X:1
T:Winterreise, D.911
T:Der Leiermann
C:Franz Schubert
Z:Wilhelm Müller
Z:OpenScore (CC0)
%%score 1 { ( 2 5 ) | ( 3 4 ) }
L:1/8
Q:1/4=50
M:3/4
I:linebreak $
K:C
V:1 treble nm="Singstimme\nVoice"
V:2 treble nm="Pianoforte"
V:5 treble 
V:3 bass 
V:4 bass 
V:1
"^Etwas langsam" z6 | z6 | z6 | z4 z2 | z6 | z2 z4 | z6 | z6 |[Q:1/4=46] A E A B c A | %9
w: ||||||||Drü- ben hin- term Dor\- fe|
 E A ^G B E2 |[Q:1/4=50] z6 | z6 |[Q:1/4=46] A E A B c A | E A ^G B E2 |[Q:1/4=50] z6 | z6 | %16
w: steht ein Lei- er mann,|||Und mit star- ren Fin- gern|dreht er, was er kann.|||
[Q:1/4=46] A e d c B E | A3/2 c/ B E B2 |[Q:1/4=50] z6 | z6 |[Q:1/4=46] A e d c B E | %21
w: Baar- fuss auf dem Ei- se|wankt er hin und her.|||Und sein klei- ner Tel- ler|
 A3/2 c/ B E B2 |[Q:1/4=50] z6 | z6 |[Q:1/4=46] A B c d e3/2 d/ | c B A E A2 |[Q:1/4=50] z6 | z6 | %28
w: bleibt ihm im- mer leer|||Und sein klei- ner Tel- ler|bleibt ihm im- mer leer|||
 z6 | z6 |[Q:1/4=46] A E A B c A | E A ^G B E2 |[Q:1/4=50] z6 | z6 |[Q:1/4=46] A E A B c A | %35
w: ||Kei- ner mag ihn hö- ren|kei- ner sieht ihn an,|||Und die Hun- de knur- ren|
 E A ^G B E2 |[Q:1/4=50] z6 | z6 |[Q:1/4=46] A e d c B E | A3/2 c/ B E B2 |[Q:1/4=50] z6 | z6 | %42
w: um den al- ten Mann.|||Und er lässt es ge- hen|al- les wie es will|||
[Q:1/4=46] A e d c B E | A c B E B2 |[Q:1/4=50] z6 | z6 |[Q:1/4=46] A B c d e3/2 d/ | c B A E A2 | %48
w: Dreht, und sei- ne Lei- er|steht ihm nim- mer still,|||Dreht, und sei- ne Lei- er|steht ihm nim- mer still.|
[Q:1/4=50] z6 | z6 | z6 | z6 |[Q:1/4=42] E3/2 E/ E E A E | z2 E E A c/B/ | A4 z2 | %55
w: ||||Wun- der- li- cher Al- ter,|soll ich mit dir *|gehn?|
[Q:1/4=46] E3/2 e/ d f e E | E3/2 e/ d f e2- | e4 z2 | z6 | z6 | !fermata!z6 |] %61
w: Willst zu mei- nen Lie- dern|dei- ne Lei- er drehn?|_||||
V:2
 z6 | z6 | (A/!pp!c/B/d/ cAB^G) | (Ac/) z/ !>![E^GB]4 | (Ac/) z/ !>![E^GB]4 | (A/e/d/f/ eABc) | %6
 (!>![D^G]B/) z/ [CE]4 | (!>![D^G]B/) z/ [CE]4 | z6 | z6 | (A/c/B/d/ cAB^G) | %11
 (!>!Ac/) z/ ((!>![E^GB]4 | [EA]2)) z2 z2 | z6 | (A/c/B/d/ cAB^G) | (Ac/) z/ (!>![E^GB]4 | %16
 [EA]2) z2 z2 | z6 | (A/e/d/f/ eABc) | ([D^G]B/) z/ [CE]4 | z6 | z6 | (A/e/d/f/ eABc) | %23
 ([D^G]B/) z/ [CE]4 | z6 | z6 |!<(! (A/f/e/^g/!<)!!>(! afe>d)!>)! | ([Ec]>[DB] [CA][B,E] [CA]2) | %28
 (!>![D^G]B/) z/ [CE]4 | (!>![D^G]B/) z/ [CE]4 | z6 | z6 | (A/c/B/d/ cAB^G) | %33
 (Ac/) z/ ((!>![E^GB]4 | [EA]2)) z2 z2 | z6 | (A/c/B/d/ cAB^G) | (!>!Ac/) z/ (!>![E^GB]4 | %38
 [EA]2) z2 z2 | z6 | (A/e/d/f/ eABc) | (!>![D^G]B/) z/ [CE]4 | z6 | z6 | (A/e/d/f/ eABc) | %45
 (!>![D^G]B/) z/ [CE]4 | z6 | z6 |!<(! (A/f/e/^g/!<)!!>(! afe>d)!>)! | %49
 ([Ec]>[DB] [CA][B,E] [CA]2) | (!>![D^G]B/) z/ [CE]4 | (!>![D^G]B/) z/ [CE]4 | %52
 (!>![D^G]B/) z/ [CE]4 | (!>![D^G]B/) z/ [CE]4 | (A/e/d/f/ ecAe) | z2 (!>![^GB]2 [Ac]2) | %56
 z2 !>![^GB]2 [Ac]2 |!f! (A/!<(!f/e/^g/!<)!!>(! afec)!>)! |!p! (A/c/B/d/ cAB^G) | %59
!pp! (Ac/) z/ !>![E^GB]4 | !fermata![CEA]6 |] %61
V:3
!pp!{^D,} [A,,E,]6 |{^D,} [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | %7
 [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | %16
 (A,4 ^G,2) | (A,2 ^G,4) | [A,,E,A,]6 | (B,2 A,4) | (A,4 ^G,2) | (A,2 ^G,4) | (A,3 CB,A,) | %23
 (B,2 A,4) | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | (B,2 A,4) | (B,2 A,4) | [A,,E,]6 | %31
 [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | (A,4 ^G,2) | %39
 (A,2 ^G,4) | [A,,E,A,]6 | (B,2 A,4) | (A,4 ^G,2) | (A,2 ^G,4) | (A,3 CB,A,) | (B,2 A,4) | %46
 [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | (B,2 A,4) | (B,2 A,4) | (B,2 A,4) | (B,2 A,4) | %54
 [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | !fermata![A,,E,]6 |] %61
V:4
 x6 | x6 | x6 | x6 | x6 | x6 | (B,2 A,4) | (B,2 A,4) | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %16
 [A,,E,]6 | [A,,E,]6 | z6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | x6 | x6 | x6 | %27
 x6 | [A,,E,]6 | [A,,E,]6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | [A,,E,]6 | [A,,E,]6 | x6 | %41
 [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | [A,,E,]6 | x6 | x6 | x6 | x6 | [A,,E,]6 | [A,,E,]6 | %52
 [A,,E,]6 | [A,,E,]6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |] %61
V:5
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %19
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %38
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | E6 | E6 | %57
 x6 | x6 | x6 | x6 |] %61


Questions about this score:
What is the title of the work?
Who is the composer?
What is the initial key?
In measure 12, what is the articulation marking?
In measure 54, what is the longest rest value?
In measures 1–61, is there a repeat sign?
In measures 53–61, is there a perfect cadence?
In measure 18, is there an E major chord?
In measure 45, is there a second inversion A7 chord?
What are the main characteristics of the motif?
In which measure does the melodic motif appear?
In which part does the main theme first appear?

Reference answers (in the same order):
Winterreise D.911 No.24
Franz Schubert
A minor
With Slur；With Accent
Quarter rest
No
No
No
No
Stepwise motion；leaps
Measures 9–10
Vocal part