includes automated computerized versions of traditional animation techniques, interpolated morphing, onion skinning and interpolated rotoscoping. 2D animation has many applications, including After Effects Animation, analog computer animation, Flash animation, and PowerPoint animation. Cinemagraphs are still photographs in the form of an animated GIF file of which part is animated. Final line advection animation is a technique used in 2D animation, to give artists and animators more influence and control over the final product as everything is done within the same department. Speaking about using this approach in "Paperman", John Kahrs said that "Our animators can change things, actually erase away the CG underlayer if they want, and change the profile of the arm." When working with game animations, skeletal 2D animations are commonly created using tools like Spine, DragonBones, Blender COA Tools, Rive, and the built-in Unity editor. The primary benefit of this approach is the ability to reuse images, which reduces the amount of graphics stored in RAM. This principle of maximizing resource efficiency means that by reusing existing elements, you can enhance the visual appeal of animations without needing to create additional graphics. 3D. 3D animation is digitally modeled and manipulated by an animator. The 3D model maker usually starts by creating a 3D polygon mesh for the animator to manipulate. A mesh typically includes many vertices that are connected by edges and faces, which give the visual appearance of form to a 3D object or 3D environment. Sometimes, the mesh is given an internal digital skeletal structure called an armature that can be used to control the mesh by weighting the vertices.
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This process is called rigging and can be used in conjunction with key frames to create movement. Other techniques can be applied, mathematical functions (e.g., gravity, particle simulations), simulated fur or hair, and effects, fire and water simulations. These techniques fall under the category of 3D dynamics. See also. References. Citations. Sources. Journal articles. Books. Online sources.
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Greek god of music, prophecy and healing Apollo is one of the Olympian deities in ancient Greek and Roman religion and Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the "kouros" (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as "Apulu". As the patron deity of Delphi ("Apollo Pythios"), Apollo is an oracular god—the prophetic deity of the Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off evil, and is referred to as , the "averter of evil". Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius. Apollo delivered people from epidemics, yet he is also a god who could bring ill health and deadly plague with his arrows. The invention of archery itself is credited to Apollo and his sister Artemis. Apollo is usually described as carrying a silver or golden bow and a quiver of silver or golden arrows. As the god of "mousike", Apollo presides over all music, songs, dance, and poetry. He is the inventor of string-music and the frequent companion of the Muses, functioning as their chorus leader in celebrations. The lyre is a common attribute of Apollo. Protection of the young is one of the best attested facets of his panhellenic cult persona. As a , Apollo is concerned with the health and education of children, and he presided over their passage into adulthood. Long hair, which was the prerogative of boys, was cut at the coming of age () and dedicated to Apollo. The god himself is depicted with long, uncut hair to symbolise his eternal youth. Apollo is an important pastoral deity, and he was the patron of herdsmen and shepherds. Protection of herds, flocks and crops from diseases, pests and predators were his primary rustic duties. On the other hand, Apollo also encouraged the founding of new towns and the establishment of civil constitutions, is associated with dominion over colonists, and was the giver of laws. His oracles were often consulted before setting laws in a city.
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Apollo Agyieus was the protector of the streets, public places and home entrances. In Hellenistic times, especially during the 5th century BCE, as "Apollo Helios" he became identified among Greeks with Helios, the personification of the Sun. Although Latin theological works from at least 1st century BCE identified Apollo with Sol, there was no conflation between the two among the classical Latin poets until 1st century CE. Etymology. Apollo (Attic, Ionic, and Homeric Greek: , (GEN ); Doric: , ; Arcadocypriot: , ; Aeolic: , ; ) The name "Apollo"—unlike the related older name "Paean"—is generally not found in the Linear B (Mycenean Greek) texts, although there is a possible attestation in the lacunose form "]pe-rjo-[" (Linear B: ]-[) on the KN E 842 tablet, though it has also been suggested that the name might actually read "Hyperion" ([u]-pe-rjo-[ne]). The etymology of the name is uncertain. The spelling ( in Classical Attic) had almost superseded all other forms by the beginning of the common era, but the Doric form, (), is more archaic, as it is derived from an earlier . It probably is a cognate to the Doric month "Apellaios" (), and the offerings () at the initiation of the young men during the family-festival (). According to some scholars, the words are derived from the Doric word (), which originally meant "wall," "fence for animals" and later "assembly within the limits of the square." Apella () is the name of the popular assembly in Sparta, corresponding to the (). R. S. P. Beekes rejected the connection of the theonym with the noun and suggested a Pre-Greek proto-form *"Apalyun". Several instances of popular etymology are attested by ancient authors. Thus, the Greeks most often associated Apollo's name with the Greek verb (), "to destroy". Plato in "Cratylus" connects the name with (), "redemption", with ("apolousis"), "purification", and with (), "simple", in particular in reference to the Thessalian form of the name, , and finally with (), "ever-shooting". Hesychius connects the name Apollo with the Doric (), which means "assembly", so that Apollo would be the god of political life, and he also gives the explanation (), "fold", in which case Apollo would be the god of flocks and herds.
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In the ancient Macedonian language () means "stone," and some toponyms may be derived from this word: (Pella, the capital of ancient Macedonia) and ("Pellēnē"/"Pellene"). The Hittite form "Apaliunas" ("d") is attested in the Manapa-Tarhunta letter. The Hittite testimony reflects an early form "", which may also be surmised from the comparison of Cypriot with Doric . The name of the Lydian god "Qλdãns" // may reflect an earlier /-/ before palatalization, syncope, and the pre-Lydian sound change * ">" . Note the labiovelar in place of the labial // found in pre-Doric and Hittite "Apaliunas". A Luwian etymology suggested for "Apaliunas" makes Apollo "The One of Entrapment", perhaps in the sense of "Hunter". Greco-Roman epithets. Apollo's chief epithet was Phoebus ( ; , "Phoibos" ), literally "bright". It was very commonly used by both the Greeks and Romans for Apollo's role as the god of light. Like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a great number of appellations in Greek myth, only a few occur in Latin literature. Origin and birth. Apollo's birthplace was Mount Cynthus on the island of Delos. Place of worship. Delphi and Actium were his primary places of worship. Celtic epithets and cult titles. Apollo was worshipped throughout the Roman Empire. In the traditionally Celtic lands, he was most often seen as a healing and sun god. He was often equated with Celtic gods of similar character. Origins. Apollo is considered the most Hellenic (Greek) of the Olympian gods. The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to Artemis, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of the monstrous serpent Python. For the Greeks, Apollo was the most Greek of all the gods, and through the centuries he acquired different functions. In Archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In Classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component." Healer and god-protector from evil.
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In classical times, his major function in popular religion was to keep away evil, and he was therefore called "apotropaios" (, "averting evil") and "alexikakos" ( "keeping off ill"; from v. + n. ). Apollo also had many epithets relating to his function as a healer. Some commonly-used examples are "paion" ( literally "healer" or "helper") "epikourios" (, "succouring"), "oulios" (, "healer, baleful") and "loimios" (, "of the plague"). In later writers, the word, "paion", usually spelled "Paean", becomes a mere epithet of Apollo in his capacity as a god of healing. Apollo in his aspect of "healer" has a connection to the primitive god Paean (), who did not have a cult of his own. Paean serves as the healer of the gods in the "Iliad", and seems to have originated in a pre-Greek religion. It is suggested, though unconfirmed, that he is connected to the Mycenaean figure "pa-ja-wo-ne" (Linear B: ). Paean was the personification of holy songs sung by "seer-doctors" (), which were supposed to cure disease. Homer uses the noun Paeon to designate both a god and that god's characteristic song of apotropaic thanksgiving and triumph. Such songs were originally addressed to Apollo and afterwards to other gods: to Dionysus, to Apollo Helios, to Apollo's son Asclepius the healer. About the 4th century BCE, the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune or to offer thanks after such protection had been rendered. It was in this way that Apollo had become recognized as the god of music. Apollo's role as the slayer of the Python led to his association with battle and victory; hence it became the Roman custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won. In the "Iliad", Apollo is the healer under the gods, but he is also the bringer of disease and death with his arrows, similar to the function of the Vedic god of disease Rudra. He sends a plague () to the Achaeans. Knowing that Apollo can prevent a recurrence of the plague he sent, they purify themselves in a ritual and offer him a large sacrifice of cows, called a hecatomb. Dorian origin. The "Homeric Hymn to Apollo" depicts Apollo as an intruder from the north.
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