LiuzhipengUCAS/CAPEval huggingface dataset:
This high-angle illustration, designed to look like a surveillance camera recording, depicts a group of seven people gathered around a long, dark teal table in a room with reddish-brown walls and vertical wooden plank flooring. The table is crowded with various items, including several rectangular game boards with grids, stacks of cards, small white cups, smartphones, a green water bottle, and a patterned runner. A large white cylindrical lantern hangs prominently above the center of the table, while smaller lanterns hang near the ceiling. A cluster of pink blossoms decorates the upper right area near a framed artwork containing vertical calligraphy-like strokes. The wall on the right features a framed picture and a vertical scroll with vertical lines of stylized script. The left wall displays two vertical scrolls with similar vertical markings. Beige curtains with a blue wavy bottom trim cover the wall on the left side. A partial view of a whiteboard or panel appears on the far left edge, and a partial red stand is visible on the far right edge.
The people are seated on wooden chairs with curved backs and greyish-blue cushions. On the left side, a young man with short black hair wears a sweater with a white body and dark green sleeves and light blue pants, looking toward the center, with the chair back obscured by a white coat. Below him, a woman with shoulder-length black hair wears a light blue sweater and looks at a white smartphone in her hand. In the foreground, facing away from the viewer, a person with short dark hair wears a cream-colored sweater. At the far end of the table, a man with short black hair and a grey sweater sits facing forward with his hands on the table, writing on paper with his right hand. On the right side, a woman with long black hair and a grey top sits near the back, while a man with short black hair and a white sweater with a small square logo sits next to her with his left hand on the table and right hand on his leg. In the bottom right corner, a person wearing a black and white striped long-sleeve top leans their head on their left hand, resting their elbow on the table.
In the top right corner, the text "2026-02-04 15:13:36" is displayed in a digital sans-serif font with a white fill and black outline. In the bottom left corner, the text "IPC" appears in a bold sans-serif font with a white fill and black outline. The image utilizes a flat cartoon art style with black outlines and solid colors.
This image is a photograph of a monitor screen displaying a CCTV security feed from a high-angle, bird's-eye view perspective. The scene depicts a room with reddish-brown wooden flooring and dark walls decorated in a traditional Chinese style. In the center and right areas, six people with long black hair are seated around a large rectangular table covered with a dark green cloth and a long patterned runner. They are dressed in Hanfu-style clothing in various colors: a person on the left wears a bright yellow robe, an adjacent individual wears a beige short-sleeve garment, another nearby wears a teal garment with long hair cascading down, another in the foreground wears a dusty pink long-sleeve robe, one on the right side wears a light blue-grey robe with three long red stripes on the arms and shoulders, and the person on the far right wears a white long robe with their right hand raised and no headpiece, with grey-green and striped decorations as cushions on the rear seat.
The table surface is scattered with open books, papers, smartphones, white beverage cups, and small food containers. In the background, positioned on a circular reddish-brown rug near a window covered by heavy greyish-brown curtains and light green curtains, a seventh person kneels alone facing the camera with their face lowered to the lower left, wearing a long white robe. A large, bright, white cylindrical lantern hangs from the ceiling above the table area, creating a strong highlight and glare, while smaller lanterns are visible near the top edge.
On the right wall, there is a decorative branch with reddish-pink flowers and two vertical scrolls containing Chinese calligraphy. The left wall features three vertical scrolls with indistinct vertical text. A small wooden stand with items is located near the right wall.
Digital text overlays appear on the screen feed: in the top right corner, a prominent white sans-serif timestamp reads "2026-02-01 17:43:51", with a fainter, smaller line of text above it reading "2026-02-01 17:43:51". In the bottom left corner, the text "IPC" appears in white sans-serif font next to a small solid green square indicating sufficient battery power. In the bottom right corner, the text "D1" is displayed in small white sans-serif font. The image has a visible pixel grid and moiré pattern texture typical of a photo taken of a digital screen, and the entire scene is framed by the black bezel of the monitor.
In the foreground, the metallic structures of two escalators rise from the bottom of the frame, with strong, warm sunlight striking the curved side panels, creating bright highlights and deep shadows on the floor. To the far left, the dark silhouette of a person is partially visible in profile, facing towards the right, with sunlight highlights on the face. Vertical pillars located near the escalator entrances feature illuminated red circular lights and vertical columns of small, circular instructional icons. A metal railing separates the escalator area from the platform level in the middle ground. A group of people stands along the railing and on the platform, rendered as dark silhouettes against the bright exterior light; some figures stand alone while others appear in small groups, facing the window or interacting with one another.
A structural column on the right side of the platform supports a sign with the number "11" and smaller, partially legible text including "in Richtung". Above the platform, a large rectangular sign hangs from the ceiling structure, displaying the numbers "5-6" on the top line and the text "Stadtzentrum / city" followed by a right-pointing arrow "→" on the line below. To the upper left, a triangular warning sign with a pictogram and a rectangular panel with smaller text are suspended.
The background consists of a massive wall of glass windows divided by a grid of frames. Large, abstract graphic shapes are applied to the glass; a large, curving shape resembling a capital letter "R" viewed from a distance and reversed in the camera dominates the left and center sections, while angular geometric shapes forming part of a reversed capital letter "K" occupy the right side. Through the glass and the gaps in the graphics, a hazy cityscape with buildings and a distinct tall, tapered tower structure is visible in the distance. A horizontal band of ventilation slats runs across the upper portion of the image near the ceiling. The scene is backlit by natural light from the window, creating a warm, golden atmosphere with high contrast between the bright exterior and the shadowed interior.
In a brightly lit operating room, four medical professionals are gathered closely together, focused intently on a surgical procedure occurring at the bottom of the frame. All four individuals are wearing light blue disposable surgical gowns and matching blue caps that almost completely cover their hair. White elastic straps secure their face masks behind their heads.
On the left side of the composition, two figures are positioned; the person in the upper left is seen in profile facing right, wearing black-framed glasses and a blue mask. Below and slightly to the right of this figure, another individual leans forward, wearing wire-rimmed glasses and a white textured mask. On the right side, two other team members are visible; the figure on the far right leans in from the upper right area, wearing glasses and a blue mask, while the person below them is positioned centrally on the right, wearing wire-rimmed glasses and a white mask. The group consists of three men and one woman, all wearing glasses: two men on the left, one man and one woman on the right. The male on the right is closer to the camera and partially obscures the female, whose hair is tied up inside her cap, creating a small bulge.
A section of green surgical draping spans horizontally across the lower middle area behind the team members' heads. At the very bottom center, a bright light illuminates a pair of hands wearing white surgical gloves, working on the patient area. A plain, light gray wall serves as the background. The image is enclosed by a decorative digital border consisting of a solid light purple band with a thin inner line and a thin outer line. Small, faint, chevron-shaped arrow symbols are visible along the vertical sections of the purple border on the far left and right edges.
In the center of the frame, a young individual stands facing away from the viewer, positioned between two sets of railings: a front protective railing and a rear railing which the subject leans against. A grey-blue metal railing runs horizontally across the lower portion of the image. The subject has shoulder-length, dark blue-grey hair that appears slightly windswept. They are wearing a bulky, light blue jacket with visible stitching and panel details, layered over a lighter, off-white hooded garment that covers the neck and upper back. A small portion of the inner garment is also visible below the jacket. They wear tight black pants, and their left hand is faintly visible.
Beyond the railings, the ocean is active with waves crashing and churning into thick white foam. To the right of the subject, a significant splash of water and sea foam erupts upward, with droplets and spray scattering into the air. The water is rendered in shades of blue with distinct white highlights for the foam. The horizon line separates the sea from the sky in the middle ground. Above the horizon, a massive, towering formation of white cumulus clouds rises vertically in the center, resembling a large plume or mountain peak. Flatter, layered cloud formations extend across the left and right sides of the sky. The upper section of the image shows a clear, bright blue sky. Several small white seagulls are scattered across the upper right and left areas of the sky, depicted with simple V-shaped wingspans. Faint, thin, sketch-like lines and subtle cloud textures are visible in the upper blue sky area. The artwork utilizes a clean anime illustration style with a monochromatic cool tone palette, relying heavily on shades of cyan, azure, and white, with soft lighting and distinct outlines.
The composition consists of three horizontal rows, each containing five individuals shown in profile view.
In the top row, the first figure is a light-skinned male with a dark maroon flat-top haircut, a white shirt, pink blush, and a red tie. Next is a person with a light complexion wearing a yellow headscarf that covers the hair and neck, with a small amount of red hair visible. The third subject has dark skin and a voluminous dark afro hairstyle, accessorized with a large gold hoop earring and a beaded necklace over a maroon camisole top. The fourth is an elderly light-skinned man with a balding head, connected white hair and a full white beard, wearing a mustard-yellow shirt. The final figure in the top row is a man with a beard and mustache wearing a maroon baseball cap with a yellow brim, a yellow rectangular patch on the front, a small yellow section on top, and a teal t-shirt.
The middle row begins with a woman featuring dark hair tied in a high bun with a red hair tie and two thin accessories trailing to the right, a grey hood, a reddish garment, and a fringe on the left side of her face. Beside her is a dark-skinned man with short, textured dark hair, a short dark beard, and a teal shirt with a dark green ring around the neck. The central figure in this row is a light-skinned man with short brown hair and a patterned reddish-brown round kufi cap, wearing a blue shirt. To his right is an elderly woman with light skin and white hair pulled back into a low bun with a small red hair tie, wearing a red pearl necklace, a light pink top, and red decorations on her earlobes. The row ends with a woman with light skin and curly blonde hair, with much hair covering the right side of her face, round black-rimmed glasses, and a red top.
The bottom row starts with a light-skinned male with short blonde hair and a blue hooded sweatshirt with white drawstrings. The second figure has light skin and wears a white beanie with a horizontal reddish-brown stripe over a chin-length bob hairstyle, paired with a yellow shirt. The third subject is a dark-skinned man with short hair, wearing dark rectangular sunglasses with blue frames and a red shirt with a thin yellow collar detail. The fourth figure is a man with a beard and mustache wearing a white head covering wrapped with a thin dark blue band across the forehead, wearing a white shirt. The final portrait is a woman with light skin and shoulder-length wavy reddish-brown hair, wearing a blue top. The image utilizes a flat design aesthetic with solid colors and clean lines.
A young Caucasian man stands facing forward in a medium close-up portrait shot. He has short, dark brown hair styled upward and swept to the left with a slightly textured appearance. A short, well-groomed beard and mustache cover his jawline and upper lip. He wears oval eyeglasses with a distinctive frame design; the upper half of the rims is solid black, while the lower half and the temples feature a tortoiseshell pattern with brown and amber tones. A small, light-colored T-shaped accent is visible on the temple arm near the hinge. He is smiling broadly, revealing his upper teeth, and looking directly at the lens.
He is dressed in a black hooded sweatshirt. A small portion of a white crew-neck t-shirt is visible at the neckline underneath the hoodie. Two dark drawstrings hang vertically from the hood's opening, secured by small metallic grommets. On the chest area of the hoodie, centered between the hanging drawstrings, there is embroidered text in a white, elegant cursive script font. The visible text reads "imè Leon Dore", with the beginning of the first word partially obscured by the fabric fold and drawstring (presumably "J"). The fabric of the hoodie shows a soft texture with visible lint and small specks of debris scattered across the surface.
The background is captured with a shallow depth of field, resulting in a soft bokeh effect that blurs the details behind the subject. The background consists of tree branches and foliage covered in patches of white snow and frost. The blurred elements on the left side appear as lighter grey and white tones with horizontal branch structures, while the right side features darker, mottled patches of deep green and greyish-black foliage with circular bokeh highlights. A blurry, brownish vertical structure is faintly visible in the lower left background. The lighting is soft, diffused natural light, typical of an overcast day, creating even illumination on the subject's face without harsh shadows. The image utilizes a cool color temperature with low saturation, emphasizing the winter atmosphere.
A large projection screen dominates the upper portion of the stage wall against a cream-colored background. The screen displays text on a light blue field. The top line reads "Exam Ends at 4:00 PM" in a dark serif font. Below this, two lines of italicized serif text state "Raise your hand if you have a question." and "Bring up your exam to the front with your id". A distinct line in a reddish-brown serif font reads "Take Free Database Schwag!". Further down, a smaller line of italicized text reads "Q5: If a txn has multiple actions, mark all.". A small orange graphic resembling a sun or splash is located in the upper right area of the screen content. At the bottom of the projected image is a graphic of a digital timer interface with a brown background, displaying "2:54 PM" in large white numerals and "05" in smaller digits to the right, along with small browser interface icons above the time.

Below the screen, the stage features a polished wooden floor. A whiteboard on a stand is positioned against the back wall. A group of people occupies the stage area. On the left, a young man with short dark hair stands wearing a black jacket and grey pants. In the center, a person sits behind a white folding table with papers and a blue item on it. A woman stands partially visible behind the seated person near the whiteboard. To the right of the table, two women with long dark hair stand facing away from the camera or towards the right side of the stage; one wears a black jacket and dark pants, and the other wears a dark coat and pants. Several folding chairs and tables are arranged on the right side of the stage, and a backpack sits on the floor near the table on the left.

To the far left of the stage stands a wooden podium with a red horizontal strip containing illegible white text and a logo. A wooden door is visible in the wall on the right side of the stage area. The right wall of the hall features vertical architectural elements, including cream-colored columns and dark brown vertical panels. A black speaker is mounted on the wall to the right.

Above the screen, a technical rig spans the width of the room, consisting of a black metal grid and beams. Numerous black stage lights and spotlights are mounted on the beams, pointing downwards. Small white numbers, including "5", "6", "7", "8", "9", and "10", are visible on the black beams above the lights.

The foreground and lower half of the image show a large audience seated in tiered rows of black chairs. The view is from behind the audience. The students display a variety of hairstyles and clothing. A person in the immediate center foreground wears a light beige hoodie with the hood pulled up. To the right, a person wears a dark grey puffy jacket with a small white logo on the back. Other students wear jackets in shades of black, navy blue, grey, and brown. A few students have lighter clothing, such as a white top and a pinkish-red jacket further back. Some students have papers or notebooks on their laps, and a water bottle is visible near the person in the beige hoodie. The lighting is artificial and warm, creating a yellowish cast on the walls and floor.
The magazine spread is captured from a high-angle, top-down perspective under soft, even lighting. The left page, marked with page number "08" in a red circle and "OPENING 开场" alongside a red tag reading "好" and a green tag reading "玩" at the top left, features a prominent title in large, bold, yellow and black-outlined characters: "假如给北京美食 设计一套色卡". A small yellow tag below reads "插画 / CBTD". A paragraph of introductory text sits below the title. The page is populated with various food items and descriptions. On the left side, there is a dark blue circle containing a white icon of a bowl with a spoon and red dot, labeled "杏仁豆腐" with ingredients listed below. Further down is a red circular icon depicting skewers of candied hawthorns, labeled "冰糖葫芦". In the center and right areas of the left page, there are pastel shapes: a pink circle with a blue bowl illustration labeled "韭菜酱", a blue shape with yellow geometric blocks labeled "豌豆黄", a pink shape with a yellow and pink food item labeled "玫瑰饼", a blue shape with a yellow ladle and chopsticks labeled "三不沾", and a blue shape with a yellow rolled food item labeled "驴打滚". A text block titled "小吃渐变色卡" is located in the middle left area.
The right page, marked with page number "09" in a red circle at the top right, continues the layout. Near the top, text reads "碗中鲜花色卡" with a sub-caption "老北京人爱吃花，而且不止一种花。" A pink shape contains a stylized yellow and blue bowl illustration labeled "菊花热锅". A white shape contains a green floral illustration labeled "蒸槐花". A large yellow shape on the right contains a stylized illustration of a food item with a brown center and pink details, labeled "明星单品". Below this, a row of five small circles displays colors: beige, black, light green, magenta, and yellow, labeled "炸酱面". A large yellow shape in the middle right contains a stylized illustration of a dish with vertical lines and rectangular blocks, labeled "烤鸭". A row of four circles below it displays dark red, light red, brown, and green colors. To the far right, a yellow shape contains a brown pot and bowls illustration, labeled "涮羊肉". A text block titled "酥炸玉兰" is located in the lower middle area.
The bottom section of the right page features a section titled "帝都生存的 10 个小贴士" with small tags "撰文 / 虫子" and "插画 / CBTD". This section has a faint grid pattern background. It contains three distinct text blocks. The first block is next to a large red number "1" and contains text starting with "北京很大。如果一个北京人说 “挺近的”...". The second block is next to a large black number "2" and contains text starting with "您会在北京街头频繁听到以下句式：“您往北走两步”...". The third block is next to a large red number "3" and is set against a blue rectangular background with text starting with "北京的马路很宽。如果您来北京，请一定要提前勤练脚力...". A small yellow speech bubble icon and a line drawing of a pen are visible near the text blocks. A colorful strip with patterns and illustrations is partially visible at the very bottom edge of the image.
This realistic photograph captures a clean, modern office space arranged in a corner layout. In the foreground and middle ground, white rectangular desks are separated by partitions that have a solid grey lower section and a translucent upper section with horizontal frosted white stripes. A small potted plant with vibrant green leaves sits on the desk in each visible workspace. Several black chairs with curved backrests and chrome metal legs are positioned at the desks. A circular cable grommet is visible on the surface of the desk in the right foreground. The floor is covered in a plain light beige material, and a dark baseboard runs along the bottom of the white walls.
A series of vertical posters are mounted on the walls. On the left wall, four posters are visible. The first on the far left is blue with a circular logo and vertical white Chinese text. The second is blue with a circular logo and large faint text reading "兰州大学" alongside smaller vertical text reading "愿你历尽千帆，终能得偿所愿". The third is a reddish-orange poster with a circular logo and large faint text reading "中央民族大学" alongside smaller vertical text reading "远方尚有荣光在". The fourth is blue with a circular logo and large faint text reading "同济大学" alongside smaller vertical text reading "读书好读书好好读书".
On the right wall, six posters are visible. From left to right, the first is blue with a logo and vertical text. The second is blue with a logo and large faint text reading "中南大学" alongside smaller vertical text reading "人间值得未来可期". The third is reddish-orange with a logo and large faint text reading "北京大学" alongside smaller vertical text reading "山月星河都为你化作苦尽甘来的那一天". The fourth is teal with a logo and large faint text reading "哈尔滨工业大学" alongside smaller vertical text reading "除非你心里已经放弃了，没有人会失败". The fifth is blue with a logo containing the text "FUDAN UNIVERSITY" and "1905", with large faint text reading "复旦大学" and smaller vertical text reading "人生没有白走的路" and "每一步都算数". The sixth is reddish-orange with a logo and large faint text reading "华东师范大学" alongside smaller vertical text reading "拼命才能优秀，努力只能及格".
A long, rectangular linear LED light fixture extends from the white ceiling on the upper left side. A square ventilation grille and a smaller rectangular fixture are visible on the ceiling on the upper right side. The lighting is bright and even, creating a cool tone throughout the room. The image is taken from an eye-level perspective with a wide angle.