LiuzhipengUCAS/CAPEval huggingface dataset:
A large group of audience members fills the lower half of the frame, viewed from behind. The crowd consists of numerous individuals with diverse hairstyles and clothing, including a person with bright blue hair near the center-right and another wearing a yellow fuzzy hood or hat on the left side. A person in the lower center wears a garment with a visible red hood or collar. Many hands are raised holding smartphones horizontally, with the screens glowing and displaying the live stage view. The focus of the scene is the stage in the middle ground, dominated by a large LED screen displaying a complex graphic design. The graphic features a chaotic arrangement of stylized electric guitar necks and abstract, fluid shapes rendered in neon green and cyan tones against a dark background. Superimposed across the center of the graphic is the text "SHREZZERS" in a bold, futuristic, angular sans-serif font with a white fill and light blue outline. To the left of the screen, a drum kit is visible with cymbals and hardware; the red resonant head of the bass drum displays partial text, with "SHRE" visible on the left side and "ER" on the right side of the drum. A microphone stand is positioned near the drums. On the far right side of the stage area, a figure is faintly visible in the shadows near large black speakers mounted on stands. Above the stage, a lighting rig features several bright, warm yellow spotlights that create distinct starburst lens flares and glare. A smaller cluster of three red circular lights is visible on the upper left side of the stage area. The ceiling of the venue is industrial and exposed, featuring a horizontal reddish-brown metal beam running across the top of the frame. Various black stage lights, a white projector-like device, and bundles of hanging cables and wires are attached to the ceiling structure. A block of dark, textured acoustic foam is mounted on the ceiling in the upper right area. Vertical metal chains and a vertical lighting truss structure hang down on the far left side. The lighting creates a high-contrast scene with bright highlights from the lights and screen against the darker tones of the venue and audience. The image has a slightly grainy texture and soft focus, typical of a photograph taken in a low-light environment with a mobile device.
In a scene of devastation and action, six characters stand on a debris-strewn surface littered with concrete chunks and dust. On the far left, Thor stands with shoulder-length blonde hair, wearing silver scale-mail armor with circular plates and a long red cape, holding his hammer, Mjolnir, in his right hand. Lying prone on the ground near Thor's feet is a metallic, armored body. Slightly behind and to the right of Thor, Hawkeye stands holding a bow, dressed in a dark sleeveless tactical vest and pants, with quiver arrows visible on his back. In the center foreground, Black Widow has shoulder-length reddish-brown hair and wears a tight black tactical bodysuit with utility pouches and gloves; she holds a handgun with both hands near her chest and gazes upward. Looming large in the background behind Black Widow and Hawkeye is the Hulk, displaying massive green muscles and a furious expression with bared teeth, wearing tattered dark pants. To the right of Black Widow, Captain America stands in his blue uniform featuring a white star on the chest and vertical red and white stripes on the midsection, with red gauntlets and boots; he holds his circular shield at his left side and looks up. On the far right, Iron Man is clad in a red and gold mechanical suit with a glowing blue circular arc reactor on the chest and bright orange flames erupting from the top of the helmet. To the left in the background, a silver car lies overturned on its side. Further back in the upper left and center, several damaged vehicles are scattered, including a yellow van and a yellow taxi cab. Small fires burn on the ground in the distance amidst the wreckage. A decorative metal railing runs along the right side of the scene, suggesting a bridge setting. The lighting is cinematic and diffuse, with warm orange tones from the fires contrasting against the dusty grey environment.
This realistic film still presents a tight close-up of the actor Stephen Chow, capturing a moment of intense emotion. His face fills the majority of the frame, angled slightly upward and to the right. Tears well in his dark eyes and run down his cheeks and the bridge of his nose, with visible moisture on his skin. He has a light mustache and faint stubble on his chin, and his lips are slightly parted. He wears a distinctive traditional headpiece made of red fabric, featuring a band with intricate light blue and silver scrolling cloud-like patterns and a thin black trim along the edge. A section of the headgear extends down behind his left ear, revealing a continuation of the red fabric and blue patterned design. A tuft of black hair is visible at the nape of his neck near his left ear. The collar of his garment is visible at the bottom of the frame, consisting of a light cream or off-white fabric embroidered with clusters of small pink flowers and accented by a thin blue trim line. A blurred, pale greenish object appears diagonally in the lower right foreground. The background is soft and out of focus, showing a mottled beige and brownish wall on the left and a darker reddish-brown vertical surface on the right. Centered at the bottom of the image is the white Chinese text "我爱你" in a clean, medium-weight sans-serif font. The lighting is soft and diffused, creating highlights on the wet areas of the face and the fabric textures. The image is framed by solid black horizontal bars at the very top and bottom edges, indicating a widescreen cinematic aspect ratio.
This digital comic illustration is divided into two horizontal panels separated by a white gutter. The top panel features a close-up of a young male character with short, spiky dark teal hair and large, bright blue eyes. He has a fair complexion and wears a confident, slightly mischievous smile that reveals his teeth. He is dressed in a dark garment with a high collar. To the left of his head, a white circular speech bubble contains the Chinese text "师父，久等了。" written in a black sans-serif font. The background consists of dynamic blue and white radial speed lines that create a sense of motion and intensity, with a bright white light source emanating from the left side.
The bottom panel presents a close-up of a different male character with long, straight white hair and sharp facial features. His eyes are a striking reddish-pink color. A visible streak of red blood runs vertically down his left cheek and near his eye, and there are faint scratch-like marks on his cheek. He has a slight smirk and wears a purple outfit with a high collar and angular design elements. The background is a soft, ethereal purple gradient filled with scattered, glowing white and pink bokeh-like light particles. A white circular speech bubble on the right side of the panel contains the Chinese text "两年了…… 我还以为你孵不出来了…… 臭小子。" arranged in multiple lines. A small, translucent gray circular icon with a speaker and a cross symbol is located in the bottom right corner of the image area.
Sixteen different heads of SpongeBob SquarePants are organized into four rows and four columns on a bright yellow background that matches his skin tone. Dark olive-green porous spots of varying sizes are scattered across each face and the background to simulate a sponge texture. In the top row, the first face on the left features a wide, toothy grin with heavy eyelids and a long nose, while the second face has wide eyes and sticks a pink tongue out below an open mouth. The third face appears exhausted or bored with half-closed eyes and a small mouth, and the fourth face on the far right has heavy eyelids and a small, crooked mouth. The second row begins with a surprised expression showing a small open mouth and wide eyes, followed by a minimalist face with curved lines for eyebrows and cheeks and a small mouth. The third face in this row wears thick black rectangular glasses and smiles, while the fourth face displays a broad, enthusiastic grin with prominent buck teeth. The third row includes a laughing face with a wide open mouth and tongue, followed by a goofy expression with eyes looking upward and a large mouth showing teeth. The next face has wide eyes and a broad smile, and the final face in the row has wide eyes looking to the right with a small mouth. The bottom row starts with a face featuring large round eyes and a small mouth with visible teeth, followed by a face with eyes looking to the right and a tongue sticking out to the side. The third face in the bottom row has a wide, dark mouth opening and wide eyes, and the final face on the bottom right has a wide mouth with teeth and wide eyes looking slightly to the right. A faint, translucent light green watermark consisting of diagonal repeating characters and lines runs across the image from the bottom left to the top right.
In a spacious conference room, a large group of Asian individuals is seated around tables arranged in a U-shape. The attendees are dressed in professional and semi-formal attire; on the left side of the foreground, a woman wears a beige coat over a light blue collared shirt, while the man seated next to her wears a black quilted liner jacket and glasses. The row of men extending down the left side and the men seated on the right side predominantly wear dark jackets, blazers, or suits in shades of black and navy blue. A man in the right foreground wears glasses and a black jacket, looking directly at the lens. A smaller group of people sits at the tables at the far end of the room in the background, facing the camera, including one individual wearing a light cream-colored jacket.
The tables feature dark reddish-brown surfaces and white perforated side panels with silver metallic legs and casters. The tables are cluttered with various items, including white ceramic tea mugs with lids, plastic water bottles with green labels, stacks of white papers and documents, and small red triangular nameplates with illegible white text. Black gooseneck microphones are positioned at intervals along the tables.
The room features a distinctive ceiling design composed of parallel linear slats and long, bright white LED light strips that run diagonally across the upper portion of the frame. Square recessed air conditioning vents and small circular downlights are interspersed within the ceiling grid. A horizontal dark reddish-brown structural beam spans the width of the room below the ceiling elements. The walls are covered in light beige panels with a horizontal linear texture. On the left side, a dark reddish-brown wooden coat rack with multiple empty hangers stands against the wall near a dark door frame. On the right side, windows are covered by light grey roller blinds. A patch of warm, golden sunlight strikes the lower section of the wall and the floor on the right side, creating a contrast with the cooler artificial lighting. A grey door with a small green exit sign above it is visible on the right wall.
The floor is covered with grey carpet tiles featuring a textured, linear pattern. In the center of the open floor space, two small rectangular markers—one yellow and one grey—are placed on the carpet. In the background, on the wall above the people seated at the far end, a digital clock displays the time "9:04" in white illuminated digits. A small security camera is mounted on the wall near the clock. A doorway and a glimpse of another room or hallway are visible in the background on the left side. The image is a realistic photograph taken at eye level with a wide-angle lens, utilizing a one-point perspective that draws the eye toward the back of the room.
In a narrow aisle of a technical facility, a worker stands in the foreground with their back to the viewer, wearing a dark blue work uniform with horizontal reflective silver stripes across the shoulders and upper back. A safety harness with blue straps and a yellow waist belt connecting between the thighs is secured around their body, with a yellow connector and a white lanyard attached to the back D-ring, with the letters "ZQ" and an upward arrow on both sides of the back connection. They wear a yellow hard hat printed with the number "100217" and other smaller indistinct text in black.
In the middle ground, positioned higher on a metal scaffolding structure, a second worker faces slightly downward and to the left, gripping the horizontal metal bars with one hand over and one hand under. This worker wears a similar dark greyish-blue uniform, a yellow hard hat with a small logo, and a harness with yellow and blue straps. A third worker is partially visible in the background on the right side, standing near a blue industrial machine with a yellow triangular warning sticker; they wear a dark uniform and a yellow hard hat.
To the left, a row of tall black server cabinets extends vertically, featuring mesh front panels through which internal components and coiled teal and blue cables are visible. Small red LED indicator lights glow on the server panels beside red and blue cables. Above the cabinets, a dense array of thick black cables and white rectangular cable trays runs horizontally and vertically near the ceiling. A fluorescent tube light fixture is mounted near the top center, providing artificial illumination. A yellow tag with illegible black markings hangs from the ceiling structure near the top left.
To the right, a large vertical white panel or wall section occupies the right side of the frame. A vertical line is drawn on the panel with handwritten black markings indicating measurements. The numbers, written in a handwritten sans-serif style, descend vertically: "240", "230", "220", "210", "200", "190", "180", "170", "160", "150", "120", "110", "100", and "90". Near the "120" mark, a horizontal line extends to the right with the handwritten text "1.2m". Near the top of the panel, there is a line of handwritten text that includes a star symbol and characters resembling "TK" followed by other indistinct scribbles.
In the background behind the scaffolding, a blue rectangular machine is visible. The floor is a light grey color with some scuff marks and debris. In the bottom right corner, a small portion of a black and teal mechanical object is visible. The image is a realistic photograph taken at eye level with a documentary style, utilizing artificial indoor lighting that creates a cool tone with highlights on the plastic helmets and metal surfaces.
In the right foreground, a performer stands with their back to the viewer, wearing a thick dark coat with a light horizontal band across the back, dark trousers, and boots. A cluster of metallic spheres hangs from their right hand, while their left hand holds a torch parallel to the ground with a small flame. A large, intense burst of fire erupts diagonally upward and to the left, blown from the performer’s mouth, forming a bright white and yellow cloud that transitions into orange flames and sprays a wide shower of sparks against the dark background. A secondary, jagged flame shoots upward from the main burst.
The ground is paved with large, rectangular stone blocks that reflect the warm orange glow of the firelight. A crowd of spectators stands in the middle ground facing the performance. In the center of the group, several people wear traditional Chinese Hanfu; two women wear shimmering, light pinkish-gold robes and hold up smartphones to record the scene, one vertically and one horizontally, while another person in a lighter robe stands nearby. To the left, spectators in casual winter clothing include three children on the far left in a bright orange and black jacket, a blue and white jacket, and a white jacket, while a person in a dark maroon jacket also holds up a phone vertically. On a raised platform or stage area to the left, behind a low metal railing, a person in a bright red jacket stands with arms akimbo on their hips.
The background features a stage structure with a maroon, vertically ribbed overhang at the top and a dark curtain below, with faint white light bases visible along the top. To the right of the fire, partially obscured by smoke and light, a statue of a standing figure in a light-colored suit is visible. On the far right, a tall, beige vertical pillar displays a column of dark Chinese characters reading "伟大的领袖毛主席万岁". Further to the right, a crowd of spectators extends into the background, including a uniformed officer with a blue light on their shoulder and various adults and children. A section of a brick wall and the corner of a building with a traditional roof structure and a lantern are visible on the far right edge. The scene is illuminated primarily by the bright fire, creating high contrast and casting long shadows on the pavement.
A young woman with long, straight brown hair is positioned centrally in an indoor setting, wearing a shiny black short puffer jacket and a grey knitted beanie featuring a black line-drawing embroidery of a cartoon character. A digital sticker of a cartoon pig's head covers her face, characterized by a pink snout, black oval eyes, and small pink flowers with yellow centers on the cheeks. She holds her right hand up near her chin in a V-sign gesture, with long manicured nails and a large, white, flower-shaped ring on her ring finger. A small, rectangular cigarette-shaped object with black, white, and yellow stripes is held between her index and middle fingers, with smoke rising from the end. The pig head, cigarette, and smoke are digitally added onto the image in a distinct cartoon style.
To the left, a tall blue shelving unit with a grid of square compartments is filled with numerous small figurines and collectible dolls. Below the shelves, clear plastic containers rest on a wooden surface, holding colorful items including bright orange and teal shapes. To the right, a white wall displays a white wire grid rack holding several spools of thread in colors such as purple, brown, beige, bright yellow, grey, black, pink, lime green, and dark blue. A patch of textured white residue or damage is visible on the wall above the rack.
In the lower right area, a work surface with loose white fibers and a small figurine is visible above a grey diamond-plate metal step and a red fire extinguisher near the floor. A white vertical panel is located in the background between the blue shelves and the wall, and a drop ceiling with a damaged corner is visible at the top. The lighting is artificial and bright, creating highlights on the jacket and casting a slight purple hue near the ceiling.
This high-angle photograph presents a sweeping view of a classical concert hall interior. On the left and right sides of the composition, multiple levels of balconies rise vertically. The balconies are constructed with cream-colored facades featuring decorative relief carvings and ornamental motifs along the horizontal railings. Small, warm wall sconces are mounted on the balcony fronts, casting a soft, golden light. Inside the box-like seating areas of the balconies, dark reddish-brown interiors are visible, and scattered spectators can be seen leaning against railings or sitting in the boxes. A vertical section on the right side of the hall features tall, fluted columns and vertical panels with a geometric grid pattern.
Dominating the upper right and center is a vast stage curtain made of heavy, dark maroon or deep brownish-purple fabric with vertical folds that extend from near the top of the frame down to the stage floor. Below the curtain, the stage is occupied by a large orchestra. The musicians are arranged in a standard formation and are dressed in formal black attire. A conductor’s area in the center of the group is brightly illuminated by a focused white light source, while other sections of the orchestra, including string players and brass players on the right, are lit by softer stage lighting.
The lower half of the image shows the main floor seating area, which consists of rows of dark reddish-brown seats arranged in a tiered, curved layout. A large crowd of people occupies the space, with many standing in the aisles and rows rather than sitting. The audience members are dressed in a variety of dark and neutral clothing, though a few bright colors like orange and white are visible. Numerous small, bright rectangular lights from smartphone screens are scattered throughout the crowd, held by audience members. On the left side, near the base of the balconies and along the aisle, a group of people stands and converses, with some individuals wearing suits and jackets. A small doorway with a dark reddish interior is visible on the wall between the lower and middle balcony levels on the left side. A small green illuminated sign is located above a doorway near the left aisle. The lighting is artificial and atmospheric, with warm tones on the architectural elements and directional spotlights on the stage and piano.
This high-angle shot depicts a live performance within a large theater, viewed from an upper balcony looking down toward the stage and orchestra pit. On the brightly lit stage, twelve female ballet dancers perform across a pale floor. They are dressed in matching white, fluffy tutus and ballet slippers, holding various poses with arms extended upward or to the sides. The stage backdrop consists of a large scenic display featuring vertical, curved panels in varying shades of blue and teal that create an arch-like structure. The background of the scene is painted with a textured blue and white wash and is decorated with small, scattered white dots and hanging, crystal-like chandelier elements. A large black void occupies the upper section above the stage set.
Flanking the stage are tall architectural walls; the wall on the left features vertical beige paneling and a section with a grid pattern, while the right side shows multi-level balconies with decorative molding and vertical lines, where a few spectators are visible in the shadows. Below the stage, a large orchestra is seated in a semi-circular pit. The musicians are dressed in formal black attire and play a variety of instruments, including violins, cellos, double basses, and brass instruments such as a tuba visible on the right. Small warm lights illuminate the music stands and sheet music in front of the musicians. A conductor stands near a podium in the center-left of the orchestra group. The bottom section of the image is dominated by the dark, shadowy silhouettes of the audience's heads and the seating area, which fades into deep black at the very bottom edge.