X:1
T:그리그 나비
C:EDVARD GRIEG
%%score { ( 1 3 ) | 2 }
L:1/8
Q:1/4=100
M:4/4
I:linebreak $
K:A
V:1 treble nm="피아노 " snm="Pno."
V:3 treble 
V:2 bass 
V:1
"^Allegro grazioso"!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %2
 (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) |"_cresc." (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e'/b/g/=e/) | %4
!f! (B>g G>e"_dim." E>c C>^A |"_rit." =C>=A A,>F!p! G,>E z2) :| %6
 =G>B d/=g/(c/[dg]/ B/)[dg]/A/[Bd]/ G/[Bd]/F/[Bd]/ | ^E>[^Gc] F>[Ac] ^D>[Fc] E>[Gc] | %8
 C>[FAc] D/[FAc]/=E/[FAc]/ C>[^EAc] C>[EAc] | z2 z2 x2 z2 | %10
 =c>e =g/=c'/f/[gc']/ e/[gc']/d/[eg]/ c/[eg]/B/[eg]/ | ^A>[^cf] B>[df] G>[Bf] A>[cf] | %12
 F>[Bdf] =G/[Bdf]/A/[Bdf]/ F>[^Adf] F>[Adf] | F>[B^df] ^G/[Bdf]/^A/[Bdf]/ F>[Adf] F>[Adf] | %14
 z2 x2"^rit." z2 x2 | f4 f4 |!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %18
!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e'/b/g/=e/) | %20
 (f'>g a/^a/b/^b/ c'/d'/^d'/e'/ =a'/e'/c'/=a/) | e>c' c>a A>f F>^d | =F>=d D>B C>A z2 | %23
 =G>B d/=g/(c/[dg]/ B/)[dg]/A/[Bd]/ G/[Bd]/F/[Bd]/ | ^E>[^Gc] F>[Ac] ^D>[Fc] E>[Gc] | %25
 C>[FAc] D/[FAc]/=E/[FAc]/ C>[^EAc] C>[EAc] | z2 z2 x2 z2 | %27
 =c>e =g/=c'/f/[gc']/ e/[gc']/d/[eg]/ c/[eg]/B/[eg]/ | ^A>[^cf] B>[df] G>[Bf] A>[cf] | %29
 F>[Bdf] =G/[Bdf]/A/[Bdf]/ F>[^Adf] F>[Adf] | F>[B^df] ^G/[Bdf]/^A/[Bdf]/ F>[Adf] F>[Adf] | %31
 z2 x2"^rit." z2 x2 | f4 f4 |!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (^^F>e G>e F>e G>^e) | %35
!p! (f>G A/^A/B/^B/ c/d/^d/e/ =a/e/c/=A/) | (c'>^d e/^e/f/^^f/ g/a/^a/b/ =e'/b/g/=e/) | %37
 (f'>g a/^a/b/^b/ c'/d'/^d'/e'/ =a'/e'/c'/=a/) | e>c' c>a A>f F>^d | =F>=d D>B z4 | %40
 E>c C>A A,>F[K:bass] F,>^D | =F,>=D D,>B, C,>A, z2 |] %42
V:2
!ped! z/ D,/G,/B,/ F z z2!ped-up! z/ C,/A,/E/ | %1
 z/ ^A,,/E,/C/ z/ B,,/E,/D/ z/ A,,/E,/C/ z/ B,,/E,/D/ | %2
!ped! z/ D,/G,/B,/ F z z2!ped-up! z/ C,/A,/E/ | %3
[K:treble]!ped! z/ A,/^D/F/ c z z2!ped-up! z/ G,/E/B/ | %4
[K:bass]!ped! z/ B,,/G,/E/ z2 z/!ped-up!!ped! B,,/=G,/E/ z2 | %5
 z/!ped-up!!ped! B,,/F,/^D/ z2!ped! z/!ped-up! E,,/B,,/ z/ E,,,2 :| %6
!ped! z/!ped-up! B,,/=G,/D/ z2 z4 | %7
!ped! z/ C,/B,/ z/ z/!ped-up!!ped! C,/C/ z/ z/!ped-up!!ped! C,/A,/ z/ z/!ped-up!!ped! C,/B,/ z/!ped-up! | %8
 z/!ped-up!!ped! F,,/C,/A,/ z2 z/!ped-up!!ped! F,,/C,/B,/ z/ F,,/C,/B,/ | %9
!ped! z/ F,,/C,/A,/[I:staff -1]F/G/A/c/[I:staff +1] z/ F,/C/F/[I:staff -1]f/g/a/c'/!ped-up! | %10
!ped![I:staff +1] z/ E,/=C/=G/ z2 z4!ped-up! | %11
!ped! z/ F,/E/ z/ z/!ped-up!!ped! F,/F/ z/!ped! z/!ped-up! F,/D/ z/ z/!ped-up!!ped! F,/C/ z/!ped-up! | %12
!ped! z/!ped-up! B,,/F,/D/ z2 z/!ped-up!!ped! B,,/F,/E/ z/ B,,/F,/E/ | %13
 z/!ped-up!!ped! B,,/F,/^D/ z2 z/!ped-up!!ped! B,,/F,/E/ z/ B,,/F,/E/ | %14
!ped! z/!ped-up! B,,/F,/^D/[I:staff -1]B/c/^d/f/!ped![I:staff +1] z/!ped-up! B,,/F,/D/[I:staff -1]B/c/d/f/ | %15
[I:staff +1] z/!ped-up!!ped! B,,/F,/=D/[I:staff -1]=d/c/B/F/[I:staff +1] z/!ped-up!!ped! B,,/F,/D/[I:staff -1]d/c/B/F/ | %16
!ped![I:staff +1] [D,,D,]/!ped-up!^G,/B,/F/ z2 z2 z/ C,/A,/E/ | %17
 z/ ^A,,/E,/C/ z/ B,,/E,/D/ z/ A,,/E,/C/ z/ B,,/E,/D/ | %18
!ped! z/ D,/G,/B,/ F z z2!ped-up! z/ C,/A,/E/ | %19
!ped! z/[K:treble] A,/^D/F/ c z z2!ped-up! z/ G,/E/B/ |!ped! z/ =D/G/B/ f z z2!ped-up! z/ C/A/e/ | %21
[K:bass]!ped! z/ E,/C/A/ z2 z/!ped-up!!ped! E,/=C/A/!ped-up! z2 | %22
 z/!ped-up!!ped! E,/B,/G/ z2 z/!ped-up!!ped! A,,/E,/ z/ A,,,2 |!ped! z/!ped-up! B,,/=G,/D/ z2 z4 | %24
!ped! z/ C,/B,/ z/ z/!ped-up!!ped! C,/C/ z/ z/!ped-up!!ped! C,/A,/ z/ z/!ped-up!!ped! C,/B,/ z/!ped-up! | %25
 z/!ped-up!!ped! F,,/C,/A,/ z2 z/!ped-up!!ped! F,,/C,/B,/ z/ F,,/C,/B,/ | %26
!ped! z/ F,,/C,/A,/[I:staff -1]F/G/A/c/[I:staff +1] z/ F,/C/F/[I:staff -1]f/g/a/c'/!ped-up! | %27
!ped![I:staff +1] z/ E,/=C/=G/ z2 z4!ped-up! | %28
!ped! z/ F,/E/ z/ z/!ped-up!!ped! F,/F/ z/!ped! z/!ped-up! F,/D/ z/ z/!ped-up!!ped! F,/C/ z/!ped-up! | %29
!ped! z/!ped-up! B,,/F,/D/ z2 z/ B,,/F,/E/ z/ B,,/F,/E/ | %30
 z/!ped! B,,/F,/^D/ z2 z/!ped-up!!ped! B,,/F,/E/ z/ B,,/F,/E/ | %31
!ped! z/!ped-up! B,,/F,/^D/[I:staff -1]B/c/^d/f/[I:staff +1] z/!ped-up!!ped! B,,/F,/D/[I:staff -1]B/c/d/f/ | %32
[I:staff +1] z/!ped! B,,/!ped-up!F,/=D/[I:staff -1]=d/c/B/F/[I:staff +1] z/!ped-up!!ped! B,,/F,/D/[I:staff -1]d/c/B/F/ | %33
!ped![I:staff +1] [D,,D,]/!ped-up!^G,/B,/F/ z2 z2 z/ C,/A,/E/ | %34
 z/ ^A,,/E,/C/ z/ B,,/E,/D/ z/ A,,/E,/C/ z/ B,,/E,/D/ | %35
!ped! z/ D,/G,/B,/ F z z2!ped-up! z/ C,/A,/E/ | %36
!ped! z/[K:treble] A,/^D/F/ c z z2!ped-up! z/ G,/E/B/ |!ped! z/ =D/G/B/ f z z2!ped-up! z/ C/A/e/ | %38
[K:bass]!ped! z/ E,/C/A/ z2 z/!ped-up!!ped! E,/=C/A/ z2!ped-up! | z/!ped-up!!ped! E,/B,/G/ z2 z4 | %40
!ped! z/ E,,/C,/A,/ z2 z/!ped-up!!ped! E,,/=C,/A,/ z2!ped-up! | %41
 z/!ped-up!!ped! E,,/B,,/G,/ z2 z/!ped-up!!ped! A,,,/E,,/ z/ A,,,,2 |] %42
V:3
 x8 | x8 | x8 | x8 | x8 | x8 :| x8 | x8 | x8 | C8 | x8 | x8 | x8 | x8 | F4 F4 | z2 x2 z2 x2 | x8 | %17
 x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | x8 | C8 | x8 | x8 | x8 | x8 | F4 F4 | z2 x2 z2 x2 | x8 | %34
 x8 | x8 | x8 | x8 | x8 | x8 | x6[K:bass] x2 | x8 |] %42


Questions about this score:
What is the title of the work?
What is the initial key?
Who is the composer?
In measure 7, what is the lowest pitch?
In measure 7, what is the highest pitch?
In measure 27, what is the shortest rest value?
In measure 42, does a chord anticipation occur?
In measure 1, what are the repeated notes of the A major chord?
In measure 1, what is the voicing of the A major chord?
What are the core structural characteristics of the motif?
In which measure does the melodic motif appear?
What is the rhythm of the motif?

Reference answers (in the same order):
Schmetterling
A major
Edvard Grieg
B2
G5
Sixteenth rest
No
Root note; Third note; Fifth note
Mixed position
Diatonic scale; Leaps
Measures 1–2
Dotted rhythm, sixteenth note subdivision