X:1
T:Walz
C:Grieg
Z:Public Domain (PianoXML typeset)
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=130
M:3/4
I:linebreak $
K:C
V:1 treble nm="Grand Piano"
V:3 treble 
V:2 bass 
V:1
"^Allegro moderato"!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 | %4
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z .!3!A.B.^G(.!3!G.^F) | %8
{/A} .^F2 !tenuto!E4- | E2 z2 z2 | .!1!!5![Ge]2 .!2![^Ge]2 .!1![Ae]2 | (3!>!edc d4 | %12
 .!1!!5![Ec]2 .!2![Fc]2 .!3![^Fc]2 | (3!>!!4!cBA B4 |!<(! (3!>!!4!BAG A4 | (3FED E4!<)! | %16
!f! !3![CF]2"_ritard." [CG][CA] .[CF]2 | .!4
2![B,D]2!p! !fermata![B,E]4 |"^a tempo"!p! z6 | z6 | %20
 !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 |{/A} .^F2 !tenuto!E4- | E2 z2 z2 | %24
 z .!1!E.^F.^G(.!2!G.A) | z .!3!A.B.^G(.!3!G.^F) |{/A} .^F2 !tenuto!E4- | E2 z2 z2 | %28
 .!1!!5![Ge]2 .!2![^Ge]2 .!1![Ae]2 | (3!>!!4!edc d4 | .!1!!5![Ec]2 .!2![Fc]2 .!3![^Fc]2 | %31
 (3!>!!4!cBA!<(! B4 | (3!>!!4!BAG A4 | !>!!4
3!G6!<)! |!f! !3![CF]2 [CG][CA] .[CF]2 | %35
 .!4
2![B,D]2!p! !fermata![B,E]4 ||[K:A]!p!"^a tempo" z2 (.!5![ce]2 .[ce]2) | %37
 z2 (.[Gde]2 .[Gde]2) | z2 (.[ce]2 .[ce]2) | z2 (.[Gde]2 .[Gde]2) | z2 (.[ce]2 .[ce]2) | %41
 z2 (.[ce]2 .[ce]2) |"_ritard."!<(! z2 (.[ce]2 .[ce]2)!<)! |!>(! z2 (.[ce]2 .[ce]2)!>)! | %44
"^a tempo" z2 [ce]2 [ce]2 | z2 [Gde]2 [Gde]2 | z2 [ce]2 [ce]2 | z2 [Gde]2 [Gde]2 | %48
 z2!<(! [ce]2 [ce]2 | z2 [ce]2 [ce]2 |"_ritard." z2 [ce]2 [ce]2!<)! |!f! z2 [ce]2 [ce]2 || %52
[K:C]!p! z6 | z6 | !tenuto!!1!E2 .^F.^G .A2 | !tenuto!A2 .B.^G .^F2 |{/A} .^F2 !tenuto!E4- | %57
 E2 z2 z2 | z .!1!E.^F.^G(.!2!G.A) | z .!3!A.B.^G(.!3!G.^F) |{/A} .^F2 !tenuto!E4- | E2 z2 z2 | %62
 .!1!!5![Ge]2 .!2![^Ge]2 .!1![Ae]2 | (3!>!!4!edc d4 | .!1!!5![Ec]2 .!2![Fc]2 .!3![^Fc]2 | %65
 (3!>!!4!cBA B4 |!<(! (3!>!!4!BAG A4 | (3FED E4!<)! |!f! !3![CF]2"_ritard." [CG][CA] .[CF]2 | %69
 .!4
2![B,D]2!p! !fermata![B,E]4 ||[K:A]"^Coda"!p!"_dolce" (!4!A4 BG |{/!4!G} F)E E4 | !3!A2 BcAF | %73
{/!4!G} FE E4 |{/!5!A} .!3!F2 E4- | [CE]2 z2 z2 |{/A} .=F2 E4- | E6 | z6 |] %79
V:2
!ped! (A,,2 !3![E,C]2)!ped-up! [E,C]2 |!ped! (A,,2 [E,C]2)!ped-up! [E,C]2 | %2
"_Ped. simile" (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,D]2) [E,D]2 | (A,,2 [E,C]2) [E,C]2 | %5
 (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,D]2) [E,D]2 | (A,,2 [E,C]2) [E,C]2 | %9
 (A,,2 [E,C]2) [E,C]2 | .!2
4![CE]2 .[CF]2 .!1
3![C^F]2 | !2![G,DG]6 | %12
 .!2
4![A,C]2 .[A,D]2 .!1
3![A,^D]2 | !2![E,B,E]6 | !4![F,C]6 | !2![C,G,C]6 | %16
 !4![D,A,]2 [E,A,][F,A,] .[D,A,]2 | .!3![F,A,]2 !fermata![E,^G,]4 | (A,,2 !3![E,C]2) [E,C]2 | %19
 (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,D]2) [E,D]2 | (A,,2 [E,C]2) [E,C]2 | %23
 (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,D]2) [E,D]2 | (A,,2 [E,C]2) [E,C]2 | %27
 (A,,2 [E,C]2) [E,C]2 | .[CE]2 .[CF]2 .[C^F]2 | !>!!2![G,DG]6 | %30
 .!2
4![A,C]2 .[A,D]2 .!1
3![A,^D]2 | [E,B,E]6 | !4![F,C]6 | [C,G,C]6 | %34
 !4![D,A,]2 [E,A,][F,A,] .[D,A,]2 | .!3![F,A,]2 !fermata![E,^G,]4 ||[K:A][K:treble] (!2!A4 BG) | %37
{/!2!G} (F.E) !>!!5!E4 | (!2!A2 !1!B!2!c!1!AF) |{/!2!G} (F.E) !>!!5!E4 | !2!A4 (!5!EF) | %41
 (!3!FG) !3!G4 | (!4!G!2!B)(!1!BA)(!5!EF) | (!3!FG) !>!!3!G4 | (!2!A4 BG |{/!2!G} F.E) !>!!5!E4 | %46
 (!2!A2 !1!B!2!c!1!AF |{/G} F.E) !>!!5!E4 | (!2!A4 !5!EF | !3!F.^^F) !>!!3!F4 | %50
 (!3!^^F.G) !>!!3!G4 | (!3!G.A) !>!!3!A4 ||[K:C][K:bass]!ped! (A,,2 !3![E,C]2)!ped-up! [E,C]2 | %53
!ped! (A,,2 [E,C]2)!ped-up! [E,C]2 |"_Ped. simile" (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,D]2) [E,D]2 | %56
 (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,D]2) [E,D]2 | %60
 (A,,2 [E,C]2) [E,C]2 | (A,,2 [E,C]2) [E,C]2 | .!2
4![CE]2 .[CF]2 .!1
3![C^F]2 | !2![G,DG]6 | %64
 .!2
4![A,C]2 .[A,D]2 .!1
3![A,^D]2 | !2![E,B,E]6 | !4![F,C]6 | !2![C,G,C]6 | %68
 !4![D,A,]2 [E,A,][F,A,] .[D,A,]2 | .!3![F,A,]2 !fermata![E,^G,]4 ||[K:A]!ped! [A,,E,]6- | %71
!ped! [A,,E,]6!ped-up! |!ped! [A,,E,]6-!ped-up! |!ped! [A,,E,]6!ped-up! |!ped! [A,,E,]6-!ped-up! | %75
 [A,,E,]2 z2 z2 | ([A,,E,]6- |!ped! [A,,E,]6!ped-up! | .A,,,2) z2 z2 |] %79
V:3
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | B6 | x6 | !1!G6 | F6 | !>!!4
3!G6 | x6 | %17
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | B6 | x6 | !1!G6 | F6 | (3FED E4 | x6 | %35
 x6 ||[K:A] x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 || %52
[K:C] x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | B6 | x6 | !1!G6 | F6 | !>!!4
3!G6 | %68
 x6 | x6 ||[K:A] C6 | D4 z2 | C6 | D4 z2 | C6- | x6 | =C6- | C6 | x6 |] %79


Questions about this score:
What is the tempo in beats per minute?
Who is the composer?
What is the initial key?
In measure 1, what is the longest rest value?
In measure 37, what does the clef change to?
In measures 1–79, is there a repeat sign?
In measure 1, does the piece begin on the tonic chord of the original key?
In measure 1, what is the voicing of the A minor chord?
In measure 75, does a chord anticipation occur?
What is the most frequently used type of accompaniment in the piece?
In which measure does the melodic motif appear?
What are the main structural features of the motif?

Reference answers (in the same order):
130 BPM
Edvard Grieg
A minor
Whole rest
Treble clef
No
Yes
Open position
Yes
Waltz Bass
Measures 3-6
Stepwise; Leaps