X:1
T:Sonata I
C:W.A. Mozart.
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=124
M:4/4
I:linebreak $
K:C
V:1 bass nm="Piano" snm="Pno."
V:2 treble 
V:4 treble 
V:6 treble 
V:3 bass 
V:5 bass 
V:1
"^Allegro maestoso""^P""^Exposition" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |"^TR" z8 | z8 | z8 | %11
 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |"^MC" z8 |"^S" z8 | z8 | z8 | z8 | z8 | z8 | z8 | %29
 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |"^C""^EEC" z8 | z8 | %46
 z8 | z8 | z8 ::"^Development" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %62
 z8 | z8 | z8 | z8 | z8 | z8 | z8 |"^RT" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %79
"^P""^Recapitulation" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |"^TR" z8 | z8 | z8 | z8 | z8 | z8 | %93
 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |"^MC" z8 |"^S" z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %111
 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %128
"^C""^ESC" z8 | z8 | z8 | z8 | z8 :| %133
V:2
!f!{/^d} e2 e>e e2 c>A |{A} ^G2 G4 (d>B) | e2 e>e ef/e/ d/c/B/A/ |{A} ^G2 G4 (d>B) | %4
 ([ce]>[Ac]) [ce]2 z!p! .[Ac].[Bd].[ce] | ([^ce]2 [df]) z z .[GB].[A=c].[Bd] | %6
 ([B^d]2 [ce]) z z .[FA].[^GB].[Ac] | (c>B)(f>=d) (c>e)(d>B) | %8
!f!"^(dependent)"{/^d} e2 e>e ef/e/ =d/c/B/A/ | (A^G) G2- G>(Gd>)(B | %10
 e2) e>e (^d/e/f/e/ =d/c/B/A/) | (c_B) B2- B>(eg>)._b | (_ba).f.d (d^c).e.g | %13
 (g"_calando"^f) z =f z ^d z e |!p! (e=d) d3 e/d/{d} cB/c/ | B2!f! g>g g2 g2 | %16
 c'3 _b/_a/ (g2 ^f2) | [=Bg]2!p! g>g g2 g2 | c'3 _b/_a/ (g2 ^f2) | %19
!f! g/d/=B/d/ g/_e/c/e/ g/d/B/d/ g/e/c/e/ | g/d/B/d/ g/_e/c/e/ d/g/e/g/ d/g/e/g/ | %21
 B2 !arpeggio![GBdg]2 z!p!"^(caesura fill)" .g.a.b | c'/d'/b/d'/ c'/d'/b/d'/ c'/d'/b/c'/ a/b/g/a/ | %23
 f/g/=e/g/ f/g/e/g/ f/g/e/f/ d/e/c/d/ | B/c/A/c/ B/c/A/c/ B/c/A/B/ G/A/F/G/ | %25
 E/G/F/E/ F/G/A/B/ c/d/c/B/ c/d/e/f/ | g/a/^f/a/ g/a/f/a/ g/c'/b/c'/ d'/c'/b/c'/ | %27
 (b/a/^g/a/ =g/=f/e/f/ e/d/^c/d/ c/d/e/f/) | (a/g/^f/g/ =f/e/d/e/ d/=c/B/c/ B/c/d/e/) | %29
 f/g/e/f/ d/e/c/d/ B/c/A/B/ G/A/F/G/ | E/G/F/E/ F/G/A/B/ c/d/e/d/ c/_B/A/^G/ | %31
 A/=B/c/B/"_cresc." c/^c/d/c/ d/e/f/e/ f/^g/a/g/ |!f! a/b/=c'/b/ c'/b/c'/b/{d'} c'b/a/{b} ag/f/ | %33
 e/g/a/g/ f/e/(d/c/ !trill(!Td4!trill)!) | %34
"^local tonic \nomitted on downbeat" z/!p!"_(  )""^continues with S-based rhetoric" (c'/b/a/ g/a/^f/a/ g/a/f/a/ g/a/=f/g/ | %35
 e/) (c'/b/a/ g/a/^f/a/ g/a/f/a/ g/a/=f/g/ | e/)f/d/e/ c/d/B/c/ A/B/G/A/ F/G/E/F/ | %37
 DE/F/ G/A/B/c/ d/e/f/g/ a/b/c'/d'/ | e'/c'/b/c'/{b} ag/f/ e2 Td2 | c2 z2 z2 .[db].g | %40
 [ec']2 z2 z2 .[db].g | [ec']2 Tg3/2^f/4g/4 z2 Te3/2d/4e/4 | c'2 d'>e' f'2 Tb3/2a/4b/4 | %43
 c'/b/c'/g/{b} ag/f/ e/f/g/e/ d/e/f/d/ | c2 [ce]>[ce] [ce]2 [ce]>[ce] | %45
 [cd]2 [cd]>[cd] [Bd]2 [Bg]>[Bg] | [ce]2"_cresc." [cec']>[cec'] [cec']2 [cec']>[cec'] | %47
 [dac']2 [dac']>[dac'] [dgb]2 [dgb]>[dgb] | %48
!f! !arpeggio![egc']2 !arpeggio![ceg]2 !arpeggio![Gce]2 z2 :: %49
!p!"_(P-based material)"{/^f} g2 g>g g2 e>c |{/c} B2 B4 f>d | g2 g>g ga/g/ f/e/d/c/ | %52
{/c} _B2 B3 _deg |!f! (_b!p!gec _B_deg) |!f! (_b!p!gec _B^ceg) | %55
!f! _b/g/e/=c/ g/e/c/_B/ e/c/B/G/ c/B/G/E/ | ^A/G/E/C/ G/E/C/=B,/ ^A,/G/^F/G/{=A} GF/E/ | %57
"^sequential model (mm. 58–61)""_(C-based material)" ^D2 D>D D2 D2 | B>B=A>^G c>^de>c | %59
 A>A=G>^F B>^de>c | G>G=F>E A>B=c>A |"^sequential copy (mm. 62–65)" E2 ^G>G G2 G2 | %62
 e>e=d>^c f>^ga>f | d>d=c>B e>^ga>f | c>c=B>A d>e=f>d | %65
"^sequential copy (mm. 66–69)"!ff! A2 ^c>c c2 c2 | a>a =g>^f b>^c'd'>_b | g>g=f>e a>^c'd'>a | %68
 f>fe>d g>a_b>g | d2 z3/2 f/ f2 Tf3/2e/4f/4 | c2 z3/2 c/ e2 Te3/2d/4e/4 | %71
 B2 z3/2 B/ d2 Td3/2c/4d/4 | c/A/c/e/ E/=G/B/e/ E/A/c/e/ ^D/A/c/^d/ | %73
 e/E/^G/B/ e/G/B/e/ ^g/B/e/g/ b/g/e/=d/ | c/A/c/e/ a/c/e/a/ c'/a/e/c/ a/^f/c/A/ | %75
 ^G/E/G/B/ e/G/B/e/ ^g/B/e/g/ b/g/e/=d/ | c/A/c/e/ a/c/e/a/ c'/a/e/c/ a/^f/c/A/ | %77
 ^G/B/e/G/ A/B/^d/A/ G/B/e/G/ A/B/d/A/ | %78
 [^GBe]!p!(E/^D/ E/F/^F/"_cresc."=G/ ^G/A/_B/=B/ c/^c/=d/^d/) |!f!{/^d} e2 e>e e2 c>A | %80
{A} ^G2 G4 (d>B) | e2 e>e ef/e/ d/c/B/A/ |{A} ^G2 G4 (d>B) | %83
 ([ce]>[Ac]) [ce]2 z!p! .[Ac].[Bd].[ce] | ([^ce]2 [df]) z z .[GB].[A=c].[Bd] | %85
 ([B^d]2 [ce]) z z .[FA].[^GB].[Ac] | (c>B)(f>=d) (c>e)(d>B) | %87
!f! c/a/c/a/ c/a/c/a/ c/a/c/a/ c/a/c/a/ | B/a/B/a/ B/a/B/a/ B/=g/B/g/ _B/g/B/g/ | %89
 A/g/A/g/ A/g/A/g/ A/f/A/f/ A/f/A/f/ | G/f/G/f/ G/f/G/f/ G/e/G/e/ G/e/G/e/ | %91
 F/e/F/e/ F/e/F/e/ F/d/F/d/ F/d/F/d/ | E/d/E/d/ E/c/E/c/ E/B/E/B/ [EB]/e/[EB]/e/ | %93
"_calando" (e^d) z =d (d^c) z =c | (^AB) z ^c z d z e | g f2 e d=cBA |!f! ^G2 e>e e2 e2 | %97
 a3 =g/f/ ((e2 ^d2)) | ^G2 e>e e2 e2 | a3 =g/f/ (e2 ^d2) | %100
!f! e/B/^G/B/ e/c/A/c/ e/B/G/B/ e/c/A/c/ | e/B/^G/B/ e/c/A/c/ B/e/c/e/ B/e/c/e/ | %102
 B2 !arpeggio![E^GBe]2 z!p!"^(caesura fill)" .e.^f.^g | a/b/^g/b/ a/b/g/b/ a/b/=g/a/ =f/g/e/f/ | %104
 d/e/^c/e/ d/e/c/e/ d/e/=c/d/ B/c/A/B/ | ^G/B/A/B/ G/B/A/B/ G/B/F/B/ E/B/D/B/ | %106
 C/E/^D/E/ F/E/^G/E/ A/E/B/E/ c/E/=d/E/ | e/f/^d/f/ e/f/d/f/ e/a/^g/a/ b/a/g/a/ | %108
 =g/f/e/f/ e/=d/^c/d/ =c/_B/A/B/ A/B/c/d/ | (f/e/^d/e/ =d/c/=B/c/ B/A/^G/A/ G/A/B/c/) | %110
 d/f/c/f/ B/f/A/f/ ^G/B/F/B/ E/B/D/B/ | C/c/B/c/ d/c/B/A/ ^G/d/^c/d/ e/d/=c/B/ | %112
 A/B/c/B/ c/^d/e/d/ e/^g/a/g/ a/=g/f/e/ | f/g/a/f/ d/e/f/d/ B/c/d/B/ e/f/d/B/ | %114
 ^d/e/f/e/{=d} cB/A/ !trill(!TB4!trill)! | z/ (a/g/f/ e/f/^d/f/ e/f/d/f/ e/f/=d/e/ | %116
 c/) (a/g/f/ e/f/^d/f/ e/f/d/f/ e/f/=d/e/ | c/)d/e/d/ c/B/A/^G/ A/B/c/B/ A/=G/F/E/ | %118
"_cresc." D/_B,/F/D/ _B/F/d/B/ f/d/^g/f/ =b/g/d'/b/ |!f! e'/c'/a/e/{g} fe/d/ c2 TB2{AB} | %120
 A2 z2 z2 .[B^g].e | [ca]2 z2 z2 .[B^g].e | [ca]2 Te3/2d/4e/4 z2 Tc3/2B/4c/4 | %123
 a2"_cresc." b>c' d'2 Tg3/2f/4g/4 | a/^g/a/e/{=g} fe/d/ c/d/e/c/ B/c/d/B/ | %125
!f! d'/f'/b/d'/ ^g/b/f/g/ d/f/B/d/ ^G/B/F/G/ | [c^d^fac']8 | z/ a/e/c/ A/E/C/A,/ E2 [E^GBe]2 | %128
 A2 [Ac]>[Ac] [Ac]2"_cresc." [Ac]>[Ac] | [AB]2 [AB]>[AB] [^GBe]2 [GBe]>[GBe] | %130
 [Ac]2 [Aca]>[Aca] [Aca]2 [Aca]>[Aca] | [Bfa]2 [Bfa]>[Bfa] [Be^g]2 [Beg]>[Beg] | %132
!f! [cea]2 [Ace]2 [EAc]2 z2 :| %133
V:3
 [A,CE][A,CE][A,CE][A,CE] [A,CE][A,CE][A,CE][A,CE] | %1
 [A,B,DE][A,B,DE][A,B,DE][A,B,DE] [A,B,DE][A,B,DE][A,B,DE][A,B,DE] | %2
 [A,CE][A,CE][A,CE][A,CE] [A,CE][A,CE][A,CE][A,CE] | %3
 [A,B,DE][A,B,DE][A,B,DE][A,B,DE] [A,B,DE][A,B,DE][A,B,DE][A,B,DE] | [A,CE] A,E,C, A,,2 z2 | %5
 z2 ([F,A,=CD-]2 [G,B,D]) z z2 | z2 ([E,G,B,C-]2 [F,A,C]) z z2 | %7
 z2 ([D,F,B,]2 [E,A,C]2 [E,^G,B,]2) | [A,CE][A,CE][A,CE][A,CE] [A,CE][A,CE][A,CE][A,CE] | %9
 [A,B,DF][A,B,DF][A,B,DF][A,B,DF] [A,B,DF][A,B,DF][A,B,DF][A,B,DF] | %10
 [A,CE][A,CE][A,CE][A,CE] [A,CE][A,CE][A,CE][A,CE] | %11
 [=G,_B,CE][G,B,CE][G,B,CE][G,B,CE] [G,B,CE][G,CE][G,B,CE][G,B,CE] | %12
 [F,CF][F,CF][F,A,D][F,A,D] [E,G,A,][E,G,A,][E,A,^C][E,A,C] | %13
 [D,A,D]2 [=B,,D,G,]2 [=C,G,]2 [A,C]2 | (F,A,F,A, F,A,^F,A,) | %15
"_HC" G,/D/B,/D/"_(suffix: standing on the dominant)" G,/D/B,/D/ G,/_E/C/E/ G,/=F/D/F/ | %16
 G,/_E/C/E/ G,/E/C/E/ G,/E/C/E/ G,/E/C/E/ | G,/D/B,/D/ G,/D/B,/D/ G,/_E/C/E/ G,/=F/D/F/ | %18
 G,/_E/C/E/ G,/E/C/E/ G,/E/C/E/ G,/E/C/E/ | [G,B,D]2 z [C,C] [G,,G,]2 z [C,C] | %20
 [G,,G,]2 z [C,C] [G,,G,][C,C][G,,G,][C,C] | [G,,G,]2 [G,,,G,,]2 [G,,,G,,]2 z2 | %22
[K:treble]!p! [=EG][EG][EG][EG] [EG]2 z2 | [DA][DA][DA][DA] [DA]2 z2 | %24
 [G,DF][G,DF][G,DF][G,DF] [G,DF]2 z2 | C2 z2 z4 |[K:bass] [E,C][E,C][E,C][E,C] [E,C]2 z2 | %27
 z2 A,2 D4- | D2 G,2 C4- | C2 F,2 G,4- | G,2 D,2 E,4 | F,2 z2 z4 | %32
 F,/D/A,/D/ F,/D/A,/D/ F,/D/A,/D/ F,/D/A,/D/ | G,/E/C/E/ G,/E/C/E/ G,/F/B,/F/ G,/F/B,/F/ | %34
"_CAD""_☓" [CE]2 z2 z2[K:treble] .B.G | c2 z2 z2 .B.G | c2 z2[K:bass] C2 G,2 | A,4 [G,B,]4 | %38
 [G,C]2 (F,2 G,2) B,2 | %39
[K:treble]"_☓""_CAD""^local tonic \nomitted in bass voice" z/"_continues with S-based rhetoric" (c/B/A/ G/A/^F/A/ G/A/F/A/ G/A/=F/G/ | %40
 E/) c/B/A/ G/A/^F/A/ G/A/F/A/ G/A/=F/G/ | E/F/D/E/[K:bass] C/D/B,/C/ A,/B,/G,/A,/ F,/G,/E,/F,/ | %42
 D,/E,/C,/D,/ B,,/C,/A,,/B,,/ G,,/A,,/F,,/G,,/ E,,/F,,/D,,/F,,/ | E,, z F,, z G,, z G,,, z | %44
"_III: PAC" C/D/E/D/ C/B,/A,/^G,/ A,/B,/C/B,/ A,/=G,/F,/E,/ | %45
 F,/G,/A,/G,/ F,/D,/E,/F,/ G,/^F,/G,/F,/ G,/=F,/E,/D,/ | %46
 C,/D,/E,/D,/ C,/B,,/A,,/^G,,/ A,,/B,,/C,/B,,/ A,,/=G,,/F,,/E,,/ | %47
 F,,/G,,/A,,/G,,/ F,,/D,,/E,,/F,,/ G,,/^F,,/G,,/F,,/ G,,/=F,,/E,,/D,,/ | %48
 C,,2 [C,,C,]2 [C,,C,]2 z2 ::[K:treble] [CEG][CEG][CEG][CEG] [CEG][CEG][CEG][CEG] | %50
 [CDFG][CDFG][CDFG][CDFG] [CDFG][CDFG][CDFG][CDFG] | [CEG][CEG][CEG][CEG] [CEG][CEG][CEG][CEG] | %52
 [_DEG][DEG][DEG][DEG] [DEG][DEG][DEG][DEG] | [CEG][CEG][CEG][CEG] [_DEG][DEG][DEG][DEG] | %54
 [CEG][CEG][CEG][CEG] [^CEG][CEG][CEG][CEG] | [=CEG]2 z2 z4 |[K:bass] [C,,E,,G,,^A,,]8 | %57
!ff! B,,,/B,,/^A,,/B,,/ A,,/B,,/A,,/B,,/ B,,,/B,,/A,,/B,,/ A,,/B,,/A,,/B,,/ | %58
 B,,,/B,,/^A,,/B,,/ A,,/B,,/A,,/B,,/ B,,,/B,,/A,,/B,,/ A,,/B,,/A,,/B,,/ | %59
 B,,,/B,,/^A,,/B,,/ A,,/B,,/A,,/B,,/ B,,,/B,,/A,,/B,,/ A,,/B,,/A,,/B,,/ | %60
 B,,,/B,,/^A,,/B,,/ A,,/B,,/A,,/B,,/ B,,,/B,,/A,,/B,,/ A,,/B,,/A,,/B,,/ | %61
!pp! E,,/E,/^D,/E,/ D,/E,/D,/E,/ E,,/E,/D,/E,/ D,/E,/D,/E,/ | %62
 E,,/E,/^D,/E,/ D,/E,/D,/E,/ E,,/E,/D,/E,/ D,/E,/D,/E,/ | %63
 E,,/E,/^D,/E,/ D,/E,/D,/E,/ E,,/E,/D,/E,/ D,/E,/D,/E,/ | %64
 E,,/E,/^D,/E,/ D,/E,/D,/E,/ E,,/E,/D,/E,/ D,/E,/D,/E,/ | %65
 A,,/A,/^G,/A,/ G,/A,/G,/A,/ A,,/A,/G,/A,/ G,/A,/G,/A,/ | %66
 A,,/A,/^G,/A,/ G,/A,/G,/A,/ A,,/A,/G,/A,/ G,/A,/G,/A,/ | %67
 A,,/A,/^G,/A,/ G,/A,/G,/A,/ A,,/A,/G,/A,/ G,/A,/G,/A,/ | %68
 A,,/A,/^G,/A,/ G,/A,/G,/A,/ A,,/A,/G,/A,/ G,/A,/G,/A,/ | %69
 D,/F,/A,/D/ F/E/D/=C/ =B,/C/D/C/ B,/=G,/A,/B,/ | C/B,/C/D/ E/D/C/B,/ A,/B,/C/B,/ A,/F,/G,/A,/ | %71
 B,/A,/B,/C/ D/C/B,/A,/ ^G,/A,/B,/A,/ G,/E,/^F,/G,/ | A,2 [=G,,=G,]2 [^F,,^F,]2 [=F,,=F,]2 | %73
"_HC" [E,,E,]2 z3/2 E,/ E2"_(suffix: standing on the dominant)" T^G,3/2^F,/4G,/4 | %74
 A,2 z3/2 A,,/ A,2 T^D,3/2^C,/4D,/4 | E,2 z3/2 E,/ E2 T^G,3/2^F,/4G,/4 | %76
 A,2 z3/2 A,,/ A,2 T^D,3/2^C,/4D,/4 | E,2 [=F,,=F,]2 [E,,E,]2 [F,,F,]2 | [E,,E,]2 z2 z4 | %79
 [A,CE][A,CE][A,CE][A,CE] [A,CE][A,CE][A,CE][A,CE] | %80
 [A,B,DE][A,B,DE][A,B,DE][A,B,DE] [A,B,DE][A,B,DE][A,B,DE][A,B,DE] | %81
 [A,CE][A,CE][A,CE][A,CE] [A,CE][A,CE][A,CE][A,CE] | %82
 [A,B,DE][A,B,DE][A,B,DE][A,B,DE] [A,B,DE][A,B,DE][A,B,DE][A,B,DE] | [A,CE] A,E,C, A,,2 z2 | %84
 z2 ([F,A,=CD-]2 [G,B,D]) z z2 | z2 ([E,G,B,C-]2 [F,A,C]) z z2 | %86
 z2 ([D,F,B,]2 [E,A,C]2 [E,^G,B,]2) | [A,,A,]2 A,>A, A,2 F,>^D, | (F,E,) E,4 (=G,>E,) | %89
 F,2 F,>F, F,G,/F,/ E,/D,/C,/B,,/ | (D,C,) C,2- C,>G,E,>^C, | %91
 (E,D,).D,.D, D,E,/D,/ =C,/B,,/A,,/^G,,/ | (B,,A,,).A,,.A,, (A,,=G,,).G,,.G, | %93
 .^F,2 .=F,2 .E,2 .E,2 | .D,2 .E,2 .F,2 .^C,2 | D,2 E,2 F,2 ^D,2 | %96
"_HC" E,/B,/^G,/B,/"_(suffix: standing on the dominant)" E,/B,/G,/B,/ E,/C/A,/C/ E,/=D/B,/D/ | %97
 E,/C/A,/C/ E,/C/A,/C/ E,/C/A,/C/ E,/C/A,/C/ | %98
 E,/B,/^G,/B,/!p! E,/B,/G,/B,/ E,/C/A,/C/ E,/=D/B,/D/ | %99
 E,/C/A,/C/ E,/C/A,/C/ E,/C/A,/C/ E,/C/A,/C/ | [E,^G,B,]2 z [A,,A,] [E,,E,]2 z [A,,A,] | %101
 [E,,E,]2 z [A,,A,] [E,,E,][A,,A,][E,,E,][A,,A,] | [E,,E,]2 [E,,E,]2 [E,,E,]2 z2 | %103
[K:treble] ([CE][DF][CE][DF]) [CE]2 z2 | ([FA][G_B][FA][GB]) [FA]2 z2 | %105
[K:bass] E,F,E,F, [B,D]2 z2 | [A,,A,]2 z2 z4 |[K:treble] [CA][CA][CA][CA] [CA]2 z2 | %108
[K:bass] z2 F,2 _B,4- | _B,2 ^G,2 A,4- | A,2 F,2 E,2 B,2 | A,2 A,,2 B,,2 [E,^G,]2 | %112
 C,2 z2 z2 ^C,2 | D,/A,/F,/A,/ D,/A,/F,/A,/ D,/B,/F,/B,/ D,/B,/F,/B,/ | %114
 E,/C/A,/C/ E,/C/A,/C/ E,/D/^G,/D/ E,/D/G,/D/ |"_CAD""_☓" [A,C]2 z2 z2[K:treble] .^G.E | %116
 A2 z2 z2 .^G.E | A2 z2[K:bass] [C,E,A,]4 | [D,F,]4 [D,F,^G,=B,]4 | [C,E,A,]2 (C,2 E,2) G,2 | %120
[K:treble] z/!p! (A/=G/F/ E/F/^D/F/ E/F/D/F/ E/F/=D/E/ | C/)A/=G/F/ E/F/^D/F/ E/F/D/F/ E/F/=D/E/ | %122
[K:bass] C/D/B,/C/ A,/B,/G,/A,/ F,/G,/E,/F,/ D,/E,/C,/D,/ | %123
 B,,/C,/A,,/B,,/ ^G,,/A,,/^F,,/G,,/ E,,/=F,,/D,,/E,,/ C,,/D,,/B,,,/D,,/ | C,, z D,, z E,, z E,, z | %125
 [D,F,^G,B,]8 | C/^D/A,/C/ ^F,/A,/^D,/F,/ C,/D,/A,,/C,/ ^F,,/A,,/^D,,/F,,/ | %127
 E,,2 z/ E,/C,/A,,/ E,,2 E,2 |"_PAC" A,/B,/C/B,/ A,/!p!=G,/=F,/E,/ F,/G,/A,/G,/ F,/E,/D,/C,/ | %129
 D,/E,/F,/E,/ D,/B,,/C,/D,/ E,/^D,/E,/D,/ E,/=D,/C,/B,,/ | %130
 A,,/B,,/C,/B,,/ A,,/G,,/F,,/E,,/ F,,/G,,/A,,/G,,/ F,,/E,,/D,,/C,,/ | %131
 D,,/E,,/F,,/E,,/ D,,/B,,,/C,,/D,,/ E,,/^D,,/E,,/D,,/ E,,/D,,/=C,,/B,,,/ | %132
 A,,,2 [A,,,A,,]2 [A,,,A,,]2 z2 :| %133
V:4
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | c8 | x8 | c8 | %19
 x8 | x4 BcBc | G2 x6 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %37
 x8 | x8 | x8 | x8 | x2 z2 c'4- | f6 g2 | g/ x3/2 d x c/ x3/2 B/ x3/2 | x8 | x8 | x8 | x8 | x8 :: %49
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | B2 B>B B2 B2 | c4- ^F4 | B4- E4 | =A4- ^D4 | %61
 ^G2 e>e e2 e2 | =f4- B4 | e4- A4 | d4- ^G4 | ^c2 a>a a2 a2 | _b4- e4 | a4- d4 | g4- ^c4 | %69
 f2 x3/2 d/ d'2 d2 | e2 x3/2 e/ c'2 c2 | d2 x3/2 d/ b2 B2 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %80
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | A x2 A A2 x A | =A2 x A x A x A | %95
 A6 ^F2 | !arpeggio![Be]2 x6 | A8 | !arpeggio![Be]2 x6 | A8 | x8 | x4 ^GAGA | ^G2 x6 | x8 | x8 | %105
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x2 z2 a4- | %123
 d6 e2 | e/ x3/2 B x A/ x3/2 G/ x3/2 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 :| %133
V:5
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %19
 x8 | x8 | x8 |[K:treble] x8 | x8 | x8 | x8 |[K:bass] x8 | F,6 F,2 | E,6 E,2 | D,2 A,2 G,2 B,,2 | %30
 C,2 G,4 C2- | C2 x6 | x8 | x8 | x6[K:treble] x2 | x8 | x4[K:bass] E,4 | F,4 F,4 | E,2 C4 G,2 | %39
[K:treble] x8 | x8 | x2[K:bass] x6 | x8 | x8 | x8 | x8 | x8 | x8 | x8 ::[K:treble] x8 | x8 | x8 | %52
 x8 | x8 | x8 | x8 |[K:bass] x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %70
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %89
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 |[K:treble] x8 | x8 | %105
[K:bass] [=B,D][B,D][B,D][B,D] E,2 x2 | x8 |[K:treble] x8 |[K:bass] D,6 D,2 | C,6 C,2 | %110
 =B,,2 D4 ^G,2 | A,2 E,4 D,2 | [E,A,]2 x4 [E,A,]2 | x8 | x8 | x6[K:treble] x2 | x8 | %117
 x4[K:bass] x4 | x8 | x2 A,4 E,2 |[K:treble] x8 | x8 |[K:bass] x8 | x8 | x8 | x8 | x8 | x8 | x8 | %129
 x8 | x8 | x8 | x8 :| %133
V:6
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %19
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %38
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 :: x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %57
 x8 | E4 A4- | ^D4 G4- | ^C4 F4 | x8 | A4 d4- | ^G4 c4- | ^F4 B4 | x8 | d4 g4 | ^c4 f4- | =B4 e4 | %69
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %88
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %107
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %126
 x8 | x8 | x8 | x8 | x8 | x8 | x8 :| %133


Questions about this score:
What is the tempo in beats per minute?
What instruments are used?
Is it an anacrusis (upbeat measure)?
In measure 14, what is the ornament on note C?
In measure 20, into what clef does the bass vioce?
In measures 15–16, what is the ornamen markings?
In measures 32–38, is there a perfect cadence?
In measure 45, is there an Edim chord?
In measure 75, is there a second inversion IV major chord?
What is the most frequently used type of accompaniment in the piece?
In which measure does the melodic motif first appear?
Where is the principal section of the piece?

Reference answers (in the same order):
120 BPM
Piano
No
With Upper mordent
Treble clef
With Trill
No
No
Yes
Broken chord; Alberti bass
Measures 1–2
Measures 1–12