X:1
T:Sechs Lieder ohne Worte
C:Felix Mendelssohn Bartholdy
%%score { ( 1 2 ) | ( 3 4 ) }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Zongora" snm="Zon."
V:2 treble 
V:3 bass 
V:4 bass 
V:1
"^Andante espressivo"!p!!ped! z4 z2 (E2 |: G3 A B2 E2)!ped-up! | %2
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |!ped! (C3 F)!<(! (A3 F)!ped-up!!<)! | %4
!sfz!!ped! (e2 d2-) d"^dim."(cBA)!ped-up! |!ped! (G3 A B2 E2)!ped-up! | %6
!ped! (A2 D2)!ped-up!!ped! E3 E!ped-up! |!ped! F2- (3FED!ped-up!!ped!!<(! CEGc!ped-up!!<)! | %8
!sfz!!ped! f2- (3fed!ped-up!!ped! c"_dim."G=A_B!ped-up! |!p!!ped! (B2 F2) F2 F2!ped-up! | %10
!ped! (c4 B4)!ped-up! |1!ped! z4 z2!mf! B,2!ped-up! :|2!ped! z4 z2 (3z _G_A!ped-up! |: %13
!p! (3(_GB,E (3_cE_C) (3(=DF,B, (3D)(.E.F) | (3(_G!<(!EG!<)!!sfz! (3_cAE) (3(F_C_D!>(! (3F)EF!>)! | %15
!p! (3(_GB,E (3_cE_C) (3(=DF,B, (3D)(.E.F) | (3(_G!<(!EG!<)!!sfz! (3_cAE) (3(F_C_D!>(! (3F)DC!>)! | %17
!f!!ped! [B_d]2 [_GB]>_g!ped-up!!sfz!!ped! ([Gg]2 [Ff]2)!ped-up! | %18
!ped! [B_d]2 [_GB]>_g!ped-up!!sfz!!ped! ([Gg]2 [Ff]2)!ped-up! | %19
!p! [_GB]2 [EG]>[_ce]!sfz! [EAc-e-]2 (3[ce][B_d][Ac] | %20
 [_GB]2 [EG]>[_ce]!sfz!!ped! [EAc-e-]2 (3[ce]"_cresc."[B_d][Ac] | %21
!sfz! [EA_c-e-]2 (3[ce][B_d]!f![Ac]!sfz! [EAce]4- | %22
"_dim." [EAce]3!<(! (=d fe!<)!!>(!_cA)!ped-up!!>)! |"^espressivo"!ped! G3 A B2 E2!ped-up! | %24
!ped! (A2 D2)!ped-up!!ped! (E3 D)!ped-up! |"_cresc."!ped! (C3 F!f! Ac!sfz!g>f)!ped-up! | %26
!ped! (e2 d4)"^espress.\n" (3(dcB)!ped-up! | %27
!ped! [GB]2 [EG]>e!ped-up!!sfz!!ped! ([Ee]2 [Dd]2)!ped-up! | %28
!ped! [GB]2 [EG]>e!ped-up!!sfz!!ped! ([Ee]2 [Dd]2)!ped-up! | %29
!p! [EG]2 [CE]>[GB] ([GB][FA])(.[EG].[DF]) |1!p! ([A,B,F]4 [G,B,E]2) (3z (.[E_G].[FA]) :|2 %31
 (3z (GA (3BGA (3BGA (3B_dc) || (3B_dc (3BGA (3BAG (3FE_D | (3z C_D (3ECD (3ECD (3EDC | %34
 (3z A,B,"^cresc." (3_CA,B, (3:2:2C2 B,!mf! (3A,G,A, | %35
!ped! (3z G,B, (3EB,G,"^cresc." (3z G,B, (3EB,G,!ped-up! | %36
!f!!ped! (3z (A,B, (3DFB (3dfa"_dim." b).d' | .f'!ped-up! z!p! (AG) (GF).E.D | %38
!ped! (3z G,B, (3GB,G, (3z G,B, (3GB,G, | (3z G,B, (3GB,G, (3z G,B, (3GB,-G,- | [G,B,E]8!ped-up! |] %41
V:2
 (3z G,B, (3EB,G, (3z G,B, (3EB,G, |: (3z G,B, (3EB,G, (3z G,B, (3EB,G, | %2
 (3z A,B, (3DB,A, (3z[I:staff +1] E,G, (3CG,E, | x8 | x2[I:staff -1] (3AFD (3AFD (3AFD | %5
 (3z G,B, (3EB,G, (3z G,B, (3EB,G, | (3z A,B, (3DB,A, (3x[I:staff +1] E,G, (3CG,E, | %7
[I:staff -1] (3x[I:staff +1] F,G, (3B,G,F, x4 |[I:staff -1] (3z FG (3=BGF x4 | %9
 (3z B,D (3FDB, (3z =A,C (3FCA, | (3z DE"_tranquillo" (3FDE (3FDE (3FAG |1 %11
 (3FAG"_dim." (3FED (3CB,=A, (3_A,G,A, :|2 (3FAG (3FED (3CB,=A, (3B,EF |: %13
 B2 (!>!_c>A) F2- (3F(._G.A) | (B2 e>)_c A2- (3A(._G.A) | B2 (!>!_c>A) F2- (3F(._G.A) | %16
 (B2 e>)_c A2- (3A.[_GB].[Ac] | x4 _c4 | x4 _c4 | x8 | x8 | x8 | x8 | %23
 (3z G,B, (3EB,G, (3z G,B, (3EB,G, | (3z A,B, (3DB,A, (3z[I:staff +1] E,G, (3CG,E, | x8 | %26
 x2[I:staff -1] (3AFD (3AFD A2 | x4 A4 | x4 A4 | x8 |1 x8 :|2 (F4 E4) || z2 (e4 G2) | %33
 (B2 A2) z A(AF) | (E4 =D) z B,2 | (G3 A B2 E2) | A8 | x8 | (!>!F6 E2) | E8- | x8 |] %41
V:3
 (3z B,,E, (3G,E,B,, (3z B,,E, (3G,E,B,, |: (3z B,,E, (3G,E,B,, (3z B,,E, (3G,E,B,, | %2
 (3z B,,D, (3F,D,B,, (3x G,,C, (3E,C,G,, | (3z A,,C, (3F,C,A,, (3z C,F, (3A,F,C, | %4
 (3z F,A, (3B,A,F, (3B,A,F, (3B,A,F, | (3z B,,E, (3G,E,B,, (3z B,,E, (3G,E,B,, | %6
 (3z B,,D, (3F,D,B,, (3z G,,C, (3E,C,G,, | (3z G,,D, (3F,D,G,, (3z G,,C, (3E,C,G,, | %8
 (3z D,G, (3DG,D, (3z E,G, (3CG,E, | (3z D,F, (3B,F,D, (3z E,F, (3=A,F,E, | %10
 (3z (F,G, (3_A,F,G, (3A,F,G, (3A,F,E, |1 (3D,F,B, (3A,G,F, (3E,D,E, (3F,E,D,) :|2 %12
 (3D,F,B, (3A,G,F, (3E,D,E, (3D,B,,A,, |: [_G,,,_G,,]2 [A,,,A,,]2 [B,,,B,,]4 | %14
 [B,,,B,,]2 [_C,,_C,]2 [_D,,_D,]4 | [_G,,,_G,,]2 [A,,,A,,]2 [B,,,B,,]4 | %16
 [B,,,B,,]2 [_C,,_C,]2 [_D,,_D,]4 | (3z _G,B, (3_DB,G, (3z A,_C (3DCA, | %18
 (3z _G,B, (3_DB,G, (3z A,_C (3=DCA, | (3z E,_G, (3B,G,E, (3z E,A, _C2 | %20
 (3z E,_G, (3B,G,E, (3z E,A, _C2 | (3z E,A, _C2 (3z E,A, (3CA,E, | (3_CA,E, C2 z4 | %23
 (3z B,,E, (3G,E,B,, (3z B,,E, (3G,E,B,, | (3z B,,D, (3F,D,B,, (3x G,,C, (3E,C,G,, | %25
 (3z A,,C, (3F,C,A,, (3z C,F, (3A,F,C, | (3z F,A, (3B,A,F, (3B,A,F, (3B,A,F, | %27
 (3z E,G, (3B,G,E, (3z F,A, (3B,A,F, | (3z E,G, (3B,G,E, (3z F,A, (3=B,A,F, | %29
 (3z C,E, (3G,E,C, A,,2 [B,,A,]2 |1 (3z B,,D, (3F,D,B,, (3z B,,E, E,, z :|2 %31
 (3z (B,C (3_DB,C (3DB,C (3DB,A,) || (3(G,B,A, (3G,B,C (3_DFE (3DCB,) | %33
 (3z A,B, (3CA,B, (3CA,B, (3CB,A, | (3z F,G, (3A,F,G, (3:2:2A,2 G, (3F,E,D, | %35
 (3z B,,E, (3G,E,B,, (3z B,,E, (3G,E,B,, | (3z (D,F, (3A,B,D[K:treble] (3FBd f).b | .d' z z2 z4 | %38
[K:bass] (3z B,,E, (3G,E,B,, (3z B,,E, (3G,E,B,, | E,,2 z2 E,,2 z2 | E,,8 |] %41
V:4
 E,,2 x2 E,,2 x2 |: E,,2 x2 E,,2 x2 | B,,,2 x2 C,,2 x2 | A,,,2 x2 [A,,,A,,]2 x2 | [B,,,B,,]2 x6 | %5
 E,,2 x2 E,,2 x2 | B,,,2 x2 C,,2 x2 | C,,2 x2 C,,2 x2 | C,,2 x2 C,,2 x2 | F,,2 x2 F,,2 x2 | %10
 B,,8- |1 B,,2 z2 z4 :|2 B,,2 z2 z4 |: x8 | x8 | x8 | x8 | [_D,,_D,]2 x2 [D,,D,]2 x2 | %18
 [_D,,_D,]2 x2 [=D,,=D,]2 x2 | E,,2 x2 A,,2 x2 | E,,2 x2 A,,2 x2 | x8 | x8 | E,,2 z2 E,,2 x2 | %24
 B,,,2 z2 C,,2 x2 | [A,,,A,,]2 z2 [F,,,F,,]2 x2 | [B,,,B,,]2 x4 D,2 | E,,2 z2 [B,,,B,,]2 x2 | %28
 E,,2 z2 [=B,,,=B,,]2 x2 | C,,2 x6 |1 E,,2 x2 E,,2 x2 :|2 E,8 || E,8 | E,8 | E,8 | %35
 E,,2 x2 E,,2 x2 | E,,2 x2[K:treble] x4 | x8 |[K:bass] x8 | x8 | x8 |] %41


Questions about this score:
What is the initial time signature?
Who is the composer?
Is it an anacrusis (upbeat measure)?
In measure 1, what is the dynamic marking?
In measure 13, are there accidentals, and what are they?
In measures 2–3, what are the articulation markings?
In measure 3, is there a second inversion D major chord?
In measures 45–46, is there a suspension?
In measure 46, what is the voicing of the D major chord?
In which measure does the melodic motif appear?
What are the main characteristics of the motif?
What is the rhythm of the motif?

Reference answers (in the same order):
2/4 time
F.Mendelssohn
No
p
Yes, natural C，sharp D
With Slur
No
No
Close position
Measures 1–3
Eights interval; Ascending and descending scales
Even rhythm