LiuzhipengUCAS/CAPEval huggingface dataset:
Under a vast, cloudless blue sky, the majestic Sun Yat-sen Memorial Hall dominates the scene with its traditional Chinese architectural style. The building features multiple tiers of sweeping roofs covered in deep blue glazed tiles, culminating in a golden spherical finial at the very peak. Small bells hang from the upturned eaves of the roof layers. Between the roof tiers, the structure displays intricate decorative elements, including horizontal friezes with geometric patterns in pastel shades of blue, beige, and light orange, and rows of rectangular windows with reddish-brown frames and latticework on the upper levels. A horizontal plaque is mounted centrally beneath the middle roof tier, displaying the golden Chinese character “为公” on a reddish-brown background. Thick red columns support the lower sections of the building, creating a shaded portico area with dark doorways and windows visible in the background.
In the center mid-ground, a bronze statue of Sun Yat-sen stands atop a tall, tiered beige stone pedestal. The figure is depicted wearing a long, buttoned tunic suit and trousers, holding a cane in his right hand while his left hand rests near his waist. A rectangular plaque with dense columns of small, illegible text is embedded in the front face of the pedestal. Vibrant purple and maroon flowers grow along the base of the pedestal and the building's foundation.
In the foreground, a decorative display structure curves across the lower portion of the view. A film-strip-style band with a gold border and white rectangular sprocket holes runs diagonally and curves to the right. Inside the frames of the strip are various images: on the left, a color photograph shows a blue-roofed building with red walls and red and green vegetation; next is a black-and-white historical photograph of a group of men in suits standing together; followed by another black-and-white wide shot of a large crowd or assembly; then a color photograph of a building with a crowd of people in white clothing; and on the far right, a partial view of another frame showing a group of people on a red ground. The spaces between and around the film strip are filled with textured green artificial foliage. To the left in the immediate foreground stands a large, angular geometric structure with a matte reddish-orange finish and bronze-colored rectangular panels and circular details. A section of a black fence with vertical slats is visible at the bottom left edge. A glimpse of green tree foliage appears on the far left edge behind the structure. Small figures of people are visible in the distance near the building's entrance at the bottom right. The scene is illuminated by bright, directional natural sunlight coming from the right, creating distinct shadows on the left side of the statue and the building's architectural details.
This landscape photograph is rotated 90 degrees counter-clockwise, positioning the ground on the left and the sky on the right. The left section of the image shows a snow-covered ski slope with a textured surface of ski tracks and cool blue shadows. A series of red mesh safety netting runs diagonally across the slope and bends and extends vertically near the upper left edge, forming arched structures with several faint yellow patterns on the netting. Several small, dark figures of skiers and snowboarders are scattered across the white expanse, appearing as silhouettes against the snow. A vertical band through the center of the image displays a rugged, snow-covered mountain ridge, behind which lies a large area of dark buildings, creating a high-contrast pattern of deep blues and blacks. A ski lift system extends across the scene, with thin cables and several dark reddish-brown gondola cabins suspended in the air. One metal support tower is visible near the bottom of the central mountain section, with two additional metal support towers to its right. Two plumes of white smoke from chimneys are visible between the buildings. The right side of the image is dominated by a vast sky featuring a band of deep blue and a thin strip of pinkish-orange hues near the horizon line. A bright sun bursts through a layer of clouds in the middle-right area, emitting an intense golden and yellow light that illuminates the surrounding cloud formations. The clouds extend toward the right edge with wispy, layered textures in shades of cream, gold, and greyish-white against patches of lighter blue sky. In the bottom right corner, a portion of a building structure is visible, featuring a curved reddish-brown roof and a dark panel with a partial white graphic design. A gondola hangs between this structure and two white pillars to its right.
A narrow stream of dark, reflective water flows centrally through a lush, overgrown garden scene, extending from the bottom of the frame toward the middle distance. The right side of the composition is dominated by a dense vertical cluster of tall bamboo stalks, exhibiting shades of muted green and greyish-blue, with slender leaves interspersed among the upper sections. In the immediate foreground on the right and bottom, leafy shrubs with broad, glossy green leaves and some dried brown foliage extend across the view, partially obscuring the water and lower bank. The left bank features a variety of vegetation, including low-lying ferns and distinct fan-shaped palm fronds near the water's edge. A section of dense, dry brownish stalks and withered foliage rises in the mid-ground on the left, contrasting with the surrounding greenery. Several thin tree trunks rise vertically and diagonally on the left, while a thicker, textured tree trunk leans diagonally across the upper center of the frame, reaching toward the right. A canopy of leafy branches fills the upper portion of the image, filtering the light and leaving only small patches of bright sky visible near the top edge. On the far left edge, partially hidden by the foliage, parts of a structure with white walls and dark window frames or pillars are visible. In the background at the end of the stream, a building features a traditional sloping roof with reddish-brown tiles and a white wall containing an arched doorway or window. A small patch of bright red is visible within the arched opening. A small wooden bridge or walkway spans the water near the building, where small, indistinct figures of people can be seen standing. The scene is illuminated by soft, diffused natural light, creating a calm atmosphere with low contrast and natural tones.
A distinct grid pattern from a window screen overlays the entire scene, creating a mesh-like texture across the view. In the immediate foreground and lower half, the rooftops of buildings are visible; the lower structure features a multi-peaked roof with angled sections where snow has accumulated, revealing underlying diagonal reddish-brown and grey corrugated textures and dark blue trim along the ridges. A small white circular vent protrudes from the bottom edge of the roof. To the left and slightly further back, a rectangular building with beige block walls and a horizontal reddish-brown trim band has a flat roof covered in snow, with a patch of dark discoloration on the upper left slope and two small rectangular latticed vents near the top. A silver car is parked in the snow near the base of this building. On the far left, a cluster of leafless trees with intricate brown branches extends vertically, and two blue waste bins sit near the bottom edge of the frame. To the right of the beige building, a smaller, lower structure with a snow-covered roof sits adjacent to a snow-covered lot where a small red utility vehicle is parked near a pile of shoveled snow. A vertical white sign frame stands in the snow on the right side of the lot. In the middle distance, a street intersection is visible with traffic lights and overhead wires. A low-rise commercial building with a beige upper story and a red brick lower story features multiple rectangular windows with white frames. To the right of the brick building, a single-story structure with an orange and tan facade displays a circular logo sign with red and white elements and a vertical sign board with indistinct graphics and text. A yellow diamond-shaped road sign is visible near the road. In the background, a larger multi-story building complex rises, featuring sections of grey, white, and dark brown cladding. A circular logo sign with a blue background and a stylized red and white graphic is mounted near the top of the dark brown section. To the far left in the distance, a tall reddish-orange brick building with a vertical chimney-like structure stands against the horizon. A line of bare trees and a distant church spire are visible on the far right horizon against a clear, pale blue sky. The scene is illuminated by directional sunlight coming from the right, casting distinct shadows to the left of the buildings and trees.
This realistic outdoor photograph depicts a quiet lane defined by traditional Chinese architectural elements and natural framing. On the left, a long wall stretches diagonally away from the viewer, featuring a white surface punctuated by a repeating series of arched, recessed niches that create deep shadows. The top of this wall is capped with rows of dark, curved roof tiles covered by a concrete slab overgrown with weeds. Rising from behind the wall, several trees extend upward and across the upper portion of the frame; some branches are bare and intricate, while others bear clusters of dark leaves, creating a complex silhouette against the sky. Equally spaced vertical white poles are visible among the tree trunks. On the right side of the alley, a building structure features a white wall and a roof with distinctive stepped, geometric ridge ends and dark tiles. A patch of faint reddish light reflects on the upper section of the right-hand wall. In the distance, where the alley narrows, a small, bright yellow-orange sun is visible just above a line of dark, dense trees, partially obscured by foliage. A thin wire cuts diagonally across the lower part of the sky near the sun. At the far end of the path, a small white wall section contains a rectangular window with a decorative lattice pattern. In the lower right quadrant, a person dressed in a jacket and trousers walks toward the camera along the paved ground, holding a leash attached to a small black dog walking beside them. The sky occupies the upper and central areas, displaying a smooth gradient from a lighter peach tone at the top to a deeper orange near the horizon. The lighting is dominated by the backlight of the setting sun, resulting in low-key lighting in the alleyway and high-contrast silhouettes of the vegetation and architectural details against the bright sky.
This wide-angle night photograph presents the vibrant cityscape of Shanghai's Lujiazui district across the Huangpu River. In the foreground, a tiled riverside promenade stretches across the bottom of the frame, separated from the river by two types of railings: white movable temporary railings—three on the left and one on the right—and fixed blue railings that run along the entire edge of the promenade. Behind the railings on the left stand two dark, leafy trees, with the tree on the right appearing denser; a few indistinct human figures are visible near the far left edge. Prominently positioned in the center-right foreground is a tall white vertical pole equipped with multiple security cameras and a lighting/rainproof fixture. On the far right edge, part of a structure with blue and yellow illuminated panels is visible. The Huangpu River occupies the middle ground, its rippling surface reflecting city lights in streaks of pink, purple, and gold. On the right side of the river, a boat with bright white and yellow lights is sailing. The skyline in the background features multiple iconic skyscrapers against a dark, slightly grainy sky. On the left, the Oriental Pearl Radio & TV Tower has its spheres illuminated with pink and blue lights, topped with a slender spire. Among the central building cluster, a tower’s large LED facade displays a vertical composition: a white serif letter "I" at the top, a large orange-red pixel-style heart in the middle, and a large white Chinese character "侬" at the bottom. To the left of this building, another skyscraper’s vertical screen shows a red heart and blue graphics, with small orange illuminated Chinese characters "震旦" near the top. To the right of the central cluster, many rectangular high-rise buildings reveal grids of warm yellow and white interior lights; one building has a red illuminated sign near its roof. On the far right, the Shanghai Tower rises significantly higher than other structures, featuring a twisting, translucent exterior with horizontal light bands and bright white illuminated Chinese characters "欢迎您" at the very top. Behind the rectangular towers to the left of the Shanghai Tower, a building with a pointed spire is visible.
This vertical collage consists of three separate images stacked from top to bottom. The top photograph depicts a busy market street paved with light gray cobblestones, set against a large, rugged gray mountain covered with sparse green vegetation. Overhead white wires stretch across the street, decorated with strings of colorful pom-poms and large white circular ornaments printed with blue, red, and orange geometric star patterns. On the left, a shop with an orange wall displays racks of hats and hanging decorations; a large translucent plastic bag rests on a wooden stool in the foreground. A woman with short gray-white hair, wearing a purple sweater, a patterned skirt, and brown long pants, stands near the hat display holding a blue cloth; behind her stands a person wearing a red hat, a black top, and white pants. On the right side of the street, a person in a white jacket and black pants walks away from the camera. Further down the path, a small white and orange vehicle is visible among other pedestrians. The middle image is a close-up shot of textiles and various bags. At the center, a rectangular mirror with a bright orange frame is placed diagonally, reflecting blue sky, white clouds, and hanging beige tassels. To the left of the mirror, a bag with green, brown, and orange geometric stripes stands next to a multicolored striped bag with blue and white tones, woven with the text "CUSCO". To the right of the mirror, a bag with horizontal orange, red, and black stripes has a small green logo above the printed text "CUSCO". On the far right edge, a blue bag shows partial curved text and geometric patterns. The background consists of draped fabrics: a white cloth with gray geometric patterns, a solid orange cloth, a green cloth with white floral patterns, and a dusty pink cloth with dark brown floral motifs. The bottom image shows an outdoor market scene under a blue sky with white clouds. In the right mid-ground, a building has a white plastered upper section with a large arched opening and a tiled roof, with a base made of rough brown-gray stones. On the left mid-ground, a low stone wall extends horizontally. In the foreground, various goods are laid out on blankets and tarps for sale. On the left stands a woman wearing a wide-brimmed reddish-brown hat, a white long-sleeve shirt, a patterned red sleeveless vest, and a long black skirt. Several people sit on the ground among the goods: in the center-right, one person sits under a large black sunshade, with another person wearing a red hat to his right, and a person in a black duckbill cap, black jacket, blue inner shirt, and light blue jeans standing further away. A man wearing a white sleeveless jacket and a hat walks near the stone wall on the right, pulling something. Several other people are under the archway, including one in a white jacket and a blue duckbill cap. In the background, lush green terraced hills with vegetation and scattered trees rise toward the sky.
This high-angle vertical photograph shows a section of paved road cutting through massive rock formations inside a cave or tunnel. The upper part of the frame is dominated by a rugged cave ceiling and walls, featuring blocky protrusions and deep fissures that indicate a fractured geological structure. The upper rocks display shades of light beige, pale gray, with patches of rust-orange and ochre. Below, the rock surface transitions to a more granular, craggy texture with intricate, uneven patterns and small protrusions highlighted by light. A curved tunnel opening on the mid-left creates a pitch-black shadowed area where the road bends and disappears. The road itself is dark asphalt, curving from the tunnel opening toward the bottom right corner. A solid light-gray line separates the pavement from the rock wall on the right and the rough ground on the left; part of a dashed white lane marking is visible on the bottom right of the road surface. To the left of the road, occupying the lower foreground, are mounds of loose sandy soil and rough eroded rock with a coarse, grainy texture. One section of this lower terrain is illuminated by a directional light source, showing vivid reddish-brown and tan tones, while adjacent areas fall into dark brown-black shadows. Between the road edge and the rock wall on the inside of the curve lies a strip of loose gravel and dirt. The lighting is directional and high-contrast, emphasizing the three-dimensional texture of the rocks while leaving recesses and the tunnel interior in darkness.
This high-angle aerial photograph captures a vast night cityscape viewed through an airplane window. The urban landscape below is defined by an orderly grid pattern, with major roads appearing as glowing golden-yellow and amber light ribbons crossing the frame diagonally and vertically. Between these bright 'arteries', huge rectangular blocks are filled with thousands of smaller scattered white and cool-toned light dots, forming a stippled texture against the pure black of unlit areas and building shadows. The road network on the left is more complexly curved and interwoven compared to the straighter lines in the center and right. Near the center of the view, a small isolated brighter area shows hints of green and white light. The upper part of the image is dominated by a hazy, semi-transparent reflection on the window glass, showing the interior of the aircraft cabin: the backrests of passenger seats, two rectangular mobile phone screens held by two people—one in a white top and one in a dark top—and vague shapes of bedding or fabric. A dark blurry vertical area obscures the far left edge, and the curved edge of the window frame is visible in the bottom right corner. A patch of bright hazy glare washes out details in the lower-right quadrant. The photograph has a grainy texture and soft focus, typical of low-light photography taken with a mobile device.
In the immediate foreground, several large round woven bamboo baskets rest on wooden poles, holding various harvested crops drying in the open air. A prominent basket on the left is densely filled with bright red chili peppers; a basket to the right holds pale green leafy vegetables. Another tray below and to the right contains small white beans or seeds, and a partially visible basket on the far right holds light brown sliced dried goods. A fragment of a basket with small golden-yellow grains appears in the bottom-left corner. On the right, the bare branches of a deciduous tree stretch over a building with a textured, weathered white wall and a dark gray tiled roof. In the lower-left area, vertical strings of red chili peppers and a white sheet hang near a structure with an earthy brown-orange wall. The village buildings cascade down the slope into the mid-ground, characterized by numerous houses with dark gray tiled roofs and walls alternating between mottled white plaster and exposed brown earth. Smaller round drying trays with red and yellow contents are scattered across the village rooftops and open spaces. In the upper-right mid-ground, near the edge of the village, a cluster of trees has a mix of dense green foliage and bare branches. To the left of the settlement, a group of tall deciduous trees with reddish-brown branches stand on the hillside. The background is dominated by layers of mountains: the closer slopes on the left are covered in a textured mix of dark green and brown vegetation, while the distant peaks in the center and right form soft blue-gray silhouettes against a flat, pale gray-white sky. The scene is shot from a high angle with soft, diffused natural light, in a documentary style with low-contrast, muted tones in the landscape that contrast with the saturated colors of the crops.
This high-angle vertical photograph depicts a ski lift system traversing a steep snow-covered mountain slope. A thick, stranded black cable extends diagonally from the upper right edge toward the center. In the lower mid-ground, a ski chair carrying passengers is viewed from behind; the two chairs closest to the camera on the right each hold five people. Silhouettes of passengers’ heads and upper bodies are visible above the seatbacks, with their lower bodies and ski equipment hanging below. On the left, part of another chair is visible at the frame edge, with a small white number marked on its upper metal structure, indicating chair numbering. The downhill chairs are all unloaded, suggesting that visitors take the lift uphill and ski down. Two vertical metal support towers stand in the mid-ground, with another further up the mountain, supporting the cables and additional chairs receding upward along the line. A cleared snow run runs down the center, marked with irregular tracks and textures. Dense coniferous forests flank both sides of the lift line: trees in the upper and middle sections are heavily covered in thick white snow, creating a bright textured appearance; trees in the lower sections and on the right have thinner snow cover, revealing more dark green and blue-gray foliage. In the background at the top of the slope, a lift terminal structure and a mountain ridge fading into thick, bright white mist and clouds are visible, with the summit obscured. Faint dark spots and artifacts are scattered across the upper sky area, resembling out-of-focus snowflakes or smudges on the lens. Lighting creates strong contrast: the upper section is brightly sunlit, while the lower slope and trees are covered in cool blue-toned shadows.
The lower half of the frame is a large expanse of dark ground resembling a lawn or field, with faint details visible in dim ambient light. Across the mid-ground, a row of decorative lights and structures forms a horizontal band of illumination that stands out in the darkness. On the left, several tree-like forms and angled supports are wrapped in LED light strips, displaying bright blue, cyan, white, and occasional red and green tones; a red car is faintly visible parked near these lights. Near the center, a white SUV and another light-colored vehicle are parked on a road or paved area, next to a smaller vertical light installation and a faint red light source. Slightly right of center, a tall cone-shaped structure resembling a Christmas tree is densely covered in blue, purple, and white lights. Next to this 'tree' stands a building with a gabled roof, vertical pilasters, and dark rectangular windows; its surface reflects soft reddish-brown tones from nearby artificial lighting. Many cone-shaped barricades are distributed on the road in front of the building. To the right of the building, another tall, irregularly shaped light structure glows with purple, blue, green, and white lights. Near the far right edge stands a smaller, isolated vertical light element. Faint distant lights are visible in the deep background on the far right. The upper half of the image is filled by a vast, solid black sky with no visible stars or clouds. The photograph has a grainy texture and high noise, typical of low-light photography taken at high ISO or with a mobile device.