X:1
T:Fugue in G Minor
T:J. S. Bach
T:Arranged for piano by Isidor Philipp
T:BWV 578
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=92
M:4/4
I:linebreak $
K:Bb
V:1 treble nm="Piano"
V:3 treble 
V:2 bass 
V:4 bass 
V:1
!p!"^Poco allegro" G2 d2 B3 A | GBAG ^FA D2 | GDAD BA/G/ AD | GD/G/ AD/A/ BA/G/ A/D/d/c/ | %4
 B/A/G/B/ A/G/^F/A/ G/D/G/A/ B/c/d/=e/ | f/=e/d/f/ e/d/^c/e/ dAde | %6
 f/g/f/g/ Tg/4a/4g/4a/4g/4a/4f/4g/4 a/g/a/b/ a/g/f/=e/ | f/a/g/a/ ^c/a/g/a/ d/a/g/a/ c/a/g/a/ | %8
 f/d/^c/d/ g/d/c/d/ a/d/c/d/ g/d/c/d/ | AfG=e FAdf | _ea z e dg z d | %11
 c/B/c/d/ c/a/g/a/ B/g/^f/g/ A/f/=e/f/ | g4 z4 | d/c/d/_e/ d/c/B/A/ B/d/c/d/ ^F/d/c/d/ | %14
 G/d/c/d/ ^F/d/c/d/ B2 c2 | d2 c2 z B z A |!p! z D G/A/B/A/ Ad^c=e | a/b/a/g/ f/=e/d/^c/ d z b z | %18
 =e z z A f/A/G/A/ x/ a3/2- | a2 x/ a3/2- [Afa]4 | [Aa]4 a/g/a/b/ a/g/f/=e/ |!f! f4 z dgf | %22
 _e4- ecfe | d2- d/g/^f/g/ c2- c/B/A/c/ | B/A/G/B/ A/G/^F/A/ G/D/=E/F/ G/D/G/A/ | %25
!mf! B/G/B/c/ d2 B3 A | GBAG ^FA D2 |!mp! GDAD BA/G/ AD |!p! GD/G/ AD/A/ BA/G/ A/D/d/c/ | %29
 B/A/G/B/ A/G/^F/A/ G/B/c/d/ e/B/A/G/ | ^F/A/B/c/ d/A/G/=F/ E/G/A/B/ c/G/F/E/ | %31
 D/F/G/A/ B/d/c/B/!<(! A/c/d/e/!mp! f/g/f/!<)!e/ |!mf! d/f/e/d/ c/B/A/c/ B/F/G/A/ B/c/B/c/ | %33
 d/=e/d/e/ Te/4f/4e/4f/4e/4f/4d/4e/4 f/_e/f/g/ f/e/d/c/ | d/f/e/f/ A/f/e/f/ B/f/e/f/ A/f/e/f/ | %35
 d/B/A/B/ e/B/A/B/!>(! f/B/A/B/ e/B/A/!>)!B/ | B/c/!mp!d/B/ e/d/c/e/ B/c/d/e/ d/c/B/d/ | %37
 c/B/c/d/ c/B/A/c/ B/A/B/c/ B/A/G/B/ | Af z _A Ge z G | Fd z F E/G/c/B/ =A/G/[A,F]/[CE]/ | %40
 [B,D]/[CE]/[DF]/[B,G]/ [CA]/[DB]/[Ec]/[CA]/ [DB]/[CF]/[B,G]/[CA]/ [DB]/[Ec]/[DB]/[Ec]/ | %41
 [Fd]/[G=e]/[Fd]/[Ge]/ Te/4f/4e/4f/4e/4f/4[Fd]/4[Ge]/4 [Af]/[G_e]/[Af]/[Bg]/ ff | %42
 x/ f/ x x/ f/ x x/ f/ x x/ f3/2- | f f2 f2 f2 f- | [FBf]/[de]/[cf]/[Bg]/ c>a b/a/b/c'/ b/a/g/f/ | %45
 e/d/e/f/ e/d/c/B/ a/g/a/b/ a/g/f/e/ | d/c/d/e/ d/c/B/A/ g/f/g/_a/ g/f/e/d/ | %47
 c/B/c/d/ c/d/e/c/ f2- f/_a/g/f/ | e4 e/c/d/e/ f/g/_a/f/ | =B/c/d/B/ G/F/E/D/ c2 g2 | e3 d cedc | %51
 =Bd G2 cGdG | ed/c/ dG cG/c/ dG/d/ | ed/c/ d/G/g/f/ e/d/c/e/ [Fd]/[Ec]/[D=B]/[Fd]/ | %54
 [Ec]/!mp!g/e/g/ c/e/G/_B/ =A/!f!c/A/c/ F/A/C/E/ | D/!mp!f/d/f/ B/d/F/A/ G/!f!B/G/B/ E/G/B,/D/ | %56
 C/!mp!e/c/e/ A/c/=E/G/ ^F/!f!A/F/A/ D/F/A,/C/ | B,GA,^F G2 z2 | %58
 G/B/A/G/!mp!"_cresc." d/A/D/c/ B/d/c/B/ f/c/=F/e/ | d/f/e/d/ g/d/G/f/ =e/g/!f!f/e/ a/e/A/g/ | %60
 [A^f]/_e/d/c/ ga b4- | b2"_dim." a4 g2- |!mp! g2 ^f2 g2 z2 | z dga b/a/g/a/ ^f/g/f/g/ | %64
 a/g/^f/=e/ d/c/B/A/ B/d/c/d/ ^F/d/c/d/ | B/d/c/d/ ^F/d/c/d/ B/G/F/G/ c/G/F/G/ | %66
 d/[Q:1/4=82]"^ritard"G/^F/G/!f!!<(! c/G/[Q:1/4=72]F/G/ [DGB]!ff![GBeg][Q:1/4=60][CEA]!<)![Fc^f] | %67
[Q:1/4=48]!fff! !fermata![G=Bdg]8 |] %68
V:2
 z8 | z8 | z8 | z8 | z8 |[K:treble] D2 A2 F3 =E | DF=ED ^CE[K:bass] A,2 | DA,=EA, FE/D/ EA, | %8
 DA,/D/ =E A,/E/ FE/D/ E/A,/[K:treble]A/G/ | F/=E/D/F/ E/D/^C/E/ D/A,/D/E/ F/G/A/=B/ | %10
 c/_B/c/d/ c/B/A/c/ B/A/B/c/ B/A/G/B/ | AG^FD[K:bass] G,2 D2 | B,3 A, G,B,A,G, | %13
 ^F,A, D,2 G,D,A,D, | B,A,/G,/ A,D, G,D,/G,/ A,D,/A,/ | %15
 B,A,/G,/ A,/D,/D/C/ B,/A,/G,/B,/ A,/G,/^F,/A,/ | B, x x2!mp! x2 =E/D/^C/E/ | z A,D=E x4 | %18
 [^C,,^C,][=E,,=E,] [A,,,A,,]2 A, z A, z | A, z A, z A, z A, z | A, z A, z!mf! [D,D][G,,G,] ^C>D | %21
 D/=C/D/=E/ D/C/B,/A,/ G,/F,/G,/A,/ G,/F,/_E,/D,/ | %22
{/C,} C/B,/C/D/ C/B,/A,/G,/ F,/E,/F,/G,/ F,/E,/D,/C,/ | B,,/B,/C/D/ E2 z/ A,/B,/C/ D2 | %24
!mf! G,2 D2 B,3 A, | G2 x2 G,/D,/=E,/^F,/ G,/D,/G,/A,/ | %26
 B,/C/B,/C/ TC/4D/4C/4D/4C/4D/4B,/4C/4 D/C/D/_E/ D/C/B,/A,/ | %27
 B,/D/C/D/ ^F,/D/C/D/ G,/D/C/D/ F,/D/C/D/ | B,/G,/^F,/G,/ C/G,/F,/G,/ D/G,/F,/G,/ C/G,/F,/G,/ | %29
 G,B, C/B,/A,/G,/ B,2- B,/D/C/B,/ | A,2- A,/C/B,/A,/ G,2- G,/B,/A,/G,/ | %31
 F,2- F,=E !arpeggio!F!mp!_EDC | B,2 F2 D3 C | B,DCB, A,C x2 | B,F,CF, DC/B,/ CF, | %35
!p!!<(! B,F,/B,/!mp! CF,/!<)!C/!mf! DC/B,/ C/!mp!F,/F/E/ | D/C/B,/D/ C/B,/A,/C/ B,G z G, | %37
 A,F z F, G,FC=E |[K:treble] F/_E/F/G/ F/E/D/F/ E/D/E/F/ E/D/C/E/ | %39
"^cresc." D/C/D/E/ D/C/!mf!B,/D/ C/B,/C/D/ C/B,/ z | %40
[K:bass]!f! [B,,,B,,]2 [F,,F,]2 [D,,D,]3 [C,,C,] | %41
 [B,,,B,,][D,,D,][C,,C,][B,,,B,,] [A,,,A,,][C,,C,] [F,,,F,,]2 | %42
 [B,,,B,,][F,,,F,,][C,,C,][F,,,F,,] [D,,D,][C,,C,]/[B,,,B,,]/ [C,,C,][F,,,F,,] | %43
 [B,,,B,,][F,,,F,,]/[B,,,B,,]/ [C,,C,][F,,,F,,]/[C,,C,]/ [D,,D,][C,,C,]/[B,,,B,,]/ [C,,C,][F,,,F,,] | %44
 [D,,D,][E,,E,][F,,F,][F,,F,]{/B,,} D4-[K:treble] |[K:bass] DG,CB,{/F,,} A,4-[K:treble] | %46
[K:bass] A,F,B,A, z B,GF | [_A,,,_A,,]4 z/ E/D/C/ =B,2 | z/ G,/=A,/=B,/ C/D/E/C/ z[K:treble] C_AF | %49
[K:bass] G,=A, =B,2 E/D/C/E/ D/C/B,/D/ | C/G,/C/D/ E/F/E/F/ x4 | %51
 D/E/D/C/ =B,[I:staff -1]D[I:staff +1] x4 | x8 | %53
 [G,,G,]/[C,C]/[=B,,=B,]/[C,C]/ [G,,G,]/[B,,B,]/[A,,A,]/[B,,B,]/ [C,C][E,,E,][F,,F,][G,,G,] | %54
 z G,E,C, z C=A,F, | B,4 B,B,G,E, | A,4 A,A,^F,D, |!f! G,2 z2 G,/!mf!B,/A,/G,/ D/!mp!A,/z/C/ | %58
 B,DA,D DGC=F- |[K:treble] FFDG- GG=EA | D2 =E^F G2 =AB | c/G/F/E/ c/A/F/A/ B/F/E/D/ B/G/E/G/ | %62
 A/E/D/C/ A/^F/D/F/[K:bass]!f! [G,,G,]2 [D,D]2 | [B,,B,]3 [A,,A,] [G,,G,][B,,B,][A,,A,][G,,G,] | %64
 [^F,,^F,][A,,A,] [D,,D,]2 [G,,G,][D,,D,][A,,A,][D,,D,] | %65
 [B,,B,][A,,A,]/[G,,G,]/ [A,,A,][D,,D,] [G,,G,][D,,D,]/[G,,G,]/ [A,,A,][D,,D,]/[A,,A,]/ | %66
 [B,,B,][A,,A,]/[G,,G,]/ [A,,A,][D,,D,] [G,,G,][E,,E,][C,,C,][D,,D,] | !fermata![D,=B,]8 |] %68
V:3
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x4 G2 z2 | %12
 z[I:staff +1] D[I:staff -1]GA B/c/B/c/ Tc/4d/4c/4d/4c/4d/4B/4c/4 | x4 D z C z | %14
 D z C z z/ G/^F/G/ z/ G/F/G/ | z/ G/^F/G/ z/ G/F/G/ D2 C2 | x4 F/=E/D/F/ x2 | %17
 x4 F/G/F/G/ TG/4A/4G/4A/4G/4A/4F/4G/4 | A/G/A/B/ A/G/F/=E/ x2 ^C/A/G/A/ | %19
 D/A/G/A/ ^C/A/G/A/ A/D/C/D/ G/D/C/D/ | A/D/^C/D/ G/D/C/D/ F=e/d/ A3/2 z/ | z Adc B4- | BGcB A4- | %23
 A2 G4 ^F2 | G x x2 x4 | x2 d/A/d/c/ x4 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x6 z F | F8 | F8 | %36
 F4 z4 | x8 | x8 | x8 | x8 | x2 G3/2 x/ x2 A/G/F/E/ | %42
[I:staff +1] D/[I:staff -1]F/E/F/[I:staff +1] A,/[I:staff -1]F/E/F/[I:staff +1] B,/[I:staff -1]F/E/F/[I:staff +1] A,/[I:staff -1]F/E/F/ | %43
 D/B/A/B/ E/B/A/B/ F/B/A/B/ E/B/A/B/ | x2 A/G/F/E/ x4 | G4 x4 | F4 x4 | E4 x4 | x8 | x8 | %50
 x4 G/E/C/E/ _A/F/G/A/ | x8 | x8 | x4 x G x2 | x8 | x8 | x8 | x8 | x8 | x8 | %60
 x2 B/d/A/d/ z/ _a/g/^f/!f! g/=f/e/d/ | e4 d4 | c4 [GB]/[Bd]/[Ac]/[GB]/ [^FA]/[GB]/[=EG]/[FA]/ | %63
 [GB]/c/B/c/ d/_e/d/c/ [Bd]dc[Bd] | [Ad]2 z [D^F] [DG] z [CD] z | D z [CD] z D z C z | D4 x4 | %67
 x8 |] %68
V:4
 x8 | x8 | x8 | x8 | x8 |[K:treble] x8 | x6[K:bass] x2 | x8 | x7[K:treble] x | x8 | x8 | %11
 x4[K:bass] x4 | x8 | x8 | x8 | x8 | G,/D,/G,/A,/ B,/C/D/=E/ [D,,D,]2 [A,,A,]2 | %17
 [F,,F,]3 [=E,,=E,] [D,,D,][F,,F,][E,,E,][D,,D,] | x4 D,[A,,,A,,]=E,[A,,,A,,] | %19
 F,=E,/D,/ E,[A,,,A,,] D,[A,,,A,,]/D,/ E,[A,,,A,,]/E,/ | F,=E,/D,/ E,[A,,,A,,] x2 A,,2 | %21
 D,2 x2 x4 | x8 | x8 | x8 | G,/B,/A,/G,/ ^F,/G,/=E,/F,/ x [G,,,G,,] [G,,G,][=F,,=F,] | %26
 [E,,E,] z [E,,,E,,] z [D,,,D,,][D,,D,] [D,,,D,,]2- | [D,,,D,,]8- | [D,,,D,,]8 | %29
 [D,,D,]6 [C,,C,]2- | [C,,C,]2 [B,,,B,,]4 [A,,,A,,]2 | B,,A,, G,,2 !arpeggio!F,,2 z2 | %32
 B,,2 x2 z CB,A, | G,4 F,2 F,2 | x8 | x8 | x8 | x8 |[K:treble] x8 | x8 |[K:bass] x8 | x8 | x8 | %43
 x8 | x4 z[K:treble] FBF |[K:bass] C,2 z2 z[K:treble] CAG |[K:bass] B,,2 z2{/E,,} G,4- | %47
 G,E,_A,G, [D,,F,]2 [G,,=B,]2 | [C,,C,]2 z2{/F,,} _A,4[K:treble] |[K:bass] G,,4 C z x2 | %50
 [C,,,C,,][G,,,G,,][C,,C,][D,,D,] [E,,E,]2 [F,,F,]2 | %51
 [G,,G,]2 [G,,G,]/[G,,G,]/[F,,F,]/[G,,G,]/ [E,,E,]/[G,,G,]/[F,,F,]/[G,,G,]/ [=B,,,=B,,]/[G,,G,]/[F,,F,]/[G,,G,]/ | %52
 [C,,C,]/[G,,G,]/[F,,F,]/[G,,G,]/ [=B,,,=B,,]/[G,,G,]/[F,,F,]/[G,,G,]/ [E,,E,]/[C,C]/[B,,=B,]/[C,C]/ [F,,F,]/[C,C]/[B,,B,]/[C,C]/ | %53
 x8 | [C,,C,]2 z2 [F,,F,]2 z2 | z F,D,B,, [E,,E,]2 z2 | z E,C,A,, [D,,D,]2 z2 | %57
 G,,/B,,/A,,/G,,/ D,/A,,/D,,/C,/ B,,D,^F,,D, | G,2 ^F,2 G,2 A,2 |[K:treble] B,2 =B,2 C2 ^C2 | x8 | %61
 x8 | x4[K:bass] x4 | x8 | x8 | x8 | x4 x2 x x/ [G,,,G,,]/- | [G,,,G,,]8 |] %68


Questions about this score:
What instruments are used?
Is there an anacrusis (upbeat measure)?
What instruments are used?
In measure 33, what is the dynamic marking?
In measure 32, is there an accidental, and what is it?
In measure 35, what is the chord progression?
In the final measure, is there a perfect cadence?
In measure 53, is there a first/second inversion of chord iv?
In which voice does the thematic melody first appear?
What are the core structural features of the motif?
In measure 34, is there a performance (articulation) marking, and what is it?
In which measure does the melodic motif first appear?

Reference answers (in the same order):
Piano
No
Piano
mf
Yes, E♮4
B♭ major I–V
No
Yes
Treble voice
Stepwise motion; Leaps
Yes,with Trill
Measure 1