LiuzhipengUCAS/CAPEval huggingface dataset:
This realistic photograph shows detailed views of the exterior facade of a multi-story apartment building, filling the entire frame with a complex pattern of architectural elements. The building surface is textured and weathered, showing patches of peeling paint and discoloration in beige, dusty pink, and gray. A repetitive grid dominates the left and center, consisting of rectangular windows and larger solid panels. Many windows are fitted with vertical metal security bars or grilles; numerous box-type air conditioning compressors are mounted on the exterior walls, often with metal brackets and exposed piping. Metal drying racks extend from several windows with various laundry items: a large bundle of white and cream fabrics—likely bed sheets and quilts—hangs prominently near the upper center, while smaller dark and blue items appear on racks in the lower and left sections. A distinct vertical zone runs down the right side, featuring repeated rectangular grid-like lattice vents in reddish-brown. Near the top of this lattice section, an extended metal frame structure is visible, partially covered by white sheets or materials. A sharp diagonal shadow cuts across the building, creating dramatic lighting: the upper and right parts of the facade are bathed in warm golden sunlight—likely low-angle light at sunrise or sunset—enhancing textures and casting sharp angular shadows from protruding elements. In contrast, the lower and left sections fall into shadow, showing cool tones of gray, soft blue, and dark brown. Some solid wall panels feature dull blue-gray rectangular patches, while other areas retain faded beige or dirty white tones. The leftmost row of windows has a distinctive design with multiple angled louvered panes. A small window near the bottom left reveals a glimpse of teal or cyan inside. The photograph is taken from a low-angle upward perspective, emphasizing the height and density of the structure.
The photograph provides a close-up view of the towering Grand Mahayana Pavilion in Quanzhou, rising against a gradient blue sky. The upper part of the building is circular and multi-layered, crowned with a golden finial with intricate carved details. Below the finial, the roof is laid with reddish-brown tiles in vertical rows. The circular main body of the tower has golden walls with rows of rectangular panels featuring grid patterns, and complex repeated bracket structures under the eaves. Attached to the upper left of the circular structure is a vertical red plaque with a gold border, displaying vertical golden Chinese characters "大乘阁". Between the roof layers, a horizontal decorative band runs around the structure, featuring a repeating pattern of small colorful symbols and characters on a white background. In the lower-left and central foreground, another roof section extends diagonally, characterized by reddish-brown tiles and elaborate decorative elements: a sculpted green dragon with blue and red decorations curves along the roof ridge, accompanied by small red ornaments. The triangular gable area beneath the dragon ridge features colorful relief carvings of figures and patterns in red, orange, and cream. To the right, a small lower roof section is visible, topped with a small golden vertical sculpture of a figure holding objects, wearing a hat and a ribbon around the neck, supported by golden columns and railings with geometric lattice designs. A fragment of another reddish-brown roof structure appears in the bottom right corner. A yellow vertical pole stands near the right side of the structure. Two white doves—likely stone carvings—are visible on the eaves in the mid-right area. At the very bottom edge of the image, a line of mirrored and reversed text reads "PHOTOGRAPHER BY WANGQIAOQIAO". Warm sunlight shines from the right to the left, creating bright highlights on golden surfaces and deep shadows within architectural recesses, resulting in a high-contrast, highly saturated image.
The lower half of the frame is dominated by a vast expanse of water, deep blue in color, covered with fine ripples. Bright sunlight strikes the water surface, creating countless intense white specular highlights shimmering across it. A horizontal strip of land separates the water from the elevated mid-ground terrain, covered with dry beige grass and low vegetation. A cluster of dark coniferous trees stands on the left side of the shore, while a denser line of tall pine trees rises diagonally up the slope on the right. At the far right edge near the water, a dark wooden structure resembling a dilapidated platform or foundation is partially visible, with faint human figures on it. The background consists of steep mountain slopes occupying the upper portion: the upper-left section of the mountain shows lighter tones with patches of white snow and pale vegetation, while the rest is forested and rendered in hazy blue-gray due to atmospheric perspective. Near the top edge of the frame, horizontally centered against the mountain background, a line of widely spaced white sans-serif lowercase letters spells "q i y u k o". The image uses a cool color palette with low saturation, and a long focal length compresses the distance between the forest and mountains.
This vertical landscape photograph presents a full view of a valley in full autumn splendor. The upper part of the frame is dominated by jagged mountain peaks covered in thick white snow, revealing dark rock in crevices. Above the peaks, the sky is a clear cerulean blue, with soft white clouds gathering and drifting in the upper right. The slopes descending from the peaks show distinct vegetation patterns: the left slope features large areas of dark green coniferous forest, gradually transitioning into bands of vivid golden-yellow trees lower down; in contrast, the right slope is densely covered with golden vegetation that extends higher up, eventually meeting snow and bare rock near the summit with scattered green accents. In the mid-ground of the valley, a strip of light-colored road and dry earth separates the forested slopes from the valley floor below; the left mid-ground shows green and golden-yellow vegetation. The lower half of the frame features terrain covered with low shrubs and vegetation in earthy tones of rust red, reddish-brown, and dry brown. In the bottom right, a striking bright golden-yellow tree stands out against dark bushes. A winding stream with shallow banks and scattered driftwood snakes through the bottom of the frame. On the lower right slope, a small building with a light-colored roof and supporting structures nestles among the shrubs; a narrow path leads to the building, with tiny human figures visible on it to provide a sense of scale. The overall lighting is bright natural sunlight, creating strong contrast and emphasizing the rich saturation of autumn colors, which stand in sharp contrast to the cool tones of the snow and sky.
This high-angle photograph reveals a vast bay where countless limestone karst islands rise abruptly from calm emerald-green seawater. In the mid-ground, large rock formations dominate the frame: the formation on the left features distinctive light gray cliffs with vertical weathering marks and a unique concave notch near the waterline forming a small arch-like shape; a small boat is moored near the base of the notch. On the right, a larger and more imposing island rises steeply, with dense patches of dark green vegetation covering its upper slopes and summit. The lower part of this island’s face near the waterline shows a prominent reddish-brown discolored area that contrasts with the surrounding gray rock. A white multi-deck cruise ship sails in the waterway between these two central landmasses. In the bottom right corner, a long segmented reddish-brown boat structure stretches horizontally across the water, with smaller white boats and dinghies scattered nearby. In the lower foreground, parts of other smaller islands are visible, along with a cluster of red dinghies near the bottom edge. On the far left, several reddish-brown boats cluster near the water. The background extends into the distance, with layers of smaller jagged peaks and islands receding toward the horizon, where hazy blue mountain silhouettes are visible against the sky. Small boats are scattered in the distant waterways. The lighting is bright and directional, casting clear shadows on the right sides of the rock formations and emphasizing the textures of the vegetation and rock surfaces.
This realistic landscape photograph shows a woodland with dense trees displaying various autumn tones, including bright golden-yellow, ochre, and brownish-orange. In the upper left, a large tree has dark golden-brown foliage; strong backlighting from the sun creates a soft green lens flare and a light spot near the branches. In the center and right, other trees have lighter, more vivid yellow leaves, while a tree on the far right retains pale yellow and faint green foliage. The tree trunks are thick and rugged, with deep grooves and textures in dark brown and gray; the trunks on the right grow at an angle, with twisted branches and exposed roots near the base. The ground is dry sand, pale beige and dusty gray, littered with abundant dead wood including fallen logs, broken branches, and jagged stumps. In the mid-ground and background, smaller trees and shrubs with yellowish-green foliage line the horizon. In the distance among the trees, tiny human figures are scattered: some appear to be walking, others sitting on fallen logs; one person near the center wears a bright pink top, while others on the right wear dark or blue clothing. The sky above is bright and washed out, nearly white pale blue in the center and upper left, and clearer light blue in the upper right. Strong sunlight shines from the upper left toward the right, creating a high-key lighting effect and casting shadows on the sandy ground to the right.
In the foreground, two stylized swan sculptures constructed from bright blue translucent strips with a wavy texture dominate the scene. The swan on the right has a long neck extended upward with its head curved toward the center; the swan on the left has its neck curved downward and inward. Each swan has a distinct eye painted with a black pupil and white highlight. Directly behind the sculptures stands a large trimmed plant structure made of dense green foliage, shaped as two enormous curved "necks" meeting at the top to form a heart-shaped arch. Through the trimmed plant arch, a colorful floral arrangement with bright yellow and green elements is visible in the mid-ground. A ring of low potted plants surrounds the sculpture base: on the left are several white flower pots with visible red patterns containing round, dense green shrubs; in the center is a row of small brown flower pots with low plants bearing small yellow and deep crimson flowers; matching white flower pots are also visible on the right. The ground is covered with wood chip / leaf / gravel-like mulch. On the left, a tall white vertical pole extends upward, with yellow flowers growing near the frame edge. On the right background, a sunflower field stretches toward a crowd, with sunflowers featuring yellow flower heads and large green leaves. On the right edge stands a trash bin with gray-black and green compartments; beside it stands a person wearing a black mask, dark clothing, and a crossbody bag. On the left, a person with white hair and dark clothing holds a white package in their left hand and an orange-and-black item in their right. In the distant right, a group of tourists in various casual outfits—white, black, blue jackets—walk near a gray stone structure. On the horizon behind the garden area stands a line of trees with green and pale yellow foliage. The sky above is a clear solid blue with no clouds. Bright natural sunlight shines from left to right, casting clear shadows on the blue surfaces and emphasizing the textures of the sculptures and foliage.
This high-angle realistic photograph provides a close view of an ancient cave temple complex carved directly from dark weathered rock. In the foreground, a large, rough, textured gray rock surface occupies the bottom area, acting as a framing element. The main structure in the mid-ground displays elaborate architectural carvings: on the right, a multi-tiered tower rises with stacked horizontal layers and decorative moldings, topped with a rounded domed finial; the tower’s rock surface shows dark gray and weathered reddish-brown tones, indicating age and erosion. The roof structures on the left and center include a circular platform lined with four sculpted figures resembling animals or mythical beasts arranged around a central point; beside this circular area is a rectangular section with smaller carved structures and decorative ridges. Further from the viewer lies a square platform, and beyond that a horizontally oriented cylindrical structure. Behind the temple structures rises a steep vertical rock face with vertical weathering streaks. On the right, the terrain slopes upward, covered with dry brownish-yellow grass and scattered trees with sparse foliage and bare branches; a small street lamp stands near the rock edge. In the left background, a wide view reveals a distant landscape including a winding paved road and a neatly landscaped garden area with green lawns and light-colored soil. Beyond lies a vast plain dotted with clusters of trees and vegetation extending to a hazy horizon under a flat, off-white overcast sky. Superimposed on the dark rock of the temple near the lower center is a white watermark containing a four-cornered bracket shape resembling a camera viewfinder, surrounding small, clean sans-serif text reading "@小野 | 小红书". The lighting is soft, diffused natural daylight typical of an overcast day, resulting in a low-contrast, gently toned image that creates a historic and atmospheric mood.
This vertical high-angle photograph reveals a village situated in a valley between raised hills. In the mid-ground, a main residential building features a long white exterior and bright blue tiled roof; the smaller attached section to its left has vertically connected lower blue roofs and is equipped with a solar water heater with a distinctive red-and-white storage tank and collector tubes. A concrete courtyard lies in front of the building, with small trees and shrubs planted along its edge. In the background, two more buildings with white walls and gray roofs are visible on higher slopes: one near the center above an incline faces the camera, partially blocked by a tree near a doorway and the right hill, with a deep red double door—left open, right closed; another stands on the left with a tilted facade facing right, dark tiled roof, another slightly lower roof perpendicular to it, and laundry drying near the door. The surrounding hills are richly vegetated: the left slope features dark green coniferous trees, numerous deciduous trees with bare branches, dry grass, and bare soil, with a small rounded green shrub standing out; the right slope mixes bare trees, patches of reddish-brown foliage, and scattered trees with pale pink and white blossoms in the upper area. A narrow light-colored dirt road winds from the bottom right toward the central housing area. In the lower mid-ground to the right of the road, a rectangular cultivated plot holds neat rows of bright green leafy vegetables. On the far left of the mid-ground, a small rustic shed with weathered dark tiles sits beside a rough wooden structure and a pile of stored materials. On the dirt ground near the left edge, a small pink-and-white bicycle is parked, facing right with the front wheel turned toward the camera. Thin electric wires cross diagonally through the lower frame, and a utility pole with wires stands near vegetation on the right. The foreground is occupied by uneven terrain covered with dry brown grass, withered shrubs, and patches of low green vegetation. The sky above the hills occupies the top of the frame, pale blue with layers of thin white cirrus clouds. The lighting is soft and diffused, creating a natural and peaceful atmosphere with low image contrast.
A light gray concrete road with horizontal grooved textures extends diagonally from the bottom left into the mid-ground, serving as a leading line through the rural landscape. On the right side of the road, the terrain slopes downward with patchy vegetation: a cluster of dense green leafy shrubs stands by the roadside, and below it lies a vegetable plot with low crops mixed with pale whitish-green plants, dry brownish-yellow stalks, and dead grass; a rustic fence made of stacked branches runs along the bottom right edge. In the right mid-ground, a field of bright yellow flowers creates a strong color contrast with the surrounding earthy tones. A tall dark coniferous tree with reddish-brown foliage stands prominently near the yellow flower field, towering over surrounding shrubs and dry vegetation. On the left side of the road, the land rises into terraced slopes covered with dry brownish-yellow crop stubble and dormant grass. At the upper left edge of the frame, the thin bare branches of a deciduous tree stretch outward. In the mid-ground and background, a rural village is scattered across the hillside, including multiple buildings with gray tiled roofs, white or earth-toned walls, several unfinished concrete structures, and vertical utility poles with connecting wires. The background consists of rolling hills and mountains covered with dark green trees and bare branches, receding into the distance and fading into hazy blue-gray. The upper half of the frame is occupied by a vast overcast sky filled with layers of gray and white clouds, providing soft diffused light with low contrast and no strong shadows. The image adopts a naturalistic documentary style with cool-toned, low-saturation colors.
Dense clusters of pale pink and white blossoms spread horizontally across the mid-ground, obscuring most lower-level parts of the buildings behind them. On the left, a high-rise curved residential building rises upward, with layered balconies, glass railings, and pale blue-tinted windows. The base of the building includes a section of bright mustard yellow wall. On the right, behind the flower clusters, a lower rectangular building is visible, constructed from gray concrete and reddish-brown brick panels, with rectangular windows and upper-level balconies. The upper part of the frame is sky, filled with heavy, textured clouds ranging from slate gray to lighter cloud white, creating the soft diffused light typical of an overcast day. Below the flowering trees, a paved road runs horizontally across the frame. A white sedan turns left in the middle lane with its right turn signal on, and a red car is positioned behind and to its right. A black sedan is visible in the distance on the right, and the rear of another dark vehicle is partially seen at the far right edge. A traffic light showing red is visible near the left side of the flowering trees. On the left sidewalk, a person in a dark coat and light pants stands near the street corner, with two benches to their left. In the left foreground, a sign with text and symbols is mounted on a metal pole. The upper part of the sign is white with a logo and text "PRIVATE PARKING". The lower part is a blue rectangular area containing a white letter "P" with a circle and diagonal slash, below which is white uppercase sans-serif text "VIOLATORS WILL BE TOWED AWAY AT OWNER'S EXPENSE". A green lawn separates the road from the immediate foreground, with a low rustic wooden fence running along its right side. A small patch of low evergreen shrubs grows on the lawn near the right fence. The foreground ground is dark, slightly worn asphalt, clearly damp from recent rain with several small puddles, distinct texture and fading marks, bordered by a concrete curb and a narrow grass strip at the bottom. A faint white marking "18" is visible near the bottom center of the road surface, likely a parking space number.
A vast, clear sky occupies the upper half of the frame, displaying a soft color gradient from pale pinkish-blue at the top to light lavender-purple near the horizon. The mid-ground features a striking cluster of skyscrapers. Slightly left of center, the Oriental Pearl Tower stands vertically, characterized by its iconic spheres and slender antenna spire; the upper sphere glows with warm reddish-copper tones, while the lower sphere and supporting columns show gray and white. To its right stands a group of tall modern buildings: the Shanghai World Financial Center with a trapezoidal opening at the top, the Jin Mao Tower with a layered pagoda-like shape, and the extremely tall, twisting cylindrical Shanghai Tower on the far right. To the left of the Pearl Tower stands a dense cluster of rectangular office buildings, one topped with a classical dome, adding variation to the skyline profile. Near the base of the right buildings, an angular triangular monument-like structure stands vertically, next to a low-rise building with a glass dome. The Waibaidu Bridge stretches horizontally across the lower middle of the frame, gray steel structure with intricate truss lattice design and arched spans. Blurred outlines of vehicles and pedestrians are visible on the bridge deck. The foreground is the Huangpu River, its surface rippling gently and reflecting the soft tones of the buildings above in grayish-cyan and light brown. Near the center below the bridge, an old dark pier base and several small yellow pillars emerge from the water. A section of concrete embankment is visible in the bottom right corner, with a cluster of trees with brownish-yellow leaves and part of a building with rectangular window panes. The entire photograph has a distinct matte texture and heavy grain, presenting a retro film photography style with low saturation and soft contrast.
In the lower left and center of the frame, a child wearing a bright blue raincoat with small yellow patterns and blue rain boots bends over, using a long-handled purple tool to sweep the wet gray square-tiled pavement. Further along the path, another person walks with their back to the camera, wearing a solid blue raincoat with white patterns and dark boots, holding a blue long stick pointing to the left with their right hand. On the left, a railing extends diagonally along the riverbank, consisting of dark vertical posts and carved panels; bright cyan LED lights embedded in the railing cast cool, vivid light onto the wet ground and the water’s edge. The river occupies the left mid‑ground, and its surface reflects a large area of warm orange light from the building on the opposite bank. This distant building features traditional Chinese architectural elements, including multi‑layer sloped roofs and upturned eaves, outlined by golden‑orange light strips. In the far distance on the left, faint outlines of other buildings and a utility pole with power lines are visible against the dark blue cloudy sky. On the right side of the walkway, a low curb made of gray specked stone blocks separates the path from the slope. The slope is reinforced by concrete blocks with round holes and partially covered with green grass and weeds. A row of evenly spaced slender gray metal street lamps stands on the right side of the path. Near the top of the slope in the upper right background, dense trees and shrubs grow, including a tall thin coniferous tree rising above the vegetation line. Where the path curves into the distance, a person holds a bright lime‑green umbrella and leads a small dark figure suspected to be a dog with a rope. Near the bottom right edge of the frame, some floor tiles are cracked, forming black lines. There is another tall coniferous tree further along the path, near which a drainage channel can be faintly seen draining into the river. The scene is shot from a high angle under overcast diffused light, creating a strong color contrast between the cool blue tones of the environment and lights and the warm orange illumination of the distant architecture.