X:1
T:Brahms - Waltz Op.39 No.3
C:Johannes Brahms
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:B
V:1 treble nm="Piano" snm="Pno."
V:3 treble 
V:2 bass 
V:1
"^\n\n"!p!"_dolce" (!5!g3 !2!d)(de) | (d3 G)(Gd) | (g3 c)(cd) | (c3 G)(Gc) | (g3 f)(Bf) | %5
 (!5!f3 e)(!2!A!5!e) | (d3 c)(Bb) |1!>(! !5!f4 ^^f2!>)! :|2!>(! f4 (!4!g2!>)! |: (f3) edd') | %10
 (c'3 a)!2!fe | (!3!d3 cBb) | (a3 !2!f!1!d!2!c) |!<(! z (dba) z g!<)! | %14
!>(! z (c'g')!5!e' z c'!>)! | z (db)dac |1 z (Bd)bag :|2 z2 [Bdg]2 |] %18
V:2
 G,,2 !4![D,G,B,]2 [D,G,B,]2 | B,,2 !4![D,G,D]2 [D,G,D]2 | !4!E,2 [G,C]2 [G,C]2 | %3
 C,2 [G,CE]2 [G,CE]2 | !4!D,2 [F,B,]2 [F,B,]2 | C,2 [A,E]2 [A,E]2 | B,,2 [F,B,]2 [G,,G,]2 |1 %7
 (!3!F,,3!<(! !5!=E,,!4!D,,!>(!D,)!<)!!>)! :|2 (!3!F,,3 G,,F,,=E,,) |: %9
 !4!D,,2 !3![D,F,A,]2 [B,,F,B,]2 | F,,2 [F,A,C]2 !2![F,A,]2 | B,,2 [D,F,]2 [G,,D,G,]2 | %12
 D,,2 [D,F,A,]2 [D,F,]2 | G,,2 [B,,D,]2 [E,,B,,E,]2 | C,,2 [C,E,G,]2 [E,,E,]2 | %15
 D,,2 [D,G,B,]2 [D,^^F,C]2 |1 G,,2 [D,G,B,]2 [D,G,]2 :|2 G,,2 [D,G,B,]2 |] %18
V:3
 x6 | x6 | x6 | x6 | x6 | x6 | z2!<(! F2 ^E2!<)! |1 z2 [FAc]2 [^^FAc]2 :|2 z2 [FAc]2 z2 |: x6 | %10
 x6 | x6 | x6 | (B3 A G2) | (g3 e c2) | (B4 A2) |1 G4 z2 :|2 G4 |] %18


Questions about this score:
What is the initial time signature?
What is the initial expression marking?
Who is the composer?
In measures 1–5, what are the articulation markings?
In measure 1, what is the highest pitch?
In measure 1, what is the spacing/arrangement of chord i?
In measures 16–17, is there a perfect cadence?
In measure 10, what scale degree is the first chord? (use I, II, III, IV, V, VI, VII)
What is the most frequently used accompaniment texture?
In which measure does the melodic motif first appear?
In measure 1, what is the dynamic marking?
What are the core structural features of the motif?

Reference answers (in the same order):
3/4 time
Dolce
Johannes Brahms
With Slur
G5
Close position
Yes
V
Triple-meter broken chord texture
Measure 1
p
Integrated chromatic ornamentation