X:1
T:Title
%%score ( 1 2 )
L:1/8
Q:1/4=35
M:3/4
I:linebreak $
K:Db
V:1 treble 
V:2 treble 
V:1
!mf!"^Très modéré" (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %1
 (b3/2!>(!c'/4_c'/4)!>)! !breath!!fermata!b4 | %2
 (!tenuto!b3/2=a/4=b/4) (!tenuto!_a3/2=g/4=a/4) (_g/f/=e/d/) | %3
!<(! (!tenuto!B3/2^F/4!<)!=G/4)!p! (!tenuto!=B!<(!(3(B/)F/G/ (3c/F/G/ (3d/"^()"{/f}=e/d/ | %4
!<)!!p! _B3/2!<(!^F/4=G/4!<)! !breath!=B2) (3z/!<(! A/_c/ (3d/_f/a/!<)! | z3/2!<(! a/ _c'4-!<)! | %6
 (c'4!>(! d'2)!>)! |!p![Q:1/4=44]"^Retenu" (e'4!>(! !breath!b2)!>)! || %8
!p![Q:1/4=50]"^Un peu mouvementé (mais très peu)" (!tenuto!B3/2=A/4=B/4) (!tenuto!_A3/2=G/4=A/4) (_G/F/=E/_D/) | %9
 (!tenuto!B3/2=A/4=B/4) (!tenuto!_A3/2=G/4=A/4)!<(! (_G/_A/_B/d/!<)! | %10
 e/{/g}f/e/d/) B2-!>(! (B/A/D/E/!>)! | %11
!<(! G/4A/4B/4d/4 e/4{/g}f/4e/4!<)!d/4 B2-) !breath!B(3d/e/g/ | %12
!mf! (=a-a/4_a/4=g/4_g/4) (e-e/4=d/4_d/4!>(!c/4) (=A-A/4_A/4=G/4_G/4)!>)! | %13
!p! (3(E{/G}F_F) !breath!E2!<(! (=F_F)!<)! | %14
 (3(E!>(!{/G}F_F)!>)!!p! (3(E!>(!{/G}=F_F)!>)!!p![Q:1/4=40]"^Cédez" (3(E!>(!{/=F}_FE)!>)! | %15
!p![Q:1/4=35]"^Rubato" (3(=D{/F}=E_D!<(! CDG__B)!<)! | (3(=D!>(!{/G}FD _D2 d2)!>)! | %17
!p! (3(=D{/F}=E_D CDG__B) |!p! (3(=D{/G}FD _D2!<(! e2-)!<)! | %19
 (e(3d/_c/B/ A2-) (3(A/E/G/ (3A/B/d/) | (!tenuto!e(3d/e/f/ e/d/_c/B/-) B2- | %21
 (3(B/_c/d/ (3__e/d/c/) (3(B/c/e/ (3_f/e/c/) (B/4=A/4_A/4G/4 =D/4G/4A/4=A/4) | %22
 B2"^(trille)" (!///-!e d B2) |"^(trille)" (!///-!g f B2){fga} !fermata!b2- | b4!mf! !tenuto!b2- | %25
!<(![Q:1/4=35]"^au Mouvt (très modéré)" (b3/2=a/4=b/4) (_a3/2=g/4!<)!=a/4) (_g/f/=e/d/) | %26
 (b2- b/d'/{/_f'}__e'/d'/ b2-) |"_dim." (b3/2=a/4=b/4) (_a3/2=g/4=a/4 _g/f/=e/d/) | %28
[M:2/4]!<(!!p! (3(B/=A/=B/ (3_A/=G/!<)!=A/!>(! _G/F/=E/"^()"D/)!>)! | %29
!<(!!p! (3(B/=A/=B/ (3_A/=G/!<)!=A/!>(! _G/F/=E/D/-)!>)! | %30
[M:3/4][Q:1/4=30]"^En retenant jusqu'à la fin." D2 (3(D{/G}F=E) D2- | D2-!>(! (3(D=A=G)!>)! D2- | %32
 D2!p!"_marqué" (!tenuto!=B4 |[Q:1/4=25]"^Très retenu" !>!=B2-)"_perdendosi" (5:4:5(B=A=GF_E) | %34
{/E} !fermata!D6 |] %35
V:2
 x6 | x6 | x6 | x6 | x4 _c2 | x6 | x6 | x6 || x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %18
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |[M:2/4] x4 | x4 |[M:3/4] x6 | x6 | x6 | x6 | %34
 x6 |] %35


Questions about this score:
What is the initial key?
Who is the composer?
What is the title of the work?
In measure 11, what is the ornament on the note f1?
In measure 11, is there an accidental?
In measure 31, what is the longest note value?
In measure 31, is there a third-inversion chord of B-flat major?
In measure 31, is there a minor chord of G-flat minor?
In measure 35, does it end on the tonic chord of the original key?
What is the rhythm of the motif?
What are the main structural features of the motif?
In which measure does the melodic motif appear?

Reference answers (in the same order):
D♭ major
Claude Denussy
Syrinx
Appoggiatura
No
Quarter note
Yes
Yes
Dotted rhythm, Even rhythm
Minor second; Stepwise motion
Measures 1, 2