X:1
T:Schwanengesang
T:Ständchen
C:Franz Schubert
Z:Ludwig Rellstab
Z:OpenScore (CC0)
%%score 1 { ( 2 4 ) | 3 }
L:1/8
Q:1/4=62
M:3/4
I:linebreak $
K:F
V:1 treble nm="Voice"
V:2 treble nm="Piano"
V:4 treble 
V:3 bass 
V:1
"^Mässig" z6 | z6 | z6 | z6 |: (3AB A d3 A | (3GA G d2 G z | !>!A3 G (3GF E | F4 z2 | z6 | z6 | %10
w: ||||Lei- * se fle- hen|mei- * ne Lie- der|durch die Nacht * zu|dir;|||
w: ||||Hörst * die Nach- ti-|gal- * len schla- gen?|ach! sie fle- * hen|dich,|||
 (3AB A f3 A | (3GA G e3 d | c3 B (3BA G | A4 z2 | z6 | z6 | A3/2 ^c/ f3 e | d3/2 A/ F3 D | %18
w: in- * den stil- len|Hain * her- nie- der,|Lieb- chen, komm * zu|mir!|||Flüs- ternd schlan- ke|Wip- fel rau- schen|
w: mit _ der Tö- ne|sü- * ssen Kla- gen|fle- hen sie * für|mich.|||Sie ver- stehn des|Bu- sens Seh- nen,|
{Bc} (3BA B d3 B | A6 |{GA} (3G^F G B3 G | =F6 | A3/2 ^c/ f3 e | d3/2 A/ ^F3 D | %24
w: in _ des Mon- des|Licht,|in _ des Mon- des|Licht;|des Ver- rä- ters|feind- lich Lau- schen|
w: ken- * nen Lie- bes-|schmerz,|ken- * nen Lie- bes|schmerz,|rüh- ren mit den|Sil- ber- tö- nen|
{=B^c} (3B^A B d3 B | A6 |!f! (3e^d e g3 ^c |1 d6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 | z6 :|2 d6 || %37
w: für- * chte, Hol- de,|nicht,|für- * chte, Hol- de,|nicht!|||||||||Herz.|
w: je- * des wei- che|Herz,|je- * des wei che|||||||||||
 A3/2 A/ ^c3/2 c/ e3/2 e/ | d2 ^c2 z2 | A3 ^c e3/2 d/ | ^c4 z2 | ^f3 e (3ed ^c | %42
w: Lass auch dir die Brust be-|we- gen,|Lieb- chen hö- re|mich!|be- bend harr’ * ich|
w: |||||
 =B3/2 ^c/ !>!d2 B z | z6 | z6 |{=B^c} (3B^A B d3 B | A6 |!f! (3e^d e g3 ^c | (d6 | d2) z2 d2 | %50
w: dir ent- ge- gen|||komm, * be- glü- cke|mich!|komm, * be- glü- cke|mich,|_ be-|
w: ||||||||
 _B6 | =A6 | ^F6 | z6 | z6 | z6 | z6 | z6 | !fermata!z6 |] %59
w: glü-|cke|mich!|||||||
w: |||||||||
V:2
!pp! z .[A,D].[DF].[A,D].[DF].[A,D] | z .[B,D].[DF].[B,D].[DF].[B,D] | %2
 z .[B,D].[DE].[B,D].[DE].[B,D] | z .[A,^C].[CE].[A,C].[CE].[A,C] |: %4
!pp! z [A,D][DF][A,D][DF][A,D] | z [G,D][DE][G,D][DE][G,D] | z [G,A,^C][A,CE][G,A,C][A,CE][G,A,C] | %7
 z [F,A,D][A,DF][F,A,D][A,DF][F,A,D] | ([^ca]3 [eg]) (3([eg][df][ce]) | [df]6 | %10
 z [A,D][DF][A,D][DF][A,D] | z [G,D][DE][G,D][DE][G,D] | z [G,B,C][B,CE][G,B,C][B,CE][G,B,C] | %13
 z [F,A,C][A,CF][F,A,C][A,CF] (([Fd] | [Ec]3)) [GB] (3([GB][FA][EG]) | [FA]6 | %16
 z [G,A,][A,^C][G,A,][A,C][G,A,] | z [F,A,][A,D][F,A,][A,D][F,A,] | %18
!pp! z [F,B,D][B,DF][F,B,D][B,DF][F,B,D] | z [F,A,C][A,CF][F,A,C][A,CF][F,A,C] | %20
{Bc} (3(BAB !>!d3 B) | A6 | z [G,A,][A,^C][G,A,][A,C][G,A,] | z [^F,A,][A,D][F,A,][A,D][F,A,] | %24
 z [G,=B,D][B,DG][G,B,D][B,DG][G,B,D] | z [^F,A,D][A,D^F][F,A,D][A,DF][F,A,D] | %26
!f! (3([Gg][^F^f][Gg] !>![=B=b]3 [Gg]) |1 [^F^f]4 [FA]2 |!mf! ([G_B]4 !>![Bd]>[GB]) | %29
 [^FA]3 (.[FA].[FA].[FA]) | [GA]3 (.[^CA].[EA].[GA]) | [^FA]4!pp! [FA]2 | ([G=B]4 [Bd]>[GB]) | %33
 [^FA]3 (.[FA].[FA].[FA]) | [GA]3 (.[^CA].[EA].[GA]) | [^FA]6 :|2 [^F^f]6 || z6 | %38
!<(! [A,A]>[A,A][^C^c]>[Cc]!<)!!>(![Ee]>[Ee] | (([Dd]2!>)! [^C^c]2)) z2 | [A,A]3 [^C^c] !>![Ee]>d | %41
!f!!>(! ((([E^F^c]6!>)! |!mp! [D^F=B]4))) z2 |!f! =B>^c (!>!d2 B) z | =B>^c (!>!d2 B) z | %45
!p! z [G,=B,D][B,DG][G,B,D][B,DG][G,B,D] | z [^F,A,D][A,D^F][F,A,D][A,DF][F,A,D] | %47
 (3([Gg][^F^f][Gg] !>![=B=b]3 [Gg]) | [^F^f]6 | [=F=f]6 | [Ee]6 | [^C^c]6 | [Dd]4!pp! [^FA]2 | %53
 ([G_B]4 !>![Bd]>[GB]) | [^FA]3 (.[FA].[FA].[FA]) | [GA]3 (.[^CA].[EA].[GA]) | [^FA]6 | [A,^FA]6 | %58
!ppp! !fermata![A,^FA]6 |] %59
V:3
 [D,,D,]4 z2 | [B,,,B,,]4 z2 | [G,,,G,,]4 z2 | [A,,,A,,]4 z2 |: [D,,D,]4 z2 | [B,,,B,,]4 z2 | %6
 [A,,,A,,]4 z2 | [D,,D,]4 z2 | [A,,,A,,] [A,E][EG][A,E][EG][A,E] | %9
 [D,,D,] [A,D][DF][A,D][DF][A,D] | [D,,D,]4 z2 | [B,,,B,,]4 z2 | [C,,C,]4 z2 | [F,,,F,,]4 z2 | %14
 C,, [C,G,][G,B,][C,G,][G,B,][C,G,] | F,, [C,F,][F,A,][C,F,][F,A,][C,F,] | [A,,,A,,]4 z2 | %17
 [D,,D,]4 z2 | [B,,,B,,]4 z2 | [F,,,F,,]4 z2 | [C,,C,] [G,C][CE][G,C][CE][G,C] | %21
 [F,,,F,,] [F,A,C][A,CF][F,A,C][A,CF][F,A,C] | [A,,,A,,]4 z2 | [D,,D,]4 z2 | [G,,,G,,]4 z2 | %25
 [D,,D,]4 z2 | [A,,,A,,] [E,A,][A,^C][E,A,][A,C][E,A,] |1 %27
 D,, [D,^F,A,][F,A,D][D,F,A,][F,A,D][D,F,A,] | [D,,D,] [D,G,_B,][G,B,D][D,G,B,][G,B,D][D,G,B,] | %29
 D,, [D,^F,A,][F,A,D][D,F,A,][F,A,D][D,F,A,] | [A,,,A,,] [E,A,][A,^C][E,A,][A,C][E,A,] | %31
 D,, [^F,A,][A,D][F,A,][A,D][F,A,] | [D,,D,] [D,G,=B,][G,B,D][D,G,B,][G,B,D][D,G,B,] | %33
 D,, [D,^F,A,][F,A,D][D,F,A,][F,A,D][D,F,A,] | [A,,,A,,] [E,A,][A,^C][E,A,][A,C][E,A,] | %35
 D,, [^F,A,][A,D][F,A,][A,D][F,A,] :|2 D,, [D,^F,A,][F,A,D][D,F,A,][F,A,D][D,F,A,] || %37
"^cresc." [A,,,A,,] [A,,^C,E,][C,E,G,][A,,C,E,]!>![_B,,C,E,][C,E,G,] | %38
 [A,,,A,,] [A,,E,][E,G,][A,,E,]!>![B,,^C,E,][C,E,G,] | %39
 [A,,,A,,] [A,,E,][E,G,][A,,E,]!>![B,,^C,E,][C,E,G,] | %40
 [A,,,A,,] [A,,E,][E,G,][A,,E,]!>![^A,,^C,E,][C,E,G,] | %41
 [^A,,,^A,,] [E,^F,][F,^C][E,F,][F,C][E,F,] | [=B,,,=B,,] [D,^F,][F,=B,][D,F,][F,B,][D,F,] | %43
 [=B,,,=B,,] [B,,E,G,][E,G,=B,][B,,E,G,][E,G,B,][B,,E,G,] | %44
 [=B,,,=B,,] [B,,D,^F,][D,F,=B,][B,,D,F,][D,F,B,][B,,D,F,] | [G,,,G,,]4 z2 | [D,,D,]4 z2 | %47
!f! [A,,,A,,] [E,A,][A,^C][E,A,][A,C][E,A,] | D,, [D,^F,A,][F,A,D][D,F,A,][F,A,D][D,F,A,] | %49
!>(! [D,,D,] [D,=F,A,]!>)![F,A,D][D,F,A,][F,A,D][D,F,A,] | %50
"^dim." [G,,,G,,] [E,G,][G,_B,][E,G,][G,B,][E,G,] | [A,,,A,,] [E,G,][G,A,][E,G,][G,A,][E,G,] | %52
 D,, [D,^F,][F,A,][D,F,][F,A,][D,F,] | D,, [D,G,][G,B,][D,G,][G,B,][D,G,] | %54
 D,, [D,^F,][F,A,][D,F,][F,A,][D,F,] | A,,, [A,,E,][E,G,][A,,E,][E,G,][A,,E,] | %56
 D,,"^dim." [A,,D,][D,^F,][A,,D,][D,F,][A,,D,] | D,, [A,,D,][D,^F,][A,,D,][D,F,][A,,D,] | %58
 !fermata![D,,A,,D,]6 |] %59
V:4
 x6 | x6 | x6 | x6 |: x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %19
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |1 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 :|2 x6 || x6 | %38
 x6 | x6 | x6 | x6 | x6 | [EG]2 [EG]4 | [D^F]2 [DF]4 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %54
 x6 | x6 | x6 | x6 | x6 |] %59


Questions about this score:
What instruments are used?
What is the initial expression term?
What is the initial clef?
In measures 1–59, is there a repeat sign?
In measure 21, what is the highest pitch?
In measure 11, what is the shortest rest value?
In measure 13, what are the repeated notes of the C7 chord?
In measure 23, is there a suspension?
In measure 39, is there an A7 chord?
In which measure does the melodic motif appear?
What is the most frequently used texture in the piece?
In which part does the main theme first appear?

Reference answers (in the same order):
Voice and piano
Moderate
Treble clef; Bass clef
Yes
D5
Eighth rest
Seventh
No
Yes
Measures 5–8
Homophonic texture
Vocal part