X:1
T:Nocturne in C Sharp Minor
C:F. F. Chopin
Z:Erik S.
%%score { 1 | ( 2 3 ) }
L:1/8
Q:1/4=69
M:4/4
I:linebreak $
K:E
V:1 treble nm="Piano" snm="Pno."
V:2 bass 
V:3 bass 
V:1
!p!"^Lento" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z2 z2 | %2
!pp!"_una corde" [EGc]2 z ([C-GB] [CFA]2) z ([C-E-G] | [CE^^F]2) !tenuto!.[^B,DG]2 z4 | %4
 g4{efg} Tf4({ef} | (g4) c4) | (c'4- c'>b (3c'ba | !>!a4) z4 | (g4 d4 | e4) (f2 c2) | %10
{cde} (Td6-[Q:1/4=57]"^.4" d[Q:1/4=54]"^.5"c[Q:1/4=69][Q:1/4=66]"^.1"[Q:1/4=63]"^.2"[Q:1/4=60]"^.3" | %11
[Q:1/4=51]"^.6" d4)[Q:1/4=40][Q:1/4=69]"_a tempo" z2!p! G2[Q:1/4=48]"^.7"[Q:1/4=45]"^.8"[Q:1/4=42]"^.9" | %12
 g4{efg} Tf4({.e.f).g.a} | (g4!<(! c2) (c'2!<)! | %14
!mf!!8va(! (3!tenuto!c''!tenuto!=d''!tenuto!b' (3!tenuto!a'!tenuto!g'!tenuto!f'!8va)! (5:4:5^e'/=d'/c'/b/a/ (3g/f/^e/ (3=d/c/B/ | %15
 !>!A4- A2) z A | (=D4 =d3 c) | !>!T^B2- (B!>(!=B/4=c/4^c/4d/4!>)!!p! e2) (dc | G) z (!>!A4 G2 | %19
!>(! C4) z4!>)! |!pp![Q:1/4=92] (E2 F/G/A/B/ (3c=dc B2) | (e=d/c/ BA (3cdc B2) | %22
!mf! [=de]2 [de]>[de] (.[ce]2 .[ec']2) |!>(!{/[ec']} ([=db]>[ca][db]>[ec'] [ca]4)!>)! | %24
!pp!"_sotto voce" (CD/^E/ FG (3ABA G2) | (cB/A/ GF (3ABA F2) | %26
!mf!"_tutte corde" [FG]2 [FG]>[FG] (.[EG]2 .[Ge]2) |!>(!{/[Ge]} [Fd]>[Ec][Fd]>[Ge]!>)! [Ec]4 | %28
!p! (c2 ^Bc!>(! e3 d)!>)! |!pp! (D>c .c.c ^B !>!d3) |!p! (3(G^AG ^^F^E) (E3 D) || %31
[M:5/4] D>c ^E>^^F G z/ .g/ (!fermata!^B3 c) ||[M:3/4]!f! d6-[Q:1/4=160] | d2 z2 z2 | z2 z2 (c2 | %35
 d6-) |!>(! d2 z2 z2!>)! |!p! z6 |!pp! z2 z2 (C2 | D6-) |"_due corde" D2 z2 z2 | %41
 z2[I:staff +1] ^B,3 G, |[I:staff -1] z2[I:staff +1] (3(D,^^F,^B, ^A,2) | %43
[M:4/4][Q:1/4=71]"^Adagio""_tutte corde"[I:staff -1] x2 x2"^rit."[Q:1/4=71]!>(! (3^B[Q:1/4=69]"^.3"G[Q:1/4=67]"^.6"B[Q:1/4=65]"^.8" (3d[Q:1/4=64]"^.1"g[Q:1/4=62]"^.4"^b!>)! | %44
!pp![Q:1/4=60]"^.7" !fermata!g'4 z2[Q:1/4=45]"^.2" (G2 | %45
"_dolcé"[Q:1/4=40][Q:1/4=76] g4){efg} Tf4({.e.f).g.a} | (g4!<(! c2) (c'2!<)! | %47
!f!!8va(! (3!tenuto!c''!tenuto!=d''!tenuto!b' (3!tenuto!a'!tenuto!g'!tenuto!f'!8va)!!>(! (5:4:5^e'/=d'/c'/b/a/ (3g/f/^e/ (3=d/c/B/!>)! | %48
!p! A4) (a4 | g4 d4) | (Te4{de} f2) (c2 | %51
 (3d!<(!ed (3^^cde (5:4:5f/g/a/^a/b/ (3^b/c'/^^c'/(3d'/e'/f'/)!<)! |!f! (e'4 d'2 c'2 | %53
 ^b2) (!>!a2 g2 d2 | e2) (fg f2 c2) |!>(! (Td8{c)}!>)! | %56
!p!"_egalamente" !>!c4!pp! (9:4:9(d/e/f/g/a/b/c'/d'/c'/(9:4:9b/.a/.g/.f/.e/.d/.c/.B/.A/ | %57
 G4) (18:4:18(A/B/c/d/e/f/g/a/!8va(!b/c'/d'/e'/f'/g'/a'/b'/c''/d''/(17:4:17c''/b'/a'/g'/f'/e'/d'/c'/b/!8va)!a/g/f/e/d/c/B/A/ | %58
 G4) (5:4:5(A/B/c/d/e/(6:4:6f/e/d/c/B/A/ | G4) (6:4:6(A/B/c/d/e/f/(7:4:7g/f/e/d/c/B/A/ | !>!G8-) | %61
 G8-[Q:1/4=76][Q:1/4=67][Q:1/4=58][Q:1/4=49] | %62
[Q:1/4=40][Q:1/4=76]"_a tempo" (G3 c ^e"^rit."[Q:1/4=76]g[Q:1/4=64]c'[Q:1/4=52]^e' | %63
[Q:1/4=40] !fermata!c''8) |] %64
V:2
 C,,2 z (C,!ped! F,2) z!ped-up! (C, |!ped! A,,2!ped-up!!ped! !tenuto!.G,,2) z2!ped-up! z2 | %2
 C,,2 z (C,!ped! F,2) z!ped-up! (C, |!ped! A,,2!ped-up!!ped! !tenuto!.G,,2) z4!ped-up! | %4
!ped! (C,G,EC)!ped-up!!ped! (C,A,DC)!ped-up! |!ped! (C,G,EC) C,G,EC!ped-up! | %6
!ped! (C,G,^EC C,G,EC)!ped-up! |!ped! (D,A,FC D,A,FC)!ped-up! |!ped! (^B,,G,FD) (B,,G,FD)!ped-up! | %9
!ped! (C,G,EC)!ped-up!!ped! (A,,D,CF,)!ped-up! |!ped! G,,D,"^rit."CF, G,,D,!ped-up! G,2 | %11
!ped-up!!ped! (G,,D,^B,G, G,,D,B,G,) |!ped! (C,G,EC)!ped-up!!ped! (C,A,DC)!ped-up! | %13
!ped! (C,G,EC C,G,EC)!ped-up! |!ped! (C,G,^EC) (C,G,EB,)!ped-up! |!ped! (F,A,FC A,F,!ped-up!A,C,) | %16
!ped! (F,,=D,A,F,) (F,,D,A,!ped-up!F,) |!ped! (F,,D,A,F,)!ped-up!!ped! (^^F,,E,CA,)!ped-up! | %18
!ped! (G,,E,CG,)!ped-up!!ped! (G,,D,^B,F,)!ped-up! |!ped! (C,G,E,D, C,E,C,B,,)!ped-up! | %20
!ped! (A,,E,C!ped-up!A,)!ped-up!!ped! (A,,E,=DG,) | %21
!ped! (A,,E,CA,)!ped-up!!ped! (A,,E,=DG,)!ped-up! | %22
!ped! (A,,E,EG,)!ped-up!!ped! (A,,E,EA,)!ped-up! | %23
!ped! (A,,E,EG,)!ped-up!!ped! (A,,E,EA,)!ped-up! | %24
!ped! (F,,C,A,F,)!ped-up!!ped! (F,,C,B,^E,)!ped-up! | %25
!ped! (F,,C,A,F,)!ped-up!!ped! (F,,C,B,^E,)!ped-up! | %26
!ped! (G,,D,^B,G,)!ped-up!!ped! (C,E,CG,)!ped-up! | %27
!ped! (G,,D,^B,G,)!ped-up!!ped! (C,E,CG,)!ped-up! | %28
!ped! (A,,D,C^^F,)!ped-up!!ped! (G,,D,^B,G,)!ped-up! | %29
!ped! (A,,D,C^^F,)!ped-up!!ped! (G,,D,^B,G,)!ped-up! | %30
!ped! (^^C,E,B,G,)!ped-up!!ped! (D,G, ^B,2)!ped-up! || %31
[M:5/4]!ped! D,^A,CD!ped-up!!ped! (3(G,,D,G, !fermata!^B,3!ped-up! G,) || %32
[M:3/4]!ped! .A,,2 (3D,^^F,D C2 | x4!ped-up!!ped! (3(G,,D,G, !>!^B,3 G,)!ped-up! | %34
!ped! (.D,,2 (3D,^^F,^B, ^A,2)!ped-up! |!ped! (3(G,,D,G, !>!^B,3 G,)!ped-up! | %36
!ped! (.A,,2 (3D,^^F,D C2)!ped-up! |!ped! (3(G,,D,G, ^B,3 G,)!ped-up! | %38
!ped! .D,,2 (3(D,^^F,^B, ^A,2)!ped-up! | (3(G,,!ped!D,G, ^B,3!ped-up! G,) | %40
!ped! .D,,2 (3(D,^^F,^B, ^A,2)!ped-up! |!ped! (3G,,D,G, z2!ped-up! z2 |!ped! D,,2 z2!ped-up! z2 | %43
[M:4/4]!ped! (3z D,^B, (3G,B,D!ped-up! z4 | !fermata!z8 | %45
!ped! (C,G,EC)!ped-up!!ped! (C,A,DC)!ped-up! |!ped! (C,G,EC C,A,EC)!ped-up! | %47
!ped! (C,G,^EB,) (C,A,EB,)!ped-up! |!ped! (F,,C,A,F,) (F,,C,!ped-up!A,F,) | %49
!ped! (^B,,F,DG, B,,F,DG,)!ped-up! |!ped! (C,E,CG,) (A,,D,CF,)!ped-up! | %51
!ped! (G,,D,CF,)!ped-up!!ped! (G,,D,^B,G,)!ped-up! | %52
!ped! (^^F,,E,C^A,)!ped-up!!ped! (F,,D,CA,)!ped-up! | %53
!ped! G,,D,^B,F,!ped-up!!ped! ^B,,F,DG,!ped-up! |!ped! C,E,CG,!ped-up!!ped! A,,D,CF,!ped-up! | %55
!ped! G,,D,CF,!ped-up!!ped! G,,D,^B,F,!ped-up! |!ped! (C,G,EC)!ped-up!!ped! (C,F,DC)!ped-up! | %57
!ped! (C,G,EC)"_una corda al fine"!ped-up!!ped! (C,F,DC)!ped-up! | %58
!ped! (C,G,EC)!ped-up!!ped! (C,F,DC) |!ped-up!!ped! (C,G,EC)!ped-up!!ped! (C,F,DC)!ped-up! | %60
!ped! (C,G,EC)!ped-up!!ped! (C,F,DC) |!ped-up!!ped! (C,G,EC)"^rit."!ped-up!!ped! (C,F,DC)!ped-up! | %62
!ped! (C,G,^EC G,^E,C,G,,!ped-up! | !fermata!C,,8) |] %64
V:3
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x2 (C4 ^B,^A,) | x8 | x8 | x8 | x8 | x8 | x8 | %17
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 ||[M:5/4] x10 ||[M:3/4] x6 | %33
 x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 |[M:4/4] !fermata!G,,,2 z2 x4 | x8 | x8 | x8 | %47
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 |] %64


Questions about this score:
What instruments are used?
What is the initial tempo indication?
What is the initial expression marking?
In measure 1, what is the highest pitch?
In measure 2, is there an accidental, and what is it?
In measure 1, is there a chord C♯ minor?
In measures 56–57, is there a perfect cadence?
In measure 1, what is the omitted note in the C♯ minor chord?
What is the most frequently used accompaniment texture?
In which voice does the thematic melody first appear?
In measure 1, what is the articulation marking?
In which measure does the melodic motif first appear?

Reference answers (in the same order):
Piano
Lento
C♯5
Yes, B♯3; F𝄪4
Yes
Yes
Arpeggio texture
Right-hand treble
With Slur
Measure 1