X:1
T:Waltz Op.39 No.15
C:Johannes Brahms
Z:Public Domain
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=108
M:3/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:3 treble 
V:2 bass 
V:1
!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3!<(! [CA])([CA][Ec])!<)! | %2
!>(! ([FAd]2{ed)}!>)! (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) | ([Acf]3 [Ac])([Ac]e) | %5
!<(! ([Acf]3!<)!!<(! [Ac])([Ac]e)!<)! |!>(! (gf) (.e2!>)! .=d2) |1 [Gce]3 [EG] ([EG]c) :|2 %8
 [Gce]3 [EGc] ([EGc]e) ||"_poco cresc." ([EGB_de]3 [EGB])([EGB][de]) | ([EAce]3 [Ac])([Ac]e) | %11
!<(! ([Ace_ga]3 [Ace])([Ace][ga]) | ([Adfa]3 [Adf])([Adf]a)!<)! | ([AB=dfb]3 [Bdf])([Bdf]!>(!a) | %14
 (ag) (.f2!>)! .e2) |!p! ([Ec]3 [CA])([CA][Ec]) | ([Ec]3 [CA])([CA][Ec]) | %17
 ([FAd]2{ed)} (.[EAc]2 .[DAB]2) | ([EAc]3 A)(A[ce]) |!<(!!>(! ([Acf]3!<)!!>)! [Ac])([Ac]e) | %20
!<(!!>(! ([Acf]3!<)!!>)!!<(! [Ac])([Ac]e)!<)! |!>(! (ae)!>)! (.d2 .B2) | A2 z!p! [EAc]([EAc]e) | %23
 ([EGBde]3"_poco cresc." [EGB])([EGB][de]) | ([EAce]3 [Ac])([Ac]e) | %25
 ([Ace_ga]3!<(! [Ace])([Ace][ga]) | ([Adfa]3 [Adf])([Adf]a)!<)! | ([AB=dfb]3 [Bdf])([Bdf]a) | %28
 (ag) (.f2 .e2) | [ec']2 (3z ([CA][Ec](3[ca][ec'][ca]) | [ec']2 (3z ([CA][Ec](3[ca][ec'][ca]) | %31
 ([fad']2{e'd')} (.[eac']2 .[dab]2) | [eac']2 (3z ([CA]!<(![Ec](3[ca][ec']([fc']-)!<)! | %33
!>(! [fac'f']2)!>)! (3z ([CA][Ec]!<(!(3[ca][ec']([fc']-)!<)! | %34
!>(! [fac'f']2)!>)! (3z ([CA][Ec]!<(!(3[ca][ec'][ac']-)!<)! |!>(! [ac']2 [dg]2 [Bd]2 | [Aca]2 z2 |] %37
V:2
!ped! .A,,2"^dolce" !arpeggio!.[E,A,C]2 !arpeggio!.[C,E,A,]2!ped-up! | %1
!ped! .A,,,2 !arpeggio!.[E,A,C]2 !arpeggio!.[C,E,A,]2!ped-up! | %2
!ped! .A,,2 !arpeggio!.[D,F,D]2 .[F,A,]2!ped-up! | %3
!ped! .A,,,2 !arpeggio!.[E,A,C]2 !arpeggio!.[C,E,A,]2!ped-up! | %4
!<(!!ped! F,,2!<)!!>(! !arpeggio![F,A,CF]2!>)! !arpeggio![A,,E,C]2!ped-up! | %5
!>(!!ped! F,,2!>)! !arpeggio![F,A,CF]2 !arpeggio![A,,E,C]2!ped-up! | %6
!ped! E,,2 [E,G,C]2 !arpeggio![G,,F,=B,]2!ped-up! |1!ped! C,,2 [E,G,C]2 [C,E,]2!ped-up! :|2 %8
!ped! C,,2 [E,G,C]2 [C,E,G,]2!ped-up! ||!ped! E,,2 [E,G,_D]2 [E,G,]2!ped-up! | %10
!ped! A,,2 [E,A,C]2 [E,A,]2!ped-up! |!ped! A,,,2 [A,C_G]2 [A,C]2!ped-up! | %12
!ped! D,,2 [A,DF]2 [A,D]2!ped-up! |!ped! [B,,,B,,]2 [A,B,=DF]2 [F,B,D]2!ped-up! | %14
!ped! E,,2 [E,B,_D]2 [E,B,E]2!ped-up! |!ped! A,,2 !arpeggio![E,A,C]2 !arpeggio![C,E,A,]2!ped-up! | %16
!ped! A,,,2 !arpeggio![E,A,C]2 !arpeggio![C,E,A,]2!ped-up! | %17
!ped! A,,2 !arpeggio![D,F,D]2 [F,A,]2!ped-up! | %18
!ped! A,,,2 !arpeggio![E,A,C]2 !arpeggio![C,E,A,]2!ped-up! | %19
!ped! F,,2 !arpeggio![F,A,CF]2 !arpeggio![A,,E,C]2!ped-up! | %20
!ped! F,,2 !arpeggio![F,A,CF]2 !arpeggio![A,,E,C]2!ped-up! |!ped! !5!C,,2 !5!E,,2 [E,G,]2!ped-up! | %22
!ped! A,,2 [E,A,]2 [E,A,C]2!ped-up! |!ped! E,,2 [E,G,D]2 [E,G,]2!ped-up! | %24
!ped! A,,2 [E,A,C]2 [E,A,]2!ped-up! |!ped! A,,,2 [A,C_G]2 [A,C]2!ped-up! | %26
!ped! D,,2 [A,DF]2 [A,D]2!ped-up! |!ped! [B,,,B,,]2!>(! [A,B,=DF]2 [F,B,D]2!ped-up! | %28
!ped! E,,2 [E,B,_D]2 [E,B,E]2!>)!!ped-up! |"^dolce"!ped! .A,,,2 .[E,A,C]2 .[C,E,A,]2!ped-up! | %30
!ped! .A,,,2 .[E,A,C]2 .[C,E,A,]2!ped-up! |!ped! .D,,2 .[D,A,]2 .[F,A,]2!ped-up! | %32
!ped! A,,,2 [E,A,C]2 [C,E,A,]2!ped-up! | %33
!ped! .F,,2 !arpeggio!.[F,A,C]2 !arpeggio!.[A,,E,A,]2!ped-up! | %34
!ped! F,,2 !arpeggio![F,A,C]2 !arpeggio![A,,E,A,]2!ped-up! |!ped! C,,2 E,,2 [E,G,D]2!ped-up! | %36
!ped! A,,,2 [E,A,C]2!ped-up! |] %37
V:3
 x6 | x6 | x6 | x6 | x6 | x6 | [Gc]2 [Gc]2 [F=B]2 |1 x6 :|2 x6 || x6 | x6 | x6 | x6 | x6 | %14
 [B_d]2 [Ad]2 [Gd]2 | x6 | x6 | x6 | x6 | x6 | x6 | A2 G2 [DE]2 | [CE]2 x4 | x6 | x6 | x6 | x6 | %27
 x6 | [B_d]2 [Ad]2 [Gd]2 | x6 | x6 | x6 | x6 | x6 | x6 | a'!>)!e' (.d'2 .b2) | x4 |] %37


Questions about this score:
Who is the composer?
What is the title of the piece?
Is there an anacrusis (upbeat measure)?
In measure 1, what is the shortest rest value?
Between measures 1–55, are there repeat signs?
In measure 1, what is the lowest pitch?
In measure 55, does the music termination on the tonic chord of the home key?
In measure 55, what are the repeated notes in the D♯ minor chord?
In measure 55, is there a D♯ minor chord?
What are the main structural features of the motif?
In which register is the melody in measures 3–4?
In which part does the melodic motif appear?

Reference answers (in the same order):
Alexander Nikolayevich Scriabin
Étude No. 12 in D♯ minor
Yes
Dotted eighth rest
No
D♯2
No
Root;Third;Fifth
Yes
large leap
Upper–middle register
Upper voice