X:1
T:Song without Words (Duetto)
C:Felix Mendelssohn Bartholdy (1809-1847)
%%score { ( 1 5 6 7 ) | ( 2 3 4 ) }
L:1/8
Q:1/4=92
M:6/8
I:linebreak $
K:Ab
V:1 treble nm="Grand Piano" snm="Pno."
V:5 treble 
V:6 treble 
V:7 treble 
V:2 bass 
V:3 bass 
V:4 bass 
V:1
"^Andante"!p! z2 z z2"^piano" (E | A2 G ABc | dBe dcB |!<(! A2) (A!<)!!mp!!>(! cBA)!>)! | %4
!p! (A3 G2) z | %5
!mf! (3z/"^cantabile" (C/E/ (3z/ C/E/ (3z/ E/G/) (3z/!mf! (E/A/(3c/E/A/!mf! (3z/ B/E/) | %6
 (3z/!mf! (F/A/(3E/G/B/!mf! (3z/ E/A/) (3z/ (E/A/(3c/E/A/(3B,/G/D/) | %7
 (3(A,/C/A/(3A,/E/_G/(3A,/C/G/)!mf! (3z/ (F/E/(3D/_F/=G/(3C/E/A/) | %8
 (3z/ (=F/D/(3A,/C/E/(3G,/D/E/) (3z/ C/E/(3E,/A,/C/!p! (E | A2 G ABc | dBe dcB | %11
!<(! A2) (A!<)!!mp!!>(! cBA)!>)! |!p! (A3 G2) z | %13
!mf! (3z/"^cantabile" (G,/B,/ (3z/ G,/B,/ (3z/ B,/=D/) (3z/ (B,/E/(3G/B,/E/ (3z/ F/B,/) | %14
 (3z/ (C/E/(3B,/=D/F/ (3z/ B,/E/) (3z/ (B,/E/(3G/B,/E/ (3z/ D/A,/) | %15
[K:bass] (3(E,/G,/E/(3E,/_D/B,/(3E,/D/G,/) (3z/ (C/B,/(3A,/_C/=D/(3G,/B,/E/) | %16
 (3z/ (=C/A,/(3E,/G,/B,/(3=D,/A,/B,/) (3z/ G,/B,/(3E/B,/E/[K:treble]!p! (B | edc B2 =A) | %18
!mf! (3z/ (D/F/ (3z/ D/F/ (3z/ F/=A/) (3z/!mf! (=E/=G/(3B/E/G/!mf!(3C/F/A/) |!p! (dcB _AGF | %20
 !>!c2!p! _e/d/ c2) z |!f! (3z/ (C/A,/ (3z/ A,/C/ (3z/ C/=E/) (3z/ (=B,/=D/(3F/B,/D/(3G,/E/C/) | %22
 (3z/!f! (=D/F/ (3z/ G/C/ (3z/ C/F/) (3z/!f! (C/F/(3A/F/C/ (3z/ =E/B,/) | %23
[K:bass] (3(z/ A,/F/ (3z/ C/_E/ (3z/ =A,/E/) (3z/ (D/C/(3B,/D/=E/(3_A,/C/F/) | %24
 (3z/ (D/B,/(3F,/A,/C/(3=E,/B,/C/) (3z/ A,/_C/ (3z/ A,/C/[K:treble]!mf! F | (F2 (3G/-x/A/ AG).G | %26
 (G2 (3A/-x/B/ B"_cresc."A).d |!mf! (!>!d!mf!c).c!<(! (c_c).c | (_c2 B/A/!<)! G2)!f! !>!e | %29
"^cresc." (!>!ed_c B2 (A) | !>!AG_F) (!>!F3 | %31
 !>!E2) E!ff!"^fortissimo" (3z/ (=C/B,/ (3z/ C/E/(3D/E/G/) | %32
 (3z/ A/E/(3=D/F/E/ (3z/ G/E/ (3z/ (A/F/(3B/G/E/ (3z/ E/A/) | %33
 (3z/ (A/E/(3=D/F/E/ (3z/ G/_D/) (3(z/ C/A/ (3z/ E/_G/ (3z/ C/G/) | %34
 (3z/ (F/E/ (3z/ _F/=G/ (3z/ E/A/) (3z/ (=F/D/ (3z/ C/E/ (3z/ B,/D/) | %35
 (3z/ F/C/(3F/C/F/ (3z/ B/A/- (3A/G/E/ (3z/ A/_G/-(3G/F/D/ | %36
!<(! (3z/ G/_F/ (3z/ G/F/ (3z/ A/F/!<)! (3z/ E/G/(3B/G/E/ (3z/ E/A/ | %37
 (3z/ D/F/"_dim." (3z/ E/=A/ (3z/ F/B/ (3z/ _A/E/(3A/E/A/!>(!(3=D/F/E/ | %38
 (3z/ G/_D/(3G/D/G/(3=D/F/E/ (3z/!>)!!p! (C/_D/(3=D/F/E/(3G/A/c/ | %39
 (3B/)(C/_D/(3=D/F/E/(3G/B/_d/ (3c/)"_cresc."(C/_D/(3=D/F/E/(3A/c/e/ | %40
 (3_d/)(C/D/(3=D/F/E/(3G/B/f/ (3e/)(D/E/(3A/c/e/!f!(3a/c'/b/ | %41
 (3a/g/f/(3e/=d/f/(3e/_d/c/!p! (3B/A/G/(3B/A/G/(3F/E/D/ | %42
 (3C/!p!F/E/(3A/F/E/(3G/F/E/) (3z/!p! (F/E/(3B/F/E/(3A/F/E/) | %43
 (3z/ (A,/E/ (3z/ A,/E/ (3z/ G,/E/) (3z/ (C/E/(3_G/F/E/(3G/F/E/) | %44
 (3(F/D/E/(3_F/E/D/ (3F/E/D/)"^dim." (3(E/C/D/(3E/D/C/ (3E/D/C/) | %45
 (3(D/B,/C/(3D/C/B,/ (3D/C/B,/) (3(G,/D/B,/(3G,/D/B,/ (3A,/D/B,/) | %46
 (3z/ (B,/C/(3D/C/B,/(3D/C/B,/) (3(G,/D/B,/(3G,/D/B,/ (3A,/D/B,/) | %47
 (3G,/B,/C/(3D/[I:staff +1]B,/G,/ (3E,/D,/B,,/!pp! (3(A,,/C,/D,/(3=D,/F,/E,/(3D,/E,/G,/ | %48
[I:staff -1] (3A,/C/D/(3=D/F/E/(3D/E/G/"_cresc." (3A/c/d/(3=d/f/e/(3d/e/g/ | %49
 (3a/c'/d'/(3=d'/f'/e'/(3d'/e'/g'/!mp! a') z z |!pp! [CE] z z [CE] z !fermata!z |] %51
V:2
 (3z/ (C,/E,/(3A,/E,/A,/(3C/A,/E,/) (3z/ (E,/A,/(3C/A,/C/[I:staff -1](3E/[I:staff +1]C/A,/) | %1
 A,,,6 | [A,,,A,,]3- [A,,,A,,]2 E,, | F,,3 D,,3 | E,,6 | A,,2 E,,!mf! A,,,A,,G,, | %6
!mf! F,,G,,A,, E,,3 | F,,C,,A,,, D,,B,,,C,, | D,,E,,E,, A,,3- | A,,3 [A,,,A,,]3- | %10
 [A,,,A,,]3- [A,,,A,,]A,,E,, | F,,2 E,, D,,2 =D,, | E,,3- E,,2 z | (B,,E,F,!mf! G,2 F,) | %14
 (!>!A,2 G,) (G,2 F,) | C,,G,,E,, A,,F,,G,, | A,,B,,B,,, E,,3 | C,,3 F,,3 | z F,,F,, B,,2!mf! F,, | %19
 z z B,, C,D,B,, |!p! C,3!p! C,,3 | F,,2 C,, [F,,,F,,]2 C,, |!f! =D,,=E,,F,,!f! C,,2 C, | %23
 D,=A,,C, B,,G,,_A,, | B,,C,C,, D,, D,2 | [=D,,=D,]3 [E,,E,]3 | [=E,,=E,]3 [F,,F,]2 z | z6 | %28
 z2 z z z !>!E | (!>!_F2 E) (!>!ED(_C) | B,2 A,) (!>!A,3 | !>!G,2) E, [A,,,A,,][C,,C,][E,,E,] | %32
 [A,,A,]2 [G,,G,] [F,,F,][G,,G,][A,,A,] | [E,,E,]3 [F,,F,]C,A,, | D,B,,C, D,E,=E, | %35
 F,2 =D, E,C,_D, | [B,,,B,,][__B,,,__B,,][A,,,A,,] [G,,,G,,]2 [A,,,A,,] | %37
 [D,,D,][C,,C,][B,,,B,,] [E,,E,]3 | E,,3 A,,2 z | [G,,E,] z z [A,,E,A,] z z | %40
 [B,,E,G,] z z [C,E,A,C] z z | z6 | z!p! .A,,,.E,, z .G,,.A,, | z .E,,.D,, z .C,,.A,,, | %44
 z .D,,.A,,, z .A,,.A,,, | z .A,,.A,,, [A,,,A,,]3- | [A,,,A,,]3 [A,,,A,,]3- | [A,,,A,,]2 z x3 | %48
 (E,A,B, C3-) | C2[I:staff -1] E !>!A3- | x4- !fermata!x2 |] %51
V:3
 A,,,6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | E,,2 B,, E,,2 =D,, | %14
 C,,!mf!=D,,E,, B,,,3 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x3 D,,3 | x6 | x6 | x6 | x6 | %29
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %48
 x6 | x6 | [A,,E,A,] z z [A,,,A,,] z !fermata!z |] %51
V:4
 x3 A,,3- | A,,6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %18
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %37
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |] %51
V:5
 x6 | (3z/ (A,/C/(3E/C/E/(3G/E/D/) (3z/ (C/E/(3B/D/F/(3c/E/_G/) | %2
 (3z/ (F/A/(3B/A/E/(3e/G/E/) (3z/ (E/B/(3c/A/E/(3B/G/D/) | %3
 (3z/ (A,/C/(3F/C/F/(3A/F/C/) (3z/ (E/F/(3B/F/D/(3A/C/F/) | %4
 (3z/ (A,/C/(3E/C/E/(3F/=D/_C/) (3z/ (G,/B,/(3E/B,/G,/(3_D/B,/G,/) | %5
[I:staff +1] (E,[I:staff -1]A,B, !>!C2 B,) | (!>!D2 C) (C2 B,) | (!>!A,!>!A,!>!A,) (A,DC) | %8
 (C/B,/A,G, A,2) (3E/D/B,/ | (3z/ (A,/C/(3E/C/E/(3G/E/D/) (3z/ (C/E/(3B/D/F/(3c/E/_G/) | %10
 (3z/ (F/A/(3B/A/E/(3e/G/E/) (3z/ (E/B/(3c/A/E/(3B/G/D/) | %11
 (3z/ (A,/C/(3F/C/F/(3A/F/C/) (3z/ (E/F/(3B/F/D/(3A/_C/F/) | %12
 (3z/ (A,/_C/(3=D/C/D/(3F/D/C/) (3z/ (G,/B,/(3E/B,/G,/(3E/B,/G,/) | x6 | x6 | %15
[K:bass] (!>!E,!>!E,!>!E,) (E,A,G,) | (G,/F,/E,=D, E,2)[K:treble] (3B/G/E/ | %17
 (3(e/B/_G/(3d/A/F/(3c/G/E/) (3z/ (G/F/(3D/G/F/(3C/F/E/) |[I:staff +1] (F,[I:staff -1]B,C D2 C) | %19
 (3(d/B/F/(3_E/F/E/(3D/F/D/) (3(A/F/C/(3G/B,/D/(3F/D/G,/) | %20
 (3z/!p! (=E/G/(3B/G/E/ (3z/ A/F/) (3z/ (E/G/(3B/G/E/(3C/B,/G,/) | %21
[I:staff +1] C,F,[I:staff -1]G, A,2 G, | (!>!B,2 A,) (!>!A,2 G,) | %23
[K:bass] (!>!F,!>!F,!>!F,) (F,B,A,) | (A,/G,/F,=E, F,2)[K:treble] (3z/ A,/_C/ | %25
 (3z/ (A,/B,/(3F,/A,/B,/(3G/B,/A/) (3z/ (B,/_D/(3G/D/B,/(3G/D/B,/) | %26
 (3z/ (B,/C/(3G,/B,/C/(3A/C/)B/ (3z/ (C/F/(3A/F/C/(3d/A/F/) | %27
 (3(_F/!mf!A/F/(3c/A/E/(3c/A/E/) (3(=D/A/=F/(3_c/A/F/(3D/A/F/) | %28
 (3(_c/A/F/(3=D/A/F/(3B/F/D/) (3(E/D/E/(3^F/G/B/(3e/G/B/) | %29
 (3(A/G/A/(3d/G/A/(3_c/G/A/) (3(B/G/_F/(3G/F/G/(3A/=D/E/) | %30
 (3(A/_D/_F/(3G/D/E/(3F/B,/D/) (3z/ (D/B,/(3D/B,/D/(3B,/D/B,/) | %31
 (3z/ (D/B,/(3D/B,/D/(3E/D/B,/) ([E,E][A,A][B,B] | !>![Cc]2 [B,B]) ([_Dd]2 [Cc]) | %33
 ([Cc]2 [B,B]) (!>![A,A]!>![A,A]!>![A,A]) | ([A,A][Dd][Cc]) ([Cc]/[B,B]/[A,A][G,G] | %35
 [A,A]2) ([Ff] [B,B][Ee][A,A] | (!>![Dd])!>![Dd]!>![Dd]) ([Dd]2 [Cc]) | ([B,B][Cc][Dd] [Cc]3 | %38
 [B,B]3 [A,A]2) z | x6 | x6 | x3 (E,A,B, | C2 B,) (D2 C) | (C2 B,) A,A,A, | A,3 A,A,A, | %45
 A,3 G,G,A, | G,3 G,G,A, | G,2 x4 | x6 | (EAB c3-) | x4- !fermata!x2 |] %51
V:6
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |[K:bass] x6 | %16
 x5[K:treble] x | x6 | x6 | x6 | x6 | x6 | x6 |[K:bass] x6 | x5[K:treble] x | x6 | x6 | x6 | x6 | %29
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | z z (A G2 _G | %45
 F2 (_F) E2) (F | E3) E2 _F | E2 x4 | x6 | x6 | x6 |] %51
V:7
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |[K:bass] x6 | %16
 x5[K:treble] x | x6 | x6 | x6 | x6 | x6 | x6 |[K:bass] x6 | x5[K:treble] x | x6 | x6 | x6 | x6 | %29
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %48
 x6 | x6 | !fermata![Ac]6 |] %51


Questions about this score:
What is the initial time signature?
Who is the composer?
What is the initial clef?
In measure 22, what is the dynamic marking?
In measure 1, what is the articulation marking?
In measures 1–51, is there a repeat sign?
In measure 51, what are the repeated notes of the B♭ major chord?
In measures 50–51, is there a perfect cadence?
In measures 50–51, is there a suspension?
What is the most frequently used type of accompaniment in the piece?
In which measure does the melodic motif appear?
What is the most common rhythmic pattern in the piece?

Reference answers (in the same order):
6/8 time
Felix Mendelssohn Bartholdy
Treble clef; Bass clef
f
With Slur
No
Root; Third; Fifth
Yes
Yes
Triplet broken chords
Measures 1–3
Triplet