X:1
T:Cuckoo in the Depths of the Woods
C:Camille Saints Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=65
M:3/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="P-no"
V:2 bass 
V:1
"^Andante"!pp! [DG^Bd]2 [EGce]2 [FAcf]2 | [DG^Bd]2!f! BG z2 | [DG^Bd]2 [EGce]2 [Acfa]2 | %3
 [DG^Bd]2 BG z2 | [DG^Bd]2 [EGce]2 [F=Bdf]2 | [FBdf]2 [GBeg]2 [EAce]2 | [GBeg]2 [FAcf]2 [EGce]2 | %7
 [DG^Bd]2 BG z2 |"_sempre pianissimo" [dg^bd']2 [egc'e']2 [fac'f']2 | [dg^bd']2 ^BG z2 | %10
 [dg^bd']2 [egc'e']2 [ac'f'a']2 | [dg^bd']2 ^BG z2 | [dg^bd']2 [egc'e']2 [f=bd'f']2 | %13
 [fbd'f']2 [gbe'g']2 [eac'e']2 | [gbe'g']2 [fac'f']2 [egc'e']2 | [dg^bd']2 ^BG z2 | %16
 [DG^Bd]2 [EGce]2 [F=Bdf]2 | [=G=c-e-=g]2 [^Gce^g]2 ^BG | [DG^Bd]2 [EGce]2 [F=Bdf]2 | %19
 [=G=c-e-=g]2 [^Gce^g]2 ^BG | [G=ce]2 [Gce]2 [Gce]2 | [=ce]G [ce]2 [ce]2 | [=ce]2 [Gce]2 [Gce]2 | %23
 [=ce]G [Gce]2 [ce]G | [=ce]2 [Gce]2 [Gce]2 | [=ce]G [Gce]2 [ce]G |!<(! [G=ce]2 [ce]2 ^BG!<)! | %27
 [G=ce]2 [ce]2 ^BG |!>(! [G=ce]2 [Gce]2 [Gce]2!>)! | [GBe]2 [GBe]2 [GBe]2 | %30
!<(! [GBe]2 [GBe]2 [GBe]2!<)! |"_dim." [G=ce]2 [Gce]2 [Gce]2 | [=ce]G [ce]2 [ce]2 | %33
 [GBe]2 [GBe]2 [GBe]2 |!pp! [Geg]2 [Afa]2 [^A^^f^a]2 | [Bgb]2 [^Bg^b]2 BG | %36
 [Geg]2 [Afa]2 [^A^^f^a]2 | [Bgb]2 [^Bg^b]2 BG | [^Bg^b]2 [Bgb]2 BG | [^Bg^b]2 [Bgb]2 BG | %40
 z2 z2 [^Bg^b]2- | [Bgb]2!ppp! .^B2 .G2 | !fermata![egbe']6 |] %43
V:2
"_una corda"!ped! [G,,,G,,]2 [C,,C,]2 [F,,,F,,]2 | [G,,,G,,]4 z2 | [G,,,G,,]2 [C,,C,]2 [F,,,F,,]2 | %3
 [G,,,G,,]4 z2 | [G,,,G,,]2 [C,,C,]2 [B,,,B,,]2 | [B,,,B,,]2 [G,,,G,,]2 [A,,,A,,]2 | %6
 [E,,,E,,]2 [F,,,F,,]2 [C,,C,]2 | [G,,,G,,]4 z2 | [G,,,G,,]2 [C,,C,]2 [F,,,F,,]2 | [G,,,G,,]4 z2 | %10
 [G,,G,]2 [C,,C,]2 [F,,,F,,]2 | [G,,,G,,]4 z2 | [G,,,G,,]2 [C,,C,]2 [B,,,B,,]2 | %13
 [B,,,B,,]2 [G,,,G,,]2 [A,,,A,,]2 | [E,,,E,,]2 [F,,,F,,]2 [C,,C,]2 | [G,,,G,,]4 z2 | %16
 [G,,,G,,]2 [C,,C,]2 [B,,,B,,]2 | [E,,,E,,]4 z2 | [G,,,G,,]2 [C,,C,]2 [B,,,B,,]2 | [E,,,E,,]4 z2 | %20
!ped! z6 | z6 | [=C,=C]2 [G,,G,]2 [=F,,=F,]2 | [=D,,=D,]2 [=G,,,=G,,]2 z2 | %24
 [=C,=C]2 [G,,G,]2 [=F,,=F,]2 | [=D,,=D,]2 [=G,,,=G,,]2 z2 | [F,,F,]4 z2 | [=F,,=F,]4 z2 | %28
 [E,,E,]4 z2 | z4 [G,,G,]2 | [B,,B,]4 z2 | [^A,,^A,]4 z2 | z6 | [B,,B,]4 [C,C]2 | %34
 [=D,E,-=D]2 [C,E,-C]2 [=C,E,=C]2 | [B,,B,]2 [^A,,^A,]2 z2 | [=D,E,-=D]2 [C,E,-C]2 [=C,E,=C]2 | %37
 [B,,B,]2 [^A,,^A,]2 z2 |!ped! [^A,,E,^A,]2 [A,,E,A,]2 z2 | [E,,^A,,E,]2 [E,,A,,E,]2 z2 | %40
 z2 z2 [E,,^A,,E,]2- | [E,,A,,E,]2 z2 z2 | !fermata![E,,E,]6 |] %43


Questions about this score:
Is there an anacrusis?
What is the initial key?
What instruments are used?
In measure 19, what is the dynamic marking?
In measure 31, is there an accidental? Which two notes does it affect?
Between measures 1–55, are there repeat signs?
In measure 32, what degree chord is the first chord (I, II, III, IV, V, VI, VII)?
Between measures 51–55, is there a suspension or anticipation?
In measure 46, is there a second-inversion V7 chord?
What is the most frequently used texture type in the piece?
In which part does the melodic motif appear?
What are the main structural features of the motif?

Reference answers (in the same order):
No
F major
Piano
mf
Yes, E♭3; E♭2
No
ii64
Yes
No
Broken chord
Upper voice
Block chord