X:1
T:Reverie
T:Claude Debussy
C:Claude Debussey
Z:Public Domain
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
M:4/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:4 treble 
V:2 treble 
V:3 treble 
V:1
 x4 |[Q:1/4=100]"^Andantino sans lenteur" x8 | x8 | (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4- | %6
 d4) B2 d2 | e2 f2 c4- | c4 G4 | x2 A,F DA,CF | x2 A,F DA,CF | (a4 e4- | e2 ce d2 BG) | %13
!mf! (a4 e4- | e2 ce d2 BG) |!>(! (g4 d4-!>)! | d2 Bd c2 AG | A2 EA F2 DF | D4 C4) | %19
!pp! ([cc']4 [Gg]4- | [Gg]2) ([Aa][Bb] c'2 [Aa][Gg]) | (3[Aa-]2 [Ff]2 [Aa]2"_poco" [G_eg]4- | %22
!<(! [Geg]4 ([_Ec_e]2 [Gg]2!<)! | [Aa]2 [Bb]2 [Fdf]4- | [Fdf]4) ([Aa]2"_piu" [Bb]2 | %25
!<(! [cc']2 [dd']2!<)! [Ada]4- | [Ada]4 [Bb]2 [dd']2) |!f! ([f^c'f']4 [^cc']4) |!p! x2 (de f2 fa) | %29
!f! ([f^c'f']4 [^cc']4) |!p! x2 (de f2 fa) |!>(! [Af]2 (DE F2 FA!>)! | F4 D4- | [=B,D]2 C2 c4) | %34
 cegc' gecG | (_ecGc) (ecGc) | (_ecGc) (ecGc) | (a^fdf) (afdf) | (a^fdf) (dA^FA) | %39
!pp! (_ecGc) (ecGc) |!<(! (_ecGc) (gece)!<)! | (^g!<(!=ece) (gece) | (^gece) (gcg!<)!e) | %43
!mf! (acAc) (acAc) | (acAc) (acAa) |!>(! (=bfBf) (c'_bfb)!>)! | (c'bfb) (c'beb) | %47
!p! (c'[Q:1/4=75]"_rit."acg) (d'adb | dADB A,2 G,2 | F,4) F4- | F4 A4 | %51
!p![Q:1/4=105]"^a >tempo" ([df]2 [=Be]2 [Be]2 [df]2 | [df]2 [=Be]2 [Be]4) | %53
 [DF]2 [=B,E]2 [B,E]2 (3FAF | x8 |!p! [df]2 [=Be]2 [Be]2 (3f=ga | (3faf e2 x2 =B,2- | %57
 [B,E]2 [A,^C]2 [^A,C]2 [=B,E]2 | [=C^F]2 [^D^G]2 [=B,E]4 || %59
[K:E]!pp! ([Acf]2 [Bdg]2 [GBe]2 [egc']2 | [Acf]2 (3[Bdg]fg [GBe]2 [EGB]2 | %61
 [DEG]2 [CEB]2 [B,EG]2 [G,CE]2 | [A,DF]4 [DAc]4) | ([cf]2 [dg]2 [Be]2 [ec']2 | %64
 [cf]2 d2 [Be]2 [eb]2) |!<(! (c'2 e'2 d'2 b2 | c'2 e'2 f'2 b2)!<)! |!mf! (c'2 e'2 d'2 b2 | %68
 c'2 e'2 f'2 b2) |[K:C exp  =F =C =G =D]!p! (3(g'gg' (3gg'g) (3(g'gg' (3gg'g) | %70
 (3(g'gg' (3gg'g) (3(g'gg' (3gg'g) | ([A,D]2 [B,E]2 C2 A2 | D2 (3EDE [_B,C]4) | [Ad]2 =B2 z4 | %74
!pp! (3ceg (3_bc'e' (3g'e'c' (3bge |[M:3/4] c_B GE[I:staff +1] C=B, | %76
[K:F][M:4/4][I:staff -1] (g4 d4- | d2 ef g2 ed | (3e2 c2 e2 d4-) | d4 B2 d2 | e2 f2 c4- | c4 G4 | %82
 x2 A,F DA,CF | x2 A,F DA,CF | (a4 e4- |!<(! e2 ce d2 BG!<)! |!p! a4 e4- |!<(! e2 ce d2 BG)!<)! | %88
!p! (g4 d4- |!<(! d2 Bd c2 AF!<)! |!p! g4 d4- | d2 Bd!>(! [Gc]2 [^Fd]2)!>)! | %92
!p![Q:1/4=90]"^un peu retenu" (!tenuto![DGB]2 !tenuto![^CEA]2 !tenuto![CEA]2 !tenuto![DGB]2 | %93
 !tenuto![DGB]2 !tenuto![^CEA]2 !tenuto![CEA]4) | ([GB]2 [EA]2 [EA]2 G2 | A2 G2 [DF]4) | %96
 ([gb]2 [ea]2 [ea]2 [gb]2 | [gb]2 [ea]2 [ea]4) | %98
!pp! ([gb]2 [ea]2 [ea]2[Q:1/4=80]"_rit. e perdendosi" g2 | a4 g4) | [af'a']8 | !fermata![Aca]8 |] %102
V:2
 x4 | (B,CDG- GDCB,-) | (B,CDG- GDCB,-) | (B,CDG- GDCB,-) | (B,CDG- GDCB,-) | (B,CDG- GDCB,-) | %6
 (B,CDG- GDCB,) | (A,B,CF- FCB,A,) | (G,A,B,E- EB,A,G,) |[K:bass]!mp! F,,C,- C,6 | F,,C,- C,6 | %11
 (D,,A,,D,F, A,CEC) | (A,F,A,C G,,D,G,B,) | (D,,A,,D,F, A,CEC) | (A,F,A,C G,,D,G,B,) | %15
 (C,,G,,E,G, B,DED) | (B,DB,G, F,,C,F,A,) | (A,,E,A,E, D,A,F,D,) | %18
 (G,,F,G,[I:staff -1][G,B,])[I:staff +1] (C,,G,,E,[I:staff -1][G,B,]) | %19
[I:staff +1] (F,,,F,,C,_E, G,A,C_E) | (G_ECA, G,_E,C,F,,) | (F,,,F,,C,_E, G,A,C_E) | %22
 (G_ECA, G,_E,C,F,,) | (B,,,F,,B,,D, F,B,DF) | (DB,F,D, B,,F,,B,,,F,,) | (B,,,F,,B,,D, F,B,DF) | %26
 (DB,F,D, B,,F,,B,,,F,,) | (G,,,G,,^C,F, A,^CFA) | (G,,D,F,A, DA,F,D,) | (G,,,F,,^C,F, A,^CFA) | %30
 (G,,D,F,A, DA,F,D,) | (G,,D,F,A, DA,F,D,) | (G,,D,F,A, =B,A,G,F,) | C,,G,,C,E, G,CEG | x8 | %35
 (C2 B,A, G,4- | G,2 A,B, C2 C_E) | x2 (.A,2 .D,2 .A,,2 | .D,,4 D,,,4) | (C2 B,A, G,4- | %40
 G,2 A,B, C2 C_E) | =E8- | E4 ^D2 E2 |[K:treble] (G2 FE D4- | D4 E2 F2) | (F2 ED C4- | C4 D2 E2) | %47
[K:bass] [F,A,]4 !arpeggio![G,,D,B,]4- | [G,,D,B,]4 C,,C,B,E |!<(! (F,,,F,,C,A,-)!<)! A,2 x2 | x8 | %51
[K:treble] ([DA]2 [E^G]2 [EG]2 [DA]2 | [DA]2 [E^G]2 [EG]4) | %53
[K:bass] [D,A,]2 [E,^G,]2 [E,G,]2 [D,A,]2 | [F,=B,E]2 [E,_B,D]2 [F,A,C]4 | %55
[K:treble] ([DA]2 [E^G]2 [EG]2 [DA]2 | [DA]2 [E^G]2 [EG]4) |[K:bass] ^G,2 ^F,2 =G,2 ^G,2 | %58
 A,2 =B,2 ^G,4 ||[K:E] (B,,,2 B,,4 B,2- | B,2 B,,4 B,2- | B,2 B,,4 B,2- | B,2 B,,4 F,2) | %63
[K:treble] A2 B2 G2 B2 | A2 B2 G2 [GB]2 | (G4 F4 | E4 D4) | G2 (3AGA x4 | E2 (3FEF x4 | %69
[K:C exp  =F =C =G =D] D2 E2 C2 A2 | D2 (3EDE C2 A,2 | %71
[K:bass] (3(F,G,F, (3G,F,G, (3E,G,E, (3G,E,G,) | (3F,G,F, (3G,F,G, (3(C,,G,,E, (3G,B,C) | %73
[K:treble] (3(FGF (3GFG)[K:bass] (3C,G,C (3E[I:staff -1]G_B |[I:staff +1] x8 |[M:3/4] x4 z2 | %76
[K:F][M:4/4][K:treble] (B,CDG) z4 | (B,CDG) z4 | (B,CDG) z4 | (B,CDG) z4 | (A,B,CF) z4 | %81
 (G,A,B,E) z4 |[K:bass] F,,C,- C,6 | F,,C,- C,6 | (D,,A,,D,F, A,CEC | A,F,A,C G,,D,G,B,) | %86
 (D,,A,,D,F, A,CEC | A,F,A,C G,,D,G,B,) | _E,,B,,_E,G, B,_EGE | B,G,_E,B,, _E,,C,F,A, | %90
 _E,,B,,_E,G, B,_EGE | B,G,_E,B,, A,,E,A,,D,, | x8 | x8 | (D2 ^C2 C2 D2 | %95
 [A,^C]4 [D,A,]4)[K:treble] | (d2 ^c2 c2 d2 | d2 ^c2 c4) | (d2 ^c2 c2 d2 | [CB]8) | %100
[K:bass] (F,,,F,,C,F, A,CF- x | !fermata!F8) |] %102
V:3
 x4 | B,8 | B,8 | x8 | B,8 | x8 | x8 | x8 | x8 |[K:bass] F,,8 | F,,8 | x8 | x8 | x8 | x8 | x8 | %16
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %35
 x8 | x8 | [D^F]8 | x8 | x8 | x8 | x8 | x8 |[K:treble] [A,C]8- | [A,C]8 | [^G,=B,]4 [=G,_B,]4- | %46
 [G,B,]8 |[K:bass] E2 DC x4 | x8 | x8 | x8 |[K:treble] x8 | x8 |[K:bass] x8 | %54
 G,,2 C,,2 F,,2 F,,,2 |[K:treble] x8 | x8 |[K:bass] =B,,8- | B,,6 E,,2 ||[K:E] x8 | x8 | x8 | x8 | %63
[K:treble] B,8 | B,6 x2 | B8 | B8 | (B4 F4) | (B4 D4) |[K:C exp  =F =C =G =D] ([FB]4 [Ec]4) | %70
 ([FB]4 [Ec]4) |[K:bass] G,,8 | G,,4 x4 |[K:treble] G,4[K:bass] x4 | x8 |[M:3/4] x6 | %76
[K:F][M:4/4][K:treble] x8 | x8 | x8 | x8 | x8 | x8 |[K:bass] x8 | F,,8 | x8 | x8 | x8 | x8 | x8 | %89
 x8 | x8 | x8 | G,,,8 | G,,8 | G,8 | x6[K:treble] A2 | x8 | G6 F2 | E6 D2 | x8 |[K:bass] x8 | x8 |] %102
V:4
 x4 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | A8- | A8 | x8 | x8 | x8 | x8 | x8 | x8 | %17
 x2 C2 x2 A,2 | x8 | e8- | e4 _e4 | _e4 x4 | x8 | d4 x4 | x4 d4 | f8 | x4 d4 | x8 | x2 A6 | x8 | %30
 x2 A6 | x8 | x8 | x8 | x8 | [_EG]2 x2 [EG]2 x2 | [_EG]2 x2 [EG]2 x2 | [Ad]8 | [Ad]8 | %39
 [_EG]2 x2 [EG]2 x2 | [_EG]2 x2 [Gc]2 x2 | [^Gc]8 | [^Gc]8 | x8 | x8 | x4 c4- | c8 | x8 | x8 | x8 | %50
 x8 | x8 | x8 | x6 D2 | x8 | x6 d2 | d2 =B2 [Be]4 | x8 | x8 ||[K:E] x8 | x8 | x8 | x8 | x8 | %64
 x2 (3gfg x4 | (e4 f4 | g4 f4) | (e4 f4 | g4 f4) |[K:C exp  =F =C =G =D] f'4 e'4 | f'4 e'4 | %71
 x4 C4 | A,4 x4 | x2 (3ede [_Bc]4 | x8 |[M:3/4] x6 |[K:F][M:4/4] z4 (g'd'c'b) | z4 (g'd'c'b) | %78
 z4 (g'd'c'b) | z4 (g'd'c'b) | z4 (f'c'ba) | z4 (e'bag) | A8- | A8 | x8 | x8 | x8 | x8 | x8 | x8 | %90
 x8 | z4 C4 | x8 | x8 | x6 (3BdB | x8 | x8 | x8 | x6 (3bd'b | e8 | x8 | x8 |] %102


Questions about this score:
What is the title of the work?
Which instruments are used?
What is the initial key?
In measure 47, what is the tempo change marking?
In measures 59–68, what does the key signature change to?
In measure 1, what is the articulation marking?
In measures 100–101, does a chord suspension occur?
In measure 15, is there a third-inversion C7 chord?
In measure 1, is there an F major chord?
What is the most frequently used type of accompaniment in the piece?
In which measure does the melodic motif appear?
What are the main structural features of the motif?

Reference answers (in the same order):
Rêverie
Piano
F major
Rit. (ritardando)
E major
With Slur
No
No
No
Broken Chord
Measure 3-5
Leap of a fourth Interval; Stepwise