X:1
T:Humoresque No.7
T:Humoresque
C:Antonín Dvořák
Z:Public Domain
%%score { ( 1 3 ) | ( 2 4 5 ) }
L:1/8
Q:1/4=72
M:2/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble 
V:2 bass 
V:4 bass 
V:5 bass 
V:1
"^Poco lento e grazioso" (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %1
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/4a/4g/z/4e/4) |!>(!{/B} (d/z/4d/4e/z/4d/4 g/z/4e/4d/z/4B/4)!>)! | %3
!p! A4 |!>(! ([B,G]/z/4A/4G/z/4A/4 B/z/4d/4e/z/4d/4)!>)! | %5
!pp! (e/z/4f/4a/z/4g/4 f/z/4a/4g/z/4e/4) | (d/z/4d/4g/z/4G/4 ([GA][Fd])) | [B,G]3 z :| %8
 (B!<(!.[gb]/)z/4.[fa]/4 ([fa][eg]) | ([eg]!<)!.[df]/)z/4.[ce]/4!f! ([ce][Bd]) | %10
!>(! ([Bd][Ac]/[Ge]/ dc)!>)! |!p! ([GB]/[DA]/ [B,G]2) (.G/.A/) | %12
 (B!<(!.[gb]/)z/4.[fa]/4 (P[fa][eg])!<)! |!<(! ([eg].[df]/)z/4[ce]/4!<)!!f! (P[ce][Bd]) | %14
 (d/c/d/!>(!e/ B/A/B/{/d}c/)!>)! |[Q:1/4=62]"^ritard." B (!>!__B2 A) | %16
!pp![Q:1/4=72]"^in tempo"{/B,} (G/z/4A/4G/z/4A/4 B/z/4d/4!<(!e/z/4d/4) | %17
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/4a/4g/z/4e/4) |!>(!{/B} (d/z/4d/4e/z/4d/4 g/z/4e/4!>)!d/z/4B/4) | %19
 A4 |{/B,} (G/z/4A/4G/z/4!<(!A/4 B/z/4d/4!<(!e/z/4d/4) | %21
{/e} (g/z/4f/4!<)!a/z/4g/4 f/z/4a/4g/z/4e/4)!<)! | %22
 d/z/4[Q:1/4=66]"_ritard."(d/4!arpeggio!__b/)z/4(d/4 =c/)z/4(b/4!arpeggio!a/)z/4(e/4 | %23
{/d-} [Gdg]4) ||[K:A]!f![Q:1/4=72]"^[in tempo]" (.F/!<(!.G/.A/.G/ [FA][EG]/[DF]/)!<)! | %25
 (EB, C-<[CE]) | (.F/.G/.A/.G/!>(! [FA][EG]/[DF]/) |!>(! (Ec A2)!>)! | %28
!f! (.F/!<(!.G/.A/.G/ [FA][EG]/[DF]/)!<)! | (E/F/D/B,/) C-<[CE] | %30
 (.F/.G/.A/.G/ [FA]!>(![EG]/[DF]/)!>)! |!>(! (F!>(!d) c2!>)!!>)! | %32
!f! (.F/.G/.A/.G/ [FA][EG]/[DF]/) | (E/G/4F/4E/B,/ C/4F/4E3/2) | %34
 (F/G/A/G/ !arpeggio![GB]/[FA]/[EG]/[DF]/) | !tenuto![DE]!tenuto![DEB] (c/4B/4A3/2) | %36
 !arpeggio!!>![Fcf]/!>![Gcg]/!>![Aca]/!>![Gcg]/ !>![Bfb]/!>![Afa]/!>![GAg]/!>![FAf]/ | %37
 !arpeggio!!>![DGe]/[Ff]/[Ee]/[B,B]/ ([CEc]<[Ee]) | %38
 !arpeggio!!>![Fcf]/!>![Gg]/!>![Aca]/!>![Gcg]/ !>![Afa][Geg]/[Fcf]/ | %39
 [Fdf][Q:1/4=60]"^rit."!>(![efe']/[dfd']/!>(! !fermata![c^ec']2!>)!!>)! || %40
[K:Gb]!pp![Q:1/4=72]"^[in tempo]"{/B,} (G/z/4A/4G/z/4A/4 B/z/4!<(!d/4e/z/4d/4) | %41
{/e} (g/z/4f/4a/z/4g/4!<)! f/z/4a/4g/z/4e/4) |!>(!{/B} (d/z/4d/4e/z/4d/4 g/z/4e/4d/z/4B/4)!>)! | %43
 A4 |{/B,} (G/z/4A/4G/z/4!<(!A/4 B/z/4d/4!<)!!<(!e/z/4d/4) | %45
{/e} (g/z/4f/4a/!<)!z/4g/4 f/z/4a/4g/z/4e/4) | %46
 d/z/4(d/4[Q:1/4=62]"^ritard."!arpeggio!__b/)z/4(d/4 =c/)z/4(b/4!arpeggio!a/)z/4(e/4 | %47
!>(!{/d-} [Gdg]4)!>)! ||[Q:1/4=72]"^in tempo" (B!<(!.[gb]/)z/4.[fa]/4!<)! ([fa][eg]) | %49
 ([eg].[df]/)z/4.[ce]/4!f! ([ce][Bd]) | ([Bd][Ac]/!>(![Ge]/ dc) | %51
 ([GB]/[DA]/ [B,G]2) (.G/.A/)!>)! |!p! (B[gb]/)z/4[fa]/4 ([fa][eg]) | %53
 ([eg][df]/[ce]/)!>(! ([ce][Bd]) | (d/c/d/e/[Q:1/4=66]"_ritardando" B/A/B/{/d}c/)!>)! | %55
!p! (!tenuto!B!tenuto!d)!pp! !arpeggio!!fermata![GBdg]2 |] %56
V:2
"^leggiero"!ped! .G,,.[D,B,] .[G,D]!ped-up!"_senza".[B,G] | %1
!ped! .[C,,C,].[E,C] .[G,E]!ped-up!"_senza".[CG] |!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] | %3
 z (G, F,2) |!ped! .G,, .[D,B,].[G,D]!ped-up!.[B,G] |!ped! .C,.[E,C] .[G,E]!ped-up!.[CG] | %6
 (B,2 C2) |!ped! G,,/z/4(D,/4D/z/4D,/4 G,) z!ped-up! :| %8
!ped! G,,/[D,B,]/[G,D]/!ped-up! z/!ped! B,,/[G,D]/[B,G]/!ped-up! z/ | %9
!ped! (G,/E/C/G,/)!ped-up!!ped! !arpeggio!=G,2!ped-up! | A,,/E,/A, (D,E,/F,/) | (G,,D,/G,/D,) z | %12
!ped! G,,/[D,B,]/[G,D]/!ped-up! z/!ped! B,,/[G,D]/[B,G]/!ped-up! z/ | %13
!ped! (G,/E/C/G,/)!ped-up!!ped! !arpeggio!=G,2!ped-up! | A,,/E,/C [D,C]2 | A, (G,2 E,/)F,/ | %16
!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] |!ped! .[C,,C,].[E,C] .[G,E]!ped-up!.[CG] | %18
!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] | z (G, F,2) |!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] | %21
!ped! .[C,,C,].[E,C] .[G,E]!ped-up!.[CG] | %22
!ped! ([B,,B,]!ped-up!!ped![E,D])!ped-up!!ped! ([A,,=C]!ped-up!!ped![D,_C])!ped-up! | %23
!ped! B,4!ped-up! ||[K:A] [F,A,]2 [D,F,]2 | [E,G,]2 (E,C,/E,/) | [F,A,]2 [D,F,]2 | %27
 (A,G,) !arpeggio!E/C/A,/E,/ | [F,A,]2 [D,F,]2 | [E,G,]2 (E,C,/E,/) | [F,A,]2 [D,F,]2 | %31
 !arpeggio!B,2 (A,G,) |!ped! [F,A,]F,,!ped-up!!ped! [D,F,]D,,!ped-up! | %33
!ped! [E,G,]E,,!ped-up! A,,C,/E,/ |!ped! [F,A,]F,,!ped-up!!ped! [D,F,]D,,!ped-up! | %35
!ped! (E,/F,/A,/G,/)!ped-up!!ped! (E,C/A,/)!ped-up! | %36
!ped! [F,A,]F,,!ped-up!!ped! [D,F,]D,,!ped-up! | %37
!ped! [B,,G,][E,,D,E,]!ped-up!!ped! (E,C,/E,/)!ped-up! | %38
!ped! [F,A,]F,,/F,,/!ped-up!!ped! [D,F,]D,,/D,,/!ped-up! | %39
 !arpeggio![G,,B,][B,,G,]!ped! !arpeggio!!fermata![C,G,B,^E]2!ped-up! || %40
[K:Gb]!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] |!ped! .[C,,C,].[E,C] .[G,E]!ped-up!.[CG] | %42
!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] |!ped! z (G,!ped-up! F,2) | %44
!ped! .G,,.[D,B,] .[G,D]!ped-up!.[B,G] |!ped! .C,.[E,C] .[G,E]!ped-up!.[CG] | %46
!ped! [B,,B,]!ped-up!!ped![E,D]!ped-up!!ped! [A,,=C]!ped-up!!ped![D,_C]!ped-up! | %47
!ped! z3/4 (D,/4D/z/4D,/4 G,) z!ped-up! || G,,/[D,B,]/[G,D]/ z/ B,,/[G,D]/[B,G]/ z/ | %49
 (G,/E/C/G,/) !arpeggio!=G,2 | A,,/E,/A, (D,E,/F,/) | G,,(D,/G,/ D,) z | %52
!ped! G,,/[D,B,]/[G,D]/!ped-up! z/!ped! B,,/[G,D]/[B,G]/ z/!ped-up! | %53
!ped! (G,/E/C/G,/)!ped-up!!ped! !arpeggio!=G,2!ped-up! | A,,/E,/C [D,C]2 | %55
 (!tenuto![G,B,]!tenuto![D,C])!ped! !arpeggio!!fermata![G,,D,B,]2!ped-up! |] %56
V:3
 x4 | x4 | x4 | z!>(! (EDC) | x4 | x4 | G2 x2 | x4 :| x4 | x4 | x2 FG/A/ | x4 | x4 | x4 | %14
 B/AG/ F>E | F(D!>(!!>(!=C_C)!>)! | x4 | x4 | x4 | z!>(! (EDC) | x4 | x4 | G/z/G/ z/ G/z/F/ z/ | %23
 x4 ||[K:A] C2 A,2 | x4 | C2 A,2 | (D2 C2) | C2 A,2 | x4 | C2 A,2 | DF ^E2 | C2 A,2 | x2 C2 | %34
 C2 A,2 | x2 [CE]2 | x4 | x4 | x4 | x4 ||[K:Gb] x4 | x4 | x4 | z!>(! (EDC) | x4 | x4 | GG GF | %47
 x4 || x4 | x4 | x2 FG/A/ | x4 | x4 | x4 | B/AG/ F2 | G[FA] x2 |] %56
V:4
 x4 | x4 | x4 | D,4 | x4 | x4 | (B,,E,/__E,/) D,2 | x4 :| x4 | C,2 E,,2 | x2 D,2 | G,,3 x | x4 | %13
 C,2 E,,2 | x4 | =D,E,A,,_D, | x4 | x4 | x4 | D,4 | x4 | x4 | x4 | (B,D,G,) z ||[K:A] x4 | %25
 x2 A,,2 | x4 | (B,,E,) A,,2 | x4 | x2 A,,2 | x4 | G,,2 C,2 | x4 | x2 A,,2 | x4 | E,,2 A,,2 | x4 | %37
 x2 A,,2 | x4 | x4 ||[K:Gb] x4 | x4 | x4 | D,4 | x4 | x4 | x4 | !arpeggio![G,,B,]4 || x4 | %49
 C,2 E,,2 | x2 D,2 | G,,3 x | x4 | C,2 E,,2 | x4 | x4 |] %56
V:5
 x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 :| x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | %19
 x4 | x4 | x4 | x4 | G,,4 ||[K:A] x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 | %37
 x4 | x4 | x4 ||[K:Gb] x4 | x4 | x4 | x4 | x4 | x4 | x4 | x4 || x4 | x4 | x4 | x4 | x4 | x4 | x4 | %55
 x4 |] %56


Questions about this score:
What is the initial key?
What is the tempo in beats per minute?
Is there an anacrusis (upbeat measure)?
In measure 1, what is the highest pitch?
In measures 1–8, is there a repeat sign?
In measure 1, what is the articulation marking?
In measures 1, what scale degree is the chord?? (Use I, II, III, IV, V, VI, VII)
In measure 16, is there a B♭ major chord?
In measures 7–8, is there a perfect cadence?
What is the most frequently used accompaniment texture type in the work?
What are the main structural features of the motif?
In which measure does the melodic motif appear?

Reference answers (in the same order):
G♭ major
72 BPM
No
E♭5
Yes
With Slur; Staccato
I
No
Yes
Broken chord
Second Interval; Third Interval
Measure 1