X:1
T:Romance
C:Franz Liszt
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=110
M:3/4
I:linebreak $
K:G
V:1 treble nm="Piano"
V:3 treble 
V:2 bass 
V:1
"^Malincolico espressivo" x6 | x6 | (G2 F2 E2) | B6 | B2{/d} c2 B2 | (B4 F2) | z2 (FG BA) | !>!C6 | %8
 z2 (B,G) (GF) | B4 E2 | (G2 F2 E2) | B6- | BB{/d} c2 B2 | B4 e2 | (_E2 B2 A2) | (D4 =E2) | %16
 z2 F2{GF} =EF | G4 z2 |"^accentato assai e sempre rubato" z2 z!<(! G AB!<)! |!>(! (B4 A2)!>)! | %20
 z2 z G =F_E | (D4- D=F/_E/) | D3!<(! G AB!<)! | (!>!B4 A2) | z2 z (.G .=F._E) | (D4- D=F/_E/) | %26
 D3 G A^A | (B4 F2) | z F ^G^A B^c | !^![^D^GB^d]6 |[Q:1/4=105]"^poco rit." ^D2 D2 D2 | !>!^D4 z2 | %32
[Q:1/4=100] ^D2 D2 D2 |[Q:1/4=95]"^plù ritenuto a piacere" =c4- cc |!>(! (c_d c_B =F!>)!G) | %35
 ^g4- gg | ^ga gf ^c^d | e2[Q:1/4=110]"^più agitato" z2 z2 |[Q:1/4=115] x6 | %39
[Q:1/4=120] ([Gg]2 [Ff]2 e2) | [Bb]6 | ([Bb]2{bd'} [cc']2 [Bb]2) | (!>![Bb]4 f2) | %43
 z2 ([Ff][Gg] [Bb][Aa]) | [Cc]6- | [Cc]2 ([B,B][Gg]!<(![Gg][Ff])!<)! | [Ee]6 | ([Gg]2 [Ff]2 e2) | %48
 [Bb]4- [Bb] [Bb] | ([Bb]2{bd'} [cc']2 [Bb]2) | (!>![Bb]4 e2) | z2 ([_E_e][Bb]) ([Bb][Aa]) | %52
 ([Dd]4 [Ee]2) | z2 [Ff]2{gf} [Ee][Ff] | [Gg]6 | z2 z!8va(! [gg'] [aa'][bb'] | (!>![bb']4 [aa']2) | %57
 z2 z [gg'] [=f=f'][_e_e'] | [dd']4- [dd'][=f=f']/[_e_e']/ | [dd']2!8va)! z2 (3(g ab) | %60
 (!>!b4 a2) | z2 z (.g .=f._e) | d4- d=f/_e/ | d2 z!<(! [Gg] [Aa][^A^a]!<)! | (!>![Bb]4 [Ff]2) | %65
 z!<(! ([Ff] [^G^g][^A^a] [Bb]!<)![^c^c']) | !^![^d^d']6 | %67
[Q:1/4=95]"^ritenuto" ^D2[Q:1/4=94][Q:1/4=93]"^.3" D2[Q:1/4=92][Q:1/4=91]"^.5" D2[Q:1/4=90] | %68
[Q:1/4=89]"^.8" !>!^D4[Q:1/4=88][Q:1/4=88][Q:1/4=86]"^.3" z2 | %69
[Q:1/4=84]"^.6" ^D2[Q:1/4=83][Q:1/4=82]"^.8" D2[Q:1/4=82][Q:1/4=81]"^.1" D2[Q:1/4=80] | %70
[Q:1/4=79]"^più ritenuto" =c4-[Q:1/4=75]"^.9" c[Q:1/4=75]c | %71
[Q:1/4=74]"^.1" (c[Q:1/4=73]"^.3"_d[Q:1/4=72]"^.4" c[Q:1/4=71]"^.5"_B[Q:1/4=70]"^.7" =F[Q:1/4=69]"^.8"G) | %72
[Q:1/4=68]"^.9" ^g4-[Q:1/4=65]"^.4" g[Q:1/4=64]"^.6"g | %73
[Q:1/4=63]"^.7"!pp! (^g[Q:1/4=62]"^.8"a[Q:1/4=62] g[Q:1/4=61]"^.1"f[Q:1/4=60]"^.2" ^c[Q:1/4=59]"^.3"^d) | %74
[Q:1/4=58]"^.5" !arpeggio![^Ge^gb]4-[Q:1/4=55] [Gegb]([Gegb] | %75
[Q:1/4=34] !arpeggio![^G^db][Q:1/4=32]"^.7"!arpeggio![Adb][Q:1/4=31]"^.3" !arpeggio![Gdb][Q:1/4=30]!arpeggio![Fdb][Q:1/4=28]"^.7" !arpeggio![Ffb][Q:1/4=27]"^.3"!arpeggio![Ffb]) | %76
[Q:1/4=26] !arpeggio!!fermata![=Ge=gb]6 |] %77
V:2
!p! (E,,B,,E,[I:staff -1]G,B,E) |[I:staff +1] (E,,B,,E,[I:staff -1]G,B,E) | %2
[I:staff +1] E,,B,,E,[I:staff -1]G,EB, |[I:staff +1] (E,,B,,G,[I:staff -1]B,GE) | %4
[I:staff +1] (E,,B,,G,[I:staff -1]B,GE) |[I:staff +1] (E,,C,F,[I:staff -1]A,FC) | %6
[I:staff +1] (E,,C,B,[I:staff -1]CFA) |[I:staff +1] (^D,,C,F,[I:staff -1]A,F,A,) | %8
[I:staff +1] (B,,,B,,^D,[I:staff -1]A,^DB,) |[I:staff +1] (E,,B,,E,[I:staff -1]G,EB,) | %10
[I:staff +1] (E,,B,,E,[I:staff -1]G,EB,) |[I:staff +1] (E,,D,^G,[I:staff -1]B,=FD) | %12
[I:staff +1] (E,,D,^G,[I:staff -1]D=FE) |[I:staff +1] (C,,C,E,[I:staff -1]A,EC) | %14
[I:staff +1] (C,,C,_E,[I:staff -1]CAE) |[I:staff +1] (D,,B,,D,[I:staff -1]G,_B,^C) | %16
[I:staff +1] D,,D,A, x x2 | (G,,D,G,[I:staff -1]B,DG) |[I:staff +1] (G,,D,G,[I:staff -1]B,DG) | %19
[I:staff +1] (G,,_E,G,[I:staff -1]C_EC) |[I:staff +1] (G,,C,_E,[I:staff -1]G,C_E) | %21
[I:staff +1] (G,,,B,,D,[I:staff -1]G,B,)[I:staff +1] z | (G,,,B,,D,[I:staff -1]B,DG) | %23
[I:staff +1] (G,,_E,G,[I:staff -1]C_EC) |[I:staff +1] (G,,C,_E,[I:staff -1]G,C_E) | %25
[I:staff +1] G,,,B,,D,[I:staff -1]G,B, =F/_E/ |[I:staff +1] (G,,,B,,D,[I:staff -1]B,D^A) | %27
[I:staff +1] (F,,^D,F,[I:staff -1]B,^DB,) |[I:staff +1] (F,,E,^A,F,^CA,) | (^D,,B,,^D,^G,B,^D) | %30
 z2 ^D,3 ^D,, | (^D,,B,,^D,^G,B,^D) | z2 !>!^D,3 ^D,, | (_E,,=C,_E,_A,C_E) | [_E,_D]6 | %35
 (=B,,,B,,E,^G,B,E) |[K:treble] [B,A]6 |[K:bass] (3(E,,B,,E,[I:staff -1](3G,B,E(3GEB,) | %38
[I:staff +1] (3(E,,B,,E,[I:staff -1](3G,B,E(3GEB,) |[I:staff +1] (3(E,,B,,E, (3G, G,B,(3EB,G,) | %40
 (3E,,B,,E, (3G, B,E(3GEB, | (3E,,B,,E, (3G, B,E(3GEB, | (3E,,C,F, (3A, A,C(3FCA, | %43
 (3E,,C,F, (3A, A,C(3FCA, | (3(^D,,C,F, (3A, A,C(3FCA,) | (3(B,,,B,,^D, (3A, A,B,(3^DB,A,) | %46
 (3(E,,B,,E, (3G, G,B,(3EB,G,) | (3(E,,B,,E, (3G, G,B,(3EB,G,) | (3E,,D,=F, (3^G, G,D(3=FDG, | %49
 (3E,,D,E, (3^G, G,D(3EDG, | (3(E,,C,E, (3A, A,C(3ECA,) | (3(E,,C,_E, (3A, A,C(3_ECA,) | %52
 (3D,,B,,D,(3G,B,D(3^C_B,G, | (3(D,,=C,D,(3A,C_E(3DCA,) | (3(G,,D,G,(3B,DG(3BDG) | %55
 (3(B,DG,(3B,D,G,(3B,,D,G,) | (3(G,,_E,G,(3C[K:treble]_EG(3cGE) | %57
[K:bass] (3(G,,_E,G,(3C[K:treble]_EG(3cGE) |[K:bass] (3(G,,D,G,(3B,DG[K:treble](3BDG) | %59
[K:bass] (3(B,DG,(3B,D,G,(3B,,D,G,) | (3(G,,_E,G,(3C[K:treble]_EG(3cGE) | %61
[K:bass] (3(G,,_E,G,(3C[K:treble]_EG(3cGE) |[K:bass] (3(G,,D,G,(3B,DG[K:treble](3BDG) | %63
[K:bass] (3(B,DG,(3B,D,G,(3B,,D,G,) | (3(F,,^D,F,(3B,F,D,(3^DB,F,) | %65
 (3(F,,^C,E, (3^A,E,C, (3^CA,E,) | (3(^D,,B,,^D, (3^G,B,^D[K:treble] (3^GB^d) | %67
[K:bass] z2 !>!^D,3 ^D,, | (3(^D,,B,,^D, (3^G,B,^D[K:treble] (3^GB^d) |[K:bass] z2 !>!^D,3 ^D,, | %70
 (_E,,=C, _E,_A, _E_A) | [_E,_E]4 [E,_B,]2 | (=B,,^G, B,[K:treble]=E ^GB) | [B,B]4 [B,F]2 | %74
[K:bass] (B,,^G, B,[K:treble]E ^GB) | %75
[K:bass] !arpeggio![B,,A,^D]!arpeggio![B,,A,D] !arpeggio![B,,A,D]!arpeggio![B,,A,D] !arpeggio![B,,A,D]!arpeggio![B,,A,D] | %76
 !arpeggio!!fermata![E,,B,,=G,E]6 |] %77
V:3
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x x C_ECD | x6 | %18
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x2 ^CEEF | x6 | %30
 z [^^F,^A,^C] z [F,A,C] z [F,A,C] | z [^G,B,] z2 x2 | z [^^F,^A,^C] z [F,A,C] z [F,A,C] | %33
 !arpeggio![=C_E_A]4 x2 | [_EG]4 z2 | [^G=Be]4 z2 | [B^d]4 z2 | [=GB]2 x4 | x6 | x6 | x6 | x6 | %42
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x3!8va(! x3 | x6 | x6 | x6 | %59
 x2!8va)! x4 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %67
 z"^.1" [^^F,^A,^C] z"^.4" [F,A,C] z"^.7" [F,A,C] | z"^.9" [^G,B,] z2 x2 | %69
 z"^.7" [^^F,^A,^C] z [F,A,C] z"^.2" [F,A,C] | [=C_E_A]4 x2 | [_D=G]4 D2 | [^G=Be]4 z2 | %73
 [A^d]4 A2 | x6 | .^g .a .g .f .^c .^d | x6 |] %77


Questions about this score:
What is the initial time signature?
Is it an anacrusis (upbeat measure)?
What is the initial expression term?
In measures 1–77, is there a repeat sign?
In measure 77, what is the articulation marking?
In measure 5, what is the ornament on note C5?
In measure 1, does the piece begin on the tonic chord of the original key?
In measure 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII)
In measures 76–77, is there a perfect cadence?
In which measure does the melodic motif appear?
What are the main characteristics of the motif?
In measures 3–4, in which register is the melody played?

Reference answers (in the same order):
3/4 time
No
Malincolico espressivo
No
With Fermata; Arpeggio
D5
Yes
i
Yes
Measures 3–4
Stepwise motion; Leaps
Middle register