X:1
T:Un Sospiro
C:Franz Liszt
%%score { 1 | ( 2 4 6 ) | ( 3 5 ) }
L:1/8
Q:1/4=25
M:4/4
I:linebreak $
K:Db
V:1 treble nm="Piano" snm="Pno."
V:2 treble 
V:4 treble 
V:6 treble 
V:3 bass 
V:5 bass 
V:1
"^Allegro affetuoso." z8 | z8 | %2
 z2[Q:1/4=70]"_70"!f!"^*) cantando.""_dolce con grazia." (.A z .B z[Q:1/4=75]"_75" .d z | %3
 .e z[Q:1/4=80]"_80" .f z[Q:1/4=70]"_70" .e z[Q:1/4=50]"_50" .B) z | %4
[Q:1/4=60]"_60" d2[Q:1/4=70]"_70" z2[Q:1/4=85]"_85" z4 | %5
 z2[Q:1/4=70]"_70" (.A z[Q:1/4=80]"_80" .B z!<(! .d) z | %6
 (.e!<)! z .f z[Q:1/4=70]"_70"!>(! .e z[Q:1/4=50]"_50" .B) z!>)! | %7
[Q:1/4=60]"_60" d2[Q:1/4=70]"_70" z2[Q:1/4=85]"_85" z4 | %8
 z2[Q:1/4=80]"_80"!>(! (!>!.g z[Q:1/4=90]"_90" .f z .c)!>)! z | %9
[Q:1/4=85]"_85"!<(! (.e z[Q:1/4=75]"_75" .d z[Q:1/4=60]"_60" .a z[Q:1/4=50]"_50" .g)!<)! z | %10
[Q:1/4=70]"_70"!<(! (A2 =G3/2[Q:1/4=50]"_50" .A/{.A}!<)!!>(! f2 f7/4!>)! e/4) | %11
[Q:1/4=25]"_25" d2 z2 z4 | z2"_sempre dolce grazioso." (3(.A.a) z (3(.B.b) z (3(.d.d') z | %13
 (3(.e.e') z (3(.f.f') z (3(.e.e') z[Q:1/4=60]"_60" (3(.B[Q:1/4=50]"_50".b) z | (3(.d.d') z z2 z4 | %15
 z2 (3(.A.a) z (3(.B.b) z (3(.d.d') z | %16
 (3(.e.e') z (3(.f.f') z (3(.e.e') z[Q:1/4=60]"_60" (3(.B.b) z | %17
[Q:1/4=50]"_50"!<(! (3(.d.d') z z2 z4!<)! || %18
[K:A] z2!ff! (3(.f.f') z[Q:1/4=60]"_60" (3(.e.e') z (3(.B.b) z | %19
!<(! (3(.c.c') z (3(.e.e') z[Q:1/4=60]"_60" (3(!>!.b!>!.b') z[Q:1/4=50]"_50" (3(.a.a')!<)! z | %20
[Q:1/4=80]"_80" z8 |[Q:1/4=60]"_60" z8 | z8 |[Q:1/4=30]"_30" z8 |[Q:1/4=90]"_90" z8 | z8 | z8 | %27
 z8 | z16 |[Q:1/4=40]"^40" z8 | z8 | z8 | z8 | z8 | z8 |[Q:1/4=60]"_60" z8 | z8 | %37
[Q:1/4=45]"^45" z8 x3/20 |[Q:1/4=42]"_42" x8 || %39
[K:E][Q:1/4=40]"_40"!mp! !>!A2[Q:1/4=60]"_60" G2[Q:1/4=70]"_70" z2 (.[G^B] z | %40
[Q:1/4=80]"_80" .[Ac] z[Q:1/4=85]"_85" .[ce] z .[=df] z[Q:1/4=50]"_50" .[fa]) z | %41
 !>![g^b]4 z2[Q:1/4=80]"_80" (.[G^B] z | %42
 .[Ac] z[Q:1/4=85]"_85" .[ce] z .[=df] z[Q:1/4=60]"_60" .[fa]) z | z8 | z8 | z8 | z8 | %47
[Q:1/4=60]"_60" z8 |[Q:1/4=60]"_60" z8 |[Q:1/4=60]"_60" z8 | z8 | z8 | z8 || %53
[K:Db][Q:1/4=11]"_11" z8 | z16 || %55
"^Variation for the extension of the cadenza for Auguste Rennebaum in 1875" z8 | %56
[Q:1/4=50]"_50" z8 |[Q:1/4=70]"_70" z8 | z8 | z8 | z8 | z8 |[Q:1/4=60]"_60" z8 | z8 | z8 | %65
[Q:1/4=60]"_60" z8 | z8 | z8 |[Q:1/4=60]"_60" z24 |[Q:1/4=25]"_25" z4[Q:1/4=50]"_50" z2 (.[DF] z | %70
!p! .[=D^F] z .[F=A] z .[=G=B] z[Q:1/4=65]"_65" .[B=d]) z | %71
[Q:1/4=25]"_25" !>![_d=f]4[Q:1/4=50]"_50" z2 (.[df] z | %72
 .[=d^f] z .[f=a] z .[=g=b] z[Q:1/4=65]"_65" .[b=d']) z |[Q:1/4=65]"_65" z8 |[Q:1/4=65]"_65" z8 | %75
[Q:1/4=65]"_65" z8 |[Q:1/4=65]"_65" z8 |[Q:1/4=20]"_20" z8[Q:1/4=40]"_40" z2 z | %78
[Q:1/4=20]"_20" z19/2 | z8 | z8 | z8 | z8 |[Q:1/4=40]"_40" z8 |[Q:1/4=40]"_40" z8 | %85
[Q:1/4=20]"_20" z8 |] %86
V:2
!p!"^armonioso.""_legatissimo"!ped![I:staff +1] (7:4:7(D,,/A,,/D,/"_poco agitato."F,/[I:staff -1]A,/D/F/!<(!(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) | %1
!>(! (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/!>)!A,/[I:staff +1]F,/D,/A,,/) | %2
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) | %3
 (7:4:7(D,,/!ped!!ped-up!B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/)!ped-up! | %4
!<(! (7:4:7(D,,/!ped!"^sempre Pedale."A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/)!>(! (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) | %5
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) | %6
"^sempre Pedale." (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) | %7
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) | %8
 (C,,/4"_*) Die nach unten gestrichnen Noten sind mit der linken,\ndie nach oben mit der rechten Hand zu spielen."=A,,/4E,/4F,/4[I:staff -1]=A,/4E/4F/4=A/4z/4A/4F/4E/4A,/4[I:staff +1]F,/4E,/4A,,/4)[I:staff -1] (7:4:7z/[I:staff +1] (C,/E,/F,/[I:staff -1]C/E/F/(7:4:7z/F/E/C/[I:staff +1]F,/E,/C,/) | %9
[I:staff -1] (7:4:7z/[I:staff +1] (D,/F,/B,/[I:staff -1]D/F/B/ (7:4:7z/ B/F/D/[I:staff +1]B,/F,/D,/) (7:4:7(G,,/D,/E,/B,/[I:staff -1]D/E/B/ (7:4:7z/ B/E/D/[I:staff +1]B,/E,/D,/) | %10
 (6:4:6(A,,/F,/A,/D/[I:staff -1]D/F/(6:4:6z/F/D/[I:staff +1]D/A,/F,/) (7:4:7(A,,/_G,/A,/C/[I:staff -1]C/G/A/(7:4:7z/A/G/C/[I:staff +1]C/A,/!fermata!G,/) | %11
!<(! (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/)!>(! (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) | %12
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) | %13
 (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) | %14
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) | %15
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7z/F/D/A,/[I:staff +1]F,/D,/A,,/) | %16
 (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) (7:4:7(D,,/B,,/D,/G,/[I:staff -1]B,/D/G/(7:4:7z/G/D/B,/[I:staff +1]G,/D,/B,,/) | %17
 (7:4:7(D,,/A,,/D,/F,/[I:staff -1]A,/D/F/(7:4:7d/F/D/A,/[I:staff +1]F,/D,/A,,/) (7:4:7(D,,/A,,/D,/_F,/[I:staff -1]A,/D/_F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/) || %18
[K:A] (B,,,/4G,,/4D,/4E,/4[I:staff -1]G,/4D/4E/4G/4z/4G/4E/4D/4G,/4[I:staff +1]E,/4D,/4G,,/4)[I:staff -1] (7:4:7z/[I:staff +1] (B,,/D,/E,/[I:staff -1]B,/D/E/(7:4:7z/E/D/B,/[I:staff +1]E,/D,/B,,/) | %19
[I:staff -1] (7:4:7z/[I:staff +1] (C,/E,/A,/[I:staff -1]C/E/A/ (7:4:7z/ A/E/C/[I:staff +1]A,/E,/C,/)[I:staff -1] (7:4:7z/"^crescendo."[I:staff +1] (C,/^E,/A,/[I:staff -1]C/^E/A/ (7:4:7z/ A/E/C/[I:staff +1]A,/E,/C,/) | %20
"_appassionato."!ff![I:staff -1] (6:4:3!tenuto!g2 !tenuto!f2 !tenuto!B2 (6:4:6(!tenuto!c/c'/)(!tenuto!d/d'/)(!tenuto!f/f'/) (6:4:6(!>!!fermata!F/!>(!.f/) (G/.g/) (c/.c'/)!>)! | %21
!p!"^in Tempo.""_dolce." ([Bb]2 [Aa]) z z2[K:bass] (!>!.E,2 | !>!.F,2 !>!.A,2 !>!.B,2 !>!.C2) | %23
{/C} !>!E4[K:treble] x4 |!<(! x8!<)! | x8 | %26
!f!"_agitato con passionato." z [ee'] (3:2:2([ee']2 [ee']) (3[ee'][ee'][ee']!8va(!{/[ee']} !wedge![_a_a']z/[ee']/ | %27
 [ee'][=f=f'] !^![_e'_e'']2- (6:4:6[e'e''][_d'_d''][_b_b'][_a_a'][=g=g'][_ee']!8va)! | %28
"^loco." (3[_d_d'][=c=c'][_A_a] (3[=G=g][=F=f][_Dd] !^![Dd]4-"^con forza." (4:4:4[Dd]/[=Cc]/[=B,B]/[Cc]/(4:4:4[B,B]/[Cc]/[B,B]/[Cc]/(5:4:5[B,B]/[Cc]/[B,B]/[Cc]/[_E_e]/!wedge![Dd]z/[Cc]/ | %29
!ff! [=C=c]4 x4 | %30
 (5:4:4z!f! (=B,/[D=F]/A/(6:4:6A/[Bd]/a/a/[bd']/a'/) (5:4:4z (_B,/[_D=E]/A/(6:4:6_B/[_d=e]/a/_b/[_d'=e']/a'/) | %31
 (5:4:4z (A,/=C/[=FA]/(6:4:6A/=c/[=fa]/a/=c'/[=f'a']/ (6:4:6[f'a']/c'/a/[fa]/c/A/(6:4:6[fa]/c/A/[FA]/C/A,/) | %32
 (5:4:4z (=B,/[D=F]/A/(6:4:6A/[Bd]/a/a/[bd']/a'/) (5:4:4z (_B,/[_DE]/A/(6:4:6_B/[_de]/a/_b/[_d'e']/a'/) | %33
 (5:4:4z (A,/=C/[=FA]/(6:4:6A/=c/[=fa]/a/=c'/[=f'a']/ (6:4:6[f'a']/c'/a/[fa]/c/A/"_marcato."(6:4:6[fa]/c/A/[FA]/C/A,/) | %34
 (5:4:4z (A,/^B,/[^FA]/(6:4:6A/^c/[ea]/a/c'/[e'a']/) (6:4:6z/ (^G/^B/[^dg]/g/^b/(6:4:6[^d'g']/b/g/[bd']/g/d/) | %35
 (5:4:4z (^F/[^G^c]/f/) (6:4:6(E/[Gc]/e/e/[gc']/e'/!8va(!(6:4:6e'/[g'c'']/e''/e''/[g'c'']/e'/)!8va)!"^loco." (6:4:6(=d'/[^eg]/d/d/[^EG]/D/) | %36
 (6:4:6z/ D/[F^A]/d/d/!arpeggio![f^ad']/ (6:4:6c'/[fa]/c/c/[FA]/C/[K:bass] (7:4:7E,21/64^^F,21/64C21/64E21/64"^accelerando."[I:staff +1](^^F,21/64C21/64 !wedge!E21/64)[I:staff -1][K:treble] (6:4:6E21/64^^F21/64[ce]21/64[I:staff +1](^^F21/64c21/64 !wedge!e21/64)[I:staff -1] (6:4:6e21/64f21/64[c'e']21/64[I:staff +1](f21/64c'21/64 !wedge!e'21/64) | %37
!mf!!8va(![I:staff -1] (5:4:5e'/4^^f'/4^b'/4c''/4^d''/4"_Presto." (9:8:9!^!f''/8^e''/8=e''/8d''/8=d''/8c''/8b'/8=b'/8^a'/8(9:8:9=a'/8^g'/8=g'/8^f'/8^e'/8=e'/8^b/8c'/8^d'/8(9:8:9!^!f'/8^e'/8=e'/8d'/8=d'/8c'/8!8va)!"^loco."b/8=b/8^a/8(9:8:9=a/8^g/8=g/8f/8^e/8=e/8^B/8c/8^d/8(9:8:9!^!f/8^e/8=e/8d/8=d/8c/8B/8=B/8^A/8(9:8:9=A/8^G/8=G/8F/8^E/8=E/8^B,/8C/8^D/8 (6:4:6F/4^E/4=E/4B,/4C/4D/4 | %38
 (6:4:6F/4^E/4=E/4B,/4C/4D/4 (6:4:6F/4^E/4=E/4^B,/4C/4^D/4 (3(.F3/5.^E3/5.=E3/5 (3.D3/5.=D3/5.C3/5) (3(.B,3/5.^D3/5.C3/5 (3.E3/5.D3/5.F3/5) (3:2:2.E3/5"_rit." x6/5 || %39
[K:E] x8 | x8 | x8 | x8 | !arpeggio![G^d^b]4 x4 | !arpeggio![Ad=c']4 !arpeggio![Aec']4 | %45
 !arpeggio![=daf']8 | !arpeggio![^dbf']4 !arpeggio![dbf']4 | %47
!f! (6:4:5z z/"^leggierissimo volante." ^B,/D/A/(5:4:5^B/d/a/^b/d'/ (6:4:6a'/d'/a/d/a/d'/ (6:4:6a'/d'/a/d/a/d'/ | %48
 (6:4:5z z/ ^B,/D/A/(5:4:5^B/d/a/^b/d'/ (6:4:6a'/d'/a/d/a/d'/ (6:4:6a'/d'/a/d/a/d'/ | %49
 (6:4:5z z/ ^B,/D/A/(5:4:5^B/d/a/^b/d'/ (6:4:6a'/d'/a/d/a/d'/ (6:4:6a'/d'/a/d/a/d'/ | %50
!8va(! (6:4:6a'/d'/a/d/a/d'/ (6:4:6a'/d'/a/d/a/d'/ (6:4:6a'/d'/a/d/a/d'/ (6:4:6=c''/d'/a/!8va)!"^loco."=c'/d/A/ | %51
 (6:4:6d/f/=c'/!8va(!a/d'/f'/ (6:4:6=c''/d'/a/!8va)!"^loco."c'/d/A/ (6:4:6d/f/c'/!8va(!a/d'/f'/ (6:4:6c''/d'/f'/a/d'/f'/ | %52
 (6:4:6=c''/d'/f'/a/d'/f'/ (6:4:6c''/d'/f'/a/d'/f'/ (6:4:6c''/d'/f'/a/d'/f'/ (7:4:7c''/d'/f'/a/d'/f'/c''/ || %53
[K:Db]!pp! (7:4:7!arpeggio![c'g'a'f'']/"_velocissimo."e''/d''/c''/b'/a'/=g'/ (6:4:6b'/a'/_g'/f'/e'/=d'/ (8:8:8g'/4f'/4e'/4_d'/4c'/4b/4a/4=g/4!8va)!"^loco." (6:4:6_b/a/_g/f/e/=d/ | %54
 (8:8:8g/4f/4e/4_d/4c/4B/4A/4=G/4 (6:4:6B/A/_G/F/E/=D/ (7:4:7G/F/E/_D/C/B,/A,/ (7:4:7=G,/A,/B,/C/D/E/F/(7:4:7G/4=G/4!ped-up!!ped!A/4B/4c/4d/4e/4(6:4:6f/4_g/4!8va(!=g/4a/4b/4c'/4(6:4:6d'/4e'/4f'/4g'/4=g'/4a'/4(6:4:6=a'/4b'/4=b'/4c''/4d''/4=d''/4 e''!8va)! z2 !fermata!z || %55
 z2!p! [CEA]2 [DEB]2 [DGd]2 | !arpeggio![DB]6 [DE]2 | [DGd]8- | dcBG EDC{/E}D | %59
 C2 B,2 __B,2{/D} _C2 | %60
 !fermata!__B,2!p!"_dolce.""^Un poco più mosso" (6:4:6A,/D/A/A/d/a/ (6:4:6b/d/B/B/D/_B,/ (6:4:6D/A/d/d/a/d'/ | %61
 (6:4:6e'/b/e/e/B/E/ (6:4:6F/B/f/f/b/f'/ (6:4:6e'/b/e/e/B/E/ (6:4:6B,/E/B/B/e/b/ | %62
 (6:4:6d'/a/d/d/A/D/ (6:4:6A,/D/A/D/A/d/(6:4:6A/d/a/d/a/d'/!8va(!(6:4:6a/d'/a'/d'/a'/d''/ | %63
(6:4:6a'/d'/!8va)!"^loco."x/x/A/D/ (6:4:6A,/D/A/A/d/a/ (6:4:6b/d/B/B/D/B,/ (6:4:6D/A/d/d/a/d'/ | %64
 (6:4:6e'/b/e/e/B/E/ (6:4:6F/B/f/f/b/f'/ (6:4:6e'/b/e/e/B/E/ (6:4:6B,/E/B/B/e/b/ | %65
 (6:4:6d'/a/d/d/A/D/ (6:4:6A,/D/A/D/A/d/(6:4:6A/d/a/d/a/d'/!8va(!(6:4:6a/d'/a'/d'/a'/d''/ | %66
 (6:4:6a'/d'/!8va)!"^loco."x/x/A/D/ (6:4:6G/c/g/g/c'/g'/ (6:4:6f'/c'/f/f/c/F/ (6:4:6C/F/c/c/f/c'/ | %67
 (6:4:6e'/b/e/e/B/E/ (6:4:6D/F/d/d/f/d'/ (6:4:6A/_c/a/a/_c'/a'/ (6:4:6G/B/g/g/b/g'/ | %68
 (6:4:6A,/D/A/A/d/a/ (6:4:6=G,/D/=G/ A,/D/A/ (5:4:5F/A/A/f/x/(5:4:5x/f/a/a/f'/(5:4:5x/x/!8va(!f'/a'/a'/(4:4:4f''/a'/a'/f'/(4:4:4f'/a/!8va)!"^loco."a/f/(4:4:4f/A/A/F/ (4:4:4.a/.f/.a'/!8va(!.f'/ a''!8va)! z !fermata!z2"^loco."!p! (F>E) | %69
 x8 | x8 | x8 | z8 | !arpeggio!!tenuto![_d_a_d'=f']8!ped-up! | %74
 !arpeggio!!tenuto![=dbf']8!ped!!ped-up! |!ped! !arpeggio!!tenuto![=d=b=g']8 | %76
 !arpeggio![=e=b^g']8 | %77
 x x!8va(! a/4-d'/4-f'/4-a'/4- a'2!8va)! x x/!8va(! b/4d'/4-f'/4-b'/4- [d'f'b']/!8va)! x x/!8va(! d'/4g'/4-b'/4-d''/4- [g'b'd'']/!8va)! | %78
 z z!8va(! (3e'/4-g'/4-b'/4- [g'b'e'']2 [f'f''] [e'e'']2 [bb']2!8va)! |!pp!"_sempre" z8!ped-up! | %80
"^loco." .[A,DF]4!ped! .[__B,D_F__B]4!ped-up! | .[CF=Ac]4!ped! .[F_Adf]4!ped-up! | %82
 .[__Bd_f__b]4!ped! .[c=f=ac']4 | [f_ad'f']4!mp! F3 F | F4 F2 F2 | !fermata![_A,DF]8!ped-up! |] %86
V:3
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | C,,2 x2 =A,,,2 x2 | B,,,2 x2 x4 | x8 | x8 | x8 | x8 | x8 | %15
 x8 | x8 |!<(! x8!<)! ||[K:A] x4 G,,,2 x2 |!<(! A,,,2 x2 C,,2 x2!<)! | %20
 (6:4:6D,,/A,,/B,,/F,/A,/B,/(6:4:6F/B,/A,/F,/B,,/A,,/ (6:4:6E,,/B,,/D,/G,/B,/D/ (6:4:6!fermata!z/"_rit." F/E/D/G,/E,/ | %21
 (6:4:6z/ A,,/E,/A,/C/E/[K:treble] (6:4:6c/A/E/[K:bass]C/A,/E,/ (6:4:6A,,/E,/A,/C/[K:treble]E/A/ (6:4:6c/A/E/[K:bass]C/A,/E,/ | %22
 (6:4:6z/!pp! A,,/F,/A,/D/F/[K:treble](6:4:6c/A/F/[K:bass]D/A,/F,/ (6:4:6z/ A,,/=F,/G,/D/=F/[K:treble](6:4:6c/G/F/[K:bass]D/G,/F,/ | %23
 (6:4:6z/ A,,/E,/A,/C/E/[K:treble](6:4:6c/A/E/[K:bass]C/A,/E,/ (7:4:7A,,/E,/A,/[I:staff -1]C/E/A/c/[I:staff +1][K:treble] (7:4:7z/[I:staff -1] c/A/E/C/[I:staff +1][K:bass]A,/E,/ | %24
!<(! (7:4:7A,,/F,/A,/"^affrettando."[I:staff -1]D/F/A/c/[I:staff +1][K:treble] (7:4:7z/[I:staff -1] c/A/F/D/[I:staff +1][K:bass]A,/F,/ A,,/4=F,/4G,/4B,/4[I:staff -1]D/4=F/4G/4B/4[I:staff +1][K:treble] z/4[I:staff -1] B/4G/4F/4D/4[I:staff +1][K:bass]B,/4G,/4F,/4 | %25
 (7:4:7A,,/E,/A,/C/[I:staff -1]E/A/c/(7:4:7e/c/A/E/[I:staff +1]C/A,/E,/ (7:4:7A,,/E,/G,/C/[I:staff -1]E/G/c/(7:4:7e/c/G/E/[I:staff +1]C/G,/E,/ | %26
 (6:4:6_B,,/E,/=G,/_D/[K:treble]E/=G/ (6:4:6_d/G/E/[K:bass]D/G,/E,/ (6:4:6B,,/E,/G,/=C/E/[K:treble]G/ (6:4:6=c/G/E/[K:bass]C/G,/E,/ | %27
 (6:4:6_A,,/=F,/_A,/=C/[K:treble]=F/_A/ (6:4:6=c/A/F/[K:bass]C/A,/F,/ (6:4:6_B,,/F,/=G,/_D/[K:treble]F/=G/ (6:4:6_d/G/F/[K:bass]D/G,/F,/ | %28
 (6:4:6=C,,/_A,,/=C,/=F,/_A,/=C/(6:4:6_A/C/A,/F,/C,/A,,/ (6:4:6C,,/_B,,/=E,/=G,/_B,/E/(6:4:6=G/E/B,/G,/E,/!fermata!B,,/ z4 !fermata!z4 | %29
 (5:4:4z (=F,,/=C,/[=F,=A,]/"^impetuoso."[I:staff -1](6:4:6=A,/=C/[=FA]/A/=c/[=fa]/ (6:4:6a/=c'/[=f'a']/[f'a']/c'/a/(6:4:6[fa]/c/A/[FA]/C/A,/) | %30
[I:staff +1] z3/2 (!arpeggio![=F,,=B,,D,]/ !>![=F,=F]2) z3/2 (!arpeggio![F,,_B,,_D,=E,]/ !>![A,A]2) | %31
 [=C=c]4 z2 !>![=C,C]2 | %32
 z3/2 (!arpeggio![=F,,=B,,D,]/ !>![=F,=F]2) z3/2 (!arpeggio![F,,_B,,_D,E,]/ !>![A,A]2) | %33
 [=C=c]4 z2 !^!=C,2 | !^!^B,,2 !^!A,2 !^!^G,2 !^!^D,2 | %35
 !arpeggio!!^!^F,2 !arpeggio!!^!E,4 !^!=D,2 | D,2 C,2 C,2[K:treble] x2 |[K:bass] x3/20 z8 | x8 || %39
[K:E] (6:4:6z/"^sotto voce."!pp! (G,,/D,/G,/[I:staff -1]^B,/D/(5:4:5G/D/B,/[I:staff +1]G,/D,/) (6:4:6(G,,/D,/G,/[I:staff -1]B,/D/G/"^languendo."[I:staff +1](6:4:6z/[I:staff -1]G/D/B,/[I:staff +1]G,/D,/) | %40
 (6:4:6(G,,/E,/A,/[I:staff -1]C/E/A/[I:staff +1](6:4:6z/[I:staff -1]A/E/C/[I:staff +1]A,/E,/) (7:4:7(F,,/F,/A,/[I:staff -1]=D/F/A/=d/[I:staff +1](7:4:7z/[I:staff -1]d/A/F/D/[I:staff +1]A,/F,/) | %41
 (7:4:7(G,,/^D,/G,/^B,/[I:staff -1]^D/G/^B/(7:4:7d/B/G/D/[I:staff +1]B,/G,/D,/) (6:4:6(G,,/D,/G,/[I:staff -1]^B,/D/G/[I:staff +1](6:4:6z/[I:staff -1]G/D/B,/[I:staff +1]G,/D,/) | %42
 (6:4:6(G,,/E,/A,/[I:staff -1]C/E/A/[I:staff +1](6:4:6z/[I:staff -1]A/E/C/[I:staff +1]A,/E,/) (7:4:7(F,,/F,/A,/[I:staff -1]=D/F/A/=d/[I:staff +1](7:4:7z/[I:staff -1]d/A/F/D/[I:staff +1]A,/F,/) | %43
 (7:4:7z/ (^D,/G,/^B,/[I:staff -1]D/G/^B/(7:4:7d/B/G/D/[I:staff +1]B,/G,/D,/) (7:4:7z/ (D,/G,/B,/[I:staff -1]D/G/B/(7:4:7d/B/G/D/[I:staff +1]B,/G,/D,/) | %44
 (7:4:7z/ (D,/A,/=C/[I:staff -1]D/A/=c/(7:4:7d/c/A/D/[I:staff +1]C/A,/D,/) (7:4:7z/ (E,/A,/C/[I:staff -1]E/A/c/(7:4:7e/c/A/E/[I:staff +1]C/A,/E,/) | %45
 (7:4:7z/ (F,/A,/=D/[I:staff -1]F/A/=d/(7:4:7f/d/A/F/[I:staff +1]D/A,/F,/) (7:4:7z/ (F,/A,/D/[I:staff -1]F/A/d/(7:4:7f/d/A/F/[I:staff +1]D/A,/F,/) | %46
 (7:4:7z/ F,/B,/^D/[I:staff -1]F/B/d/(7:4:7f/d/B/F/[I:staff +1]D/B,/F,/ (7:4:7z/ F,/B,/D/[I:staff -1]F/B/d/(7:4:7f/d/B/F/[I:staff +1]D/B,/F,/ | %47
 (6:4:5z G,,/D,/F,/^B,/[K:treble](5:4:5D/F/^B/d/f/ (5:4:4(^b/f/B/)!wedge!F (5:4:4(b/f/B/)!wedge!F | %48
[K:bass] (6:4:5z"^accelerando." G,,/D,/F,/^B,/[K:treble](5:4:5D/F/^B/d/f/ (5:4:4(^b/f/B/)!wedge!F (5:4:4(b/f/B/)!wedge!F | %49
[K:bass] (6:4:5z G,,/D,/F,/^B,/[K:treble](5:4:5D/F/^B/d/f/ (5:4:4(^b/f/B/)!wedge!F (5:4:4(b/f/B/)!wedge!F | %50
 (5:4:4(^b/f/^B/)!wedge!F (5:4:4(b/f/B/)!wedge!F (5:4:4(b/f/B/)!wedge!F (6:4:6d'/f/=B/d/F/B,/ | %51
 (6:4:6F/A/d/B/f/a/ (6:4:6d'/f/B/d/F/B,/ (6:4:6F/A/d/B/f/a/ (6:4:6d'/f/a/B/f/a/ | %52
 (6:4:6d'/f/a/B/f/a/ (6:4:6d'/f/a/B/f/a/ (6:4:6d'/f/a/B/f/a/ (6:4:6d'/f/a/B/d/F/ || %53
[K:Db] !arpeggio![A,EGc] z (6:4:6d'/c'/b/a/g/f/ (8:8:8b/4a/4g/4f/4e/4d/4c/4=B/4 (6:4:6d/c/_B/A/G/F/ | %54
 (8:8:8B/4A/4G/4F/4E/4D/4C/4=B,/4[K:bass] (6:4:6D/C/_B,/A,/G,/F,/ (7:4:7B,/A,/G,/F,/E,/D,/C,/ (7:4:7=B,,/C,/D,/E,/F,/G,/A,/(7:4:7B,/4=B,/4C/4D/4[K:treble]E/4F/4G/4(6:4:6A/4_B/4=B/4c/4d/4e/4(6:4:6f/4g/4a/4=a/4_b/4=b/4(6:4:6c'/4d'/4=d'/4e'/4=e'/4f'/4 g' z2 !fermata!z || %55
[K:bass] z2 A,2 G,2 [E,B,]2 | [B,,G,]6 !arpeggio![G,,B,]2 | !arpeggio!A,,4 B,,2 D,2 | E,2 G,2 z4 | %59
 z8 |[K:bass] !fermata!z2"^non legato.""^egualmente." (3.D,,.A,,.F, (3B,F,D, (3.D,,.A,,.D, | %61
 (3EB,G, (3.D,,.B,,.G, (3EB,G, (3.D,,.B,,.G, | (3DA,F, (3.D,,.A,,.F,(3.A,.D.F[K:treble](3.A.d.f | %63
 z2[K:bass] (3.D,,.A,,.F, (3B,F,D, (3.D,,.A,,.F, | (3EB,G, (3.D,,.B,,.G, (3EB,G, (3.D,,.B,,.G, | %65
 (3DA,F, (3.D,,.A,,.F,(3.A,.D.F[K:treble](3.A.d.f | %66
[K:bass] (6:4:6x/ x/[I:staff -1] a/d/[I:staff +1] x/ x/ (3=A,,E,C (3FC=A, (3A,,F,C | %67
 (3EG,B,, (3B,,F,D (3[_C=DF]G,G,, (3[B,E]G,G,, | %68
 [A,,F,]A,,, [A,,=E,][A,,F,] [A,,_G,C] x16 x [A,,,A,,]2 | %69
!mp! (6:4:6D,,/A,,/D,/[I:staff -1]F,/D/F/(6:4:6A/F/D/F,/[I:staff +1]D,/A,,/ (6:4:6D,,/_C,/D,/[I:staff -1]F,/A,/D/[I:staff +1](6:4:6z/[I:staff -1]D/A,/F,/[I:staff +1]D,/C,/ | %70
!p! (6:4:6_D,,/=A,,/=D,/[I:staff -1]^F,/=A,/=D/[I:staff +1](6:4:6z/[I:staff -1]D/A,/F,/[I:staff +1]D,/A,,/ (7:4:7D,,/=B,,/D,/=G,/[I:staff -1]=B,/D/=G/[I:staff +1](7:4:7z/[I:staff -1]G/D/B,/[I:staff +1]G,/D,/B,,/ | %71
 (7:4:7_D,,/_A,,/D,/=F,/[I:staff -1]A,/D/F/(7:4:7A/F/D/A,/[I:staff +1]F,/D,/A,,/ (8:8:8D,,/4F,/4A,/4_C/4[I:staff -1]D/4F/4A/4d/4[I:staff +1](8:8:8z/4[I:staff -1]d/4A/4F/4D/4[I:staff +1]C/4A,/4F,/4 | %72
 (7:4:7^C,/^F,/=A,/=D/[I:staff -1]^F/=A/=d/[I:staff +1] (7:4:7z/[I:staff -1] d/A/F/[I:staff +1]D/A,/F,/ (7:4:7C,/=B,/D/=G/[I:staff -1]=B/d/=g/[I:staff +1] (7:4:7z/[I:staff -1] g/d/B/[I:staff +1]G/D/B,/ | %73
 (7:4:7_D,/_A,/D/=F/[I:staff -1]A/d/f/(7:4:7a/"^armonioso."f/d/A/[I:staff +1]F/D/A,/ (8:8:8z/4 A,/4D/4F/4[I:staff -1]A/4d/4f/4a/4(8:8:8d'/4a/4f/4d/4A/4[I:staff +1]F/4D/4A,/4 | %74
 (9:8:9z/4 F,/4B,/4=D/4F/4[I:staff -1]B/4=d/4f/4b/4(9:8:9=d'/4b/4f/4d/4B/4[I:staff +1]F/4D/4B,/4F,/4 (9:8:9z/4 F,/4B,/4D/4F/4[I:staff -1]B/4d/4f/4b/4(9:8:9d'/4b/4f/4d/4B/4[I:staff +1]F/4D/4B,/4F,/4 | %75
 (9:8:9z/4 =G,/4"^poco"=B,/4=D/4=G/4[I:staff -1]=B/4=d/4=g/4=b/4"^a"(9:8:9=d'/4b/4g/4d/4B/4[I:staff +1]G/4D/4"^poco"B,/4G,/4 (9:8:9z/4 G,/4B,/4D/4G/4[I:staff -1]B/4d/4g/4b/4(9:8:9d'/4b/4"^ral"g/4d/4B/4[I:staff +1]G/4D/4B,/4G,/4 | %76
 (9:8:9z/4 ^G,/4=B,/4=E/4^G/4[I:staff -1]=B/4=e/4^g/4=b/4 (9:8:9=e'/4b/4g/4e/4B/4[I:staff +1]G/4E/4B,/4G,/4 (9:8:9z/4 G,/4B,/4E/4G/4[I:staff -1]B/4e/4g/4b/4 (9:8:9e'/4b/4g/4e/4B/4[I:staff +1]G/4E/4B,/4G,/4 | %77
"^più lento""_quasi Arpa." (7:4:7_D,,/4_A,,/4_D,/4=F,/4[I:staff -1]_A,/4_D/4F/4[I:staff +1][K:treble] (3A/d/-f/- [df]3[K:bass] (7:4:7B,,,/4B,,/4D,/4F,/4[I:staff -1]B,/4D/4F/4[I:staff +1][K:treble] (3B/4d/4-f/4- [df]3/2[K:bass] (8:8:8G,,,/8G,,/8D,/8G,/8B,/8[I:staff -1]D/8G/8B/8[I:staff +1][K:treble] (3d/4g/4-b/4- [gb]3/2 | %78
[K:bass] (9:8:9E,,,/8E,,/8B,,/8E,/8G,/8B,/8[I:staff -1]E/8G/8B/8[I:staff +1][K:treble] (3e/g/-b/- [gb]/- !fermata![gb]2 f e2 B2 | %79
[K:bass]"_una corda" z4 z2 (E,2 |"_con mezzo pedale" .D,2) ._C,2 .__B,,2 .=G,,2 | %81
 .F,,2 .E,,2 .D,,2 ._C,,2 | .__B,,,2 .=G,,,2 .F,,,2 .E,,,2 | D,,,4"_tre corde" [D,F,]4 | %84
 [F,,C,F,]4 z4 | !arpeggio!!fermata![D,,_A,,D,F,]8 |] %86
V:4
 x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x321/40 | %9
 x161/20 | x321/40 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 || %18
[K:A] x321/40 | x161/20 | (6:4:6(g.g')(f .f')(B.b) (3cdf (3(FGc) | x6[K:bass] x2 | x8 | %23
 x4[K:treble] x161/40 | x321/40 | x161/20 | x6!8va(! x2 | x8!8va)! | x16 | x8 | x8 | x8 | x8 | x8 | %34
 x8 | x4!8va(! x2!8va)! x2 | x4[K:bass] [E,E]4[K:treble] | %37
!8va(! (5:4:4x/ ^d'/4e'/4^f'/4 (9:8:9a'/8g'/8=g'/8f'/8^e'/8=e'/8d'/8=d'/8c'/8(9:8:9^b/8=b/8^a/8=a/8g/8=g/8^d/8e/8f/8(9:8:9a/8^g/8=g/8f/8^e/8=e/8!8va)!d/8=d/8c/8(9:8:9^B/8=B/8^A/8=A/8=G/8G/8^D/8E/8F/8(9:8:9A/8^G/8=G/8F/8^E/8=E/8D/8=D/8C/8[I:staff +1](9:8:9^B,/8=B,/8^A,/8=A,/8^G,/8=G,/8^D,/8E,/8F,/8 (6:4:6A,/4^G,/4=G,/4D,/4E,/4F,/4 | %38
 (6:4:6A,/4^G,/4=G,/4^D,/4E,/4F,/4 (6:4:6A,/4^G,/4=G,/4D,/4E,/4F,/4 (3(.A,3/5.^G,3/5.=G,3/5 (3.F,3/5.^E,3/5.=E,3/5) (3(.D,3/5.F,3/5.E,3/5 (3.G,3/5.F,3/5.A,3/5 (3.^G,3/5) .[F,^B,]3/5.[^^F,C]3/5 || %39
[K:E] x8 | x321/40 | x321/40 | x321/40 | x161/20 | x161/20 | x161/20 | x161/20 | %47
[I:staff -1] !arpeggio!!wedge![f^bd'a'] x7 | !arpeggio![f^bd'a'] x7 | !arpeggio![f^bd'a'] x7 | %50
!8va(! x7!8va)! x | x!8va(! x2!8va)! x2!8va(! x3 | x8 ||[K:Db] x6!8va)! x2 | %54
 x187/20!8va(! x11/3!8va)! x181/60 || x8 | e2 f2 e2 B2 | x8 | [DG]2 x6 | x8 | x2 !>!A, x3 !>!D x | %61
 x2 !>!F x3 !>!B, x | x6!8va(! x2 | (6:4:6x/ x/!8va)! a/d/ x/ x/ A,2 x2 D2 | x2 F2 x2 B,2 | %65
 x6!8va(! x2 | x2/3!8va)! x4/3 G2 x2 C2 | x2 D2 !>!A2 G2 | %68
 A,2 =G,A, (5:4:5x/ x/ x/ x/ A/(5:4:5f/ x/ x/ x/ x/ (5:4:5a/f'/!8va(! x/ x/ x/ x3!8va)! x9/2!8va(! x3/2!8va)! x3 [CA]2 | %69
 x8 | x321/40 | x321/40 | x161/20 | x321/40 | x8 | x8 | x8 | %77
 x2!8va(! a [ad'f']2!8va)! x3/2!8va(! b3/2!8va)! x3/2!8va(! d'3/2!8va)! | %78
 x2!8va(! e'/ !fermata!e'2 x5!8va)! | x8 | x8 | x8 | x8 | x8 | !arpeggio![=A,C]4 x4 | x8 |] %86
V:5
 x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x321/40 | %9
 x161/20 | x321/40 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 || %18
[K:A] x321/40 | x161/20 | x8 | x2[K:treble] x[K:bass] x7/3[K:treble] x5/3[K:bass] x | %22
 x2[K:treble] x[K:bass] x3[K:treble] x[K:bass] x | %23
 x2[K:treble] x[K:bass] x3[K:treble] e x7/16[K:bass] x23/40 | %24
[I:staff -1] f x63/64[K:treble][I:staff +1] a x17/40[K:bass] x23/40[I:staff -1] b x[K:treble][I:staff +1] c' x/4[K:bass] x3/4 | %25
[I:staff -1]{/c'} e'8 | x4/3[I:staff +1][K:treble] x5/3[K:bass] x8/3[K:treble] x4/3[K:bass] x | %27
 x4/3[K:treble] x5/3[K:bass] x7/3[K:treble] x5/3[K:bass] x | x16 | =F,,, z z2 z2 !>![=C,=C]2 | %30
 !>![D,D]2 x2 !>![=G,=G]2 x2 | z3/2 [=F,,,A,,,=C,,=F,,]/[F,,,A,,,C,,F,,] z x4 | %32
 !>![D,D]2 x2 !>![=G,=G]2 x2 | z3/2 [=F,,,A,,,=C,,=F,,]/[F,,,A,,,C,,F,,] z x2 [E,,A,,]2 | %34
 !arpeggio![^D,,^F,,A,,]2{/^C,,} [^C,E,]2{/^B,,,} [^B,,^D,]2{/G,,,} [G,,B,,]2 | %35
 !arpeggio![^C,,^G,,^C,]2 !arpeggio![C,,G,,C,]4 [=B,,,^E,,G,,]2 | %36
 [^F,,,F,,]2 [F,,,F,,]2 [F,,,E,,^^F,,]2[K:treble] x2 |[K:bass] x163/20 | x8 ||[K:E] x8 | x321/40 | %41
 x321/40 | x321/40 | G,,2 x2 !tenuto!F,,2 x2 | !tenuto!=F,,2 z2 !tenuto!E,,2 z2 | %45
 !tenuto!=D,,2 z2 !tenuto!=C,,2 z2 | !>!B,,,2 z2 !>!A,,,2 z2 | !wedge!G,,, x[K:treble] x6 | %48
[K:bass] !wedge!G,,, x[K:treble] x6 |[K:bass] !wedge!G,,, x[K:treble] x6 | x8 | x8 | x8 || %53
[K:Db] x8 | x121/60[K:bass] x6[K:treble] x297/40 ||[K:bass] x8 | x8 | B,8- | B,2 x6 | x8 | %60
[K:bass] x4 !>!B,2 x2 | !>!E2 x2 !>!E2 x2 | D2 x4[K:treble] x2 | x2[K:bass] x2 B,2 x2 | %64
 E2 x2 E2 x2 | D2 x4[K:treble] x2 |[K:bass] z2 x2 x2 x2 | E2 x6 | x22 G,2 | x8 | x321/40 | %71
 x321/40 | x161/20 | x161/40 !tenuto!_C,4 | !tenuto!B,,4 !tenuto!A,,4 | %75
 !tenuto!=G,,4 !tenuto!F,,4 | !tenuto!=E,,4 !tenuto!=D,,4 | %77
 x59/60 !>!A4[K:treble][K:bass] x63/64[K:treble] !>!B2[K:bass] x[K:treble] !>!d2 | %78
[K:bass] x[K:treble] !>!e3 x11/2 |[K:bass] x8 | x8 | x8 | x8 | x4[I:staff -1] [A,D]4 | x8 | x8 |] %86
V:6
 x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x321/40 | %9
 x161/20 | x321/40 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 | x161/20 || %18
[K:A] x321/40 | x161/20 | x8 | x6[K:bass] x2 | x8 | x4[K:treble] x161/40 | x321/40 | x161/20 | %26
 x6!8va(! x2 | x8!8va)! | x16 | x8 | x8 | x8 | x8 | x8 | x8 | x4!8va(! x2!8va)! x2 | %36
 x4[K:bass] x43/32[K:treble] x85/32 |!8va(! x37/10!8va)! x89/20 | %38
 x6 (5:3:3x2[I:staff +1] (0:0:2[A,,^D,]3/5[A,,E,]3/5 ||[K:E] x8 | x321/40 | x321/40 | x321/40 | %43
 x161/20 | x161/20 | x161/20 | x161/20 | x8 | x8 | x8 |!8va(! x7!8va)! x | %51
 x!8va(! x2!8va)! x2!8va(! x3 | x8 ||[K:Db] x6!8va)! x2 | x187/20!8va(! x11/3!8va)! x181/60 || x8 | %56
 x8 | x8 | x8 | x8 | x8 | x8 | x6!8va(! x2 | x2/3!8va)! x22/3 | x8 | x6!8va(! x2 | %66
 x2/3!8va)! x22/3 | x8 |[I:staff -1] x4 F2 x2 x16 | x8 | x321/40 | x321/40 | x161/20 | x321/40 | %74
 x8 | x8 | x8 | x2!8va(! x3!8va)! x3/2!8va(! x3/2!8va)! x3/2!8va(! x3/2!8va)! | %78
 x2!8va(! x15/2!8va)! | x8 | x8 | x8 | x8 | x8 | x8 | x8 |] %86


Questions about this score:
Who is the composer?
Is there an anacrusis (upbeat measure)?
What is the initial key?
In measure 28, what is the tempo change marking?
In measure 19, what does the key signature change to?
In measure 1, what is the highest pitch?
In measure 1, what are the repeated notes of the D-flat major chord?
In measures 16–17, what is the chord progression? (Use I, II, III, IV, V, VI, VII)
In measure 17, is there a third-inversion E-flat minor 7 chord?
In which measure does the melodic motif appear?
What is the most common type of accompaniment used in the piece?
What are the main structural features of the motif?

Reference answers (in the same order):
Franz Liszt
No
D♭ major
Più crescendo
A major
A♭4
Root, third, fifth
I–ii2
Yes
Measures 3, 4, 5
Arpeggio
Stepwise motion