LiuzhipengUCAS/CAPEval huggingface dataset:
This image is a vertical collage consisting of three separate landscape and wildlife photographs arranged in a stack. The top panel presents a close-up view of a puma lying amidst dense, textured vegetation. The animal has a tawny, light brown coat and is positioned horizontally on the ground with its back to the camera, its head slightly turned toward the viewer as it sleeps. The surrounding flora includes various shrubs, tall grasses, and clusters of small, pale pinkish-white flowers, creating a complex and textured foreground with dappled lighting. The middle panel captures a wide landscape scene dominated by a towering, jagged mountain peak in the background. The mountain features steep, rocky faces with patches of snow and ice, rendered in cool blue-grey tones under a sky with scattered clouds and patches of blue. Below the mountain, a band of dark green trees and low vegetation separates the peaks from a flat, open pasture in the foreground. The field is covered in dry, reddish-brown grass and low scrub. A small group of cattle stands in the field; to the left, a reddish-brown cow stands near a black cow, while a larger group to the right includes a prominent reddish-brown and white cow and a black and white cow, with only the rear half visible. The bottom panel depicts a grassy plain with a group of guanacos scattered across the lower half of the frame. From left to right, a small juvenile calf walks toward the right, its head blocked by the adult guanaco beside it; next is an adult standing in profile facing left with its head turned back; a second adult in the center bends its neck down to graze; a smaller juvenile walks toward the right; and on the far right, another adult stands in profile facing right with its head turned left. The animals have reddish-brown upper bodies and lighter, cream-colored underbellies and legs. The ground is covered in dry, yellowish-green grass with scattered patches of low, greyish-green bushes. A horizontal fence line with thin posts runs across the upper portion of the scene, separating the immediate grassy area from a band of lighter, pale greenish-yellow grass in the distance.
Two dolphins are captured mid-leap in the middle distance on the left side of the composition, propelling themselves diagonally upward and toward the right. The upper dolphin extends higher and angles slightly more upward than the lower dolphin, which follows closely behind and slightly below, partially obscuring the upper one. A splash of white water spray erupts at the base where they breach the surface. A prominent wave stretches horizontally across the middle of the scene, characterized by a smooth, undulating crest and a deep, saturated blue body that displays a rhythmic, ribbed texture along its face. Below this large wave, the foreground consists of layers of choppy water and smaller rolling swells in varying shades of cyan and blue. A thin, curved line of foam and water marks the boundary where the water meets a patch of beige sand visible along the very bottom edge of the frame. The ocean surface extends to the horizon, marked by small, scattered ripples. Above the horizon line, the sky features a layered arrangement of clouds and colors. A small, bright orange sun sits low near the horizon, partially fragmented by a thin horizontal cloud band. A band of warm orange and salmon-pink light stretches across the sky just above the sun and the horizon line. Above this warm band, broader layers of clouds extend across the upper portion of the image, colored in shades of muted lavender, violet, and dusty purple. A strip of lighter, pale peach and greyish-white sky is visible at the very top edge. The scene is lit by natural light, creating a contrast between the warm sunset tones and the cool blue tones of the water.
On the left side of the frame, a penguin stands upright on a smooth surface, facing slightly to the right with its head tilted upward and its beak pointing diagonally. Its plumage consists of a white chest and belly, a dark greyish-black head and back, and a distinctive white patch near the eye. A bright green band is attached to its right flipper, which is extended outwards along with the left flipper. Its orange-yellow webbed feet with black claws are planted firmly on the ground. To the right, a raised mound of white, granular artificial snow serves as a platform for the other subjects. In the middle ground on this mound, a second penguin stands facing right with its head tucked down toward its body, seemingly preening or resting. A rectangular white block stands vertically immediately behind this penguin. In the lower right foreground, a third penguin is positioned low against the snowy surface, with its back facing the viewer and its head angled downward toward the right. The dark feathers on its back exhibit a speckled, textured appearance. A thin, dark, linear object extends diagonally near the third penguin. A strip of blue material is visible along the very bottom edge of the image, like the edge of a pool. The background consists of a large wall with a deep blue color and a textured surface resembling ice or water with diagonal, wavy streaks and vertical seams. A small object with a neon yellow-green and black component is attached to the upper section of the blue wall near the top left. On the far right edge of the frame, a dark vertical section is visible, and the tip of a yellow object protrudes from the far right edge. The lighting is bright and artificial, creating a high-contrast scene with saturated blue tones and bright white highlights.
A large adult cow with a light cream and pale beige coat stands in the center of a lush green field, facing toward the right side of the frame. A smaller calf of similar coloration stands beneath the cow's body, positioned near the rear legs and udder area while nursing. The calf's head is lowered and partially obscured as it feeds. A distinct patch of darker, matted fur or dirt is visible on the cow's rear flank near the tail area. The cow's head is turned slightly toward the viewer, revealing a pinkish nose. The ground is covered in grass with varying shades of bright and deep green, and dark shadows are cast directly beneath the animals' legs. In the background, a horizontal strip of land separates the pasture from a dense line of trees that spans the width of the scene. The trees appear as dark, clustered masses of deep green and black foliage. Above the tree line, the upper portion of the image is occupied by a solid band of sky with a distinct teal-blue hue. The image has a noticeable grain and high color saturation, giving it a slightly vintage or film-like aesthetic, and the focus is soft with some blurriness in the background elements.
In a top-down close-up shot, a small bird with intricate plumage rests in a natural nest-like setting. The bird's feathers display a camouflage pattern of light brown, tan, and cream hues, with distinct dark brown spots and streaks across the neck and chest area. A small, dark, round eye is visible in profile, and the beak is short, curved, and pale pinkish-grey. Surrounding the bird's upper body and head are numerous clusters of small, granular green buds or seed heads attached to thin stems, creating a leafy canopy. A thick, reddish-purple stem traverses diagonally across the upper portion of the frame, partially obscured by the green vegetation, with a fork extending upward and slightly blurred; another thin stem extends from the right center area, curving upward and partially covered by the thicker stem. A faint glimpse of white and red wall surfaces is visible in the background gaps near the top. The lower half and bottom section of the composition consist of a dense mass of dried grass or reeds. These plant elements feature feathery, bristle-like textures and vary in color from bright white and silver to light beige and dried brown, with some thin green strands intermixed. A patch of the green seed clusters also appears in the bottom left corner. The lighting is soft and diffuse, likely natural daylight, which enhances the textures of the feathers and grass without creating harsh shadows. In the bottom right corner, a white watermark text is superimposed on the grassy texture. The text reads “知乎 @十二”, written in a standard sans-serif font with a clean, uniform stroke weight and a solid white color. The image has a slightly grainy texture and a matte finish, resembling a film photography style or a vintage filter effect.
A single male Silver Pheasant stands prominently in the center of the frame, facing toward the right in a profile view. The bird exhibits striking plumage characteristics, beginning with a vivid crimson red patch of skin covering the head and face area around the eyes and beak. A curved, pale, yellowish-grey beak protrudes from the face. A patch of white feathers extends down the neck, creating a sharp contrast with the solid black plumage that covers the throat and upper chest area. The body and long tail feathers are predominantly silver-grey and white, featuring a complex, repetitive pattern of fine, wavy lines and chevron-like geometric markings that create a textured appearance. The tail extends diagonally toward the lower left corner of the composition. The bird is surrounded by a mix of vegetation. To the left and directly behind the bird's upper body, a dense shrub consists of small, dark green leaves, with a cluster of dry, brown, curled leaves resting on top of the foliage near the upper center. To the right and in the lower right foreground, a different type of plant with larger, brighter green leaves grows densely. Several large, dried brown leaves and scattered twigs are intermingled with the fresh green foliage in the lower right section and near the bottom. A patch of long, thin green grass is visible in the lower left area beneath the tail feathers. In the extreme upper right corner, a small section of a vertical metal wire fence is visible against a greyish background. A faint, blurry, whitish haze or artifact appears in the upper left area near the shrubbery. The lighting is soft and diffuse, typical of natural daylight on an overcast day, and the image has a slightly grainy texture consistent with a digital photograph taken at a moderate distance.
A vibrant cluster of tubular orange flowers dominates the visual field, creating a dense and colorful composition. The blossoms exhibit a variety of shapes and orientations; some are fully open with petals curling backward to reveal the inner structure, while others remain as elongated, tapered tubes pointing diagonally or vertically. A particularly long, textured flower tube hangs downward on the upper left side. In the center of the arrangement, a honeybee interacts with one of the open flowers, its body displaying characteristic brown and black stripes and fuzzy texture as it appears to forage. Thin, pale yellow stamens extend outward and downward from several of the blooms, ending in small, rounded tips that contrast against the darker background elements. Patches of dark green foliage are visible in the gaps between the flowers, all emerging from inverted funnel-shaped green stems, particularly in the upper section and along the right edge, providing a deep, cool-toned contrast to the warm orange hues. Small clusters of greenish-yellow buds and stems are nestled near the center and lower sections. A blurry, dark brownish-grey horizontal band is visible in the upper right background, suggesting the edge of a planter or container. The lighting is soft and diffused, creating a gentle sheen on the smooth petals and enhancing the high saturation of the orange tones. A shallow depth of field is employed, keeping the central bee and immediate flowers in focus while rendering the blooms in the lower left corner and parts of the background soft and blurry. The image is a realistic close-up shot taken at eye level with the subject.
Eighteen dogs are squeezed together inside a small entryway or closet space. In the upper left area, a large black dog with a shaggy coat sits behind two Huskies with white and tan fur; the Huskies have pointed ears and open mouths with tongues visible. In the upper center, a fluffy reddish‑brown dog sits above another curly‑coated dog of slightly lighter color, with a smaller golden‑brown dog below it. To the upper right, a large pale cream‑colored dog with a pink nose and tongue looks upward, situated above a tan dog and a smaller white and tan dog on the far right edge. A dark brown dog and a black dog with pointed ears are positioned in the middle right section. In the lower left, a golden‑yellow dog with a smooth coat and a collar sits facing forward. In the lower center area, a small dark shaggy dog is tucked behind a small scruffy tan dog and a white dog with large brown floppy ears and a black patch on its head. A shaggy black dog sits to the right of the white and brown dog, while a brown dog with a white muzzle and chest is visible on the right side. A fluffy dog with mixed tan and greyish‑brown fur sits in the bottom right corner near the door frame. A white door with recessed panels stands in the background, and the walls on the left and right are painted a light teal color. A white door frame with a thin black vertical line is visible on the right side and along the left edge. In the foreground on the floor, a black rectangular doormat features a row of seven grey silhouettes depicting various dog breeds in different poses, four of which wear small red collars. Below the row of dog figures, large dark grey text is written in a stylized lowercase script font, appearing to read “kome” or similar characters, with the lower part of the letters cut off by the frame. A section of light grey flooring is visible at the very bottom left edge, and a pale yellow surface appears on the bottom right. The image is a realistic photograph taken from a slightly high angle with artificial indoor lighting that creates highlights on the dogs' noses and eyes.
A multitude of biological sketches drawn in blue ink occupy a beige, paper‑textured surface, illustrating various marsupials and small mammals. The drawings vary between full‑body poses, head studies, and detailed anatomical breakdowns of paws and claws. In the upper region, a large animal with a long snout and a thick tail moves towards the left, while isolated sketches of claws and feet appear near the top edge. A spiny creature with a long snout is shown with its back to the viewer in the upper right, and a quadrupedal animal with a fluffy coat and pointed ears stands on the left, with four foot studies below it. A long‑bodied animal with a long tail stretches across the center area. Below this, a head study of a rodent‑like animal sits near the middle, and a small spiny animal is depicted nearby. A striped animal with a long tail and a striped body walks towards the left in the lower middle section with its mouth open. To the right, two similar striped animals stand together facing left. In the second‑last row, four animals are shown all facing left: the first runs left, the second stands facing the viewer, the third and fourth walk left. A close‑up head of an animal is drawn above the space between the first and second. The bottom row shows five figures: two skeletal quadrupedal studies on the left, and three small crawling animals on the right. Handwritten cursive text and notes in blue ink are scattered around the sketches, with some words underlined and arrows pointing to specific features. A white digital watermark in the bottom right corner displays the Chinese text “百家号” followed by a logo and the text “美术加”.
A large brown bear dominates the upper and central portions of the frame, leaning its upper body and head over a massive, weathered log. The bear's thick fur displays a mix of textures and colors, ranging from light tan and beige on the snout and forehead to darker, coarser brown fur across the shoulders and back. Its small, triangular ears are perked up, and its dark eyes look forward with a calm expression. A long, textured pink tongue extends downward from its mouth, reaching towards the log's surface, while its dark nose is prominent above the tongue. The log beneath the bear runs diagonally across the lower half of the image, featuring a heavily weathered surface with deep horizontal cracks, grooves, and a color palette of grey, silver, and bleached wood tones. To the left, behind the main log, fragments of other jagged driftwood and a patch of white snow or ice are visible in the background. Above the bear, a vast, clear blue sky fills the upper section of the image, transitioning from a lighter blue near the horizon to a deeper blue at the top. Several small, dark flying insects are scattered across the sky area above and around the bear's head. Below the log, in the bottom section of the image, the ground is composed of jagged grey rocks and patches of sparse green grass and moss. A dark shadow is cast beneath the log onto the rocks and vegetation below. The scene is illuminated by bright, directional natural sunlight coming from the upper right, creating highlights on the bear's fur and casting shadows within the crevices of the wood and on the ground below. The image is a realistic wildlife photograph taken with a close‑up perspective.
A horizontal brown band spans the top edge of the image, containing the text “no usage restrictions –all clip art from public domain” in a serif font. Below this band, on the upper left, a light beige ribbon‑style banner displays the text “HG DESIGNS” in a tall, condensed serif typeface. To the right of the banner, smaller uppercase sans‑serif text reads “PLANT AND ANIMAL” stacked above “PHOTOSHOP BRUSHES”. A small, stylized black dragon or serpent graphic is positioned between the banner and the text. The main area of the image features a light beige background with a subtle paper texture and faint, repeating diagonal watermarks reading “六图网”. A wide variety of black silhouettes are scattered across the canvas. Prominent figures include a large camel and a maple leaf in the upper left quadrant, and a large gorilla and a sitting cat silhouette in the lower left quadrant. A leafy branch and a winged bird outline appear near the left edge. The central and right areas contain numerous animals such as an elephant, flying birds, a dog, a whale, a deer, a standing giraffe, a kangaroo, and a sitting dog on the far right. Several silhouettes of pigs and moose‑like animals with antlers appear near the bottom. A kiwi bird and a long‑tailed bird are located near the bottom center. A large wild boar silhouette is positioned at the bottom center‑right. A cluster of bamboo stalks and leaves stands near the bottom right, alongside a fern leaf and another maple leaf. In the upper right section, there is an owl, a rabbit, a bird, a wide‑winged bat, and a flower outline. A rectangular floral arrangement and a flower head outline are also near the top right. A small circular wreath design is visible near the center‑right. A decorative square panel with intricate floral scrollwork and a small, detailed owl with visible feather texture are located near the center. A stylized, patterned animal figure resembling a moose and a mythological winged figure are also present. A small blue square icon in the bottom right corner depicts a brush tool and contains the word “BRUSHES” in white capital letters at the bottom.
A group of four small baby chicks is arranged side‑by‑side in a linear formation across the center of the frame against a pure white backdrop. The chick on the far left has golden‑brown downy feathers with a darker patch on the top of its head and wears a fuzzy blue accessory around its neck; it stands upright with its small beak facing forward and slightly down. To its right, the second chick has lighter, pale yellow plumage and wears a bright green fuzzy accessory, turning its head to look toward the right side of the image, with its right foot partially covering the left foot of the first chick. The third chick, positioned in the middle‑right, has pale yellow feathers and leans its body forward and down toward the right; a red fuzzy accessory is visible near its neck area, and its right foot steps on the left foot of the second chick. The fourth chick on the far right has golden‑brown feathers with a distinct dark brown patch on its head and wears a purple fuzzy accessory; it leans forward with its head angled down and to the right, with an extra set of orange feet extending far to the right indicating a wide stance. All the chicks have small, dark eyes and orange beaks and feet. The floor is a glossy white surface that creates a distinct, slightly soft reflection of the chicks and their colorful accessories directly beneath them. Small scattered specks of debris are visible on the reflective surface near the feet of the first two chicks on the left. The image utilizes high‑key studio lighting and a shallow depth of field, keeping the chicks in focus while blurring the background and reflections slightly.
The image is a composite grid arranged in three rows and three columns. In the top left panel, a baboon with a thick mane of pale, whitish‑grey fur and a pinkish‑grey face sits facing forward with its mouth slightly open, appearing crouched with arms resting on its knees, against a blurred background. The top middle panel shows a ring‑tailed lemur perched on a dark log, looking back over its shoulder with bright amber eyes; its body is covered in grey‑brown fur with a white face and neck, and a black‑and‑white ringed tail extends to the left. The top right panel captures an elephant in profile facing right, with reddish‑brown, textured skin and a trunk curled upward with the tip in its mouth, spraying white droplets of water or dust against a background of dark rocks and foliage, with dark stains on its ear.
The middle row begins on the left with a close‑up of a zebra's head and neck in three‑quarter view facing right, displaying distinct black and white stripes and a short mane against a dark background. The center panel features a caracal facing forward with reddish‑brown fur and large, pointed ears with distinctive black tufts; its mouth is slightly open, revealing teeth and a tongue, and it has piercing greenish‑yellow eyes against a soft, blurred background. The middle right panel depicts a primate in profile facing left, characterized by dark greyish‑black fur, a patch of rusty‑orange fur on the forehead, and a white patch of fur on the throat and chin, with a dark, solid background and a white nose and mouth area.
The bottom row starts on the left with an extreme close‑up of wrinkled, leathery brown skin surrounding a single eye with a light brown iris and long eyelashes; the skin texture is deeply creased and rugged. The bottom center panel shows a hornbill perched on a branch in profile facing right, featuring a large, curved yellow beak with a casque on top, a black head and wings, and a white underbelly against a dark background. The bottom right panel presents a close‑up of a gorilla's face in profile facing left, with dark skin and fur; a thin piece of dried vegetation is held in its mouth, and soft, dappled light filters through from the upper right, illuminating parts of the face and background foliage.