LiuzhipengUCAS/CAPEval huggingface dataset:
A wooden table is filled with various dishes and drinks, illuminated by warm artificial lighting. On the left, a black round pan sits on a grey and black portable stove; the pan contains seasoned reddish noodles on the left, slices of white cheese in the center, and chunks of reddish-brown glazed meat on the right. The side of the stove features a row of instructional stickers with diagrams and QR codes. In the center, a round plate with a brownish rim holds a mound of green shredded vegetables topped with diced carrots and a reddish sauce. A small bowl containing a dark red sauce sits between the stove and the central plate. To the right, a grey stone pot rests on a wooden trivet and contains an orange stew with meat chunks and a large patch of melted yellow cheese garnished with a green leaf. The wooden trivet has the text "KCOOKING" engraved vertically on its right side. Above the stew, a beige plate holds several pieces of golden-brown fried food and slices of yellow corn on the cob, accompanied by a small white bowl of yellow dipping sauce. A rectangular black plate near the top right displays five small portions of side dishes, including kimchi and pickled vegetables. In the upper right area, a woven basket filled with light green spherical fruits sits on a wooden board, topped with a dollop of white cream and a green leaf; a small tag is inserted into the cream. To the far right, a tall glass contains a light green beverage with ice and mint leaves. Below the drink, a small light green plant with broad leaves sits in a clear bulbous vase on a textured grey coaster. White paper placemats cover parts of the table; the placemat in the bottom left displays large bold sans-serif text "KCOOKING", followed by smaller text "DISH 概念韩餐", and smaller lines of text including "Kcooking b" and "iple on". A partial view of a beige plate rim near the bottom center also shows the text "KCOOKING". A small white cup is visible in the bottom right corner. In the background, two chairs with grey padded backrests and handles are positioned against a wall with vertical dark wood paneling. A grey tufted cushion rests on the left chair, and a black garment is draped over the right chair. In the upper left background, the torso and legs of a person wearing a black garment are visible standing near another table. A section of flooring with reddish-brown horizontal wooden slats is visible on the far left.
A clean, flat-design software interface set against a white background. In the top left corner, a logo consisting of vertical lines and the text 'JINR' and smaller text 'GREEN LAB' sits next to the main title 'PS Dashboard · CD' in a bold, black sans-serif font. A row of blue rectangular buttons spans the top center and right, labeled 'Settings', 'Presets', 'System LOG', and 'Exclusions' in white text. To their right is a white button with a grey border reading 'Data Logger: OFF', and a 'Sign In' button on the far right.
A secondary control bar below contains status indicators on the left: 'Control Unit:' followed by 'Online' in green text, and 'CAN Status:' followed by 'Not busy' in green text. In the center, the text 'ALL Units:' is followed by buttons 'READ', 'SET', and 'OFF', with 'READ' having a blue outline. On the right side of this bar, a section labeled 'External PS:' displays numerical values '149.83 V' and '0.2418 A' in grey boxes, followed by a solid red button with white text 'Power ON'. To the far right are two buttons labeled 'UPDATE' and 'ABORT' with blue text and outlines.
The main body of the dashboard consists of a grid of rectangular cards arranged in rows. Each card has a small blue pill-shaped label at the top containing the unit name (e.g., 'Unit 1') in white text. Inside each card, data is listed in rows with labels on the left and values on the right: 'ID:', 'Ext.:', 'Ref.:', and 'Temp.:'. The ID values are in blue text, while the other values are in green text.
The grid layout is as follows:Row 1 contains eight cards. 'Unit 1' through 'Unit 8' have a light green background. 'Unit 2' is distinct with a salmon-pink background and dark red text for the values.Row 2 contains eight cards labeled 'Unit 9' through 'Unit 16', all with light green backgrounds.Row 3 contains eight cards labeled 'Unit 17' through 'Unit 24', all with light green backgrounds.Row 4 contains eight cards labeled 'Unit 25' through 'Unit 32', all with light green backgrounds.Row 5 contains three cards spaced evenly: 'Unit 33', 'Unit 34', and 'Unit 35', all with light green backgrounds.
A grey vertical scrollbar is visible on the right edge of the interface, and a horizontal scrollbar is visible at the very bottom edge.
A wide storefront sign dominates the upper half of the image, featuring a background of horizontal reddish-brown wooden planks. Large, bold, white Chinese characters reading "明记隆江猪脚饭" span across the sign. Below the main text, centered in a smaller, golden-yellow sans-serif font, is the contact information "电话：13536215550". Below the signboard, the restaurant entrance consists of glass doors and panels covered with advertisements and menus. A poster on the left glass panel displays a grid of various food dishes and includes text at the top with the "TSINGTAO" logo and "青岛啤酒", followed by larger text "隆江猪脚饭", "小炒快餐", and smaller details "外卖电话：13536215550" and "营业时间：9:30-22:30". A vertical sticker on the door frame reads "小炒" in large red characters with smaller vertical text and images below. Another vertical sticker on the right door frame features large red characters "快餐", followed by "正在营业", a cartoon illustration of a chef, and dish names "回锅肉" and "麻婆豆腐" near the bottom. To the far right, a large wall panel displays an advertisement with a green background featuring green beer bottles labeled "DRFT" and "纯生", accompanied by the text "青岛纯生" and "鲜活人生". Below the beer ad is a large, realistic image of roasted meat, and a partial view of a yellow food item at the very bottom. A man with short black hair, wearing a black short-sleeved t-shirt and black trousers, walks from right to left across the entrance area. Through the open doorway, the interior is visible, showing a person seated at a table and a large stainless steel pot on a stand. To the left of the entrance, a bright blue enclosed three-wheeled vehicle with a single round headlight and a windshield is parked on the grey concrete pavement. On the extreme left edge of the image, the partial back of a person wearing a dark blue jacket with a white horizontal stripe is visible. In the background on the left, a street scene extends into the distance with other buildings, a staircase with metal railings, and distant figures on motorbikes and a tricycle. A distant shop sign with colorful neon-like characters is visible in the background. In the upper left corner, electrical wires and a utility pole are visible against the sky and the upper part of a building with a barred window. The right edge of the building shows a white wall section and a brown structural element above. The lighting is natural and diffuse, suggesting an overcast day.
A large black pot sits centrally on the light wood-grain table, filled with cooked slices of meat, light green and yellow Napa cabbage, and dark broth. To the right of the pot, a small plate with a yellow rim holds sushi topped with orange crab sticks and green garnish. Further right, a plate with a blue and white patterned section contains a brown glazed food item with dark sauce drizzled on top. In the lower right area, a small black bowl contains a raw egg with a bright orange yolk, positioned next to a clear plastic container holding fruit and a large green mint leaf with a lid marked with faint text and numbers such as "120". A black bowl containing a spoon is partially visible on the far right edge. In the lower left, a yellow promotional flyer displays images of pink and reddish beverages and large handwritten-style Chinese text reading "果香在线" and "清爽出圈", along with smaller text "此主题内饮品容量相同", a small logo with the character "は", and numbers "8" and "10" inside circles. A portion of a black smartphone is visible on the far left edge. To the left of the pot, a black tray holds two tall, dark, cylindrical containers covered with plastic wrap and a small cup with a green and orange lid. Behind the food, a tablet screen displays a digital menu with a grid of sushi images and text, with a right-side panel showing the logo "滨寿司", an order list with items and prices such as "¥10" and "¥15", and a total amount "合计金额 ¥100". Above the tablet, a strip on the wall features a small logo with "は" and a sentence of red Chinese text. To the right of the tablet, a clipboard displays a sign with a large blue circle containing the text "B15" and a smaller character "は" below it, followed by a QR code and a pattern of small loop shapes on the right side. A white container with a similar loop pattern sits below the clipboard. On the far right, a black tray holds four white bottles with gold caps and vertical red text including "专用酱汁" and a cartoon logo, next to a wooden container and a white box with a wooden lid.
A rectangular glass dish sits in the center of the table, filled with a colorful salad containing green lettuce, yellow pineapple chunks, orange mandarin segments, black olives, sliced carrots, and strips of purple cabbage. To the upper right, a large, beige ceramic pot with embossed floral patterns holds a soup featuring large golden-brown meatballs, mushrooms, chunks of white vegetable, and chopped green herbs, with a metal ladle submerged in the broth. On the left side, a round translucent plate contains a pile of dark brown braised meat chunks. To the far right, another translucent plate holds stir-fried green vegetable stems. In the lower right area, a translucent plate contains a stir-fry mixture of yellow scrambled eggs, green peppers, and sliced mushrooms. A round translucent plate near the bottom center holds a salad-like mixture of dark shredded vegetables, green herbs, and thin light-colored strips. A bowl with a light pink and beige floral pattern sits at the bottom right, filled with white rice and topped with a generous amount of yellow corn kernels. In the upper left corner, a bowl with a white interior and a pattern of green leaves and small yellow flowers contains a small amount of food residue. A small empty round plate with a delicate blue floral line drawing sits on the left side. Scattered across the table are eating utensils: a pair of light-colored wooden chopsticks with silver tips and a silver spoon near the top left bowl, a pair of black chopsticks and a spoon near the soup pot, and a pair of silver chopsticks and a large silver serving spoon near the bottom left. A clear, textured glass tumbler sits in the bottom left corner, next to the partial edge of a dark bottle. A section of a grey sofa with a repeating white looped pattern is visible along the top edge of the image. The lighting is soft and even, creating highlights on the moist food surfaces and the glass dish.
This realistic landscape photograph presents a vertically oriented winter view composed of distinct horizontal layers. The upper section is filled by a dense forest canopy where dark green coniferous trees are interspersed with deciduous trees displaying brownish-grey, leafless branches and clusters of dried foliage. Below this tree line lies a broad, flat expanse of white snow. In the center of this clearing sits a small, rustic wooden cabin with a pitched roof heavily laden with snow. A smaller wooden structure and a few low, snow-covered rectangular objects or hay bales are scattered around the cabin area. Long, horizontal shadows stretch across the snow to the right, indicating a directional light source from the left. A dense band of tall, vertical coniferous trees spans across the middle of the image, creating a visual barrier. These trees are primarily dark green, with some branches dusted with snow and several bare, brownish trees intermingled within the group. A noticeable gap on the right side of this tree band reveals a patch of snow-covered ground and the pale, vertical trunk of a dead or leafless tree. Below this dense tree line, a snowy slope descends toward the bottom of the frame. Several small, isolated evergreen trees and saplings are scattered across this lower slope, casting distinct diagonal shadows on the snow. The bottom section of the image features a mix of vegetation, including taller, thin, leafless deciduous trees with intricate branch networks and several young coniferous trees rising from the bottom edge. The scene is illuminated by bright natural sunlight, creating high contrast between the bright white snow and the dark tones of the vegetation.
A vertical composition presents a serene winter scene featuring a traditional Chinese pavilion situated over a body of water. In the upper section, dark, leafless tree branches extend from the top right and left, with some fine, weeping tendrils hanging vertically against a bright, white sky that suggests heavy fog or mist. The central structure is a pavilion with a multi-tiered, dark grey roof topped by a finial and supported by a series of bright red vertical pillars. A stone platform with a railing and visible arched openings beneath the base supports the pavilion. Extending to the right is a stone bridge with decorative railings. On the bridge, two small figures are visible; one person holds a bright blue umbrella and a lighter blue object, while another person stands nearby wearing a reddish-pink coat and carrying a bag. The lower half of the image is filled with a dense field of withered lotus plants rising from the water. These dried stalks and seed pods appear in shades of rust-brown, tan, and black, with many stalks bent and broken in angular shapes. The water surface is visible between the vegetation and reflects the dark tones of the plants. A layer of white mist hovers near the water level around the base of the pavilion and bridge, blending into the white background and creating a high-key, atmospheric effect with soft, diffused lighting.
A dilapidated, block-like structure constructed from rough, textured stone and reddish-brown brick fragments dominates the central mid-ground. The structure features a jagged, uneven top and two distinct openings: a smaller rectangular window-like aperture near the upper right and a larger, dark doorway opening near the base. To the right of the main structure, a few medium-sized, dark jagged rocks protrude from the water surface. The water itself appears silky, smooth, and ethereal, resembling a thick mist or fog due to a long-exposure photography technique. In the foreground, numerous rocks of varying sizes and shapes are scattered across the bottom and lower right areas, partially submerged in the milky water. These rocks exhibit a mix of colors, including dark grey, charcoal black, and distinct reddish-brown and rust tones. The background consists of a dramatic sky where clouds appear as smooth, diagonal streaks stretching across the frame from the upper left to the right, reinforcing the sense of motion and time passage. The overall color palette is dominated by cool tones, with slate blues, steel greys, and pale cyan hues in the water and sky, creating a strong contrast with the warm earth tones of the stone structure and reddish rocks. A shallow depth of field is employed, keeping the central structure and immediate surrounding rocks in focus while rendering the foreground rocks and background clouds soft and blurry. A very small, faint, and blurry line of white text is centered at the very top edge of the image against the dark sky, appearing to be a photographer's watermark or signature in a small sans-serif font, though the specific characters are illegible due to low resolution and blur. The lighting is soft, diffuse, and even, typical of an overcast day or twilight, with no harsh directional shadows.
A vertical landscape photograph depicts a scenic waterfall flowing down a rugged cliff face characterized by distinct geological formations. A single, slender stream of water plunges vertically from the top center of the cliff, creating a white and light blue cascade that splashes into a small, dark pool at the base. The cliff face is composed of vertical rock columns and blocky segments; the rock formations on the left side appear in cool tones of slate grey, dark purple, and blue-grey, with patches of bright green vegetation and small shrubs growing from crevices near the top and middle. In contrast, the rock formations on the right side exhibit a warmer palette with shades of tan, beige, and light brown. A sharp diagonal shadow cuts across the right section of the cliff, creating a strong contrast between the sunlit upper areas and the shaded lower areas. Below the waterfall and along the base of the cliff, piles of jagged, angular rock debris and boulders are scattered. The immediate foreground is filled with large, rough rocks in varying shades of grey, light brown, and tan. Patches of vibrant green grass and leafy plants grow among the rocks in the foreground and near the base of the cliff. The pool at the bottom of the falls has dark water near the impact zone and a translucent brownish-yellow hue in the clearer sections. Above the cliff, the upper third of the image shows a deep, saturated blue sky with diagonal streaks of wispy white clouds and some fluffier cloud formations near the upper left. Small tufts of vegetation and grass line the very top edge of the cliff against the sky. The lighting is bright and directional, typical of a sunny day, creating high contrast and enhancing the saturation of the blue sky and green vegetation.
This wide-angle landscape photograph depicts a scenic river park and bridge during the blue hour of twilight. The foreground and lower half of the image are dominated by a series of large, curved, and circular tiered pools or cascades. The edges of these structures are lined with intense cyan-blue LED lights, creating glowing, continuous curves that guide the eye through the composition. Water flows over these tiers, and the long-exposure photography technique renders the water surface smooth and silky, with a soft, mist-like texture. The surface of the water within the pools reflects the blue lighting and scattered small points of white light, creating a speckled effect. To the left, faint horizontal streaks of blue and white light indicate the movement of vehicles or objects captured with a slow shutter speed.
In the middle ground, a bridge spans horizontally across the river. The bridge structure includes a prominent, illuminated arch design with vertical suspension cables and a flat deck supported by pillars. Warm yellow streetlights line the bridge and the riverbank areas, providing a strong complementary color contrast to the cool blue tones of the foreground lights. On the left bank, a cluster of low-rise buildings and dark trees is visible near the base of the mountains. The right bank features a more open area with taller, modern buildings and a vertical structure resembling a signal tower or light pole.
The background consists of a mountain range silhouetted against the horizon on the left and center. The sky occupies the upper half of the image, displaying a smooth, clean gradient typical of dusk. The color transitions from a deep, cool blue at the very top to a lighter blue-grey, and finally settles into a band of warm orange and soft peach tones near the horizon line behind the mountains and bridge. The lighting is a mix of artificial sources—the cool LEDs and warm street lamps—and the fading natural light of the sunset. The overall scene is sharp and clear, with a balanced composition between the geometric curves of the water features and the linear elements of the bridge and horizon.
A large, dark, glossy vehicle body dominates the left side and center of the frame diagonally, creating a strong visual division. The vehicle's reflective surface captures a clear, angled reflection of the bridge structure above and a yellow taxi on the street below. On the right side of the image, in the actual scene, two young women walk away from the viewer along a grey cobblestone sidewalk. The woman in the center has shoulder-length brown hair and wears a white short-sleeved t-shirt and light blue wide-leg jeans, carrying a beige tote bag with a repeating pattern of small reddish shapes. To her right, the second woman has long dark hair and wears a bright orange short-sleeved top and light blue wide-leg jeans with black and white sneakers. A third person is partially visible ahead of them in the distance. A yellow taxi cab is parked on the right side of the street next to the sidewalk, with a small illuminated orange light on its roof displaying indistinct text. Tall, multi-story reddish-brown brick buildings with numerous rectangular windows line both sides of the street, creating an urban canyon effect. In the background, the Manhattan Bridge spans across the upper portion of the image, featuring a massive grey steel tower with a double-arch design and intricate lattice cross-bracing, with vertical suspension cables extending upward. The bridge's deck structure and truss details are visible below the tower. In the distance under the bridge, streetlights and other vehicles are faintly visible. The sky above is overcast with heavy grey and white clouds. The lighting is soft and diffused natural light, creating a somewhat moody atmosphere with low contrast and muted tones, while the bright orange shirt and yellow taxi provide distinct color accents against the grey and brown surroundings. The image is a realistic photograph taken from an eye-level perspective with a wide angle.
A black analog SLR camera is positioned centrally in the foreground, mounted securely on a tripod head with a ball joint mechanism. A black woven neck strap is attached to the metal eyelets on the side of the camera body and hangs down loosely. The camera body has a textured, leather-like finish. On the front of the prism housing, the brand name "PENTAX" is displayed in silver uppercase sans-serif letters, with smaller text reading "ASAHI" located directly above it. On the upper left side of the camera body, the model designation "MV1" is embossed in a metallic font. The lens is prominent, with white text inscribed around the front ring reading "SMC PENTAX-M 1:2 50mm" on the left and lower sections, and "3866894 ASAHI OPT. CO., JAPAN" curving along the right and upper sections. The glass element of the lens reflects a warm, reddish-orange hue. The image utilizes a shallow depth of field, keeping the camera in sharp focus while the background is heavily blurred. The sky occupies the upper two-thirds of the frame, filled with voluminous, dark blue and slate-grey clouds. A break in the cloud cover towards the right creates a bright patch of pale white and grey light. A horizontal band of warm orange and peach light glows along the distant horizon line on the right side, indicating a sunset or twilight setting. In the middle distance on the left and right, indistinct blocky structures resembling buildings are visible, accompanied by scattered circular bokeh lights in warm yellow and orange tones. The ground in the lower section is a dark, textured field of dry brown grass and soil, with a faint, lighter-colored path or strip visible on the left side. A blurry vertical silhouette of a tower or pole stands on the far right against the horizon light. The lighting is low and atmospheric, combining the cool tones of the clouds with the warm accents of the horizon and lens reflection.