X:1
T:PIZZICATO POLKA
T:Johann Strauss II Arranged by Ryan Zhu 
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:2/4
I:linebreak $
K:C
V:1 treble nm="Piano" snm="Pno."
V:2 bass 
V:1
!f!"^Moderato" .!^![Gg] z z!pp! .G | .[GA].[GA] z2 |!f! .!^![Gg] z z!pp! .[GA] | %3
 .[GB].[GB] !fermata!z .[ec'] |[Q:1/4=76]"^Allegro" .[fb].[fb]!pp! .[fb]/.[Bf]/.[fb]/.[Bf]/ | %5
 .[ce].[ce] .[ce]/.[Gc]/.[ce]/.[Gc]/ |!<(! .[Bf].[GB] .[Bf]!<)!.[GB] | %7
!p! !>!.[Gce]!>!.[cg] !>!.[Gcg]!pp!.[ec'] | .[fb].[fb] .[fb]/.[Bf]/.[fb]/.[Bf]/ | %9
 .[ce].[ce] .[ce]/.[Gc]/.[ce]/.[Gc]/ | .[fa].[GB] .[fa].[GB] | !>!.[EGc]!>!.[Ge] !>!.[Ec].d | %12
!<(! .[cb].[ca] .[cg].[c^f] | .[Be].[Ad] .[Gd]!<)!!mp!.[Gd] |!pp! .[c^d].[Ace] .[Ac^f] z | %15
 .[Be].[GB_e] .[GB=d]2 |!<(! .[cb].[ca] .[cg].[c^f] | .[Be].[Ad] .[Gd].[Gd] | %18
 .[c^d].[cc'] .[ce].[c^f]!<)! |!mf! .[Bg]2 z .!^!g | .!^!G z z .!^!g | .!^!G z z .!^!g | %22
"_dim." .!^!G z .[GA] z | .[GB] z !fermata!z!pp! .[ec'] | %24
[Q:1/4=80]"^ten. a tempo" .[fb].[fb] .[fb]/.[Bf]/.[fb]/.[Bf]/ | %25
 .[ce].[ce] .[ce]/.[Gc]/.[ce]/.[Gc]/ |!<(! .[Bf].[GB] .[Bf]!<)!.[GB] | %27
!p! !>!.[ce]!>!.[cg] !>!.[cg]!pp![Q:1/4=80]"^ten. a tempo".[ec'] | %28
 .[fb].[fb] .[fb]/.[Bf]/.[fb]/.[Bf]/ | .[ce].[ce] .[ce]/.[Gc]/.[ce]/.[Gc]/ | %30
 .[fa].[GB] .[fa].[GB]!dacoda! | !>!.[EGc].[Ec] z ||[K:F][Q:1/4=88]"^TRIO"!p! .[=B=b] | %33
 .[cc']2 z .[^c^c'] | .[dd']2 z .[^d^d'] | .[ee']2 z .[ee'] | .[dd']2 z .[ac'] | %37
 .[ac'].[g_e'] .[^fd'].[ac'] | .[ac'].[gb] .[db].[^da] | .[ea].[eg] .[eg].[e^g] | %40
 .[fa]2 z .[=B=b] | .[cc']2 z .[^c^c'] | .[dd']2 z .[^d^d'] | .[ee']2 z .[ee'] | .[dd']2 z .[ac'] | %45
 .[ac'].[g_e'] .[^fd'].[ac'] | .[gb].[=fd'] .[eg].[db] | .[ce].[=Ba] .[ce].[_Bg] | .[Af] z z2 |: %49
!ff![Q:1/4=100] .[cfa] z .[cfa] z | .[cfa].[fac'] .[fac'] z | .[ac'f'] z .[a^c'f'] z | %52
 .[fbe'].[dbd'] .[dbd'] z |!p! .[dd'].[dc'] .[db].[_ea] | .[d_a].[_dg] .[c^f].[=B=f] |1 %55
 .[_Bf].[Be] .[Ba].[Bg] | .[EBd].[FAc] .[FAc]2 :|2 .[_Bf].[Be] .[ed'].[ec'] | %58
 .[Af].[Af] .[Af] z!D.C.! ||[K:C]O !fermata!z2 z[Q:1/4=112]"^Più allegro"!p! .[gc'] | %60
 .[fb].[ea] .[dg].[df] | .[ce].[FBd] .[EAc].[C_EA] | .[B,DG].[FA] .[B,DG].[FA] | %63
 .[CEG].[Ec] .[Ge].[gc'] | .[fb].[ea] .[dg].[df] | .[ce].[FBd] .[EAc].[C_EA] | .[CEG].^G .[DFA].B | %67
[Q:1/4=112]"^accel." .[Ec][Q:1/4=114]"^.4".[Gg][Q:1/4=117] .[Bd][Q:1/4=119]"^.7".[Gg] | %68
[Q:1/4=122]"^.3" .[ce][Q:1/4=125]"^.1".[Gg][Q:1/4=127]"^.8" .[Bd][Q:1/4=130]"^.6".[Gg] | %69
[Q:1/4=133]"^.3" .c[Q:1/4=136]"^.1"!>(!.[c'e'][Q:1/4=138]"^.9" .[gc'][Q:1/4=141]"^.7".[eg] | %70
[Q:1/4=144]"^.6" .[ce][Q:1/4=147]"^.4".[Gc][Q:1/4=150]"^.3" .[EG][Q:1/4=153]"^.1".[CE]!>)! | %71
[Q:1/4=156]"^a tempo" .[G,C] z z2 | .[G,C] z z2 | !^![cec'] z z2 |] %74
V:2
 .!^![G,,G,] z z .[B,D] | .[CE].[CE] z2 | .!^![G,,G,] z z .[CE] | .[DF].[DF] z2 | %4
 .D,.[G,DF] .G,,.[G,DF] | .C,.[G,CE] .E,.[G,CE] | .D,.[G,DF] .G,,.[G,DF] | .C,.[G,CE] .E,.[G,CE] | %8
 .D,.[G,DF] .G,,.[G,DF] | .C,.[G,CE] .E,.[G,CE] | .D,.[G,DF] .G,,.[G,DF] | %11
 .[C,C].[G,,G,] .[C,G,] z | .[D,,D,].[^D,,^D,] .[E,,E,].[^F,,^F,] | %13
 .[G,,G,].[A,,A,] .[^A,,^A,].[B,,B,] | .D,.D .D z | .G,.D .D2 | %16
 .[D,,D,].[^D,,^D,] .[E,,E,].[^F,,^F,] | .[G,,G,].[A,,A,] .[^A,,^A,].[B,,B,] | %18
 .C,.[=A,C] .D,.[A,D] | .[G,B,].!^!G, .!^!G,.!^![CE] | .!^![B,D].!^!G, .!^!G,.!^![C_E] | %21
 .!^![B,D].!^!G, .!^!G, z | .!^![B,D] z .[CE] z | .[DF] z z2 | .D,.[G,DF] .G,,.[G,DF] | %25
 .C,.[G,CE] .E,.[G,CE] | .D,.[G,DF] .G,,.[G,DF] | !>!.[C,C]!>![G,,G,] !>!.[E,C][G,,G,] | %28
 .D,.[G,DF] .G,,.[G,DF] | .C,.[G,CE] .E,.[G,CE] | .D,.[G,DF] .G,,.[G,DF] | %31
 .C.[G,,E,G,] .[C,E,G,] ||[K:F] z | .[F,,F,].[C,F,A,] .[F,A,C] z | .[E,,E,].[C,G,B,] .[G,B,C] z | %35
 .C,.[G,B,C] [B,CE] z | .[F,,F,].[F,A,C] [A,CF] z | .D,.[A,C] .D,.[A,C^F] | .G,.[B,DG] .[B,DG] z | %39
 .C,.[B,C] .C,.[B,C] | .F,.C, .[F,,F,] z | .[F,,F,].[C,F,A,] .[F,A,C] z | %42
 .[E,,E,].[C,G,B,] .[G,B,C] z | .C,.[G,B,C] [B,CE] z | .[F,,F,].[F,A,C] [A,CF] z | %45
 .D,.[A,C] .D,.[A,C^F] | .G,.[B,DG] .[B,DG] z | .C,.[DF] .C,.[CE] | .[F,,F,].[A,C] .[A,C] z |: %49
 .[F,,C,F,] z .[F,,C,F,] z | .[F,,C,F,].[F,,C,F,] .[F,,C,F,] z | .[F,,C,F,] z .[F,,^C,F,] z | %52
 .[B,,F,].[D,F,B,] .[B,,F,B,] z |[K:treble] BA G^F | .=F.E ._E.D |1[K:bass] _DC C,[E,,E,] | %56
 .[F,,F,] z z2 :|2 ._D.C .A,,.[C,C] | .[F,,F,].C, .[F,,F,] z ||[K:C] !fermata!z2 z[K:treble] .e | %60
 .d.c .B.^G | .A[K:bass].^G, .A,.[^F,,^F,] | .[G,,G,] z .[G,,G,] z | .C, z z[K:treble] .e | %64
 .d.c .B.^G | .A[K:bass].^G, .A,.[^F,,^F,] | .[G,,G,] z .[G,,G,] z | .[C,G,C] z .[G,,F,] z | %68
 .[C,G,] z .[G,,F,] z | .[C,E,G,] z z2 | z .C,, .E,,.G,, | .C, z z2 | .[C,E,] z z2 | %73
 !^![C,,G,,] z z2 |] %74


Questions about this score:
What is the initial time signature?
What is the initial tempo indication?
What instruments are used?
In measure 1, what is the shortest rest value?
In measure 1, what is the highest pitch?
In measure 55, what is the new key signature?
In measure 49, what is the voicing of the F major chord?
In measure 41, what degree chord is the first chord (I, II, III, IV, V, VI, VII)?
In measure 41, what are the repeated notes in the F major chord?
What are the main structural features of the motif?
In which measure does the melodic motif first appear?
What is the most frequently used texture type in the piece?

Reference answers (in the same order):
2/4 time
Moderato
Piano
Eighth rest
G5
E♭;A♭;D♭
Open position
I
Repetition of the same pitch
Measures 1–2
Harmonic Texture