The Express. — London, England, 1857-05-05 00:00:00

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TO RI WWI divine Oa, re awe Irma =mei la Ow Vida% Drift !+ R us t sALL ..... NM Ow r t Osmium TWAT ASNAIIIOIIOIIITs. &Katgm boin f ra . :l 4. oTOSTA POOL awl kte a rarte ll .4...L "al iss ells lown ig etrede WI WI rpm 8..... =Mg be elaisai wing:MY Dot.. TRAM to NEW YORK Ror SOUTHAMPTON. 1 1 1= ar. nee d r I fro b osbotgoir rorraf of borAm ei soi Or lie p r y ( ' ' ":"...,'"A •""••2111ii4SIt lE.i. ~..h . .. t p ar .. .... z . dred.AMl: SA •or to Oil end .P. Idrograrodrod, W.d.— l» rap Or irimor 11 IP TEAM to NEW YORK Direst, and the MIL. r d POlLMearr i .Tataaram , AA c. ......, m4 5 fart= t 1 11 Yr rioow Orr ogc riarreT2 l lt rod= nil. TOP RALTIIIOIIO •-•• - • • • Waimea,. hog 4, rd wry AMMO W 41•14.4116. Orr poor li groom 17 rdssis. or II rOddirlooder r ODD allorradlo 6 4011141111181448 le Wit I P1d1010101i5.....1 I !Tarr 2l • ~,...4=. 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Wag moo ...... 7 . 2 ,..., LT . isfele. pNo lat h asl i k a Wi t: . .InLattellt =rt. & ail i‘e.snreis"l•itiTabtrimd."l V. so ihs saij . 4 B =ll.l.o al ang as4=. I LI. MOW an aholsois4 ea sout.-11, Orai ___ Pl2l 811111116EDED.- ilitts i r t i 6 sod row of tr u rer e r sik. --T. b j==. mums PATENT IRON BEDSTEAD, /M- gaming ,lio = „ 1 ...... Ur mond. ma i mob op SP .• .I;MW 06.; %V/ lissimr. limp tp=top. A HP to 11.1. IP 11111 L. al Lia Wl* bovobak. stplacepw—lbropomp E. Poi. ilandieterr. & Sow aombolnot P. Ned Wean o tali. WORTH MODEL WATCH. U, p librifionlom on /US nololi Of So = rem5,„..i=r1:41.01.714r...=; b IMPSON'S FAMILY EOM 'Ad SHOE WAIIIIIIOUSILTes belpslasi WA /WS et UMW Or*. ass% Toad% are Clelimes IWO sod Ares 1. dr limit . = idea red be fsmd presold loimeele •••••11 se Waft 44.1.4.—Per=eletiatrralED N to INVENTORS. OFFICE for tio,-R7Pacetligtssriaktrigr."Ciirt= IIII.IIIIP to the EMBARRASSEIL--Mr. 11ARIRALL. of ea 4 51101 NW Oldroq Ocod Id Solled WOMBS Id mdse. so do I redo moan) So slo WATS rao 01 d poo tom 013 wood dot aid saw dooddlod od Odi ild. demob dip Odd add , de ow Aili, depot Implenvado‘ se arils* Ss dad dromodihd. mai d pold WI orodoodo. ADZES et DELICATE COMPLEXION, who war Pm memo raWil 0.... k1E1l ami % Who ile Tlis si el Os mim e lamb I. air sue • le = I I .1 la Ns prazipe ft k a NW Ur atisiment art aellarre of • lki lia. sod Os. N. per teak. Oril.a.-111. r i.. l l:= . 1/11:4:1.101, •Illk air Ilposin. /i. ROWL•111) IV Is Mt OW el 13. ihassiPleie. Lembo ; mai to awl gi::: TINO ' S COUGH LOZENGEL—" A slight sm - assets sispisms an set= Ws Asa Lys the of a i rj . fiplesliolt litil. 1 TM owli ow P.l."VlWie.ides'"AlW-Nigillar:l lillallii. to Wow bine beim iml _WY .1 VW 1..... y. as eel a. Ift 011=9=10. I* F. Oniffiliin NAM, egisini NM mar b....n...... 1.2. 1 . 0,4“..p==4 WI Is .. 1. ........ W. IN 111 - 01114 • lllATlllromi... i nfs.t Psolli Cllmeb• Labia Mil by all tirmilla 41Ibt dsort4% FINE ARTS. MUSIC. L A llea& Is D. 11.. f . Nowt Omerle PaiftUssea, Y Aak . Nimbi o•4lftri ankslsiell ~.........- ---.... . geomlale OMs. g 1 lale IL Part M. ft grailm." Xs. Si.' Name iir &Ran sad MN lamas McsokleKka. ..... everOm at IM . Raw ..... Coolminr—PMennt iiiiiiiiii way' It a seldom that we hue hued a better or a mom success ful concert than this. It ma All of verity ; but it was ettiety of encelime. Ivory plae w r a shef towers of it. composer; sod the pa rears wen matjudiciouely chosen to give every Moe its prom abet. Moserts Symphony in D M maid only to as imam melmice caled, to mark he ps-imbakes, He Jupilsr." TM two wake are meth akin. TM allegro monmente of suit have a simithr samdfon sad brighter; the onekothe cd both an. aped th Oak leanifal few et melody and sweat combhatica. ; bat it i in its girth the museum tome on lbw Meath the the amity mats its morkeity te the other oraistral wallas at it. author. Of Destlioven'a sysspluay b C tabor, whet cm be sad me that it is the work of a Oath, and the language inks ender any Masa to eirmelerie or describe it t Both these glorious works made seen mans than their usual impreenion. Mai per won mid may member at the orehears May seem to do bin best, and to 'bow his Mention to every bolicatios of the excellent conductor. TIM was, if penile, rum ma apparent in the performance of Men deleseho's waged, pace of insakal description, tin " bk. of FiopL" Often.' we bum heard this ~Me, it .best appeared new to as. ma band mossil actually lambed, and piped with a mu and tram* villa cenamakahri bud se the anima The overture combeda smid Duda+ of mimes and load cells for ite repetition; end it was mufti acendimiy. • mat inarreedm amity vas the mirinsoce d Erna. Comma Pat/skims, by W. Itheinyi. This artist is a yeas( Themprion-4 raises, ws bars—who km been moral yeas la lagand, and bade the Mistime of principal Milo in thus Queen's private lend. But ha has be.. sq Mae head in public, and this appeerence was ohm* a &Met It won an eminently sucomstal one. Entat's camas 1. ger belly that great musician's lima work. It it well smog "pathetic," for it is toll of the almost and most psesionsee emetics. It is mend lit its denim large in Its ecastree tics, and exquisitely broad in its sesiodies, while ft as thma alma every illealty which th e graded violinists lave lam ebb w aeldsm. The roam rammer Nara thoroughly the its eploi, and played amakently, dth paying powers, both of esomptien and exuseetion, akin to those a the amps's& If• me received as lie Ins qualities doomed ; and se one was wat er mole edema is elms aims of pinwale than Brest Mr elf, who listemd to the per hemp et kis ewe oak with the dowel stamtion and in that. Rotten produced a post ant by his concertino on the centrahamo ; a perinemous eel lees bountiful then sur prang. Of all the ask pribratme at this mat &Seek issament that have um hem honed in thin comary &Me -1 alai is the breseoth We ha two salve mallets, Madame Badereeoho and Xis Loath ; and both at theta mainathei the homer a the Paella easel, Xiss Lamar Ism Cambin . lise mud ems boosithay. She has a emirate voice of the I dart malty, and her Myth is perfectly pore and retina. ,li,, indsmoside Balm opus" wen eang with groat mesemss, dalimay, and hang. The introduction of Boo danakets two-part soap asoompsied only by the 110, yr a samiagly happy ides. They were admirably sag by the two led., and their stiot, ecetrasted with that et the Ouse oreirstrel was delighttel to the ear. Coolesels et this kind, we thia, might be introdead with admatep musk ahem than they are. The epees at her Majesty's Meats?, this evening, Y Litaiseei; at the Royal Italian Opera, lotwals Poyidt. DRAMA. ADBLPHI. A fudge: interlude, addled illerN Tragedy in as &PM Did; wie_yealesei thee bed alght, with lir. Wright r the berw Tile = ea rthman • mired bothenera, Mr. Tthethy As, awing the otheace el Ith Wel SIM WNW. IMO es theism at • dither sit the " Mid Tatham" mobs ast waft with the eisealma uleL re* law etheldd ewes, mid ellen theellealea diodes lthed hie thy Oath SWF kol f lllllkaassbasy by the mardat desk= =nevi the Ithswet, thd the lissarathrl. /111 e w at ith rather Ws, awl Ist bollowirs Arks le by bad melees preendag hos the ede, abases b alliebel rasher " sold ap:‘ , the 14. Mogglethe lthilpteweey (Mr. Peal who his dee beta melt the wra th othoderap of the perigee algid. pothole Mathes rottry OVId••••• off their hies= d eil WU, • Mel* Walla WO lON la de hags of oath odd a lady's fed. The Ws slide eyed* muss the lre dee who boodeas all rem loath mhos his thedithgthethed emus he that be letmadmi f se • premed helm daother dthleady Nom le the ohms ol • bussed =dela which bed esempaled the caekma at the mid,lmpre, but the his. hit emerthere la the course d hie srlne. The sake& with red the cede se that • MOW Impertthoe whim the web shad •asw mese spypvt sus d " thereil twig fa the ass Ma," Swarthy the therideg wasder the leer wear who thgt • cod tad pews dad, sad the preiroble Mrawffry it the serderore by seem of la sari demlbed es ow madras thee width bee beim lid by the therem The pok of " mold dingenr Is Amer of their reediseea, ere peorad by this eiremtheeld "d -ame dot they suet lath his. the rerethe tithe swam thyld ; ark heath theresed by the menace of the leader tahrelle, who lade elgrideratly thee be W wetted thaw halm de* sight's raddega. The de tine le dee alai al the sewed guilty Nem sew la he get rid of the eeliamme /Ora then ; thd dry let bah is die emboli Width la • sere is.. is Viriele Is • pr of reweeth idol then ash theillstee the withing r si ad the efts. Earn weft sear efts% hew nor, th embethe lthoght him ids Elglibury Beau ; T sad It l e e theessed W i t the reogrigh of As " Pada z:Z' hoe leia mil fres • Nowe eh/sr, rid. The loads, big Medd eratmr, lodise, dear zhees the Z Is '. by dean ths be hal thilered the mid their sight proms, Nei hid libiretal them from • Wes by ew for sundry demos, Witham the Atha:dm et dee - hemries cop ad isle. It all bra thatilts is • more owersisisasz . voiyiss wady is dr slam! Isiah W y cosslossilve poww, Maar ..sp. tor ea lewd mai, lomow Is wash W lowswiwa whoa ito =ppm asi is wwwwissims• h• noway, aim boss caw of .ails, and as wow lama bin awl Pawl &OW Wks wit Y hotholy wain now with as saw, apt Intriaiy osoi• mbar lownw, of teal hissai maw wl suit bead is is w ahlwa=lissoi sod aswhetso, ail wpm lo be • SW= le MlWlelrall°bl.l/168bIralb s Ilia =lillidiall="chask" Iwinser,bille ail maw; IRS Maio la spat of lul posei-rool w mot be, fa wail. ti • otamass iwwwwwwit las veal sot Wish Wray st WWW• trwfra easpicity a the .Irestfri rlerif fa Ws Dias. Drury lons Theatre is shortly to be opened for the patentonew et " The EIS Annie= Equenytut Twain," oho whole ononanommee valve We Ermonon of Mks EEC, " tae Yoneyama bay eqamadma." "New Monthly Whets,* giving sada= to Mr. aymysenem betas. ot the Ownyy Mamie EmE, at fey minim we asw host co sae it the estuary gam Ow the aim of Waren LONDON, TUESDAY EVENING, MAY 5, 1857. EXHIBITION OF THE ROYAL ACADEMY. SECOND NOTICE. In resuming our notice of the Royal Academy Exhibition, we shall begin with the more im portant pictures important inasmuch as they are certain to attract the immediate general at tention, not only on account of superior merit, which is sometimes doubtful, but from the artists' past achievements, and the position, favourable or unfavourable, already made with the public. It will be our pleasing duty afterwards to speak of those young and rising artists whose works are so unusually pinnate' this year, and in the greatness of their pro mise give, as we have before said, so hopeful a cha racter to the present exhibition. The principal bone of contention that has been thrown down for the public generally, and the fine art critics in particular, to light over is, undoubtedly, Mr. Millais' large picture, " A Dream of the Past : Sir Isumbru at the Ford." It represents the knight upon " Grayed Destrere," the original mammoth hone, creasing the ford with the two children, the one seated - before and the other clinging behind hip. The horse is wading through the water with all for heavy enjoyment a hippopotamus , to which un wieldy animal, both in appearance and habits, he evidently bears a close resemblance. The features of Sir Isumbras wear an agreeable smirk, but those of the children exhibit a leas self-satistied expression —their evident desire being to get their journey over as quickly as possible. This work belongs rather to the pre-Albert Darer than the pre sehool, being full of a quaint affectation, and faulty drawing. In invention it is Poe 4 • 1 11 1 0 , and, es a composition, beneath maiden. la power of execution Mr. Millais is peribly without a rival; but surely this is no t d that is required to make a picture. That an resent i study of nature and a careful rendering Mime bemstiai n all their exquisite detail are in =lnlito those artists who would take high n their profession, none will deny ; bat that we have a correct reFceentation of nature is ma a gradaction as this of Mr. Millais', it would be folly is meet. We do not accuse him of a want ot geri emstrary, it is the abuse of great geniu s whisk me emephin. We freely admit a singehr weer M seisar, a marvellous skill in rendering Ma minutest detail ; but these alone will sot smile ter Mr. Millais that high position as a Cca= area Wahl& ha enlist) ugh sea ow et is skid iris. po Ik/my hats Jumedemr shoal paw wet se alaisoloy boort awle ibis divine mend= M she liwksrli mills be rendered with a swerriass Meaty Mee texture of ths garlands bs wore, and de- Mad almost every - hair of the ass he node 1 1 Mr. Millais is a very Protest of art. You never know where to have him, and his disciples must have no easy task to pursue the erratic nights of their master. Let as look at this canvas again. The Sere of Sir Isumbras is grotesque in the extreme. The children are well painted, the boy especially is admirable, both in drawing and expression; there is the usual tendency to exaggeration in the girl's staring eyes, and her attitude is unnatural and awkward. With Mr. Millais and his school, grape of form and beauty of feature appear to be the last requisites of art; and this, not from any lack of power to depict them, but from choice alone. Still with all its halt• there is much in the picture which we cannot bet admire. The executive power is marvellous, never was armour better painted, or coheir more skilfull used, and the water in the distance especia lly is u near perfec tion as possible; set is a work with merits, and also greater blemishes, than possib i l r y es at: other in the room. " The Escape of a Heretic, ISA" has fewer defects, if not an equal merit. The woman's face, with its feverish, strained, eager expression— drinking in hope of safety from the tierce joy that burns in the eyes of her lover—cannot be too highly ridged. The man's face is less fortu nate. The expression is not good, the action of the lips exaggerated and unpleasant. There is an awk wardness la Ss whole attitude, as though the stiffest • by-drmis wan beneath the clothes. The bound e=leseilt Is not well draws. and so badly l ilk ft Jambi's the pet ; but the small= worldly is period. Mr. Millais' mode er is his ism give them too often dr anissasss of labssrkunisr a cutaneous disnaar Ind Ms trekked if irk in the other pOI f ib lbasimmt b a Womb M siseeenfol art. . Ela Der—shwa in Bras Mar," is k air Mask jssim k ,wank effective style dish is saw Ise wall bows to require critical assmost. lissom Is Ise as a composi tion; the saiwbess asellailisattitude and perfect in drawing. Thme ha little msamlain-hare in thccorner, so Malin kat yes waidismossly be surprised if it diasprossiaseismy mons Os was and left its plea vassal es es asks. • ass* sod Beady"— represents a horse in a straw-yard Wks/emu with an air of grave inquiry , upon an egg ibeibas jut been laidby a kea who u Joyfully praskining the fact. The had of the horse, with its - ssuliperplexed look, and the noisy conceit of the Sung mother, are alike admirable ; but the eolowiecisdidl and un satisfactory, especially that of thelsedinand with its cloud—if cloud it be—r Wing bolallbaborse like a Bracken spectre, and dest Toy* fter se meible motive the effect of the whole. " Mark Tan and his Wife for Sale "—full of humour. emillaßir Edwin's best man ner. The two pug-dogs ebelher are really touching in their wee I Mew s of Uncle Tom, down whose black =I WO dIE ken are trickling, and the Niagara of sorrow that is evidently preparing beneath those close-abut eyes, is well contrasted with the loving look of his despairing wife. Above them bangs a heavy-thonged whip, a sight terrible to both, as the suspended sword to Damocles, and we devoutly hope that the purchaser of the two un happy loggers will not include that in the lot he takes away. Mr. Acedell's visit to Spain has already produced good fruit. "Mules Drinking," " The Water-Car ner," and "Ploughings" are the titles of the three works he exhibits. The animals are, as might be expected, all well drawn; but he has also caught the aspect of the country he has visited, and the countenances of the peasants, &e., introduced are full of character; one especially, "The Water-Car rier," which is exquisite in its shrewd expression. We congratulate Mr. Ansdcll and the public on the benefits likely to accrue to both from this his Spanish pilgrimage. Mention of Spain naturally brings us to John Philips, whose two pictures are among the best in the Exhibition. "The Prison Window, Seville, 1857," is good in composition and tine in colour, firmly painted, rich in tons, and the figures well drawn ; the atti tude of the woman lifting the child to the man, who is kissing it through the bars of the window, is natural sad easy, the back-ground is well conceived, there is no effort, and the result therefore is natural grace. The second picture, " Charity, Sevilla, 18.57," is full of character. The sleek aspect of the priest and the appealing expression of the woman are ex cellent. The colouring here,ce in all the other works by the same artist,is good; the ccetumesaremost careful in their detail, and the miss en scene admirably truthful. This floe work will not fail to increase Mr. Philips's already great reputation. Mr. Stanfield has four pictures, all painted with his usual ability. In " Fort Same, St. Jean de Luz, " the rush and dash of water is rendered with much energy and spirit. "Calais Fishermen taking in tiilets—Squall coming on," "Calm in the Gulf of Salerno"---are both exquisite in their way; but in Pert-na-Spania, near the Oiant'a Causeway, coast of Ireland," Mr. Stanfield is thoroughly at home. A wild sky and still wilder sea, threatening rooks and drifting wrecks, mountains of water, each crested by an avalanche of foam, great gray clouds that hang about the sinking ships, whose forms are men dimly through the mist, writhing beneath the fury of the gale, are the principal elements in this striking ram- position. The story of the picture is this : two stray ships belooging . to the great Spanish Armada are going to pieces in the bay, thence called the Port na-lipenia," being driven by stress of weather upon the rock-bound coast. The whole scene is full of terror; life 'draggling in the very jaws of death, the fragments of wreck tossed about hither and thither in the rough play of the wave—the great ships sinking slowly down amid the tumult, while above them tower those grim warders of the shore, the rocks of the Giant's Causeway. It is a noble work, end in every way worthy of one of our greatest living artists. Mr. Cooke's sea pieces, of which he has several, are all, without exception, good. " A Crab and Lobster Shore" is a wonderful piece of nature. The atmospheric effects produced by this well-known artist, the magical blending of water and sky, are quite uneqed by any who attempt the like subjects. " A Field Conventicle," by Poole, is certainly not what it pretends to be—a hill-side gathering in Scotland. The red glow which suffuses the entire canvas belongs rather to the south than the north, and though some of the figures are well drawn, others are carelessly' sketched, with bide feeling or character. Each year Mr. Poole amp to grew wee careless in his attention tolletail. Last year, if we remember rightly, in his picture of the " Conspirators " he dis arded it altogether, presenting us with alarge canvas, in the centre of which appeared three figures sur rounded by a muddy chaos without either form or meaning. The figures introduced in his present flosnisia are better fitted for the gardens of Florence than the bleak hill-side, and, in their gentle duke far 1614/141 expression, we seek in vain for the look so "grandly stern" of the Scottish covenanter. The colouring of this piece is alter the manner of Mr. Poole—in other words, is not at all after the manner of Nature. Mr. Frith's two little pictures, "Sate Nickleby" and the "Flower Girl," are both charmingly painted, the latter being beautiful in tone and full ef character. Of Mr. Feed's, " The First Break in the Family," we cannot speak too highly ; in com position and drawing it is nearly print, nothing forced nor affected, the whole stary simply, and therefore well, told : the disectaim late family grouped about the " auld cottage door , " and watching with tearful eyes the coach u it fades " far over the moor" and bears the " young Willie awe," is moat beautifully rendered in its un affected pathos. The kneeling mother, her eyes crowded with tears, and her whole attitude full of grief; the compressed mouth and set face of the father, who seek', but vainly, to hide the sorrow that he feels ; the sturdy boy, a few steps in ad vance, who, standing in Napoleonic attitude, pre sents his back only to us, but even in that we read his brotherly distress; the old grandmother and the dejected sweetheart; even down to the dogs and the hesandohickens,areall in excellent kcepingwith the purpose of the picture, which is full of character and feeling. The rainbow of promise," which streams down over the cottage, is skilfully treated. On the whole this carefully executed work is one of the best that has yet emanated from the pencil of this artist of true genius. A. E. Chalon's " Sophia Western" is as little like that most loveable of heroines as can well be con ceived; there is no trace in the dark-haired young lady before us of either grace or softness, and the unpleasant looking Cupid that is crawling from her muff is as bad in execution as puerile in ides. The scene from the " Tempest," "the isle is fall of noises," has • raw unfinished look; the figura are net floating in the air: there is nothing aerial about them. The flesh is too pink, the colouring crude, and the drawing as bad as can well be. The attempt is ambitious ; but in this case the ambition has o'erleaped itself and fallen upon the other side with a vengeance. Mr. Frost sends his usual number of un clothed and half-clothed nymphs, painted after a tuition that never vanes : we have seen the same faces, the same figures, and the same peculiarity of flesh painting in Mr. Frost's pic tures for very many years past, but never out of them. We wonder how this clever artist can pass, as he must do, so many thousand times the pictures of William Etty, and not gain something from the lesson they convey. It is possible Mr. Frost con siders himself " too old to learn ;" for his own sake we hope . it is not so. Ile has one capital little sketch in the present Exhibition, "Coaxing," in which the gathered storm upon the brow of the hue band is disappearing before the sunshine of the wife. Mr. Redgrave's "Cradle of the River" is de serving of the highest praise. The water is really water, beautiful in its liquid transparency. The delicious repose of the whole is wonderful, the light and shade well disposed, and you foci your heart pant for the so ft couch of grass and the cool shade of trees. As a landscape this composition may be pronounced perfect. "TheMoorlandChilerbalsocarefulljpainted, the girl and sheep being vi ell introduced and iiirably "framed" by the landscape. "The Harvest Field and " The well-known Footstep," are both good ; the latter scarcely so perfect as the others in composition or in the drawing of the figures ; still the light and shade, and, if we may use the term, "greenery," are rendered with the touch of a master. ,qtr. itedgrave is, in spite of a few rather glaring faults, one of the first landscape painters we prem. " Sir Roger de Coverlcy in Church" is far from ap proaching the expectation we had formed when first told that Mr. Leslie was preparing such a picture. Of all our artists, his namewould naturally have occurred to us as the one to whom " Sir Roger" should have been entrusted. We looked upon Mr. Leslie as a congenial spirit with the great humourists of the reign of Queen Anne—as a man who would have been a welcome guest at the coffee-houses, whom Addison would have welcomed with a smile and a nod, and whom Dick Steele would have slapped on the shoulder, whose " charming pencil" would have been mentioned in the " Spectator," and gained a double immortality in the verse of Pope. That all this would have been the case we are sure ; Mr. Leslie's works—would that their name was legion— have already proved it ; but that the present one is a failure in conception, and also in execution, we are famed to confess. This Sir Roger!—certainly not; nor are these the "happy tenantry" who throve and fat tened upon his estate. The entire picture is scattered; it wants colour, and is destitute of feeling for the sub ject—a thing greatly to be wondered at in Mr. Les lie. All is flat and cold ; the sleeping boy is hideous and unnatural ; the congregation are dummies, with the usual mechanical movement of eyes and mouth ; yet there is one thing that goes far to redeem the picture—a baby—a wonderful baby ! Not a flabby, dabby bobby—such as Hood described—but a good substantial baby, that, seated in its mother's lap, pus fearlessly around, independent in its glorious innocence of even the great Sir Roger himself. Of Mr.Creserick'e landscapes it is almost useless to speak ; all have a " delightful sameness ;" but when you have seen some half-a-dozen you have seen them all—for, though an indefatigable student of nature, our, artist's riipertoire is not large—his unchanged batats are the country road, the woodland nook, the bobbling spring, still pool, or winding river. But they are all exquisite en their way, these landscapes; And, as few, if any, can paint them so well, we can bear the repetition. "A Salmon Leap" is admirable; so is " An Autumn Morning," with its marriage of brook and river. The water in this picture is something marvellous. " Parted Streams" is in the artist s old style, but perfec tion in its way. Mr. Abraham Cooper exhibits the usual number of horses, while Sydney Cooper gives us some well painted landscapes. From Mr. Witherington we have several beautiful English scenes, capital bath in trentawnt and colour, the foliage always good, the figures well introduced and cleverly painted. R OYAL COLOSSEUM, OPEN DAILY. limb s . hem IS ile 6: Wombs. ids IL .11ttsimies. Or Wilma. MONT BLANC IS OPEN TO-NIGHT. p er ENERAL TOM THUMB.—In consequence of 6 wee Md. Ida PIIIIFOIII POW N IM NUNCIO of gi t tnatl s om va= lair:r atoll T H CIAtt In MI WI Two =morn grill ear. L. blttimit 1 NO. god WI I to ll.Velledt. KAHN'S MUSEUM, 4, Coventry-street, 1810118regosna PLOGRAII4.-1.1101011.81 by Dv. 1211. d.W. at nine ceelnk OS lostnostils terlos ;NW eir Dr. BNIPOII. F. 1.0.11.. . :15=—At lolf• re —TIN rammer. Curksills. NA lis Ilmo al • at Ilsor—Tin Onatliksiso ; ism, Awl we Illa : Ift UM% 1.1 TN limm comb. WIN gild =II Is Vit . & 61114 •Lts.""lt. =a: a Dr..ths . Ma l Mb le arm. PHILHARMONIC SOCIETY. The second Philharmonic canoed was given kat night. The follow* was the letcregems (Stamped hi. Additional.) [TWOPENCE. Mr. Uwins ban only three pleasant little " bite" in this exhibition, well painted, though somewhat out of his usual manner. The picture with which we intend to close our present notice is " The Waiting for the Verdict," by Mr. A. Solomon, a work admirable alike in design and execution. It represents a family waiting in the ante-room of the court for the decision which is to give them back husband, son, and brother, all in one, or blight their happiness for ever. The attitude of the old man stoop ing forward, the drooping head covered by the trembling hands, is full of feeling • the old mother, with her swollen eyes, heavy with tear, yet striving to smile at the infant she holds on her lap, whose little arms are stretched towards a woman who is crouched down in the front, and who, at a glance, you recognise as the wretched wife and mother, while a boy is quietly sleeping the " sleep of inno oenoe," his head pillowed on her knees—all are touching and powerful. The grouping . is natural and most skilfully managed—nothing is wanting, yet nothing is obtruded; you sympathies with the unhappy family, share foe the moment their terrible supense, and turn with eager eyes to the opening door, through which just a glimpse is caught of the Jodie yea nixes lip their matemas hanipsi it ia picture that only pommies the merit or toning a good subject, but the still greater merit of having that subject most effectively handled. ART TREASURES EXHH MANCHESTER. (110 X ova SPRCIAL Cariosity, it is known, stirs up the gastric juice, while promenades through long galleries and pro tracted standing before wonderful sights whet the appetite, and thus at last the overstrains' mid turns naturally and by en easy tranaitios lice collected triumphs of the painter to the allsoslory combinations of the cook. The sagacious owl Ewa tical men who got up the Art Traumas became alive at an early period to thiefa pry chological fact, and while ca the ass bassi ureic emimaries were out, north, used, sad s smil most, petitioning for the pictures, they themselves viers carrying on at head-quarters laws and serious diseoSl dons as to the best means of presiding promise for the million. It is a mime sad sistaworthy tare in the history of Basil* wpm that *very great movement, whether raided at social, up its own men, who spring fatly as it were, rag: call of the necessity from the octoroon crowd, and at once go to the work to be done with an energy and aptitude which is as astonishing as it is invariably successful. When we wanted reform, how soon we had a crop of staunch reformers; when we wanted corn-law repeal, its advocates popped up their heads through • thousand platforms, like stage sprites through a trap ; and, now that we want great national festivals of art and science, to which mil lions are bidden as guests, we find the I)eanes and the Donalds alighting like twin Minervas from the Jevian cranium, the one collecting such en amount of attractions as will turn all Europe into Manches ter, the other arranging to feed 20,000 people daily with as much facility as if it were a London waiter handing to his solitary customer his underdone chop. No man but Mr. Deane could have coaxed the owners of such pictures as are here collected to allow them out of their sight for a moment ; no other man would have had the modest confidence to ask them; no other man would have inspired such confidence as to get them. In the same way it would be host to find a caterer—except he had graduated in the commissariat of Xerxes—who would not have started back appalled at the bare notion of having for six months to feed daily whole armies of pleasure seekers, and that, too, not with common food, but with such varieties and dainties as people are wont to call for when they are out for a holiday. This Art Treasures Exhibition, be it remembered, is no ordi nary case of supply and demand, and it will, I think, be an important aid to our great educational move ment if I attempt to explain in some little detail the dietetic arrangements at Old Trafford. It is doubtful whether Mr. Donald was acutely alive to the fact that in old times a palladium meant a statue, but he knew that in the present day, and in modern Eng land, it was deemed to imply a round of beef, and therefore he felt, with the intuitive quickness of a great general, that a sufficient supply of rounds of beef was the first element of success, or, in military parlance, the key of the position. He forthwith palled to council the local butchers ; but his first de mand created an absolute panic, and he was obliged to start off at once to Aberdeen, where, in accepting the contract, the greatest of the naval contractors tasted the first of the blessings of peace by being able to turn his attention from Sebastopol to Man chester. From this northern paradise of juicy sir loins a constant supply is guaranteed from week to week, and so the local pantry is relieved from the apprehension of being plundered by the foreign barbarian. Three Irish counties have pledged themselves to the maintenance of the fowldepartment ; while the new Western Deep Sea Fishing Company finds Manchester amongst its earliest patrons, and promises legions of lobsters which are at this moment unconsciously disporting in the sands of Galway Bay. The greatest house in York has been monopolised for hams, and Cumber land and Westmoreland have courageously under taken the butter. As for the milk, the contractor has wisely refrained from any extraordinary efforts. There is a good supply of water at Old Trafford and a fair stratum of chalk in the immediate neighbour hood, and long experience tells us that, in sight of a pump, such a thing as lacteal deficiency is never known. The town will supply the bread, or else Of what use Manchester spending so much money to repeal the corn laws? And from the great metropolis itself will come those innumerable extras, without which a modern English dinner would be incomplete. Next to getting all these supplies together, was the putting them into a digestible form, and to effect this a kitchen was at once built, which, although only 60 feet long by 2i wide, is guaranteed by the makers, Deane and Dray, of London-bridge, to cook daily for 60,000 men. Through the ingenious con struction of the improved kitchen-range--I beg pardon, the batterie de cuisine—two small fires roast at the same time some fifty quarters of lamb, with fowls innumerable, while steam and gas arc con temporaneously called in to dress the pieces de resistance. In this temple Mr. Randall, a chef of wonderful promise, a pupil of the London Tavern, but having subsequently graduated in Paris, glides about in jacket of spotless white and cap of purple velvet, and, armed with a delicate trident, which an unimaginative person might mistake for a toasting fork, placidly watches the sure projection of his culinary alchemy. lie opens one iron door, and you see a single jet of steam playing gently as a fountain on huge rounds of beef, and another discloses a brilliant circle of gaslights, over which the great sirloin himself revolves tranquilly to his martyrdom. A kitchen of the olden time was like the forge of the Cyclops, and took only a little longer time to roast the cook, than to cook the provisions; but a modern cuisine, such as is now in full action at Old Trafford, is cool and pleasant, and might pass for a chemist's laboratory, but that the odour it distils communicates sensations much more agreeable to the uninitiated nostrils. Taken alto gether, I look upon this kitchen as by no means t h e least important of our art treasures ; and if the visi tors could only see it in action, they would carry away many new ideas, which would be of immense advantage to them in the subsequent arrangement of their domestic economy. From solids to fluids is but a step, and here we find that the great question of beer has been looked after with foresight and vigour. The old familiar names of Albiopp or Bass will not be seen within the building, but en equally raw rated high priest of the British Bacchus, Mr. Salt of Burton, teas thrown his energies into the service of art, and supplies the national bevengs in all ths popular varieties of sweet and bitter. Ilia efforts have already resulted in several lofty pyramids at tastefully arranged bottles, tfid acvnrn l l aner'"" butts and barrels. An old London house, Elliot and Watney, of Pimlico, have contracted for the stout, and have sent down already some seven hun dred butts as a sort of sample to begin with. Interminable rows of Mr. Elkington's brilliant tea pots glisten like the helmets of the garde a Anal at a review, while the piles of forks and spoons from the same eminent firm recal the unloading of one of Anson's captured galleons. For the luncheon of the Prince on the opening day an entire service of gold plate has been provided by Messrs. Hancock, of London, and this is a bona fide purchase, not a loan for a special occasion. Possibly, these details have alre ad y gone far enough for your patience, and very probably for your credulity, but I can ware you they are rather under than over stated, and that from a careful inspection of Mr. Donald's arrange ments I am convinced that never were the want/ of large masses of people more providently or completely cared for than will be those of the expected visitors at the Art Treasures Exhibition during the ensuing season. I shall conclude my letter with some extracts from the bill of fere pro. vided for the opening day, premising that it is ex clusive of the Princes dejeaner, which, it is darkly hinted, is to be scrosthing whisk Lunglins =Oka's* envied. We are tet have lee of ' Aberdeen rent - beef, weighing 261 be. each; 66 rounds of ditto, 421bs. each; 100 fore-quarters of lamb, 200 ox-tongues, 100 York hams, averaging from 16Ibe. to 18Ibe., 600 roast capons, 600 raised pies, 200 galantines, 600 lobsters for salad, 4 boars heads barbecued, with cheese, bread, jams, and jellies, proportionable to this im mense amount of the more solid nutriment. Lastly, for the serving of this bill of fare Alderman Cope land has manufactured 20,000 dinner plates, and • Manchester house has specially prepaied an enor mous amount of glass. One point more must not be forgotten, and that is the tariff. It has already been published here, and has been universally pronounced as moderate as is consistent with good and substan tial entertainment. THB NEFF CONVOCATION. The following is an accurate list of the members of the New Convocation of the Province of Canterbury, who are to assemble for the dispatch of business on Friday next: n• Very Rev. onb;r7liiilit; - 17.D., Dean of Bristol. DEANII. Canterbury, St. Paul's, Westminster, Winchester, Ban ger, Chichester, El 1, Exeter, Gloucester, Hereford, richtLid, Lincoln, Llaadaff Norwich, Oxford (Christ Church), Peterborough, Rochester Salisbury, St. Asaph, St. David's, Brecon (Christ Church), Worcester. AECHDLLCONS. Canterbury, Maidstone, London, Westminster, Middle sex, Winchester, Surrey, Morioneth, Bangor, Wells, Taun ton, Bath, Chichester, Lewes, Huntingdon, Sudbury, Bed ford, Ely, Exeter, Cornwall, Totnes, Barnstaple, Glou cester, Hereford, Bristol. Salop (diocese of Hereford), Stafford, Derby, Salop (diocese of Lichfield), Lincoln, Stowe, Nottingham, 'landed, Monmouth, Norwich, Nor folk, Suffolk, Oxford, Berke, bucks, Northampton. Leicester, Peterborough, Rochester, Colchester, Essex, St. Albans, Sarum, Wilts, Dorset, St. Asaph, Montgomery, Brecon, Cardigan, Carmarthen, St. David's, Worcester, Coventry. Canterbury —The Rev. Dr. John Russell. St. Paul's.— The Rev. Thomas Dale, M.A. Westraineter.—The Rev. Dr. Christopher Wordsworth. Winchester.—The Rev. Dr. Wilson. Bangor.—The Rev. Dr. Trevor. Welic—The Hon. sad Rev. J. Brodrick. Ctichestar.—The Rev. C. Pilkingtos, B.C.L. Ely.—The Rev. Canon Selwyn. Ens ter.—The Itev. Cha ncel lor Martin. Olouoester.—The Rev. Sir J. Hobut Seymour, Bart. Bristol.—The Rev. Canon Banks, B.C.L. Hereford.—The Rev. Lord Says sad Set.. Lichfield.—The Rev. Canon Hutchinson. Lineotn.-71se Rev. Dr. J. A. Jamie. Llandaff.—The Rev. C. S. A. Moroi. Nornich.—The Rev. Dr. H. Phillpot. Oxford.—The Rev. Dr. R. W. 'elf, reerhorough.—The Rev. Hersh.= Arnim. Rochester.—The Rev. Dr. Griffith and Rev. Dr. Robinson. Salisbury.—The Hon. and Rev. Samuel Waldegrsve. Bt. Aseph.—The Rev. Henry GI m e. St. Dark:Vs.—The Rey. E. Melville. Worcester.—T he Hon. and Hey. J. Forbear). PROCTORS FOR THE CLERGY. Cantabory.—The Rev. W. J. Chesshyre and the Rev. A. Oxendon. London.—The Rev. Dr. M'Caul and the Rev. R. 0. Baker. Winchester.—The Hon. and Rev. Mr. Best and the Rev. J. Randolph. Bangor.—The Rev. J. W. Vincent and the Rev. Charles Williams. Bath and Wells.—The Rev. J. S. Homer and the Rev. E. A. Ommanney. Chi cheater —The Rev. Sir H. Thompson and the Rev. F. Vin cent. Ely.—The Rev. P. C. Cleoghton and the Rev. J. Fandall. Suter.—The Rev. Dr. J. D. Coleridge sat the Rev. E. H. Browne. Gloucester and Bristol.—The Rev. R. Dav!as and the Rev. W. J. Copluitons. He rtiord.—The Rev. J W. Joyce and the Rev. J. Jehb. Lichtleld.—The Rev. 0. W. Money and the Rev. H. Bunco. Lincoln.—The Rev. F. Massingberd and the Rev. H. Mackenzie. Llandat —The Rev. Wiliam Price and the Rev. John Harding. Norwich.—The Rev. J. M. Hopper and the Rev. T. Mills. Oxford.—The Be., C. Lloyd and the Rev. F. K. Leighton. Peterborough.—The Rey. Lord Alwyn, Cowie= end the Rev. G. Gillett. Rochester.—The Rev. C. St. John Mildmay sad the Rev. J. BlomSold. Salisbury.—The Rev. 0. L. Lowther and the Rev. Dr. H. Caswell. St. Amph.—The Rev. R. W. Erma and the Rev. Richard Biisooe. St. David's.—The Rev. W. B. Thomas and the Rev. J. Hughes. Worcester.—The Rev. H. A. Woodgate and the Rev. ltd. Seymour. PROTFATANT REFORMATION SOCIETT.—Thin 90. eiety held its anniversary meeting yesterday, at the Hanover square Routes, the proodent, Lord Calthorpe, in the chair. The attendance was far from numerous. The Chairman, in hi. opening address, claimed credit for the society as having been the mean. of calling attention to the greet principle. of the reformation, and of proving that those principles were drawn from Gospel truth, and that there was no real liberty but in the adoption of them. It had oppoeed the zeal of Ito mach= to extend its hatluence in these kingdoms, by ex citing • corresponding seal in the minds of the people in favour of Proteetant principles—it had chocked infidelity, or, at least, compelled its advocates to be more cautious and guarded in the diseemiostion of their pernicious doctrines; and its antagonism to Traetarisnism bad been so far success ful that we no longer heard from the Tractarians, as we used to hear, that the reformation, if not positively a curse, was, et less; • thing to he regretted. If, therefore, the operations of the society, which had existed thirty years, were to terminate to-leer:vie, it would have effected important results. He held, however, that the necessity for such an agency was as urgent as ever, and that • society which had accomplished so much was entitled to the continued support of the Protestant public. The report detailed the operations of the society in London and the pro vincee, and stated that the work ih which it was engaged was progressing satisfactorily. The financial secount—which„ in consequence of a determioation conic to Let year to close the financial year on 3let Dec., instead of 3110 of March, ex tended over a period of nineteenths only—showed =increase of receipts as compared with the corresponding nine menthe of 1855 of 2751., the total income, including a balance of 3841., at the beginning of the financial year, being for the nine months, 2,798/. Admiral Vernon Harcourt, the Rev. W. Robertson, the Rev. John Nash Griffin, and the Rev. John Drury, in moving tied seconding certain resolutions, delivered addressee in support of the society. TILE CLERKENwRgE ItAGGED Sellool.s.—lrester day evening the twelfth annual meeting of the friends and supporters of the Ckrkenwell Ragged Schools was held at the Atuwell.street tiehool-rooma, the Marl of Curnarvon in the chair. The report of the committee, after referring to the circumstance that the City improvements in the valley of the Fleet have had the effect of overcrowding the courts and alleys of Clerkenwell, rendering both the worst and physical state of the inhabitants worts, than before, went on to give the following details of the working of the schools and their socresoriew —There are at present on the hooks of the buys day school 128 pupils, with an average daily attendance of 80; the girls' day school has 130 pupils, with 75 in daily at tendance; another infant school is at present required, es there are upwards of 40 infants trying to got admission into the existing one, which is already full ; in it 85 intuits are under daily care and instruction. In tho weakly evening school there is an average attendance of 50 boys and 80 girls. The morning Sunday school is attended by 42 boys and 38 girls; that in the after noon by 6 7 boys, 88 girls, and 77 infants ; and the evening one by 67 boys and 60 girls. The children educated in these retools and Cent into the world to earn their own bread were without exception conducting thewselve• well, and 31 of them obtained prizes from the Ragged School Union in re ward fur their good behaviour. Attached to these schools Me egaternity end relief society, which last year relieved 95 pme women, and afforded medical attendance to 11 in their Inteefl. There are also • mothers' instruction C 628, with 85 mem on the books and 30 in attendance,. working mew' Inellette, &Sabbath evening devotional service, with an aver age nitesdauce of 40, end • clothing fund forthe emoting,- um* of provident habits among the parents of the children attsallog the Wools, and in which they get • bonus of 3d. an dialog they three; On the motion of the Rev. Cama ~R T the report was adopted. The was elle addressed by the Rev. It. Maguire, Mr. Jca Payne, and other gentlemen, and terminated in • vote of thanks to the chatnnan. -Pretestd Ow "od Vole 1111 b. r ~~i ! tt la ;11; -1 11 . , , ; 1 l i 1 , I I, ) .. • ~ i., , . . '1 1 _1 : '! i • $ I, . 1 t . . i • ' .a:i I 1 , I I I: . 1 , • II! a; . • lij a 1 . V. P , P' ' ' .. i . , ; A 1 ; . I - , i l . 1.. a 1 , . • ~ i• 1 : f . a • i ! IP t a • ' Y 1 • ' • • 1 l• 1 0 • .I , ' I 1 0 I 1 . i . • • l • 1 1 1 I. I .•• 1 / i l i ;o i i . 1 I ''' i ' l l 1 , ' l . lii' , , i .1 1 1 i .1 „. , 1 lik,,i 1 , 11, PEN SUPERSEDED.-11= 04 Lhesa, came. laileklbs..•lo las FAUST On „si tall . =fint awn MOM mt. IMM " R NW . 1".." gar un. nal Inn kr ah = a a POW" Or don ban HARRIS'S SPECTACLES, the cheapest sad boa. of wigwam amens, tog gronnlng not itta gran arg ' . 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