X:1
T:Шаблон для фортепиано
C:Композитор
%%score { ( 1 4 5 ) | ( 2 3 ) }
L:1/8
Q:1/4=70
M:6/4
I:linebreak $
K:D
V:1 treble nm="Фортепиано" snm="Ф-но"
V:4 treble 
V:5 treble 
V:2 treble 
V:3 treble 
V:1
"^Cum mortuis in lingua mortua\n(С мёртвыми на мёртвом языке)"!pp!"^Andante non troppo, con lamento"!8va(! (!///-!f'6 f6) | %1
 (!///-!f'6 f6) | (!///-!f'6 f6) | %3
 (!///-!f'3 f3) (!///-!^e' ^e) (!///-!=e' =e) (!///-!d' d)!8va)! | %4
 (!///-!b B) (!///-!^a ^A) (!///-!=a =A) (!///-!^g ^G) (!///-!=g2 =G2) | %5
 (!///-!^e2 ^E2) (!///-!f F)!8va(! (!///-!!fermata!f'2 f2) (!///-!=f' =f) | %6
 (!///-!e' e)!8va)! (!///-!c' c) (!///-!b B) (!///-!a A) (!///-!d'2 d2) | %7
 (!///-!c' c)!8va(! (!///-!f' f) (!///-!a' a) (!///-!f'3 f3) | %8
 (!///-!f' f) (!///-!e'2 e2) (!///-!c' c) (!///-!e'2 e2)!8va)! | %9
 (!///-!c' c) (!///-!=c' =c) (!///-!b B) (!///-!^a ^A) (!///-!=a =A) (!///-!^g ^G) | %10
 (!///-!g G) (!///-!^e2 ^E2) (!///-!f3 F3) |!pp!"^tranquillo" (!///-!f6 F6) | (!///-!f6 F6) | %13
 (!///-!f6 F6) | (!///-!f6 F6) |"^ritard." (!///-!f6[Q:1/4=65] F6) | (!///-!f6 F6) | %17
[Q:1/4=60]!pp! (!///-!f6 F6) | (!///-!f6 F6) |[Q:1/4=50] (!///-!f6 F6) | (!///-!!fermata!f6 F6) |] %21
V:2
 z12 | z2"_il canto marcato" G2 F2 B2 c2 f2 | d2 c2 f2 d2 c2 B2 | %3
 F2[K:bass] ([G,,,G,,]2 [F,,,F,,]2 [B,,,B,,]2 [C,,C,]2 [F,,F,]2 | %4
 [D,,D,]2 [C,,C,]2 [F,,F,]2 [D,,D,]4 [B,,,B,,]2 | %5
 [C,,C,]2 [B,,,B,,]2 [F,,,F,,]2) z2[K:treble] (F2 G2 | E2) (F2 G2 E2) ([FA]2 [GB]2 | %7
 [CF]4 f2) (d2 c2 B2 | F2)[K:bass] ([F,,,F,,]2 [G,,,G,,]2 [E,,,E,,]2) ([F,,,F,,]2 [G,,,G,,]2 | %9
 [E,,,E,,]2) ([A,,,A,,]2 [B,,,B,,]2 [F,,,F,,]4 [F,,F,]2) | %10
 ([D,,D,]2 [C,,C,]2 [B,,,B,,]2 [F,,,F,,]2) z2 z2 | (E6 ^^C4 ^B,2 | %12
 C2) (.F,,2 .C,2 .F,2 .^A,2 .C2) |"_il canto cantabile, ben marcato" (E6 ^^C4 ^B,2 | %14
 C2) (.F,,2 .C,2 .F,2 .^A,2 .C2) |"^perdendosi" (^D6 ^^G,4 ^A,2) | [F,^A,C]6-!ppp! [F,A,C]4 z2 | %17
 ^D6 ^^G,4 ^A,2 | [F,^A,C]6- [F,A,C]4 z2 | [F,B,^D]12 | %20
[K:treble]!8va(! !fermata![b^d'f']12!8va)! |] %21
V:3
 x12 | x2 [B,E]2 [^A,C]2 [DF]2 [F^A]2- [FA] z | [GB]2 [^EB]2 [F^A] z B2 F2 G2 | F2[K:bass] x10 | %4
 x12 | x8[K:treble] [^A,C]2 [B,D]2 | [G,=C]2 [F,^A,]2 [G,B,]2 [=A,^C]2 D4 | %7
 ^A,2 F,2 [Ad]2 B2 F2 G2 | F2[K:bass] x10 | x12 | x12 | [D,A,^B,]12 | [F,^A,]2 x10 | [D,A,^B,]12 | %14
 [F,^A,]2 x10 | [B,,F,]12 | z4 z2 [B,,,F,,]4- [B,,,F,,] z | [B,,F,]12 | %18
 z4 z2 [B,,,F,,]4- [B,,,F,,] z | z2 (.B,,,2 .F,,2 .^D,2 .B,2 .^D2) |[K:treble]!8va(! x12!8va)! |] %21
V:4
!8va(! x12 | x12 | x12 | x12!8va)! | x12 | x6!8va(! x6 | x2!8va)! x10 | x2!8va(! x10 | x12!8va)! | %9
 x12 | x12 | [F^Bf]12 | [F^Af]2 z2 z2 z4 z2 | [F^Bf]12 | [F^Af]2 z2 z2 z4 z2 | [Ff]12 | %16
 [F^Af]4 z2 z4 z2 | [Ff]12 | [F^Af]4 z2 z4 z2 | [FB^df]12 | x12 |] %21
V:5
!8va(! x12 | x12 | x12 | x12!8va)! | x12 | x6!8va(! x6 | x2!8va)! x10 | x2!8va(! x10 | x12!8va)! | %9
 x12 | x12 | (e6 ^^c4 ^B2 | c2) z2 z2 z4 z2 | (e6 ^^c4 ^B2 | c2) z2 z2 z4 z2 | ([c^d]6 ^^G4 ^A2) | %16
 c4 z2 z4 z2 | ([c^d]6 ^^G4 ^A2) | c4 z2 z4 z2 | x12 | x12 |] %21


Questions about this score:
What is the initial time signature?
Is there an anacrusis?
Who is the composer?
What are the clefs?
In measure 1, what are the articulation markings?
In measure 1, what is the dynamic marking?
In measure 20, is there a perfect cadence or similar?
In measure 21, what degree chord is the first chord (I, II, III, IV, V, VI, VII)?
In measure 20, what is the chord progression (I, II, III, IV, V, VI, VII)?
What is the most frequently used accompaniment type in the piece?
In which measure does the melodic motif first appear?
In which register is the melody in measure 3?

Reference answers (in the same order):
6/4 time
No
Модест Мусоргский
Treble clef; Bass clef
With Tremolo; Slur
pp
No
I (tonic chord)
I64-I
Tremolo
Measures 2–3
Upper–middle register