PAUL GONSALVES
Genres: Bop, Post Bop • United States

Gonsalves first professional engagement was with the Sabby Lewis band in Boston. On leaving Lewis he played with Count Basie from 1946-49, was briefly with Dizzy Gillespie, and then joined Duke Ellington in 1950. Gonsalves remained with Ellington for the rest of his life, his occasional absences from the band resulting from his addiction to alcohol and narcotics. Like many other would-be Ellingtonian tenor players, Gonsalves began by learning Ben Webster's "Cottontail" solo note for note, but quickly established his own distinctive style. The circumstance which made Gonsalves' reputation was his appearance with Ellington at the 1956 Newport Jazz Festival, when his storming, 27-chorus bridge between the opening and closing sections of "Diminuendo And Crescendo In Blue" helped to focus media attention on the band and provided the basis of Ellington's "comeback". Thereafter, Gonsalves was obliged to play extended gallery-pleasing, up-tempo solos every night, a fact which overshadowed his enormous read more...