X:1
T:Simphonie Fantastique
C:Hector Berlioz
%%score [ | [ 1 | 2 ] | [ 3 | 4 ] | 5 | [ 6 | 7 ] | 8 | [ 9 | 10 ] | 11 ] [ [ 12 | 13 | 14 | 15 ] | [ | | ] | [ | ] | | ] [ | | | | ] { 16 | 17 } [ [ 18 | 19 ] | 20 | 21 | 22 ]
L:1/8
Q:1/4=56
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Flute 1" snm="Fl. 1"
V:2 treble nm="Flute 2" snm="Fl. 2"
V:3 treble nm="Oboe 1" snm="Ob. 1"
V:4 treble nm="Oboe 2" snm="Ob. 2"
V:5 treble transpose=-7 nm="English Horn" snm="E. Hn."
V:6 treble transpose=-2 nm="Clarinet in Bb 1" snm="Cl. in Bb 1"
V:7 treble transpose=-2 nm="Clarinet in Bb 2" snm="Cl. in Bb 2"
V:8 treble transpose=-14 nm="Bass Clarinet" snm="B. Cl."
V:9 bass nm="Bassoon 1" snm="Bsn. 1"
V:10 bass nm="Bassoon 2" snm="Bsn. 2"
V:11 bass transpose=-12 nm="Contrabassoon" snm="Cbsn."
V:12 treble transpose=-7 nm="Horn in F 1" snm="Hn. in F 1"
V:13 treble transpose=-7 nm="Horn in F 2" snm="Hn. in F 2"
V:14 treble transpose=-7 nm="Horn in F 3" snm="Hn. in F 3"
V:15 treble transpose=-7 nm="Horn in F 4" snm="Hn. in F 4"
V:16 treble nm="Harp" snm="Hrp."
V:17 bass 
V:18 treble nm="Violins 1" snm="Vlns. 1"
V:19 treble nm="Violins 2" snm="Vlns. 2"
V:20 alto nm="Violas" snm="Vlas."
V:21 bass nm="Violoncellos" snm="Vcs."
V:22 bass transpose=-12 nm="Contrabasses" snm="Cbs."
V:1
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V:2
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V:3
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V:4
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V:5
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V:6
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V:7
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V:8
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V:9
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V:10
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!f! E, z z2 z4 | (3z!pp!!<(! CC (3CCC!<)! C2 z2 | (3z!pp!!<(! E,E, (3E,E,E,!<)! E,2 z2 | %25
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V:11
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V:12
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V:13
[K:Bb] z8 |!ppp!!>(! B8- | B/!>)! z/ z z2 z4 | !fermata!z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %11
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V:14
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V:15
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V:16
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!>(! (g2 e)!>)! z/ c/!>(! (a2 g)!>)! z/ ^f/ | (g4 f) z z2 | (f2 e) z/ .e/ .e(edc) | %7
 (c4 =B/) z/ B cd |"_cresc." (e2 f2 g2!f! c'2) |!>(! (c'4!>)!!pp! =b2) z2 | %10
!p! (c'2 (c>c')) c'(c'b=a) |!>(! (b4!>)! g) z !fermata!z2 | (c'2 (c>c')) c'(c'b=a) | %13
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V:17
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!>(! E,4-!>)! E, z !fermata!z2 | z4!pp! EE z2 |!>(! E4-!>)! E !fermata!z z2 | %14
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 (6:4:6[B,_D]/[B,D]/[B,D]/[B,D]/[B,D]/[B,D]/"_cresc." (6:4:6[B,=D]/[B,D]/[B,D]/[B,D]/[B,D]/[B,D]/ (6:4:6[=B,D]/[B,D]/[B,D]/[B,D]/[B,D]/[B,D]/ (6:4:6E/E/E/E/E/E/ | %22
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V:18
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!>(! (g2 e)!>)! z/ c/!>(! (a2 g)!>)! z/ ^f/ | (g4 f) z z2 | (f2 e) z/ .e/ .e(edc) | %7
 (c4 =B/) z/ B cd |"_cresc." (e2 f2 g2!f! c'2) |!>(! (c'4!>)!!pp! =b2) z2 | %10
!p! (c'2 (c>c')) c'(c'b=a) |!>(! (b4!>)! g) z !fermata!z2 | (c'2 (c>c')) c'(c'b=a) | %13
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V:19
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V:20
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V:21
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Questions about this score:
What is the title of the piece?
What is the initial time signature?
Who is the composer?
In measure 18, what is the ornament on the naturalised note E?
In measure 18, which voice/part is playing?
In measure 18, is there a repeat sign?
In measure 18, what is the chord progression? (use I, II, III, IV, V, VI, VII)
In measure 18, is there a perfect cadence?
In measure 23, what is the spacing/arrangement of the chord I?
What are the core structural features of the motif?
What ornamentation techniques are used for the motif?
In which measure does the melodic motif first appear?

Reference answers (in the same order):
Symphonie Fantastique, Movement I: Daydreams
4/4 time
Hector Berlioz
With Appoggiatura
Harp section;String section
i
Yes
Close spacing
Triplet rhythm motif
With Slur;Staccato
Measure 1