X:1
T:Etude En Douze Exercises
C:Franz Liszt
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=160
M:6/4
I:linebreak $
K:Ab
V:1 treble nm="Piano" snm="Pno."
V:4 treble 
V:2 bass 
V:3 bass 
V:1
!p!"^Allegro grazioso" (5:4:5(e/4f/4e/4=d/4e/4!p! c'g | b3 (ac_d f3 edc | %2
 c3) B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/4b/4c'/4=d'/4) | %3
"_con espressione" f'3 (e'_d'b) g3!pp! .e.d.B | %4
 GAce (g/a/c'/e'/) a' z z (5:4:5e/4f/4e/4=d/4e/4 c'g | b2 z ac_d f3 edc | %6
 c3 B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/4b/4c'/4=d'/4 | %7
"_espressivo" f'3 e'c'a f3 e_dB | GAce (g/a/c'/e'/) a' z z c{/e}dc | %9
"_con dolore" [cc']4 ([Gg]2 [Gg]2{/b} [Aa]2 [Gg]2 | [Gg]3) [Aa]=ef f[Gg][Aa].[=A=a].[Bb].[=B^b] | %11
 (.[cc'] z !>![dd']3 [cc']) [Gg]2 [Aa]2 [Gg]2 | %12
 [Gg]3 [Aa]=ef[Q:1/2=60] f3[Q:1/2=71] [Gg][Q:1/2=75][Aa][Q:1/2=77][=A=a][Q:1/2=62][Q:1/2=67] | %13
"_leggiero"[Q:1/2=80] [Bb]2 z (B{/=d}cB) b2 z (b{/=d'}c'b) | b'2 z (B{/=d}cB) b2 z (e{/g}fe) | %15
!8va(! e''2- e''/c''/=a'/_g'/!8va)! e'/c'/=a/_g/ e/=d/e/d/ e/d/e/d/ f/e/d/c/ | %16
 B3/2(3c/4B/4=A/4 .B/.c/.=d/.e/[Q:1/2=75] .f/.g/._a/.=a/[Q:1/2=70] (c'b[Q:1/2=65]_af[Q:1/2=60]cd) | %17
"^tr"[Q:1/2=70]{=def} Te6- e6- | %18
 e4[Q:1/2=80] e/=d/e/f/"_leggiero" g/a/b/c'/ _d'/e'/f'/g'/!8va(! a'/b'/c''/b'/ | %19
 a'/g'/f'/e'/"_rallentando" _d'/c'/b/a/!8va)![Q:1/2=75] g/f/e/=d/[Q:1/2=70] f/e/[Q:1/2=65]d/e/[Q:1/2=60] f/e/[Q:1/2=55]d/e/[Q:1/2=45] c'z/[Q:1/2=55]g/ | %20
"_a tempo" b3 a(3=Bc_d f3 edc | %21
 c3 B=AB"^tr"{ABc} TB3 (11:12:11A/4B/4c/4=d/4e/4f/4g/4_a/4b/4c'/4=d'/4 | f'3 (e'_d'b) g3 edB | %23
 GAce (5:4:5(g/a/c'/e'/c''/) a' z z z/4 e/4f/4e/4"_rall." (=d/4e/4d/4e/4d/4e/4c'/4g/4)"_a tempo" | %24
 b3 (ac_d) f3 (edc) | =A3 BcB A/B/c/B/ (11:16:11A/4B/4c/4d/4e/4f/4g/4_a/4b/4c'/4d'/4 | %26
!f! .e'.e!8va(! e''2- (e''/d''/c''/b'/ a'/g'/f'/e'/!8va)! d'/c'/b/a/) g/f/=e/f/ | %27
!p! (5:4:5(_e/4f/4e/4=d/4e/4) c'gacf ed_dBFG | [DEB]6 [CA]A{/c} BA{/c}BA | %29
"_con molto espressione" z [FA][FA][FA][FA][FA] [FA][FA][FA][FA][FA][FA] | %30
 [DF][DF][DF][DF][DF][DF] [DF][DF][F_A][FA][FA][FA] | %31
 z [EG][EG][EG][EG][EG] [GB][GB][GB][GB][GB][GB] | %32
 z [E_G][EG][EG][EG][EG] [EG][E=G][E_G][EG] [EG][EG] | %33
 z [FA][FA][FA][FA][FA] [FA][FA][FA][FA][FA][FA] | f3 =efe fef_gf_e | %35
 z [FB] [FB][FB][FB][FB] z"_cresc." [FB][FB][FB][=EB][EB] | g[Gc]f[Fc]g[Gc] a[Af]b[Bf]^b[=Bf] | %37
 [c=ec']2"^tr"!<(! !trill(!Tc4-!<)! c6- | c6!trill)!"^tr"({=Bc)} Td6({cd)} | %39
"^tr" T=d6"^tr"({cd)} Te6 |"^tr" !trill(!Te6 e4 =e2 | f4 ^f2 g6!trill)! | %42
!>(! (5:4:5(g/a/g/^f/g/)"^ritard." bag=f e =d2 e c'g!>)! | b3 a(3=Bc_d f3 edc | %44
 c3 B=AB"^tr"{ABc} TB3 A/4B/4c/4=d/4e/4f/4g/4_a/4b/4c'/4=d'/4e'/4 | f'3 e'_d'b g3 edB | %46
 GAce (5:4:5(g/a/c'/e'/c''/) a' z z z/4 e/4f/4e/4"_ritard." (=d/4e/4d/4e/4d/4e/4c'/4g/4) | %47
"_a tempo" b3 ac_d f3 edc | %48
 =A3 BcB (A/B/c/!<(!B/ (11:16:11A/4B/4c/4d/4e/4!<)!f/4g/4_a/4b/4c'/4d'/4 | %49
 e')e!8va(! e''2- (e''/d''/c''/b'/"_dim." a'/g'/f'/e'/ d'/c'/b/a/) g/f/=e/f/!8va)! | %50
!p! (5:4:5(_e/4f/4e/4=d/4e/4) c'gacf!>(! ed_dBFG!>)! | %51
 !fermata![DEB]8[Q:1/2=13] (46:16:40=A/4B/4c/4B/4A/4B/4d/4c/4e/4d/4f/4e/4g/4f/4_a/4g/4b/4a/4!<(!!8va(! c'/4b/4d'/4c'/4e'/4d'/4f'/4e'/4g'/4f'/4a'/4g'/4b'/4a'/4c''/4b'/4d''/4!<)!c''/4e''/4d''/4 f''3/2e''/ (12:2:12d''/b'/g'/e'/!8va)! d'/b/g/e/ d/B/G/E/[Q:1/2=20] (6:2:6F/E/=D/E/D/E/[Q:1/2=45] c3 B | %52
[Q:1/2=65] !arpeggio![CEA]12 |] %53
V:2
 z2 z |!ped! (A,,E,A,C E) z (A,,E,A,C E) z!ped-up! |!ped! (A,,F,A,=D F) z (A,,F,A,D F) z!ped-up! | %3
!ped! (A,,G,B,_D E) z (A,,G,B,D E) z!ped-up! |!ped! (A,,E,A,C E) z (A,,E,A,C E) z!ped-up! | %5
!ped! (A,,E,A,C E) z (A,,E,A,C E) z!ped-up! |!ped! =D,B,=DF A z _D,B,DF A z!ped-up! | %7
 E,A,CE A z E,B,_DE G z |!ped! A,,E,A,C E z A,,E,A,C E z!ped-up! | %9
!ped! =E,,C[=E,B,]CC,C!ped-up!!ped! C,,C[E,B,]CC,C!ped-up! | %10
!ped! F,,C[F,A,]!ped-up!!ped!CC,C!ped-up!!ped! F,,C[F,A,]CC,C!ped-up! | %11
!ped! =E,,C[=E,B,]CC,C C,,C[E,B,]CC,C!ped-up! | %12
!ped! F,,C[F,A,]!ped-up!!ped!CC,C!ped-up!!ped! F,,C[F,A,]CC,C!ped-up! | =D,B,FA z2 E,B,EG z2 | %14
 (=D,B,FA) z2 (E,B,EG) z2 | (=A,,=A,C_G) z2 (A,,A,CG) z2 | (B,,B,E=G) z2 (B,,B,=DF) z2 | %17
[K:treble] [EG]2 ([EG][FA])([FA][^F=A]) [FA]2 ([GB][^G=B])([GB][Ac]) | %18
 [E=Ac]2!pp! [EBd]2 z2 z4 z2 | z12 |[K:bass]!ped! A,,E,A,C E z A,,E,A,C E z!ped-up! | %21
!ped! A,,F,A,=D F z A,,F,A,D F z!ped-up! |!ped! (A,,G,B,_D E) z (A,,G,B,D E) z!ped-up! | %23
 A,,E,A,C E z A,,E,A,C E z | A,,E,A,C E z A,,E,A,C E z | =D,"^cresc."B,=DF _A z _D,G,B,E G z | %26
 C,A,CE A z D,B,DF A z | (E,A,CE) A z E,,B,,D,E, G, z | A,,E,G,E,B,G, A,2 A,,2 z2 | %29
!ped! D,,[D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,] [D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,] | %30
 [D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,] [D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,][D,F,A,]!ped-up! | %31
!ped! D,,[D,G,B,][D,G,B,][D,G,B,][D,G,B,][D,G,B,] [D,G,B,][D,G,B,][D,G,B,][D,G,B,][D,G,B,][D,G,B,]!ped-up! | %32
!ped! D,,[D,A,C][D,A,C][D,A,C][D,A,C][D,A,C] [D,A,C][D,A,C][D,A,C][D,A,C]!ped-up![D,A,C][D,A,C] | %33
!ped! D,,[D,A,D][D,A,D][D,A,D][D,A,D][D,A,D] [D,A,D][D,A,D][D,A,D][D,A,D][D,A,D][D,A,D]!ped-up! | %34
!ped! =A,,[F,C_E] [F,CE][F,CE][F,CE][F,CE] [F,CE][F,CE][F,CE][F,CE][F,CE][F,CE]!ped-up! | %35
 B,,[F,B,D] [F,B,D][F,B,D][F,B,D][F,B,D] =G,,[G,B,D] [G,B,D][G,B,D][G,B,D][G,B,D] | %36
 A,,[A,C][A,C][A,C] =E,,[G,C] F,,[F,A,]=D,,[=D,F,]_D,,[_D,G,] | %37
 [C,,C,]2[K:treble] [C=E][=DF][CDF][^D^F] !^![DF]2!<(! [EG][=F_A][FA][^F=A]!<)! | %38
 (!^![^F=A]2 [GB]2) [GB]2 z2!p! [_C=F_A]2 [CFA]2 | %39
 z2 [B,FA]2 [B,FA]2 z2 [EG]!<(![FA][FA][^F=A]!<)! | %40
 [^F=A]2!<(! [GB][_A_c][Ac][=A=c]!<)! [Ac]2 [Bd]4- | [Bd]6 [GBde]4 z2 | z12 | %43
[K:bass]!ped! (A,,E,A,C E) z (A,,E,A,C E) z!ped-up! |!ped! (A,,F,A,=D F) z (A,,F,A,D F) z!ped-up! | %45
!ped! (A,,G,B,_D E) z (A,,G,B,D E) z!ped-up! | (A,,E,A,C E) z (A,,E,A,C E) z | %47
 A,,E,A,C E z A,,E,A,C E z | =D,B,=DF _A z _D,G,B,E G z | C,A,CE A z D,B,DF A z | %50
 E,A,CE A z E,,B,,D,E, G, z | !fermata![A,,D,E,G,]12 x6 | !arpeggio![A,,C,E,A,]12 |] %53
V:3
 x3 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | %16
 x12 |[K:treble] !>!E6 !>!E6 | x12 | x12 |[K:bass] x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | %28
 x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x2[K:treble] x4 C6- | C4 C2 x6 | x8 E2 E2 | %40
 E6- E4 =E2 | z2 F2 ^F2 x6 | x12 |[K:bass] x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | %51
 x865/48 | x12 |] %53
V:4
 x3 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | %15
!8va(! x4!8va)! x8 | x12 | x12 | x10!8va(! x2 | x4!8va)! x8 | x12 | x12 | x12 | x12 | x12 | x12 | %26
 x2!8va(! x6!8va)! x4 | x12 | x12 | f3 =efe fef_edc | BAGAGA =AB=Bcd^d | (e4 B2) g3 fed | %32
 d3 cBA =GAGA{/c} BA | .a4- a2 f2 z2 f2 | z [Fc][Fc][Fc][Fc][Fc] [Fc][Fc][Fc][Fc][Fc][Fc] | %35
 e4 d2 !>!f4 =e2 | g2 f2 g2 a2 b2 ^b2 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | x12 | %47
 x12 | x12 | x2!8va(! x10!8va)! | x12 | x383/40!8va(! x89/32!8va)! x17/3 | x12 |] %53


Questions about this score:
What is the initial time signature?
What is the initial expression term?
What is the initial clef?
In measures 1–52, is there a repeat sign?
In measure 20, what is the tempo change marking?
In measure 21, what is the rest value?
In measures 51–52, is there a suspension?
In measures 50–51, what is the chord progression? (Use I, II, III, IV, V, VI, VII)
In measure 52, what are the repeated notes of the ♭A major chord?
In which measure does the melodic motive first appear?
What is the most frequently used type of accompaniment in the piece?
In measures 1–2, in which register is the melody played?

Reference answers (in the same order):
6/4 time
Con leggierezza
Treble clef; Bass clef
No
A tempo
Eighth rest
No
I64–V9–I
Root, third, fifth
Measures 1–4
Arpeggio
Upper–middle register