X:1
T:(...La fille aux cheveux de lin)
T:(...The girl with the flaxen hair)
T:CLAUDE DEBUSSY
%%score { ( 1 3 5 ) | ( 2 4 6 ) }
L:1/8
M:3/4
I:linebreak $
K:Gb
V:1 treble nm="Piano" snm="Pno."
V:3 treble 
V:5 treble 
V:2 bass 
V:4 bass 
V:6 bass 
V:1
!p!"_sans rigueur""^Très calme et doucement expressif" (d2- dB/G/ EG/B/ | %1
 dB/G/ EG/B/ G)!>(!(!tenuto!G/E/!>)! | GF/E/ D4- | D4 EG) | ([DFA]3 [DFd] [EGB][DG]/B/ | %5
 Ad!<(! [=DFB]2!<)! !tenuto![EBe]2- |!p! [EBe]2) (!tenuto!B3 c) | (d2- dB/G/ EG/B/ | %8
 dB/G/ EG/B/ G)(G/E/ | G"_dim."F/E/ D4- |"^Cédez   _      _" [B,D]4) z!pp! (B,/D/ | %11
!p!"^Mouvt" EG/A/ c!<(!deg-!<)! |!p!!>(! gf/e/ d2-!>)! d/c/B/A/) |"_più" (G/A/B- B/A/G- G/F/E- | %14
 E/D/!<(!C- C/"_(trés peu)"D/_F/A/ c/d/_f/a/)!<)! |!p! (!tenuto!c'!>(!b/a/!>)! g4) | %16
!p! (ba/g/ e2-!>(! ed/c/)!>)! |!p! (BA/G/ E2-!>(! E)(E/=C/!>)! | %18
"^Un peu animé" [=G,B,E]4) !tenuto!=CE/C/ | z!<(! (B,/=C/E/F/=G/B/-!<)!!p! =c!>(!e/c/!>)! | %20
 e)!<(! (B/=c/e/f/=g/b/)!<)!!mf! (!tenuto!e'2- | e'(3d'/e'/d'/.b) (!tenuto!a-!>(!a/g/f/e/)!>)! | %22
!p! (e(3d/e/d/"^Cédez   _     _" B)!>(! (A2!>)! G/[FA]/) | %23
"^Mouvt  (sans lourdeur)"!pp! ([B,EB]>[G,DG] [E,B,E][G,DG][B,EB][DGd] | %24
 [B,EB][G,DG]!<(! [E,B,E]2 [G,CG]2)!<)! |!p! ([B,EB]>[G,DG] [B,EB]!<(![DGd][EBe][Gdg]!<)! | %26
 [Beb][Gdg])"^Cédez  _       _"!>(! (!tenuto![CB]2 !tenuto![A,D]2)!>)! | %27
"^au Mouvt"!pp! z2 z2 (!tenuto!d'2- |"^trés doux" d'2- d'b/g/ eg/b/ | %29
!<(! d'b/g/ eg/b/!<)! g)(g/e/ | g2 f2 e2 | d3!>(! cBA)!>)! | %32
!pp!"^Murmuré et retenant peu à peu" (G/A/B- B/A/G- G/F/E- | E/D/E- E/D/E- E/D/E) | %34
"_perdendo      _            _            _             _" (.E/.[DG]/.[EA]/.[Gc]/ .[Ad]/.[ce]/.[dg]/.[ea]/) (3(.[gc'].[ad'].[c'e']) | %35
!pp! [gbd'g']6- | [gb-d'-g']6 | !arpeggio!!tenuto![gg']2 z2 z2 | [bd']2 z2 z2 |] %39
V:2
 z6 | z2 z2 z ([C,E,] | [G,,D,]6- | [G,,D,]4) z2 | ([D,A,]3 [B,,F,B,] [E,B,][G,B,] | %5
 [D,A,]2 [B,,F,B,]2 !tenuto![E,,B,,=G,B,]2- | [E,,B,,G,B,]2) z2 z2 | ([_F,G,B,]4 [G,A,=C]2 | %8
 [_F,G,B,]2 [G,A,=C]2) E,2 | D,6- |[I:staff -1] G,[I:staff +1]F,/E,/ D,2- D,/C,/B,,/A,,/ | %11
 !arpeggio![D,A,CD]6 | [D,G,B,D]4 z2 |!p! ([G,C]>[A,D] [G,C]>[F,B,] [E,A,]>[D,G,] | [C,_F,]6) | %15
 [G,CEG]6 | ([A,EG]2 [D,A,C]4) | [A,,E,G,]2 B,, z !tenuto!B,,2- | %18
 B,,(B,,/=C,/ E,/[I:staff -1]F,/=G,/B,/-) [F,A,B,]2 | %19
[I:staff +1] B,,(B,,/=C,/E,/F,/=G,/B,/- =CE/C/ | %20
 E) (B,/=C/[K:treble]E/F/=G/B/) (!tenuto![_CE_G_c]2- | %21
 [CEGc][DFAd][EGB])[K:bass] !tenuto![E,A,=CE]3 | ([C,G,_C][D,A,D] [E,B,]) [A,=C]2 D,- | %23
 ([G,,D,]>[E,,B,,] [D,,G,,][E,,B,,][G,,D,][B,,E,] | [G,,D,][E,,B,,] [C,,G,,]2 [D,,A,,]2) | %25
 ([G,,D,]>[B,,E,] [D,G,][E,B,][G,D][B,E] | [DG][B,E]) (!tenuto![A,,E,G,]2 !tenuto![D,F,]2) | %27
 [C,,G,,C,]6- | [C,,-G,,C,]6 | [G,C]6 | [G,B,E]6 | [G,,D,B,]6 | %32
 ([G,C]>[A,D] [G,C]>[F,B,] [E,A,]>[D,G,] | [C,F,]>[D,G,] [E,A,]>[D,G,] [C,F,]>[D,G,] | [E,A,]6) | %35
[K:treble] [GBd]6- | [GBd]6 | [GBd]6- | [GBd]2 z2 z2 |] %39
V:3
 x6 | x5 [G,C] | [G,B,]6- | [G,B,]4 z2 | x6 | [DF]2 x4 | x6 | D4 E2 | D2 E2 [B,D][A,_C] | [G,B,]6 | %10
 x6 | x6 | [GB]4 z2 | E>F E>D C>B, | A,6 | [ce]6 | c2 F4 | C2[I:staff +1] [F,A,B,]4 | x6 | %19
[I:staff -1] [=G,B,E]4 [FAB]2 | [=GB]4 [e_g_c']2- | [egc'][fa][eg] [A=ce]3 | %22
 [EG_c][FA] [EG] E2 _C | x6 | x6 | x6 | x6 | [G,CEG]6- | [G,CEG]6 |[I:staff +1] ([EG]4 A2 | %30
[I:staff -1] [GB]6) | [DG]6 | E>F E>D C>B, | A,>B, C>B, A,>B, | C6 | x6 | x6 | [bd']6- | x6 |] %39
V:4
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x4 z (D,, | G,,6- | [G,,D,]6) | [G,,,-D,,G,,]6 | %12
 G,,,4 !tenuto!G,,,2 | x6 | z2 !tenuto!G,,,4 |{/C,,-} C,,6 | x6 | x2 B,,,4 | E,,6 | E,,4 [E,B,]2 | %20
 [E,B,] x[K:treble] x4 | x3[K:bass] z A,,2 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | C,,6 | [E,,B,,]6 | %31
 x6 | x6 | x6 | x6 |[K:treble] !arpeggio![G,DGBd]6- | [G,DGBd]6- | [G,D]6- | [G,D]2 x4 |] %39
V:5
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x2 D2- D/C/B,/-A,/ | x6 | x6 | x6 | x6 | x6 | x6 | %16
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %35
 x6 | x6 | x6 | x6 |] %39
V:6
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %18
 x B,,- B,,4- | x6 | x2[K:treble] x4 | x3[K:bass] x3 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | %31
 x6 | x6 | x6 | x6 |[K:treble] x6 | !arpeggio!!tenuto![Dd]2 z2 z2 | x6 | x6 |] %39


Questions about this score:
What is the initial clef?
What instruments are used?
What is the initial expression marking?
Between measures 1–39, is there a repeat sign?
In measures 1–4, what are the articulation markings?
In measures 1–2, does it begin on the tonic chord of the original key?
In measures 36–39, is there a suspension in the chord?
In measure 39, what are the repeated notes in the chord G♭ major?
What are the core structural features of the motif?
In which measure does the melodic motif first appear?
In measures 1–4, what are the dynamic markings?
What is the most frequently used accompaniment texture?

Reference answers (in the same order):
Treble clef; Bass clef
Piano
Sans rigueur
No
With Slur
Yes
No
Root; Third; Fifth
Pentatonic stepwise motion
Measure 1
p
Chordal texture