X:1
T:Melodie nº2
C:Fanny Mendelssohn
Z:Zlv
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=80
M:6/8
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:3 treble 
V:2 bass 
V:4 bass 
V:1
!p!"^Allegretto." G |!ped! (e2 f!ped-up!!ped! gde[Q:1/4=95]!ped-up! | %2
[Q:1/4=80]!ped! c3!ped! !>!e3)[Q:1/4=100]!ped-up! | %3
[Q:1/4=80]!ped! (A[Q:1/4=105]Bc!ped-up!!ped! c!<(!de!ped-up!!<)! | %4
[Q:1/4=80]!mf!!ped! e3[Q:1/4=70]!>(! d2[Q:1/4=95] c!>)! |!p! ^B2!ped!!ped-up! d!<(! fed!ped-up! | %6
[Q:1/4=80] g3!ped![Q:1/4=70]!>(! c3)!>)!!ped-up! | %7
!p!"_espress."[Q:1/4=90] (f3!ped![Q:1/4=80] c2[Q:1/4=70] d)!ped-up! | %8
 e6!ped![Q:1/4=65]!ped-up!!ped! |[Q:1/4=70] e!ped![Q:1/4=80]f!ped-up![Q:1/4=90]g aef | %10
 g3!ped! c3!ped-up!!ped![Q:1/4=65][Q:1/4=70]!ped-up! |!p![Q:1/4=75] e3!ped! d2 g!ped-up! | %12
[Q:1/4=75] c6!ped![Q:1/4=55][Q:1/4=65]!ped-up! | %13
"_cresc." c!ped![Q:1/4=65]=d!ped-up![Q:1/4=75]e[Q:1/4=85]f!ped-up!!ped!ga | %14
[Q:1/4=80] a3!ped! e3!ped-up! | %15
!mp![Q:1/4=65] c[Q:1/4=75]=d[Q:1/4=85]e"_dim."=f!ped-up!!ped!g[Q:1/4=55]a | %16
[Q:1/4=65] e3-!ped! e2[Q:1/4=75] f[Q:1/4=85]!ped-up! |"_cresc." =g[Q:1/4=85]fe[Q:1/4=95] gfe | %18
 d3 f3 |!mf![Q:1/4=70] a3!ped![Q:1/4=90] g2[Q:1/4=85] f!ped-up! | %20
[Q:1/4=75] !>!^e3 !>!=e3[Q:1/4=65] |!<(!"_dim." =d!ped![Q:1/4=90]ed!<)!!f! a!>(!fd!>)!!ped-up! | %22
 =d3!ped! c3!ped-up! |!<(! c^Bc!<)!!mf! gec |[Q:1/4=80] c3[Q:1/4=70] d2[Q:1/4=65] G | %25
!f![Q:1/4=90]!ped! [Ee]2 f!ped-up!!ped! gde!ped-up! |!ped! c3!ped! e3!ped-up! | %27
[Q:1/4=80]!ped! A[Q:1/4=97]Bc!ped-up!!ped! cde!ped-up! |[Q:1/4=90] e3!ped! d2 c!ped-up! | %29
 ^B2!ped! d fed!ped-up! |!ff![Q:1/4=80]!ped! g3!ped-up![Q:1/4=90] c3!ped!!ped-up! | f3 c2 d | %32
 e3- e2 e | e!ped!fg ae!mp!f!ped-up! |!ped! g3!ped-up! c3!ped!!ped-up! | %35
[Q:1/4=80]!ped! e3!ped-up![Q:1/4=70] d2!ped![Q:1/4=45] g[Q:1/4=50][Q:1/4=20]!ped-up! | %36
[Q:1/4=80]!ped! c2 d!ped-up! e2!ped! f!ped-up! |!ped! gef[Q:1/4=70] g[Q:1/4=60]c'[Q:1/4=55]^b | %38
[Q:1/4=55] c'3 z2!ped-up! z |] %39
V:2
 z | C,C/E/ z G,,^B,/F/ z | A,,A,/C/ z E,,G,/B,/ z | F,,F,/A,/ z E,,G,/C/ z | %4
 D,,^A,/C/ z D,,A,/C/ z | G,,G,/^B,/ z F,,B,/D/ z | ^E,,G,/C/ z F,,^A,/C/ z | %7
 =A,,A,/C/ z F,,A,/C/ z | C,G,/C/ z B,,A,/=D/ z | A,,C/!<(!E/ z A,,C/E/!<)! z | %10
!>(! E,,G,/C/ z F,,!>)!A,/C/ z | ^^F,,^^F,/C/ z G,,^B,/D/ z | [C,,C,]G,/C/ z C,G,/C/ z | %13
 A,,A,/C/ z A,,=D/F/ z | A,,C/E/ z A,,C/E/ z | A,,C/E/ z =D,,=D/=F/ z | A,,C/E/ z A,,C/E/ z | %17
 ^A,,C/E/ z A,,C/E/ z | B,,B,/D/ z B,,B,/D/ z | ^B,,D/F/ z B,,D/F/ z | C,G,/C/ z C,G,/C/ z | %21
 F,,A,/=D/ z F,,A,/D/ z | =G,,=G,/=A,/ z G,,G,/A,/ z | ^G,,^G,/C/ z G,,G,/C/ z | %24
 G,,G,/^A,/ z G,,G,/A,/ z | [C,,C,]C/E/ z G,,^B,/F/ z | A,,A,/C/ z E,,G,/B,/ z | %27
 F,,F,/A,/ z E,,G,/C/ z | D,,^A,/C/ z D,,A,/C/ z | G,,G,/^B,/ z F,,B,/D/ z | %30
 ^E,,G,/C/ z F,,^A,/C/ z |!p! =A,,A,/C/ z F,,A,/C/ z | C,G,/C/ z B,,B,/=D/ z | %33
!<(! A,,C/E/ z A,,C/!<)!E/ z | E,,G,/C/ z F,,A,/C/ z | ^^F,,^A,/C/ z G,,^B,/D/ z | %36
!p! C,,G,/C/ z C,A,/C/ z | C,,C/E/ z"_poco ritard." E,C/E/ z | C,,3 z2 z |] %39
V:3
 x | x2 c/G/ x2 ^B/G/ | x2 A/E/ x2 G/E/ | x2 F/C/ x2 G/E/ | x2 ^^F/D/ x2 F/D/ | x2 G/D/ x2 A/F/ | %6
 x2 B/^G/ x2 ^A/F/ | x2 =A/F/ x2 A/F/ | x2 G/E/ x2 G/E/ | x2 c/A/ x2 c/A/ | x2 G/E/ x2 A/E/ | %11
 x2 ^A/E/ x2 G/F/ | x2 G/E/ x2 G/E/ | x2 A/E/ x2 =d/A/ | x2 c/A/ x2 c/A/ | x2 c/A/ x2 =d/A/ | %16
 x2 c/A/ x2 c/!p!A/ | x2 c/=G/ x2 c/G/ | x2 B/F/ x2 B/F/ | x2 d/A/ x2 d/A/ | x2 G/^E/ x2 G/=E/ | %21
 x2 F/A/ x2 F/A/ | x2 B/F/ x2 B/!p!F/ | x2 E/G/ x2 E/G/ | x2 E/^^F/ x2 D/^F/ | x2 c/G/ x2 ^B/G/ | %26
 x2 A/E/ x2 G/E/ | x2 F/C/ x2 G/E/ | x2 ^^F/D/ x2 F/D/ | x2 G/!<(!D/ x2 A/F/!<)! | %30
 x2 B/G/ x2 ^A/F/ | x2"_espress." A/F/ x2 A/F/ | x2 G/E/ x2 G/E/ | x2 c/A/ x2 c/A/ | %34
 x2 G/E/ x2 A/E/ | x2 ^A/E/ x2 G/F/ | x2 G/E/ x2 A/F/ | x2 c/F/ x2 g/c/ | x6 |] %39
V:4
 x | C,2 x G,,2 x | A,,2 x E,,2 x | F,,2 x E,,2 x | D,,2 x D,,2 x | G,,2 x F,,2 x | %6
 ^E,,2 x F,,2 x | A,,2 x F,,2 x | C,2 x B,,2 x | A,,2 x A,,2 x | E,,2 x F,,2 x | ^^F,,2 x G,,2 x | %12
 C,,2 x C,2 x | A,,2 x A,,2 x | A,,2 x A,,2 x | A,,2 x =D,,2 x | A,,2 x A,,2 x | ^A,,2 x A,,2 x | %18
 B,,2 x B,,2 x | ^B,,2 x B,,2 x | C,2 x C,2 x | F,,2 x F,,2 x | =G,,2 x G,,2 x | G,,2 x G,,2 x | %24
 G,,2 x G,,2 x | C,,2 x G,,2 x | A,,2 x E,,2 x | F,,2 x E,,2 x | D,,2 x D,,2 x | G,,2 x F,,2 x | %30
 ^E,,2 x F,,2 x | A,,2 x F,,2 x | C,2 x B,,2 x | A,,2 x A,,2 x | E,,2 x F,,2 x | ^^F,,2 x G,,2 x | %36
 C,,2 x C,2 x | x3 E,2 x | x6 |] %39


Questions about this score:
What instruments are used?
What is the initial tempo marking?
Who is the composer?
In measures 1–38, is there a repeat sign?
In measure 38, what is the shortest rest value?
In measure 23, what is the dynamic marking?
In measure 8, does the piece begin on the tonic chord of the original key?
In measures 36–38, is there a perfect cadence?
In measure 9, is there a suspension?
In which measure does the melodic motive first appear?
What is the most frequently used texture in the piece?
What is the most frequently used type of accompaniment in the piece?

Reference answers (in the same order):
Piano
Allegretto
Fanny Mendelssohn -Hensel
No
Eighth rest
Crescendo
No
No
No
Measures 1–2
Homophonic texture
Arpeggio