LiuzhipengUCAS/CAPEval huggingface dataset:
This vertical medium shot presents a vibrant collection of jellyfish drifting through a deep blue and teal aquatic environment. A large, bright salmon‑pink jellyfish is positioned near the top center, displaying delicate radial lines and a central pattern. Directly below and slightly to the right of it is a smaller, bright neon green jellyfish with a distinct four‑lobed internal structure. To the left, a large translucent jellyfish with a pale body and a clearly defined pinkish four‑leaf clover pattern floats beneath a smaller, solid pink jellyfish near the left edge. A cluster of several neon green jellyfish is scattered across the upper‑middle section, some angled diagonally to show their bell shapes and fine, hair‑like tentacles. In the central area to the right, a medium‑sized pink jellyfish and a smaller pink one are visible, alongside a large, slightly darker pink jellyfish that clearly displays its internal clover‑shaped organs. Scattered throughout the lower half and right side are numerous smaller jellyfish in varying states of translucency; some appear as pale, whitish‑grey shapes, while others emit a soft cyan or light green glow. A large, translucent jellyfish with a visible clover pattern occupies the bottom left area, and smaller pale forms float near the bottom center and right. A thin, diagonal line of small bubbles or debris stretches across the lower right quadrant, with small vertical droplets hanging from it. A partial view of a bright red jellyfish is visible at the very top edge of the frame. The upper left and right corners show parts of the tank's infrastructure; the top left features a dark vertical frame and a partial view of a window with a dark interior, while the top right shows a similar dark rectangular frame containing a horizontal transparent section with a small, pale, elongated object resting inside. Small white specks of particulate matter are suspended in the water throughout the scene. The lighting is artificial and directional, creating a high‑contrast effect where the neon colors of the jellyfish stand out against the darker, cool‑toned background.
A large Great White Shark dominates the central composition, swimming diagonally from the right towards the left in a deep underwater environment. The shark's body displays a classic countershading pattern, with a dark grey dorsal side and a white underbelly. Sunlight penetrating from the surface above creates a distinct pattern of wavy, light‑colored caustic reflections across the shark's back and flank, highlighting the texture of its skin. Its prominent triangular dorsal fin rises vertically, while the pectoral fin extends downward and backward, and the tail fin angles upward to the right. A small dark eye and a slightly open mouth with visible teeth are noticeable on the head. A large school of smaller fish surrounds the predator, filling the surrounding blue space. In the lower half and towards the right, larger silver fish with yellowish‑tinged tails and fins swim in various directions; one large fish is prominent in the bottom left corner, and another faces forward near the bottom center. In the background and upper left areas, numerous smaller, thinner silvery fish appear more scattered and slightly blurred due to depth of field. A significant cloud of white bubbles and turbulence is visible near the water's surface in the upper right quadrant, suggesting recent movement or surfacing. The water surface itself is visible at the very top of the frame, showing a rippled texture with light refraction. The water throughout the scene is a rich, saturated blue that transitions from lighter tones near the surface to deeper blues in the background. The image is a realistic underwater photograph with natural lighting and a medium shot perspective.
A large grey shark swims diagonally toward the right in the center of a rectangular underwater photograph. A single smaller fish with a yellowish tail fin swims directly above the shark's back, while another elongated fish moves diagonally downward near the shark's left pectoral fin. A massive school of hundreds of small, slender fish fills the right side and upper portion of the water, creating a dense, textured mass. The fish on the right and in the lower depths exhibit purplish and violet tones, while those near the surface and on the left appear silver and grey. The water transitions from a bright, sunlit surface with shimmering white highlights and bubbles at the top to a deep cyan‑blue in the middle and lower sections. Scattered, smaller fish swim in the open blue space on the left side. The photograph is framed by a graphic design layout on a white background. A dark teal‑green shape occupies the top edge and extends diagonally into the upper left corner. The left side of the white background features thin, diagonal grey lines. A section on the right edge contains a pattern of small, salmon‑pink dots on a white field. Below the dot pattern on the right, diagonal dark teal‑green parallel lines appear. A solid salmon‑pink block covers the bottom right area and extends slightly toward the bottom center. In the bottom left corner, overlapping the teal‑green shape and the white background, are two stylized orange star‑like shapes and small yellow four‑pointed spark graphics. Thin diagonal grey lines also extend across the bottom right corner over the pink block.
Three emus are positioned behind a painted wooden fence structure that occupies the lower section of the frame. The upper rail of the fence is painted a reddish-brown color and shows visible wood grain and weathering, with small scattered bits of dried grass and straw debris resting on its surface. Below the red rail, a horizontal board painted in a muted, dark green tone is visible, with a sliver of a lighter gray board appearing at the very bottom edge as a cross-section of the dark green board. The emu on the left faces forward with a slight angle to the right, displaying dark, shaggy, and somewhat spiky blackish-grey plumage on its head and neck, along with a dark beak and a visible reddish-brown eye. To the right, the second emu is positioned with its head angled downward and to the left, bringing its beak close to the level of the fence rail. This bird exhibits a distinct patch of lighter, silvery-white and grey skin and feathers on the side of its head and neck, which is speckled with small dark spots, contrasting with the darker, messy plumage on the back of its neck and head. The third emu is almost completely obscured by the second emu, with only part of its beak tip, head feathers, and neck visible.
The ground behind the birds is covered with patches of green grass and some bare earth. In the mid-ground, a temporary barrier made of green mesh fabric or tarp is attached to light-colored wooden posts and horizontal beams, with some dry, leafless branches and twigs protruding from behind the mesh structure near the center. To the far left, a small area of water or mud is partially visible near the green fence. On the far right side of the background, a vertical rectangular panel or board stands upright, displaying a painted or printed image with patches of green vegetation and a distinct area of orange and reddish-brown colors near the bottom of the panel. The background features several trees with light brown trunks and branches that appear mostly bare, though some green foliage is visible in the upper canopy and distant background areas against a bright sky. The image is a realistic photograph taken at eye level with soft, natural lighting that creates a balanced exposure and moderate contrast.
A lush floral arrangement sits in the center on a desk, dominated by soft pastel blooms. A large fluffy pink carnation with ruffled petals is in the lower left; several white chrysanthemums with light green centers are spread across the upper and lower sections. A smaller pink carnation sits near the top center, with a white petaled green‑centered flower on each side, and three bright green button chrysanthemums cluster on the middle right. A yellow rose is on the right, and a peach rose with a spiral center is in the lower right. A cluster of small purple flowers with white centers and speckled petals extends toward the bottom right edge, with several white flowers and buds on the far left. Slender green stems with small round buds stretch upward and diagonally on the left and near the upper right. A smooth reddish‑brown tubular handle arches over the bouquet, with a second parallel arch behind it. A rectangular yellow sticky note is inserted vertically in the upper middle, partially covered by a thin green stem and a small purple flower. It bears four lines of handwritten black Chinese and English: “祝 Liya 老师:”, “新年快乐 ♡”, “天天开心 ^_^”, “好运连连”. A small heart is at the end of the second line, a smiling face at the end of the third. A bit of blue glittery material is visible at the very bottom edge of the basket. To the left of the flowers, part of a black computer keyboard appears on the desk, with white characters including “Q”, “A”, “Z”, “X”, “M”. The background behind the handle and note is a large dark black area (a monitor screen). On the far right is a light‑colored wall with a grid of small round holes and a dark vertical strip. Black cables and a small piece of light wood lie on the desk to the right. The lighting is soft artificial light, creating highlights on petals and the curved handle, shot from a slightly high close‑up angle.
A complex black geometric structure of intersecting lines forms a spherical shape in the center. A vertical oval loop sits near the middle, holding a large pale cream and soft pink rose. Two pink roses are on the upper left. Slightly left of the center is a dusty rose flower with a green center, accompanied by small pale buds and green stems with sprouts. A white flower is near the top center. On the lower right, a peach and orange flower with a green center sits above a large spherical purple‑and‑white mottled flower. A similar purple‑and‑white mottled flower is in the upper right section. A second large purple‑and‑white mottled flower is in the lower right quadrant. A dusty reddish‑brown flower is below the main structure in the lower left. A small white flower is just left of the central white rose, and a purple flower is below it. A cluster of small white flowers and dark purple foliage is at the bottom center and lower left. Small blue flowers and stems extend to the left. A tall wispy stalk of dried grass or wheat stretches from the right side of the sphere toward the upper right corner. A small insect resembling a moth rests on a stem on the right. Dark leaves and small sprigs are scattered throughout. The background is solid off‑white with a visible grainy paper texture. In the top left corner, the text “IMMINENCE” is printed in an uppercase black serif font. In the bottom right corner, the text “TURN THE LIGHT ON” is printed in an uppercase black serif font. The image has rounded corners and a vintage textured aesthetic.
A small, sculptural plant sits centrally positioned in a minimalist setting, housed within a simple, matte white cylindrical pot. The plant is characterized by a unique, bulbous root system that forms a triangular arch near the soil line. Thick, textured roots in shades of light brown and greyish-taupe curve upward and inward, creating a triangular gap or negative space near the base before converging at a central point to form a short, woody stem. From this junction, slender branches extend upward and outward, supporting a canopy of foliage. The leaves are small, oval-shaped, and glossy, displaying a variation in color; the majority are a deep, rich forest green, while several leaves on the outer and upper edges appear in a lighter, vibrant lime or yellowish-green hue, suggesting new growth. A small patch of dark brown potting soil is visible at the top of the pot, with a tiny, sparse sprig of green moss or a small weed emerging from the dirt near the base of the roots. The pot rests on a smooth white surface that blends seamlessly into a plain white wall behind it, creating a high-key, high-brightness environment with ample negative space above the subject. A faint, soft horizontal line separates the surface from the vertical background wall. The lighting is soft, diffused, and even, casting very subtle, faint shadows to the right of the pot and beneath the arched roots, highlighting the textures of the bark and leaves without creating harsh contrast. The composition is vertical and symmetrical, utilizing a clean, realistic photography style with a focus on organic forms against a sterile backdrop.
A large assortment of food items is arranged in a structured grid pattern across a solid white background, resembling a catalog or ingredient chart. The composition consists of roughly ten columns and seven rows of distinct subjects. The top row includes three red strawberries with green leaves, a bunch of curly green coriander, half a longitudinally cut yellow bell pepper and a red bell pepper with leaves, three green lime-like round fruits, three red and yellow peaches with stems, two red apples and a small slice, and a bunch of light green grapes. The second row features a large dark green avocado, two yellow oranges and half a cut orange and a small segment, a head of leafy lettuce, a pile of reddish-brown grains or beans, two bell peppers and two cut halves, a sprig of dill, and brown chestnuts with green leaves. The third row displays green leafy vegetables, two glossy dark purple eggplants, two yellow pears and a half cut pear, five red tomatoes with greens, a whole pineapple with leaves and two small pieces, three white mushrooms with leaves, and a bunch of four yellow bananas. The fourth row contains a whole, half, and small segment of red grapefruit, a pile of brown almonds, several red fruits with white interiors when cut, a whole and half avocado with a large brown pit, a bunch of cauliflower, whole and half strawberries, and dark red beets with leaves. The fifth row shows a whole head and two cloves of garlic, a pile of flat green leafy vegetables, two half yellow and red peaches, a large piece of ginger and four slices, three red and yellow apples, four short green cucumbers, and three half oranges. The sixth row includes a sprig of rosemary-like herbs, a cluster of dark berries or peppercorns, green pea pods, two half fresh yellow lemons, a half purple cabbage, a whole, half, and small broken pomegranate revealing red seeds, and a pile of brown potatoes. The seventh row displays a bunch of yellow bananas and a peeled banana, a yellow, red, and orange bell pepper, a bunch of red cherries, green and red chili peppers, two green apples and slices, a bunch of orange carrots, and two whole and two half sliced green kiwis. The eighth row has two brown pine cones with green needles and a pile of pine nuts, a pile of cashews, a head of green broccoli, a whole and small sliced papaya showing red flesh, a green ear of corn and two peeled yellow ears, a bunch of mint leaves, and some pistachios. The bottom row includes green aloe vera and several slices, two brown onions, a bunch of red berries with leaves, a head of light green cabbage, some peanuts and shelled peanuts, two half sliced oranges with leaves, and two, half, and small pieces of sliced red tomatoes. The lighting is bright and even, creating a high-contrast, vibrant look typical of stock photography.
A dense collection of floral arrangements fills the majority of the frame, presented from a high-angle perspective. On the left side, several bouquets of bright yellow sunflowers with dark centers and large green leaves are wrapped in plain white paper. Moving toward the center and right, numerous bouquets of ranunculus flowers display a variety of colors, including clusters of pastel pink and white blossoms, vibrant orange and golden-yellow flowers, and deep red and burgundy blooms. Some of these central flowers are wrapped in clear plastic sleeves, while others use white paper. A few small bunches of white flowers are positioned near the center. In the upper section of the image, taller stems of flowers with orange and pale petals rise vertically, wrapped in white paper featuring a pattern of pink and purple floral motifs. To the upper right, additional bouquets contain yellow, pink, and white flowers wrapped in reflective paper with a holographic, rainbow-colored sheen. The bottom right and lower section of the display are occupied by a large quantity of greenery and small, unbloomed green buds with occasional white tips, all encased in clear plastic. A small, rectangular white piece of paper is inserted into the flowers on the right side, bearing handwritten black text in Chinese characters and numbers; the top line reads “香雪兰” and the bottom line reads “25 元”. A black plastic crate or bucket is visible in the upper middle background behind the flowers. In the upper left background, a section of dark steps and gray concrete floor is visible, showing scattered dark debris and dirt, along with the shoes of people standing nearby with their backs to the camera. In the bottom left corner, a portion of a person's arm and shoulder is visible, covered by a beige or light brown garment with a textured or ribbed fabric pattern. In the extreme top right corner, part of a person wearing blue jeans and a green-and-white knit sweater appears. The lighting is artificial and even, highlighting the saturated colors of the petals and the textures of the wrapping materials.
This vertical macro photograph presents a highly detailed close-up of a flower cluster in a natural setting. The central subject is a dense aggregation of numerous small buds, which are tightly packed together. These buds display a complex coloration, with outer protective casings in shades of dusty brownish-green and bronze, while vibrant violet-purple petals emerge from within several of the buds, creating a striking color contrast. A distinct, elongated, and tapered leaf-like structure rises diagonally from the bottom and extends upward across the lower section of the bud cluster, partially obscuring the flowers beneath it. A smaller fragment of a purple bud is also visible near the bottom left edge. A defining characteristic of the image is the presence of a fine, granular substance that coats the surfaces of both the buds and the leaf structure; this dust-like layer creates a speckled, textured appearance across the organic forms. The photography employs a very shallow depth of field, keeping the central buds and the diagonal leaf in relatively sharp focus while rendering the rest of the scene with a strong blur. The background is composed of soft, indistinct vertical shapes resembling plant stems and foliage, blending hues of chartreuse, olive green, and muted yellow-brown. In the upper right quadrant of the background, a blurry, isolated patch of purple suggests another flower bud in the distance, and a mottled brownish mass is visible in the upper middle area. The lighting is soft and diffused, likely natural light, which enhances the texture of the granular coating and the organic shapes without creating harsh shadows.
A tightly packed assortment of decorative gourds and small pumpkins fills the frame from edge to edge in a high-angle close-up shot. The collection exhibits a wide variety of colors and textures. A prominent gourd on the left side of the middle section has a pale yellowish-green body with distinct dark teal-green vertical stripes and ridges radiating from a central dark stem. To the right of the center, a large, heavily textured gourd features a dark teal-green base color covered in numerous pale green and cream-colored bumpy protrusions and spots. Above the striped gourd, a bright orange gourd with small raised bumps sits near a large, cream-colored gourd with deep, rounded lobes in the upper left corner. Near the top center, a gourd displays a creamy white surface with dark green, jagged vertical stripes and a circular stem area. To the right of that, a pale whitish-green gourd has thin, dark vertical markings and a purplish-brown stem scar. On the far right edge, a gourd is covered in a mottled pattern of dark green and light lime-green bumps. A cream-colored gourd with distinct, wide, flat lobes and a star-like shape occupies the middle right area. In the lower left quadrant, a smooth, vibrant orange pumpkin sits below a textured, bumpy orange gourd. Below the orange pumpkin is a round gourd with a mottled beige and light brown surface featuring irregular white patches and spots. In the lower center and bottom right areas, additional bright orange gourds with slightly ribbed surfaces are visible. A large, pale greyish-white gourd with small, widely spaced bumps dominates the bottom right corner. A dark teal-green stem extends diagonally across the lower right section near the orange gourds. At the very bottom edge, parts of dark purple and deep teal gourds are partially visible in the shadows. A small, textured white gourd is tucked into the upper left area between larger items. A gourd with cream-colored segments and patches of light greenish-brown is located near the center, just above the dark teal bumpy gourd. A small fragment of another orange gourd is visible on the far left edge. A white watermark is located at the bottom center-right of the image, featuring the Weibo eye logo icon followed by the text “@爱玥儿 -”. The lighting is soft and even, creating highlights on the smooth and bumpy surfaces and enhancing the high saturation and contrast of the colors. The image is a real photograph with a sharp focus on the textures and colors of the produce.
A rich variety of fresh produce is packed tightly together in a top‑down view, creating a colorful tapestry of textures and shapes. In the upper left quadrant, dark green broccoli florets, rhubarb, and leafy greens cluster around a whole pineapple with textured golden‑yellow skin and a spiky green crown, with a small cucumber tightly placed below the pineapple. The upper center features a grouping of orange‑hued items, including several smooth, elongated orange peppers and a pile of small, round, bright orange fruits resembling kumquats. To the upper right, a large head of light green cabbage with layered, crinkled leaves occupies the corner. The central area is dominated by large, smooth yellow fruits and vegetables, including two large round pears and three lemons. To the right of the yellow fruits, a bright red bell pepper and a reddish‑orange tomato sit near a red apple and a light green pear. A green apple and a fruit with a gradient of pink and red hues are positioned on the right side, near the partial view of a yellow banana on the far right edge. A small, glossy dark green bell pepper is visible near the right‑center edge. The lower left section contains a cluster of small, round, reddish‑pink radishes and a small orange fruit near the middle edge. Below the radishes, a group of dark, bumpy, textured vegetables with a deep purple‑grey hue fills the bottom left corner. The lower central area features several apples in varying shades of light green and reddish‑pink, alongside a large round orange fruit and a cluster of small red tomatoes and reddish fruits near the bottom edge. A group of smooth, light green pods or beans extends diagonally from the bottom center towards the left. The bottom right area is anchored by a large, smooth, deep purple aubergine with a glossy surface and a small stem. A cluster of small, bright red cherry tomatoes is scattered near the bottom right edge. The lighting is bright and even, highlighting the fresh textures and high saturation of the colors.