LiuzhipengUCAS/CAPEval huggingface dataset:
A large and distinctive Victoria amazonica leaf dominates the lower right and central area of the frame, with a wide, flat green surface and a prominent vertical raised rim. The vertical edge of the rim has a rough, ribbed texture, and its color transitions from earthy tones near the top to vivid deep crimson near the water. Part of another similar large leaf is visible on the left, and fragments of other rimmed leaves appear in the bottom left and bottom right corners. Near the bottom center edge, a small pale yellowish‑white flower bud sits close to the water surface. The mid‑ground and background consist of dark greenish‑gray water, with light reflecting in vertical wavy streaks. A large area of small, flat, round water lily pads floats across the upper half and the far mid‑ground, in varying shades of green. In the upper middle part, two bright purple water lilies stand upright on slender stems, one slightly to the left and the other slightly to the right; the stem of the right one tilts toward the upper right. In the upper right corner, near the edge, part of another large brown‑rimmed leaf is visible, and several green grass or reed blades emerge from the upper right edge of the frame. The natural directional light creates clear highlights on the textured surfaces of the leaves, enhancing the contrast between the bright vegetation and the dark water.
Six Bactrian camels with thick, shaggy brown and light brown fur walk in a line along a desert ridge, moving from the left to the right of the frame. Each camel is equipped with a halter and reins. The herd is led by a single person on the far right, wearing a dark coat and trousers with a white inner shirt, holding the rope of the leading camel. The subjects cast clear, elongated dark shadows on the sand beneath and to their left, showing sunlight coming from the right. The foreground sand has rich textures: parallel linear patterns or ripples lie beneath the camels, while a curved trail of deep footprints leads to a sunlit area in the bottom right. In the left mid‑ground, a clear line of small indentations or footprints marks the crest of a lower dune ridge. Two‑thirds of the image consists of massive rolling sand dunes with smooth, wave‑like curves. The sand surface is covered with fine wind‑blown ripples. Strong low‑angle side lighting creates high contrast, illuminating the crests and sun‑facing slopes in bright golden yellow and ochre, while the back valleys and slopes sink into dark grayish‑brown shadows. Only a very narrow strip of pale blue sky is visible at the top edge. This is a realistic desert landscape photograph with a warm color temperature and high saturation in highlighted areas.
The lower half of the frame is filled with textured sand featuring uneven ridges and indentations. On the left, a wine bottle lies diagonally on the sand, containing pale yellow liquid, sealed with a cork and decorated with a black‑and‑white striped band around the neck. The cream‑colored label has a prominent black abstract geometric logo resembling an “X” or crossed lines in the center. To the right of the bottle, a clear stemmed wine glass stands upright in the sand, partially filled with white wine that reflects light in circular patterns. Above the sand and extending into the mid‑ground, three seagulls are in flight. A large seagull in the upper left quadrant spreads its wings fully, showing detailed gray and white feathers with black wingtips. Slightly lower on the left, a second seagull skims the shoreline with wings angled downward and legs hanging. In the upper right, a third seagull glides with wings extended horizontally. A line of white sea foam marks the shore where gentle waves break. The ocean stretches to the horizon, with ripples and small waves; several seagulls float on the water in the mid‑distance and background. On the far right, one seagull stands on the sand near the water, with only its rear half visible. The horizon separates the sea from the sky, which gradients softly from warm peach and light orange near the horizon to pale pinkish‑gray at the top. The light is soft, warm natural light typical of sunset or sunrise, with a gentle pastel palette, low contrast, and slight grain, characteristic of mobile phone photography.
This landscape photograph presents a sweeping aerial view of a dense forest covering a mountain ridge, with every tree heavily coated in white frost and snow. The scene is defined by a dramatic lighting contrast; low-angle sunlight strikes from the right, bathing the tops of the trees in warm hues of golden orange, copper, and soft pink, while the lower sections and shadowed areas retain cool tones of icy blue and gray. Along the upper ridge line, a cluster of infrastructure rises above the tree canopy. A large, three-bladed wind turbine dominates the upper right quadrant, with its blades showing a slight motion blur. A second, solitary wind turbine stands on the left side of the ridge. Between these turbines and slightly to the right, several vertical lattice communication towers and a smaller wind turbine are visible near a small, cleared area containing a low building structure with a hint of a reddish roof. In the distance beyond the ridge, layers of rolling mountain ranges extend toward the horizon, fading into shades of hazy purple and brownish-gray. The sky above occupies the upper portion of the frame, displaying a smooth vertical gradient that shifts from a rich, clear blue at the top to a band of pastel peach and pale pink near the horizon line. A faint, semi-transparent circular watermark logo is positioned in the bottom right corner of the image.
This high-angle landscape photograph presents a sweeping view of the historic Palace of Westminster and the recognizable Elizabeth Tower, commonly known as Big Ben, under a dramatic and heavily clouded sky. The sky is filled with dense layers of grey and off-white clouds, creating a somber yet dramatic atmosphere with no visible blue patches. The elaborate Gothic Revival stone architecture of the Parliament building is highlighted by warm, golden-white exterior lighting that accentuates its intricate detailing, including countless vertical columns, pointed arches, decorative stone carvings, and a multitude of slender spires and turrets that pierce the skyline. The tall, rectangular Elizabeth Tower stands prominently on the right side, its large, illuminated clock faces clearly visible. In the immediate foreground, the wide Westminster Bridge crosses the River Thames; its green-painted metal framework and stone supports are clearly defined, with tiny silhouettes of vehicles and pedestrians visible along its length, emphasizing the scale of the architecture. The surface of the Thames below is relatively calm, with gentle ripples that reflect the warm yellow illumination from the buildings and the cooler grey tones of the sky, producing a shimmering, elongated reflection across the water. Lush green trees and neatly maintained vegetation line the riverbank between the water and the historic buildings, adding patches of natural color to the urban scene. In the far background, beyond the main architectural complex, faint outlines of modern city buildings and structures can be glimpsed through the muted atmospheric haze. The overall lighting is a strong contrast between the warm, artificial uplighting on the historic architecture and the cool, diffuse ambient light of the overcast evening sky, creating a visually striking and highly detailed urban landscape.
This expansive, horizontally oriented digital collage displays a diverse assembly of globally recognized landmarks and cultural symbols positioned side by side across the frame against a seamless, blank white background that isolates each structure. From left to right, the collection includes a large, serene Buddha statue representing Eastern religious heritage; the vibrantly colored, onion-shaped domes of St. Basil's Cathedral in Moscow; the modern, spherical towers of the Oriental Pearl Tower in Shanghai; the towering Christ the Redeemer statue overlooking Rio de Janeiro; the historic clock tower of Big Ben in London; the elegant white domes of the Taj Mahal in India; the slender, iron lattice of the Eiffel Tower in Paris; the leaning stone structure of the Leaning Tower of Pisa; the ancient stone arches of the Roman Colosseum; a traditional multi‑tiered Chinese pagoda; the iconic figure of the Statue of Liberty in New York; the distinctive minarets and domes of the Blue Mosque; and the sail-shaped silhouette of the Burj Al Arab in Dubai. In the lower foreground, the triangular stone structures of the Great Pyramids of Giza provide a grounding element. Above the monuments, two stylized white airplanes fly on the sky, suggesting global travel and exploration. Several brightly colored hot air balloons in shades of red, yellow, blue, and green float among the upper structures, adding a playful, whimsical atmosphere. A small flock of simple black birds flies across the upper right area, enhancing the sense of openness and movement. Faint watermark text including “昵享网 www.nipic.cn” and identification codes is subtly printed in the bottom corners, indicating the source of the digital graphic. Every landmark is rendered with clear, recognizable outlines and characteristic coloration, forming a comprehensive visual celebration of world architecture and cultural diversity.
This outdoor daytime photograph captures a crisp, eye-level view of a green-patinated copper replica of the Statue of Liberty standing firmly on a solid, light-grey concrete pedestal in the foreground. The statue faces slightly toward the right, with her right arm raised high holding the golden torch and her left arm carrying a representation of the tabula ansata. Behind the statue, the long, white, arched structure of the Rainbow Bridge stretches horizontally across Tokyo Bay, its support cables and pillars clearly defined against the sky. Further in the distance, the recognizable red-and-white lattice tower of Tokyo Tower rises above a dense cluster of modern high-rise buildings, skyscrapers, and commercial structures that form the vibrant Tokyo cityscape. The sky above is a brilliant, saturated blue, scattered with small, wispy white cumulus clouds that add texture without obstructing sunlight. The water of Tokyo Bay below is a deep, clear blue, reflecting the brightness of the sky. Lush, vibrant green trees and leafy vegetation fill the bottom foreground, framing the statue and adding natural color to the urban scene. The lighting is strong, direct daylight from a high sun angle, casting sharp, defined shadows and creating bright highlights on the statue, bridge, and building surfaces. The overall atmosphere is clear, fresh, and distinctly touristic, blending a symbolic American monument with the unique modern urban landscape of Tokyo, Japan.
A plush doll with a large, round head and a shaggy brown fur hood sits on the right side of a white surface. The doll has a pale face with large, wide blue eyes, a small red nose, and rosy cheeks. Two long ears extend from the top of the hood, and a decorative crown featuring a red velvet-like sphere and gold metallic ribbons with heart-shaped loops is attached near the left ear. The doll wears a red garment with white fluffy cuffs and a white ruffled collar. It holds a rectangular beige card in front of its chest. The card is decorated with small gold four-pointed star patterns and features handwritten black Chinese text. A smaller line of text at the top center reads "新笔记". Below this, aligned to the left and resting on faint horizontal lines, are two lines of text: "我们碎碎念念" and "我们岁岁年年♡". Two small yellow heart outlines are drawn near the bottom left of the text area.
To the left of the doll stands a small, clear crystal vase with a geometric, diamond-faceted texture. It contains a small floral arrangement consisting of a large, vibrant orange rose, a spiky reddish-orange flower, a smaller pale yellowish-green flower, a brown flower, and a green flower. A distinct, sharp shadow of the vase and flowers falls on the white table to the left. Scattered across the white surface in the middle ground and extending to the right are numerous bright red rose petals. In the bottom right area of the image, a black rectangular tray holds several rectangular, golden-brown textured crackers or snack bars with cereal filling. The background is dark and shadowy, with a vertical dark brown wooden structure visible on the far left and a blurry greyish-green object, resembling a bag or fabric, in the upper right corner. The lighting is artificial and directional, creating high contrast and distinct shadows.
A high-angle, medium shot displays a white table surface covered with various photographic cards and objects. In the lower center, a specific group of six cards is arranged in two columns. The bottom left card depicts a person with short blonde hair and orange-rimmed sunglasses eating a pink ice cream cone while wearing a bright pink fuzzy garment, with the text "Punctum 6" printed vertically in small white letters on the left edge. To its right, another card shows a person in a patterned outfit crouching in a shower area with water spraying against stone walls, a sign in the background, and overexposure from light reflection on the edge; the person covers their nose as if preparing to dive, with a blue pool in the bottom right corner, marked with vertical text "Punctum 14" on the left edge.
Above the ice cream card, a photo shows a small orange butterfly resting on a wooden deck with blurred black railings in the background, labeled "Punctum 31". Above the shower scene, a card displays the lower legs and feet of five people sitting in a row, wearing camouflage pants, blue jeans, black canvas sneakers with white laces, red canvas shoes, black shoes, white shoes, and pink shoes; the text "Punctum 22" appears on the left edge. The top card in the left column captures a woman with long blonde hair wearing a pink top and pink pants carrying a small child with short hair, black pants, white stripes, and black shoes across a grassy lawn, with "Punctum 4" visible on the left edge. The top card in the right column shows a close-up of a torso wearing a grey ribbed sweater against a black background, with a human face outline visible as the clothing covers the face, highlighting the nose, labeled "Punctum 16". A separate inverted card positioned above this group shows a young girl in pink lying on her stomach with her hands beside her head, against a blurry background.
A silver laptop is partially visible on the left side of the image. In the upper left area, a hand reaches toward a messy pile of cards, including one showing a Black person with a brown hat against a reddish-brown structure and another with a pattern of horizontal lines resembling sheet music or text. A distinct close-up photo of a belly is also visible in the upper left. A grey rectangular power outlet panel with a white power adapter plugged into it and thin white cables extending across the table is located near the top center. Scattered cards in the background include a landscape with a circular object on grass and a blurry black-and-white image. A tall stack of two black disposable cups with horizontal ribbed textures and white rims sits on the right side. In the top right corner, several markers with black, teal, and pink caps lie near the edge of the frame, and a portion of a pink cup is visible at the very top edge. A thin seam runs diagonally across the white table surface from the top left toward the center. A shadow resembling a hand is cast on the table to the left of the central card group.
Inside a vehicle, a row of five small pink bear figurines sits on the right side of the textured black dashboard. The dashboard surface has a pebbled grain and is detailed with a line of stitching running horizontally near the bottom edge. A partial view of a circular element with a silver rim and black interior is visible on the far left edge. The five bears are positioned in a line; the first two sit upright with small arms extended or resting, the third stands with its right hand raised, the fourth leans diagonally to the right with a cheerful expression, and the fifth lies flat on its stomach with a sleeping expression and closed eyes, showing a small round tail. Strong natural sunlight coming from the right casts distinct, dark shadows of the figures onto the dashboard surface to the left.
Through the windshield above the dashboard, the glass is marked with scattered dust spots and dried water droplets. A floral arrangement is visible in the middle distance on the left, containing large white flowers resembling lilies and smaller pink blooms mixed with green foliage. The background scene through the glass depicts a residential street under bright daylight. On the left side of the street, multi-story buildings with light grey and white tiled facades and numerous windows rise vertically. On the right side, buildings with reddish-brown and beige exteriors feature windows protected by metal security bars and external air conditioning units attached to the walls. A dark vertical pole stands near the right edge of the frame. A white car is visible driving on the street in the distance, and small green bushes and shrubbery line the sidewalk near the buildings on the right. A blurry, illegible mark or sticker is present on the lower right area of the windshield glass. The scene is illuminated by strong, directional natural light, creating high contrast and bright highlights on the flowers and building facades.
A variety of footwear is lined up diagonally along a low wall on a balcony, stretching from the bottom left toward the right. In the immediate foreground on the left, a pair of plush novelty slippers features a pink base, shaggy white fur around the opening, large round fuzzy white eyes with black pupils, small brown heart-shaped ears, and a yellow nose. Next to them sits a pair of lime green foam clogs characterized by large, bulging white cartoon eyes with black pupils and small vertical indentations representing teeth. Beside the green clogs is a pair of beige foam clogs decorated with a small cartoon bear face on the toe area and a brown strap across the top displaying the embossed uppercase sans-serif text "TARAN". To the right of the beige pair is a pair of pink foam clogs adorned with a cartoon character head attached to the strap and toe area.
Continuing the line toward the right, there is a pair of athletic sneakers with a color block design featuring a lime green mesh upper, black sections, white chunky soles, and small orange accents on the heel loops. Further to the right, a white sneaker with black and grey details sits next to two pairs of insoles, one orange and one blue. The shoes rest on a low ledge covered in a grid of small, dark grey rectangular tiles with thin light-colored grout lines. Above the ledge, a railing composed of evenly spaced vertical dark grey metal bars runs diagonally across the upper portion of the scene.
Through the gaps in the railing, a cityscape of tall residential apartment buildings is visible in the background. The buildings feature facades with repeating patterns of windows, balconies, and vertical columns in colors of grey, white, and beige. A glimpse of green vegetation and a blue area, possibly a swimming pool, can be seen in the distance between the buildings on the left side. The balcony floor in the lower right area is paved with large, matte grey-brown square tiles that show signs of wear and scattered small white debris or dried residue near the bottom edge. The image is a real photograph taken from a high angle with natural, soft daylight and a cool color temperature, with the background slightly out of focus due to the depth of field.
The image presents a perspective view of a tiled wall adorned with motivational text and logos. On the left, a black vertical post supports several signs. The topmost is a blue rectangle with the white text "热情不能丢" and a smaller line below reading "每天记得带上自己的阳光". Below it is a red arrow-shaped sign pointing right with "全力以赴", followed by a red circular sign with a white border containing "雁行" above "致远". Further down is another red arrow pointing right with "春风不语", and at the bottom of the post is a white square sign with a red border and the red text "众翼" above "同享".
The main section of the wall features a scattered arrangement of signs. Near the top left of this area is a window with a white frame and greenish glass reflecting trees. A red rectangular sign reads "交大领跑", next to a light blue vertical sign with "全力" above "以赴" and small bird graphics at the top. A green square sign displays "众翼" above "同享", and a small red sign reads "“皖” 美相约" with bird graphics at the top. Below the window area, a red sign with mountain graphics reads "群翼同飞" with bird graphics at the top, beside a light blue sign reading "时代先锋". A dark blue sign features "农创" above "未来" with a bird silhouette. A dark green sign reads "上交大" above "交大运". A prominent orange rectangular sign displays "示范引领" above "争做领头雁" with bird graphics. A light green sign reads "头雁领航" above "群雁齐飞". A dark blue sign reads "雁行致远", and a dark blue elongated sign reads "齐心协力 鹏展齐飞".
In the lower central area, a red sign reads "耕读致远". A light blue sign reads "智汇头雁" above "行稳致远". A green elongated sign reads "今天也要加油鸭". A dark blue elongated sign reads "爱国荣校 饮水思源". A small red sign reads "领航未来". A large 3D red calligraphic text reads "交大头雁". A light blue elongated sign repeats "每天记得带上自己的阳光". A small red sign reads "“豫” 来 “豫” 好". A light blue sign reads "春风不语". A light blue sign reads "交大人" above "交大运". An orange sign at the bottom reads "生活满地鸡毛" above "也要涅槃重生" with a bird graphic.
A line of silver text and logos is mounted on the wall, featuring two circular logos and the text "上海交通大学" followed by smaller English text "SHANGHAI JIAO TONG UNIVERSITY" and "农业与生物学院", with a line of stylized bird graphics extending above the university name.
On the right side of the wall, a column of signs is arranged vertically. An orange sign reads "“鲁” 在有你 护航 “黔” 行". A light blue sign repeats "每天记得带上自己的阳光". A small red sign reads "“豫” 来 “豫” 好". Near the right edge of the building, close to a vertical window and a grey lamp post, a blue sign reads "习的风吹到了上海交大". A small blue square sign reads "勤学善思". A teal sign reads "热情不能丢". A partial red sign is visible on the far right edge. A white rectangular utility box and horizontal pipes run near the top of the wall. The ground is paved with grey asphalt, and a circular manhole cover is located near the bottom right. A white line separates the wall base from the road.