LiuzhipengUCAS/CAPEval huggingface dataset:
This realistic photograph presents a high-angle view of a bulk food display, likely within a grocery market or bazaar. The upper portion of the frame is dominated by a grid of wooden bins containing mounds of dried fruits. The arrangement creates a patchwork of colors and textures. The topmost visible row includes piles of golden-yellow chunks, bright red items, dark reddish-purple clusters, bright red berries, speckled beige and brown items, and bright green dried fruits on the far right. The row below features light brown nuts or dried fruits, dark brown oval items, dark purplish-black dried fruits, and various shades of brown and tan dried goods. A distinct middle row of wooden crates displays large, dark purple-black dried fruits on the left and center-left, contrasting with a pile of round, orange-brown dried fruits in the center and right sections. The row beneath this contains bright orange-red dried slices on the left, followed by a large pile of golden-yellow dried fruits, a central section of flattened reddish-orange dried fruits, another pile of golden-yellow items, and a section of dark reddish-brown dried fruits on the right. A partial row of similar goods is visible at the very bottom of the wooden section.
The lower portion of the image features a row of open white sacks lined up horizontally against a white surface. From left to right, the first sack contains dark brown, elongated dried items with a rough texture. The second sack holds small, bright red, round seeds or berries. The third sack contains medium-sized, light brown, irregular nuts or seeds. The fourth sack is filled with small, pale greyish-white seeds or beans. The fifth sack holds medium-sized, reddish-brown nuts. The final sack on the far right contains dark brown, small nuts or seeds. The lighting is even and diffuse, enhancing the saturation of the colors and revealing the dry, wrinkled textures of the fruits and the granular textures of the nuts and seeds.
A macro photograph presents a detailed view of a white corn cob extending diagonally from the left side toward the upper right. The cob is densely packed with rows of plump, rounded kernels that exhibit a creamy off-white hue. Small, clear water droplets cling to the surface of several kernels, creating bright specular highlights and emphasizing a fresh, moist texture. Surrounding the exposed portion of the cob are layers of corn husks in varying shades of pale lime green and yellowish-green. A broad section of the husk wraps diagonally beneath the kernels and extends toward the bottom right, displaying a linear, fibrous texture with visible vertical striations and a semi-translucent quality. Fine, thread-like corn silk fibers are scattered throughout the scene; a distinct, thin strand curves upward into the negative space near the top center, while a cluster of wispy, tangled fibers rests within the layers of husk in the lower right quadrant. Additional thinner strands cross over the kernels and the lower husk layers. A patch of husk extends toward the left edge, partially obscuring the far left side of the cob. The lighting is bright and directional, seemingly from the upper right, creating strong highlights on the kernels and casting distinct shadows within the crevices of the husk layers. The image employs a shallow depth of field; the central area of the corn cob and the immediate surrounding husk layers are in sharp focus, while the focus softens toward the edges. The upper left corner contains a blurred background area with a mottled pattern of dark grey, brownish-grey, and lighter grey tones, resembling a textured wall or soil surface. A blurry patch of green extends horizontally behind the cob on the left side. The image quality has a slight graininess.
A grey wire shopping cart is viewed from a high angle, filled with a diverse collection of grocery items. In the center lies a clear plastic container with a bright orange band featuring cartoon illustrations and Chinese text "效期拼装" and "鲜花饼". To the right of the container are several small hexagonal boxes of "HELLO PANDA" biscuits in pink and beige packaging, alongside a large yellow bag of snacks with a cartoon character and vertical Chinese text. A blue package labeled "3D" and a brown package with the text "HAPPY" and a woman's face are also visible near the top right. Near the top edge of the cart, two small cylindrical cans with pink and blue designs feature the "Hello Kitty" character and Korean text. A yellow bag of snail noodles labeled "柒" appears at the top right edge.
On the left side of the cart, there are long purple and green bags containing snacks. Below them lie rectangular boxes of "MACADAMIA" nuts with red and green packaging and Japanese text "マカダミアナッツチョコ". The lower left section contains a purple bag of "m&m's" with the text "牛奶巧克力豆", a small pink packet of "Pocky", and several small chocolate bars. A large bag of "Lay's" potato chips dominates the lower middle area, featuring a strawberry illustration and the brand logo. Next to it are rectangular boxes in green and pink with the English text "Hello, me time!" and the Chinese phrase "尽享我的时刻！". A blue package with an image of a cookie and ice cream is also present.
In the bottom right corner, a cluster of small clear plastic bottles with green glass-like bodies and pink caps sits next to a large pink bag of snacks with the "Lay's" logo and Chinese text "乐事" and "日式青提". A rectangular bag featuring a black and white geometric pattern rests across the bottom foreground. A small brown package on the far left edge displays the text "开启醇心畅饮". The background reveals supermarket shelves stocked with bags of nuts and other snacks, with price tags visible on the shelf edges. A section of the speckled grey and white tiled floor is visible through the gaps in the cart's wire mesh on the left side. The lighting is bright and artificial, creating highlights on the plastic packaging.
A cluster of light brown chicken eggs rests securely within the compartments of a white molded pulp egg carton. Each egg serves as a canvas for a distinct, hand-drawn cartoon face created with black and red ink markers. In the center of the frame, two eggs are captured in sharp focus. The egg on the left features a lively expression with large, round eyes of varying sizes, thin eyebrows, and a small curved smile. To its right, another egg displays a more subdued, perhaps shy or sleepy expression, characterized by curved lines for closed eyes and eyebrows, accompanied by three short, vertical red hatch marks on each cheek representing blush. Above the central pair, an egg in the row behind depicts a comical, surprised face with wide circular eyes, small pupils, and a small open mouth filled with a red tongue. To the right of that one, another egg shows a friendly face with large eyes and a simple curved smile. On the far right edge of the middle row, a partially visible egg features a large circular eye shape with internal lines and a smile. To the far left, partial views of other eggs reveal fragments of facial features, including a partial eye and mouth. The bottom row of eggs is partially visible but largely out of focus due to the shallow depth of field; the egg in the bottom center has thin, horizontal lines drawn across its face, while the egg to the bottom right has small, simple dot-like markings. A fragment of an egg on the far bottom left shows a partial linear mark. The white carton material forms geometric peaks and valleys between the eggs. The lighting is soft and diffused, creating smooth highlights on the rounded surfaces of the eggs and enhancing the warm tones of the shells against the white carton. The image employs a shallow depth of field, causing the eggs in the immediate foreground and the background rows to appear soft and blurry, while maintaining sharp focus on the expressions in the middle ground.
Six stylized bird sculptures constructed from coiled silver-grey wire stand on a surface made of light brown horizontal wooden slats. In the sharply focused foreground, three birds are positioned around two loose nuts: one smooth brown nut and one round cream-colored speckled nut, with a small rectangular black dish filled with various nuts behind them. The bird on the left has a round body and a long tail that curves sharply upward and backward. In the center, a bird stands in profile facing toward the right, with a shorter tail extending diagonally backward. To the right, another bird faces left, distinguished by an exceptionally long, thick tail that curves vertically upward and slightly backward. All the sculptures stand on thin, straight wire legs with three toes forward and one back. Loose nuts rest on the wooden surface at the base of the central and right birds. The black dish behind them contains several other nuts, including light beige and brown ones. In the background, rendered soft and blurry by a shallow depth of field, two additional wire birds stand on the left side, and one stands on the right side with its tail extended diagonally backward to the right. The far background includes a section of a reddish-brown brick wall visible on the left and a cluster of vibrant green leaves filling the upper right area. To the right in the background, a clear glass filled with an amber-colored liquid contains a large slice of orange or lemon and ice cubes. A blurry, indistinct object extends diagonally from the upper left corner. The scene is illuminated by warm, soft lighting that creates highlights on the metallic wire texture and casts soft shadows on the wooden slats.
A close-up shot focuses on a unique baked pastry shaped to resemble a stylized face or pumpkin-head mask, positioned centrally on a vibrant cyan blue surface. The pastry is baked to a golden-brown hue and is heavily dusted with a layer of white powder, likely flour or powdered sugar. The design of the face includes two circular holes serving as eye sockets, a vertical strip of dough suggesting a nose, and a mouth area with protruding dough shapes resembling teeth or fangs. A horizontal band of dough crosses the upper portion of the face, and circular, spiral-like patterns adorn the cheek areas on either side. The white powder is applied unevenly, creating patches where the golden-brown dough shows through, particularly on the right cheek and lower jaw area. To the left in the immediate foreground, a portion of another pastry is visible, featuring a braided or segmented texture and a similar coating of white powder. Directly behind the central face-shaped pastry, a cluster of pinkish-red items with a knobby, segmented texture extends horizontally across the background. To the right and further back, several round, bulbous pastries with lighter golden and cream tones are visible; some are dusted with white powder while others appear smoother. A plain, round, light-colored bun sits just to the right of the main subject. A white strip runs diagonally along the lower right edge of the blue surface. The background is heavily blurred due to a shallow depth of field, showing indistinct shapes and colors, including a patch of bright blue on the far left and a large area of deep red in the upper left and center background. A blurry, pale object is visible in the upper right corner. A glimpse of a lower level or shelf is visible in the extreme bottom right corner, displaying blurry patches of reddish and yellowish tones. The lighting is soft and diffuse, highlighting the texture of the baked goods and the granular quality of the white powder.
The main subject is a large white-framed storage shelf with twelve rectangular compartments arranged in three rows and four columns, with a solid bright green baffle at the bottom. Four stacks of horizontally striped items in orange, brown and dark tones sit on the top edge of the cabinet.The inner compartments vary in contents and background colors:
Top-left compartment: purple background, with four pink buckets with cartoon patterns and other small items.
Top-second compartment: white background, filled with many book-like items.
Top-third compartment: white background, with yellow and blue cylindrical containers, a bright green ribbon bow on top of the bottles, and paintbrushes.
Top-right compartment: purple background, with vertical tubes and pink and blue rectangular boxes.
Middle-left compartment: purple background, with a pink bucket, a blue bucket with a cartoon face, and a large translucent pink spherical container. A blurry pink and yellow brush in a transparent bag appears in the left foreground.Middle-second compartment: green base, with a blue container, a pink bucket with cartoon patterns, and an orange translucent roof-shaped container.Middle-third compartment: white background with green base, with white items with red patterns stacked in rectangular trays.Middle-fourth compartment: green base and purple side walls, with large crumpled pink and red plastic bags.
Bottom-left compartment: yellow base, with two small buckets with cartoon patterns and two blue boxes at the back.Bottom-second compartment: yellow base, with a blue bottle, a white round box and various small colorful items.Bottom-third compartment: yellow base, with white trays holding red and white patterned items.Bottom-fourth compartment: yellow base and purple side walls, with a large translucent rectangular container with a light blue latch.
To the left of the storage cabinet, part of a blue wall and a hanging green mesh structure are visible. The upper-left part of the background wall is lime green, and the rest is white. A window with white horizontal bars is on the right, and a small section of a wooden table is visible at the far right edge. The floor is covered with blue and purple interlocking foam mats. The photograph is taken at eye level with natural light coming through the window on the right.
A high-angle close-up shot focuses on a glossy red Ferrari model car in the immediate foreground, angled diagonally across the frame. The vehicle's roof assembly is lifted open, exposing a detailed interior with tan leather upholstery on the seats and door panels. A black steering wheel with a small yellow Ferrari logo sits on the left side, while the dashboard features a cluster of circular gauges and a center console with intricate buttons and switches. A section of the roof frame displays a carbon fiber texture. To the left of the open cabin, the car's bodywork reflects bright overhead artificial lights in strong, elongated white highlights. In the middle ground, positioned diagonally behind the main subject, sits another red Ferrari model featuring a racing livery with a broad stripe of green, white, and red running down the hood and roof. A white number "4" is printed inside a white triangle on the side door, and a small yellow Ferrari shield logo is visible on the front fender. The car has black multi-spoke wheels and white lettering on the tires. To the far left, the front section of a bright yellow model car is partially visible. The background contains rows of additional model vehicles arranged on a light wood-grain surface. A line of yellow cars extends diagonally toward the upper left, while a long row of multiple red cars stretches toward the upper right. A few dark grey or black cars are situated between the yellow and red groups. A rectangular grey object and a piece of clear plastic packaging material lie on the table surface in the lower left area. The upper portion of the image is out of focus due to a shallow depth of field, showing a blurry white wall with a black frame and indistinct dark shapes near the top edge.
A fluffy bicolor cat sits in the center on a textured beige surface with a woven herringbone pattern. The cat’s chest, neck, and lower face are mostly white, while its ears and areas around its large bright blue eyes are covered in dark brownish‑gray markings like a mask. It has a small pink nose and long white whiskers, looking calmly upward and to the left. Its front paws rest gently on the fabric. The image is captured through glass, creating clear visual separation and reflection. The upper part of the frame shows a reflected image of the cat’s face and upper body, slightly distorted and blurry. Overlaid on the top reflection and upper area are blurry green and blue light streaks, resembling out‑of‑focus leaves or light refraction. Bright green leaf‑like shapes are visible in the lower left foreground near the bottom edge. To the right of the cat, dark purple and maroon fabric or clothing is piled on the surface. Behind the cat, between the subject and the reflection, a plain cream wall and a beige cushion in the upper right are visible, with a glimpse of a vertical red object in the far background. The lighting is soft and diffused, with a noticeable cool blue‑violet tint affecting the overall color temperature and white balance. The image is slightly soft‑focused and grainy, in the style of a casual indoor photo taken through glass.
This composite image contains three photographs of a fluffy golden‑cream cat. The top half occupies half the frame, featuring a close‑up of the cat’s head and one paw sticking out of a white and olive‑green paper shopping bag. The cat has big round yellowish‑green eyes and a pink nose, looking directly at the camera. A small fluffy paw rests on the lower edge of the bag’s opening. A person’s fingers are visible on the right edge, holding the handle. Dark vertical sans‑serif text on the white part reads “Coffee makes your day!” with a faint circular logo. Inside the bag, a yellow area shows part of a cartoon doll, and the green lower section has text and pattern fragments. The background is a wall with large glossy gray tiles reflecting round ceiling lights; a small part of a wood‑textured board appears in the bottom left. In the bottom left quadrant, the cat stands upright on its hind legs indoors on a light gray tiled floor. Its body turns slightly left, head tilted up. Its right front paw stretches forward and is blurred from rapid movement, while the left paw extends in front of its chest. A cat toy stands on the floor in the foreground: a teal ball on a pink base with a thin string upward. On the left, a cylindrical structure with vertical beige ridges and colorful abstract patterns on top is visible. A beige cat wand lies on the floor nearby. In the background are a white body weight scale, gray sneakers, and a wall. In the bottom right quadrant, the cat sits neatly on a reflective surface with light blue and white patterns. It faces forward calmly, with thick fluffy fur around the neck and chest. Front paws are neatly together, tail curled to the left. A large out‑of‑focus dark purple curved object is on the left edge, with a small patch of purple and yellow at the very bottom. On the right, a dark blue bag with a red vertical stripe and a gold metal buckle is partially visible, with a blurred beige wall in the background.
In the center background, a golden‑brown short‑haired cat with round eyes sits upright on a chair draped with a black jacket or cloth. To the left of the cat are part of a blue curtain tied with a white cord and a wooden chair with a brown seat. To the right, a white curtain, a woven‑seat chair, a tall black cylindrical object, and a dark power switch on a light‑colored wall are visible. A wooden table runs horizontally across the middle. On the left side of the table are a dark textured round container and a black smartphone with a clear case lying flat. A long rectangular matte gray‑brown tea tray occupies the center. On it, from left to right: a small round bronze‑colored teapot, a beige small bowl, and a clear glass pitcher with a curved green handle containing pale yellow tea. Between the bowl and pitcher, engraved patterns and partially visible characters “菩提” are on the tray, with a vertical rectangular outline and a small circle “o” mark. On the right side of the table, a yellow plate holds a transparent plastic bag of light beige peanuts, with a small wooden rose ornament nearby. A small patterned teacup sits on the right side of the tea tray, and another brown‑patterned cup is partially visible on the far right edge. The foreground is occupied by a large dark gray surface, likely a wet tea table, scattered with many irregular dark water stains. In the bottom left, a lidded tea bowl with a reddish‑brown lid and white rim sits on a round wooden saucer. To its right, a second clear glass pitcher filled with golden tea stands near the edge, and a small patterned cup with tea is in the bottom right corner. A faint line drawing of a flower is visible on the far left edge of the dark foreground surface. The photo is taken from a slightly elevated angle with indoor artificial light, creating highlights on glass and wet surfaces; many water stains are on the tea tray.
A vertical series of metallic flower‑shaped cups hangs on the right side of the frame, connected by metal chains, with an inverted triangular wire structure inside each cup. The cups are silver‑gray with six lotus‑petal edges. On the left and center, many koi fish swim in dark green water. Near the upper middle, an orange‑red koi with a little white on the head and body, white fins and tail, swims rightward. On the left edge, the head and part of the body of a red koi with black spots enter the frame. Below it, a large cream‑colored koi with irregular bright red patches swims diagonally toward the lower right. In the lower left quadrant, a pale golden koi with small orange spots and a red patch on top of the head swims right‑downward above another white koi with a clear red patch on its head; to their right, a dark grayish‑brown koi with a little gold swims upward to the left. In the center, a koi patterned with black and bright red‑orange patches swims vertically downward. The left and center‑right water surface is scattered with countless small round yellow‑green particles — coins thrown by people, indicating a wishing pond. A thin dry branch with a few brown leaves stretches from the right edge near the second cup from the top. In the lower right, leafless thin branches reach into the water, and their dark intricate reflections appear on a lighter grayish‑white area reflecting the sky. A small section of gray concrete structure with diagonal cracks is visible in the extreme top left corner. A small part of the concrete edge also appears in the bottom left. The photo is a real high‑angle top‑down shot under natural diffused light.
A red panda is the main subject, moving diagonally from left to right across a constructed wooden platform. The animal has thick rusty‑red fur on its head and back, contrasting with black fur on its legs and belly. Its face has distinct markings: a white muzzle, dark patches around the eyes, and triangular ears with white edges and dark interiors. The panda’s left front paw steps on a section of light brown vertical wooden blocks with clear grain and knots, while its other paws rest on a darker weathered horizontal log to the left. Small metal screws are visible on the vertical blocks. In the lower left foreground, a human hand reaches into the frame, significantly blurred due to shallow depth of field; its hind paw rests on the horizontal log, right front paw bends and hangs in the air. A hand extends from the bottom of the frame, with fair skin and straight, slightly curled fingers, emerging from a ribbed olive‑green cuff. On the right, a vertical tree trunk with light gray bark and dark horizontal marks runs from top to bottom. The background is soft and out of focus, consisting of a dense network of thin leafless branches against a pale overcast sky. Below the branches, the mid‑distance is filled with dry brownish‑yellow tall grass or reeds. At the very bottom, under the wooden structure, patches of low green leafy plants and a section of brick‑paved ground are visible. The lighting is soft, diffused natural light, with low contrast and muted earth tones.