X:1
T:Sonata in C minor
C:Joseph Haydn (1732-1809)
%%score { ( 1 4 ) | ( 2 3 ) }
L:1/8
Q:1/4=114
M:4/4
I:linebreak $
K:Eb
V:1 treble nm="Grand Piano" snm="Pno."
V:4 treble 
V:2 bass 
V:3 bass 
V:1
"^Moderato"!f! ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %2
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !wedge!B/)(_a/g/f/) | (f/e/Pd/c/) =Bc (e2 d) z | %4
!p! ([EG]3 .[DF]) ([FA]3 .[EG]) |!<(! c2- c/>=B/d/>c/ !wedge!e z c/4d/4e/4f/4g/4a/4b/4c'/4!<)! | %6
!f! b>Pa g>c' g>Pf e z |!p! z/ _d/!turn!d/a/ c"^[♮]"PM!turn!=B !wedge!c2 z2 | %8
!f! E2- E/E/PM!turn!E A/E/PM!turn!E B/E/PM!turn!E | c z!p! (=d/e/f/e/ _d/c/B/A/) GB | %10
 (A_dcf) e2- e/d/c/B/ | (B2!f! =A/F/)"^[♮]"PM!turn!F B/F/PM!turn!F c/F/PM!turn!F | %12
 d z!p! (=e/f/g/f/ _e/d/c/B/) =A!f!c |!p! (B!f!e!p!d!f!g)!p! f2 (e/d/c/B/) | %14
 [F_A]4- [FA][FA] [GB]/[FA]/[EG]/[DF]/ | [D^F]2 [EG]2- [EG] [gb] [ac']/[gb]/[fa]/[=eg]/ | %16
 [=eg]2 [fa]2- [fa][fa] [_gb]/[fa]/[_eg]/[df]/ | %17
"^ten."!<(! !tenuto![e_g]2 ([e=g]2 [ea]2)!<)!!f! [e=a]2 | z d/b/ a/g/f/e/ d/c/B/ z/ z2 | %19
 z3/2!>(! c'/ b/a/g/f/!>)!!p! (=e/f/_g/f/ =g/f/a/f/) | %20
 (=e/f/_g/f/ =g/f/a/f/) (e/f/_g/f/ =g/f/a/f/) | %21
!<(! _e4-!<)!!f! (6:4:6e/d/e/f/e/d/ (6:4:6a/g/f/c'/a/f/ | %22
 e4- (6:4:6e/d/e/f/e/d/ (6:4:6a/_g/f/_c'/a/f/ | %23
 x4 x3[Q:1/4=71]"^Adagio"!p! d/e/(3f/e/d/(3a/_g/f/ _c'3 bag!breath!f x | x4 !tenuto!=c'4 | %25
 !tenuto!!fermata!c'4[Q:1/4=114]"^Tempo I"!f! z (g/<!wedge!e/) (e/<!wedge!B/)(B/<!wedge!G/) | %26
 z (c/<!wedge!A/) (A/<!wedge!F/)(F/<!wedge!C/)!>(! E2- E/D/ (3A/F/!>)!!mp!D/ | %27
!f! z/ e/ !turn!e/>g/ B/>B/"^♮" !turn!B/>e/ F/>F/"^♮" !turn!F/>c/ C/>C/"^♮" !turn!C/>_A/ | %28
!>(! E2- E/D/ (3A/F/!>)!!mp!D/!f! B2- (3B/G/E/(3A/F/D/ | %29
!p! B2- (3B/G/E/(3A/F/D/!f! B2- (3B/G/E/(3c/A/F/ | (3d/A/F/(3e/B/G/ (3f/d/B/(3g/e/B/ !wedge!a2 z2 | %31
!p! z2 z (a/4g/4f/4e/4 !wedge!d) z z (d'/4c'/4b/4a/4 | %32
 !wedge!g) z z (a/4g/4f/4e/4 !wedge!d) z z (d'/4c'/4b/4a/4 | %33
!<(! !wedge!g) (a/4g/4f/4e/4 !wedge!d) (d'/4c'/4b/4a/4 !wedge!g) (a/4g/4f/4e/4 !wedge!d) (d'/4c'/4b/4a/4!<)! | %34
!f! !wedge!g) (3e'/d'/c'/ (6:4:6b/a/g/f/e/d/ c z/ =e/ f/^f/g/a/ | %35
 =a/b/=b/c'/ _b/_a/g/f/ !>!e2- e/d/ (3a/f/d/ | e z!p! ([GB]3/2{/d}[Ac]/ [GB]) z z2 :: %37
!p!!<(! ([gb]3 [fa]) ([ac']3 [gb])!<)! |!f!!>(! [b_d']3 [ac'] [gb][fa][=eg][gb]!>)! | %39
!p!!<(! .[fa](c !wedge!c') z z (c!wedge!c') z!<)! |!f! z (f f')e/e'/ _d/_d'/c/c'/ B/b/A/a/ | %41
 G/g/F/f/ E/e/=D/=d/!>(! e/e/_d/f/ e/c/d/B/!>)! |!p!!<(! ([Ac]3 [GB]) ([B_d]3 [Ac]) | %43
 ([ce]3 [B_d]) ([df]3 [ce])!<)! |!f! [e_g]3 [_df]!>(! [ce][Bd][=Ac][FB] | %45
 [E=A][_D_G][CF][B,=E]!>)!!p! !fermata![C_E]4 | %46
!f! z2 z (e/4_d/4c/4B/4 !wedge!=A) z z (_a/4_g/4f/4e/4 | %47
 !wedge!_d) z z (e/4d/4c/4B/4 !wedge!=A) z z (_a/4_g/4f/4e/4 | %48
 !wedge!_d)!f! z z (_g/4f/4e/4d/4 !wedge!c) z z (c'/4b/4a/4g/4 | %49
 !wedge!f)!p! z z (_g/4f/4e/4_d/4 !wedge!c) z z (c'/4b/4a/4g/4 | %50
 !wedge!f)!f!(3f'/e'/_d'/ (6:4:6c'/b/a/_g/f/e/ _d(3f/e/d/ (6:4:6c/B/A/_G/F/E/ | %51
 _D2 T_C2{xx} (6:4:6B,/=D/F/D/F/B/ (6:4:6F/B/d/B/d/f/ | %52
 (6:4:6d/f/a/f/a/_c'/ (6:4:6b/a/_g/f/e/d/ z2 z (a/4g/4f/4e/4 | %53
 !wedge!=d) z z (_d'/4_c'/4b/4a/4 !wedge!_g)!p! z z (a/4g/4f/4e/4 | %54
 !wedge!=d) z z (_d'/4_c'/4b/4a/4) (_g2!f! =g2) |!>(! (x/-!turn!xx/ _d'/_c'/)b/a/ (!>!_g2 Pf2) | %56
 (x/-!turn!xx/ _c'/b/)a/_g/ (f2 Pe2) | (x/-"^♭"!turn!xx/ b/a/)_g/f/ (e2 T=d2){xx}!>)! | %58
!p!!<(! e2 z/ e/Pe ge z/ e/Pe | ge z/ e/Pe c'e z/ e/Pe | %60
 (6:4:6B/e/g/B/e/g/ (6:4:6=B/e/g/B/e/g/ (6:4:6c/e/g/c/e/g/ (6:4:6^c/=e/g/c/e/g/!<)! | %61
!ff! (6:4:6d/g/b/d'/b/g/ (6:4:6d/g/b/d'/b/g/ (6:4:6d/^f/=a/c'/a/f/ (6:4:6d/f/a/c'/a/f/ | %62
 (6:4:6g/b/=a/g/=f/e/ (6:4:6d/c/B/=A/G/F/ (6:4:6E/G/B/E/G/B/ (6:4:6D/G/B/D/G/B/ | %63
 (6:4:6^C/G/B/C/G/B/ (6:4:6C/G/B/C/G/B/ (6:4:6D/G/B/d/B/G/ D[=C^F] | %64
 z2!p! (g/^f/=a/g/) (b/a/g/=f/) _ed | (!>!d2!f! ^c/)=A/"^♯"PM!turn!A d/A/PM!turn!A =e/A/PM!turn!A | %66
 f z!p! (f/=e/g/f/) (_a/g/f/_e/) d=c | (c2!f! =B/)G/"^♯"PM!turn!G c/G/PM!turn!G d/G/PM!turn!G | %68
 ([eg]3 [df]) ([fa]3 [eg]) | ([Af][Ge][Fd][Ec]){=Bcd} ([Ec]2 [DB]) _A | %70
{GA_B} (A2 !wedge!G) c{=Bcd} (c2 !wedge!B/)(_a/g/f/) | (f/e/Pd/c/) =Bc (e2 d) z | %72
!p! z (G!wedge!g) z z (_A!wedge!_a) z | z (=B!wedge!=b) z z (c!wedge!c') z | %74
 z ^c-([c^c'][dd']) ([=B=b][=c=c']) ([=A=a][_B_b]) | z4!pp! z ([_Aa][Gg][^F^f]) | %76
 ([^F^f]4 !wedge![Gg])!p! G=Bd | [d=f]4- [df][df] [eg]/[df]/[ce]/[=Bd]/ | %78
 ([=Bd]2 [ce]2- [ce])[eg] [fa]/[eg]/[df]/[ce]/ | %79
 ([^c=e]2 [df]2- [df])[df] [_eg]/[df]/[=ce]/[=Bd]/ | %80
"^ten."!<(! !tenuto![ce]2 ([_d=e]2 [cf]2)!<)!!f! [c^f]2 | z =B/g/ =f/e/d/c/ B/_A/G/F/ E/D/C/=B,/ | %82
 z3/2!>(! a/ g/f/e/d/!>)!!p! (^c/d/_e/d/ f/e/g/=e/ | a/g/b/a/ g/f/e/d/ ^c/d/e/d/ f/e/d/=c/) | %84
!<(! c4-!<)!!f! (6:4:6c/=B/c/d/c/B/ (6:4:6f/e/d/a/f/d/ | %85
 c4- (6:4:6c/=B/c/d/c/B/ (6:4:6f/e/d/a/f/d/ | %86
 x4 x3!p![Q:1/4=71]"^Adagio" =B/c/(3d/c/B/(3f/e/d/ a3 gfe!breath!d x | x4 !tenuto!_a4 | %88
 !tenuto!!fermata!a4!f![Q:1/4=114]"^Tempo I" z (c'/<!wedge!g/) (g/<!wedge!e/)(e/<!wedge!c/) | %89
 z (c'/<!wedge!a/) (a/<!wedge!f/)(f/<!wedge!d/)!>(! c2- c/=B/ (3f/d/!>)!!mp!B/ | %90
!f! g2- (3g/e/c/(3f/d/=B/!p! g2- (3g/e/c/(3f/d/B/ | %91
!f!!<(! g2- (3g/e/c/(3a/f/d/ (3=b/f/d/(3c'/g/e/!<)!!ff! (3d'/b/g/(3e'/c'/g/ | %92
 !wedge!f'2 z2!p!!<(! z2 z (f/4e/4d/4c/4 | %93
 !wedge!=B) z z (_b/4a/4g/4f/4 !wedge!e) z z (f/4e/4d/4c/4 | %94
 !wedge!=B) z z (_b/4a/4g/4f/4 !wedge!e)!<)!!f! (f/4e/4d/4c/4 !wedge!B) (b/4a/4g/4f/4 | %95
 !wedge!e) (f/4e/4d/4c/4 !wedge!=B) (_b/4a/4g/4f/4 !wedge!e) (3f'/e'/d'/ (3c'/b/a/(3g/f/e/ | %96
 !wedge!d z/ (^c/ d/e/=e/f/ ^f/g/b/_a/ g/=f/_e/d/) | c2- c/=B/ (3f/d/B/ c z ([eg]>[fa]) | %98
 !wedge![eg] z !wedge![Ge]!wedge![F=B] [Ec] z ([EG]>[FA]) | %99
 !wedge![EG] z[K:bass] !wedge![G,E]!wedge![F,=B,] [E,C]2 z2 :| %100
V:2
 z (C,!wedge!C) z z (C,!wedge!C) z | z (C,F,)^F, (G,2 G,,)[K:treble] [CE] | %2
 [=B,D]3 ([EG] [DF]3) G- | G2 FE (C2 =B,) z |[K:bass] z (C,,!wedge!C,) z z (C,,!wedge!C,) z | %5
[K:treble] z ([EG][DF])[FA] [EG] z z2 | z [Fc] z [Ec] z [D=B] z [Cc] | %7
 [FA]2[K:bass] !wedge![G,E]!wedge![G,=D] !wedge![C,C]2 z2 | z2 ([E,B,_D]2 [E,A,C]2 [E,G,D]2) | %9
 [A,C] z z2 z4 | z8 | z2 ([F,CE]2 [F,B,=D]2 [F,=A,E]2) | .[B,D] z z2 z4 | z8 | %14
 z!p! (B,,D,F, !wedge!B,2) z2 | z (B,,E,G, !wedge!B,2) z2 | z B,, D,/B,,/F,/D,/ !wedge!B,2 z2 | %17
 z =A,/=A,,/ z B,/B,,/ z C/C,/ z _C/_C,/ | B,,/B,/ z z2 z3/2[K:treble] _A/ G/F/E/D/ | %19
 C/B,/A,/ z/ z2 z4 | z8 | z [B,FA][B,FA][B,FA] [B,FA]4 | z!f! (3(_C/F/A/ (6:4:6C/F/A/C/F/A/ C4) | %23
 z!p! (3_C/F/A/ (6:4:6C/F/A/C/(F/-[xA]/- ([FA]4-) x8- x2 | A2) !tenuto!A4 !tenuto!A2- | %25
 !fermata!A4[K:bass] [G,,B,,E,]2 z2 | [A,,C,E,]2 z2 z [B,,G,][B,,G,][B,,F,] | %27
 [G,,B,,E,]2 z2 [A,,C,E,]2 z2 | z [B,,G,][B,,G,][B,,F,] z [B,,G,][B,,G,][B,,F,] | %29
 z [B,,G,][B,,G,][B,,F,] z [B,,G,][B,,G,][B,,A,] | [B,,F,][B,,G,][B,,D,][B,,E,] [B,,F,]2 z2 | %31
[K:treble] (6:4:6(E/G/B/)E/G/B/ (6:4:6E/G/B/E/G/B/ (6:4:6F/A/B/F/A/B/ (6:4:6D/F/B/D/F/B/ | %32
 (6:4:6E/G/B/E/G/B/ (6:4:6E/G/B/E/G/B/ (6:4:6F/A/B/F/A/B/ (6:4:6D/F/B/D/F/B/ | %33
 (6:4:6E/G/B/E/G/B/ (6:4:6F/A/B/D/F/B/ (6:4:6E/G/B/E/G/B/ (6:4:6F/A/B/D/F/B/ | E2 z2 A,2 z2 | %35
 z4 z [B,G][B,G][B,F] | E z z2[K:bass] E,, z z2 :: z (E,!wedge!E) z z (E,!wedge!E) z | %38
 z (C,, C,6) |[K:treble] ([FA]3 [=EG]) ([GB]3 [FA]) | [Ac]3 [GB] [FA][_EG][_DF][CE] | %41
[K:bass] [B,_D][A,C][G,B,][F,A,] [G,B,]4 | z (A,,!wedge!A,) z z (A,,!wedge!A,) z | %43
 z (_G,,!wedge!_G,) z z (G,,!wedge!G,) z | x7 _D | CB,=A,=G, !fermata!A,4 | %46
[K:treble] (6:4:6B,/_D/F/B,/D/F/ (6:4:6B,/D/F/B,/D/F/ (6:4:6C/E/F/C/E/F/ (6:4:6=A,/C/F/A,/C/F/ | %47
 (6:4:6B,/_D/F/!p!B,/D/F/ (6:4:6B,/D/F/B,/D/F/ (6:4:6C/E/F/C/E/F/ (6:4:6=A,/C/F/A,/C/F/ | %48
 (6:4:6B,/_D/F/B,/D/F/ (6:4:6B,/D/F/B,/D/F/ (6:4:6_A,/E/_G/A,/E/G/ (6:4:6A,/E/G/A,/E/G/ | %49
 (6:4:6_D/F/A/D/F/A/ (6:4:6D/F/A/D/F/A/ (6:4:6E/_G/A/E/G/A/ (6:4:6C/E/A/C/E/A/ | %50
 _D2 z2 z[K:bass] (3F/E/D/ (6:4:6C/B,/A,/_G,/F,/E,/ | _D,2 T_C,2{xx} [B,,,B,,]4 | %52
 z4[K:treble] (6:4:6E/_G/B/E/G/B/ (6:4:6E/G/B/E/G/B/ | %53
 (6:4:6F/A/B/F/A/B/ (6:4:6=D/F/B/D/F/B/ (6:4:6E/_G/B/E/G/B/ (6:4:6E/G/B/E/G/B/ | %54
 (6:4:6F/A/B/F/A/B/ (6:4:6=D/F/B/D/F/B/ (6:4:6E/_G/B/E/G/B/ (6:4:6E/B/_d/E/B/d/ | %55
 (6:4:6_D/A/_c/D/A/c/ (6:4:6D/A/c/D/A/c/ (6:4:6D/A/c/D/A/c/ (6:4:6D/A/c/D/A/c/ | %56
 (6:4:6_D/_G/B/D/G/B/ (6:4:6D/G/B/D/G/B/ (6:4:6_C/G/B/C/G/B/ (6:4:6C/G/B/C/G/B/ | %57
 (6:4:6_C/F/A/C/F/A/ (6:4:6C/F/A/C/F/A/ (6:4:6B,/F/A/B,/F/A/ (6:4:6B,/F/A/B,/F/A/ | %58
 (6:4:6B,/E/G/B,/E/G/ (6:4:6B,/E/G/B,/E/G/ (6:4:6C/E/G/C/E/G/ (6:4:6C/E/G/C/E/G/ | %59
 (6:4:6B,/E/G/B,/E/G/ (6:4:6B,/E/G/B,/E/G/ (6:4:6=A,/E/G/A,/E/G/ (6:4:6A,/E/G/A,/E/G/ | %60
 (6:4:6B,/E/G/B,/E/G/ (6:4:6=B,/E/G/B,/E/G/ (6:4:6C/E/G/C/E/G/ (6:4:6^C/=E/G/C/E/G/ | %61
 (6:4:6D/G/B/d/B/G/ (6:4:6D/G/B/d/B/G/ (6:4:6D/^F/=A/c/A/F/ (6:4:6D/F/A/c/A/F/ | %62
 G2 z2[K:bass] ([E,,E,]2 [D,,D,]2) | [^C,,^C,]4 [D,,D,]2 z2 | [G,,,G,,]2 z2 z4 | %65
[K:treble] z2 ([=A,=EG]2 [A,DF]2 [A,^CG]2) | [DF] z z2 z4 | %67
[K:treble] z2 ([G,DF]2 [G,=C_E]2 [G,_CF]2) |[K:bass] z (C,!wedge!C) z z (C,!wedge!C) z | %69
 z (C,F,)^F, (G,2 G,,)[K:treble] [CE] | [=B,D]3 ([EG] [DF]3) G- | G2 FE (C2 =B,) z | %72
 ([CE]3 [=B,D]) ([DF]3 [CE]) | ([EG]3 [DF]) ([FA]3 [EG]) | %74
 ([G_B]3 [^F=A]) ([=F_A][=EG]) ([_E_G][=DF]) | z4 ([CE]4 | [=B,D]4- [B,D]) z z2 | %77
[K:bass] z (G,,=B,,D, !wedge!G,2) z2 | z (G,,C,E, !wedge!G,2) z2 | %79
 z G,, =B,,/G,,/D,/B,,/ !wedge!G,2 z2 | z C/C,/ z _B,/_B,,/ z =A,/=A,,/ z _A,/_A,,/ | %81
 G,,/G,/ z z2 z4 | _A,/G,/F,/ z/ z2 z4 | z8 |[K:treble] z [G,DF][G,DF][G,DF] [G,DF]4 | %85
 z!f! (3(_A,/=D/F/ (6:4:6A,/D/F/A,/D/F/ A,4) | %86
 z!p! (3A,/D/F/ (6:4:6A,/D/F/A,/(D/-[xF]/- ([DF]4-) x8- x2 | F2) !tenuto!F4 !tenuto!F2- | %88
 !fermata!F4[K:bass] !tenuto![E,G,C]2 z2 | !tenuto![F,A,C]2 z2 z[K:treble] [G,E][G,E][G,D] | %90
 z [G,E][G,E][G,D] z [G,E][G,E][G,D] | z [G,E][G,E][G,F] [G,D][G,E][G,=B,][G,C] | %92
 [G,D]2 z2 (3C/E/G/(3C/E/G/ (3C/E/G/(3C/E/G/ | %93
 (3D/F/G/(3D/F/G/ (3=B,/D/G/(3B,/D/G/ (3C/E/G/(3C/E/G/ (3C/E/G/(3C/E/G/ | %94
 (3D/F/G/(3D/F/G/ (3=B,/D/G/(3B,/D/G/ (3C/E/G/(3C/E/G/ (3D/F/G/(3B,/D/G/ | %95
 (3C/E/G/(3C/E/G/ (3D/F/G/(3=B,/D/G/ C z z2 |[K:bass] [F,A,]2 z2 z4 | %97
 z [G,E][G,E][G,D] [C,C][C,C] [C,C][C,C] | [C,C][C,C] [C,C][C,C] [C,,C,][C,,C,] [C,,C,][C,,C,] | %99
 [C,,C,][C,,C,] [C,,C,][C,,C,] [C,,C,]2 z2 :| %100
V:3
 x8 | x7[K:treble] x | x7 =B, | CE DC G,3 x |[K:bass] x8 |[K:treble] x8 | x8 | x2[K:bass] x6 | x8 | %9
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x11/2[K:treble] x5/2 | x8 | x8 | x8 | x8 | %23
 x4 (_C4- x8- x2- | C)"_ten."!pp! !tenuto!B,4 !tenuto!B,3- | !fermata!B,4[K:bass] x4 | x8 | x8 | %28
 x8 | x8 | x8 |[K:treble] x8 | x8 | x8 | x8 | x8 | x4[K:bass] x4 :: x8 | x8 |[K:treble] x8 | x8 | %41
[K:bass] x8 | x8 | x8 | z F,, F,6- | F,4- !fermata!F,4 |[K:treble] x8 | x8 | x8 | x8 | %50
 x5[K:bass] x3 | x8 | x4[K:treble] x4 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %62
 x4[K:bass] x4 | x8 | x8 |[K:treble] x8 | x8 |[K:treble] x8 |[K:bass] x8 | x7[K:treble] x | %70
 x7 =B, | CE DC G,3 x | x8 | x8 | x8 | x8 | x8 |[K:bass] x8 | x8 | x8 | x8 | x8 | x8 | x8 | %84
[K:treble] x8 | x8 | x4 (A,4- x8- x2- | A,)"_ten."!pp! !tenuto!G,4 !tenuto!G,3- | %88
 !fermata!G,4[K:bass] x4 | x5[K:treble] x3 | x8 | x8 | x8 | x8 | x8 | x8 |[K:bass] x8 | x8 | x8 | %99
 x8 :| %100
V:4
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x2 x6 | x8 | x8 | x8 | x2 x6 | x8 | x8 | x8 | x8 | x8 | x8 | %18
 x8 | x8 | x8 | x8 | x8 | !>!e4- e3- x8- x2 e | e3"_ten." !tenuto!d4 !tenuto!d- | !fermata!d4 x4 | %26
 x8 | x2 x6 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 :: x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %45
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | a>b x6 | _g>a x6 | f>_g x6 | x8 | x8 | x8 | x8 | %62
 x8 | x8 | x8 | x2 x6 | x8 | x2 x6 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | %80
 x8 | x8 | x8 | x8 | x8 | x8 | !>!c4- c3- x8- x2 c | c3"_ten." !tenuto!=B4 !tenuto!B- | %88
 !fermata!B4 x4 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x2[K:bass] x6 :| %100


Questions about this score:
What is the initial clef?
What is the initial tempo indication?
Which instruments are used?
In measure 6, is there an accidental?
In measure 2, what is the articulation marking?
In measure 1, what is the longest rest value?
In measure 1, does the piece begin on the tonic chord of the original key?
In measure 1, what scale degree is the first chord? (Use I, II, III, IV, V, VI, VII)
In measure 5, is there a first/second inversion I chord?
What are the main structural features of the motif?
Where is the starting and ending position of the main part of the work?
In which measure does the melodic motif appear?

Reference answers (in the same order):
Treble clef; Bass clef
Moderato
Piano
Yes, B♮
With Slur
Eighth rest
Yes
I
Stepwise motion; Leaps;Third interval;Turn
Measures 1–8
Measures 1-2