X:1
T:"Le Cygne (The Swan)"
C:Camille Saint-Saens
%%score { 1 | 2 }
L:1/8
Q:1/4=80
M:3/4
I:linebreak $
K:F
V:1 treble nm="Piano" snm="Pno."
V:2 bass 
V:1
!p! !arpeggio![CFA]6 | !arpeggio![FAc]6 | !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %4
 !arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4 (EF |!<(! GA Bc de!<)! |!f! !arpeggio![cfa]6- | %9
!>(! [cfa]6)!>)! |!mp! !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | !arpeggio![=B,D^G]4 z A | %13
 !arpeggio![D^G=B]6 | [A,CE]2 z!<(! (^F ^GA!<)! | =Bc de ^f^g |!f! !arpeggio![eac']6- | [eac']6) | %18
!mf! !arpeggio![fac']2 a2 f2 | !arpeggio![F=Bd]2 e2 f2 | !arpeggio![FBc]4 z d | !arpeggio![GBe]6 | %22
 !arpeggio![_egb]2 g2 e2 | !arpeggio![_EAc]2 d2 e2 | !arpeggio![_E_AB]4 z c | !arpeggio![F_ABd]6 | %26
 !arpeggio![GBd]2 G2 A2 | !arpeggio![DGB]4 cd | !arpeggio![Gce]6 | !arpeggio![GBd]6 | %30
 !arpeggio![Acd]2 G2 A2 |!<(! !arpeggio![DGB]4 cd!<)! | !arpeggio![Gc_e]6 | %33
!>(! !arpeggio![GBe]6!>)! |!mp! !arpeggio![Acf]2 e2 A2 | !arpeggio![FAd]2 c2 F2 | %36
 !arpeggio![B,DG]4 z A | !arpeggio![DGB]6 | [B,D]4!<(! (EF!<)! | GA Bc de | !arpeggio![cfa]6- | %41
 [cfa]6) |!mf! !arpeggio![Bda]2 g2 d2 | !arpeggio![GBf]2 e2 B2 | !arpeggio![FAd]2 c2 F2 | %45
 !arpeggio![B,FG]2 A2 F2 |!mp! !arpeggio![CFA]6 | B2 c2 A2 | !arpeggio![FAd]6 | %49
 !arpeggio![GBd]2 e2 c2 | !arpeggio![FAcf]6- | [FAcf]6 | !arpeggio![F,A,CF]6- | [F,A,CF]6 | z6 |] %55
V:2
!ped! F,,C, F,C, F,,C,!ped-up! |!ped! F,,C, F,C, F,,C,!ped-up! |!ped! F,,C, F,C, F,,C,!ped-up! | %3
!ped! F,,C, F,C, F,,C,!ped-up! |!ped! F,,D, G,D, F,,D,!ped-up! |!ped! F,,D, G,D, F,,D,!ped-up! | %6
!ped! F,,D, G,D, F,,D,!ped-up! |!ped! F,,C, G,C, F,,C,!ped-up! |!ped! F,,C, F,C, F,,C,!ped-up! | %9
!ped! F,,C, F,C, F,,C,!ped-up! |!ped! F,,C, F,C, F,,C,!ped-up! |!ped! F,,C, F,C, F,,C,!ped-up! | %12
!ped! F,,D, ^G,D, F,,D,!ped-up! |!ped! F,,D, ^G,D, F,,D,!ped-up! |!ped! E,,C, E,C, E,,C,!ped-up! | %15
!ped! E,,=B,, F,B,, E,,B,,!ped-up! |!ped! A,,E, A,E, A,,E,!ped-up! | %17
!ped! A,,E, A,E, A,,E,!ped-up! |!ped! A,,C, A,C, A,,C,!ped-up! |!ped! _A,,C, _A,E, A,,C,!ped-up! | %20
!ped! G,,C, G,C, G,,C,!ped-up! |!ped! C,,G,, C,G,, C,,G,,!ped-up! | %22
!ped! G,,B,, G,B,, G,,B,,!ped-up! |!ped! _G,,B,, _G,B,, G,,B,,!ped-up! | %24
!ped! F,,B,, F,B,, F,,B,,!ped-up! |!ped! B,,,F,, B,,F,, _B,,,B,,!ped-up! | %26
!ped! _E,,G,, _E,G,, E,,G,,!ped-up! |!ped! D,,G,, D,G,, D,,G,,!ped-up! | %28
!ped! C,,G,, C,G,, C,,G,,!ped-up! |!ped! D,,G,, D,G,, D,,G,,!ped-up! | %30
!ped! _E,,G,, _E,G,, E,,G,,!ped-up! |!ped! D,,G,, D,G,, D,,G,,!ped-up! | %32
!ped! C,,G,, C,G,, C,,G,,!ped-up! |!ped! B,,2 A,,2 G,,2!ped-up! |!ped! F,,C, F,C, F,,C,!ped-up! | %35
!ped! F,,C, F,C, F,,C,!ped-up! |!ped! F,,D, G,D, F,,D,!ped-up! |!ped! F,,D, G,D, F,,D,!ped-up! | %38
!ped! F,,D, G,D, F,,D,!ped-up! |!ped! F,,C, G,C, F,,C,!ped-up! |!ped! F,,C, F,C, _E,,A,,!ped-up! | %41
!ped! D,,A,, ^F,A,, D,,A,,!ped-up! |!ped! G,,D, G,D, G,,D,!ped-up! | %43
!ped! G,,E, G,E, G,,E,!ped-up! |!ped! A,,C, F,C, A,,C,!ped-up! |!ped! [D,,D,]6!ped-up! | %46
!ped! C,F, A,F, CA,!ped-up! |!ped! C,6!ped-up! |!ped! [C,,C,]6!ped-up! |!ped! C,6!ped-up! | %50
!ped! z2 CF, CE,!ped-up! |!ped! F,C, E,C, C,F,,!ped-up! |!ped! z C, D,A,, C,A,,!ped-up! | %53
!ped! A,,D,, A,,C,, F,,C,,!ped-up! |!ped! F,,,6!ped-up! |] %55


Questions about this score:
What is the initial tempo marking?
What is the initial time signature?
What instruments are used?
In measure 32, what is the dynamic marking?
In measure 42, what is the articulation marking?
In measure 41, what is the shortest rest value?
In measure 19, is there a first-inversion G♯7 chord?
In measure 30, what are the repeated notes in the E major chord?
Between measures 38–43, is there a perfect cadence or similar?
What are the core structural characteristics of a musical motive?
What is the most frequently used texture type in the piece?
In which register is the opening melody?

Reference answers (in the same order):
Andante
3/4 time
Piano
dim.(Diminuendo)
With Staccato sign
Quarter rest
No
Trird
No
Simplicity and Contrast in Harmony
Harmonic Texture
Upper–middle register