X:1
T:Intermezzo
T:Johannes Brahms Op. 117.  № 1  
%%score { ( 1 3 ) | ( 2 4 ) }
L:1/8
Q:1/4=42
M:6/8
I:linebreak $
K:Eb
V:1 treble nm="PIANO."
V:3 treble 
V:2 bass 
V:4 bass 
V:1
!p!!mf!"^Andante moderato." (B |!p!"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | %3
 [Ee]2 [Ee] [Ee]2) ([Ee] | e2 d e2) z | [Aa]2 [Ff] [Gg]2 ([Bb] | [Aa]2 [Ff] [Gg]2 [Ge]) | %7
 f2!<)!!mf! ([Bdb]- [Bdb]!>(![Bd][Bf=a] | %8
 [Beg][=Adf][Gce]/[FBd]/!>)!!p! !arpeggio![E_A-cf][DAB])(c/B/ | [Ee]2 [Ee] [Ee]2) ([Ee] | %10
 e2 e!>(! [Ee]2) ([Ee] | [Ee]2 [Ee]!>)!!pp! [Ee]2) ([Ee] | %12
!<(! [Fe]2"_dolce"!mf! [Fe]!<)!!>(! f2) (b!>)! |!mp! [ee']2 e'2 e2 | fec B2) (c/d/ | %15
"^poco a poco rit."[Q:1/4=41]!>(! [Ee]2 [Ee]2 [Ee]2 |[Q:1/4=30] e2 d e2)!>)! x | %17
[Q:1/4=39] [Aa][_G_g][_F_f][Q:1/4=38] [Ee]2!>(! ([_DE]!>)! | %18
[Q:1/4=37] [_CE]2 [A,E][Q:1/4=36] E2)!<(! ([_F_f]/[_G_g]/ | %19
[Q:1/4=35] [Aa][_G_g][_F_f]!<)!!mf![Q:1/4=34] [Ee]2)"_rit. molto" ([Ff]/[Geg]/ | %20
[Q:1/4=32]!>(! [A_fa][_Ge_g][_F_df][Q:1/4=28] [E_ce][_DBd]!fermata![_CAc])!>)! || %21
[K:Gb]!pp![Q:1/4=32]"^Più Adagio." z"_sempre ma molto espressivo" (B!<(!.B,!<)!!mp!!>(!c.C!>)!!pp!A | %22
 .A,)!<(! a2!mp!!>(! b2!pp! g | x (!>!GG,!>!FF,!>!F) | z (!>!f2 !>!e2 !>!e) | %25
 z!<(! ([B,=CE]2!<)!!mp!!>(! [B,CF]2!>)! C) |!pp! [F=Aef]3 [FBf]3 | %27
[K:bass]!p! z!<(! [B,=C=E]2!<)!!mf!!>(! [B,_E_G]2 C!>)! | %28
[K:treble]!pp! [F=Aef]3"_rit.  _      _"[Q:1/4=28]!>(! [B=d]3[Q:1/4=26][Q:1/4=24]!>)! | %29
!p![Q:1/4=32] z (B!<(!.B,!<)!!mf!!>(!_c.C!>)!!p!A | .A,)!<(! ([Bd_fa]2!mf!!>(! [=gb]2!p! d) | %31
 z (!>![=CE_G]2 !>![_CEG]2 !>!_F) | z!>(! (!>![Bd_fa]2!>)!!pp! !>![df]2 !>!e) | %33
 z (!>![C_D]2 !>![B,E]2 !>!B,) | [B,=DAB]3 [B,EB]3 | z!>(! (!>![Ac_f]2!>)!!ppp! !>![GBe]2 !>!B) | %36
[K:bass]!pp! ([=D,A,B,]3 [D,A,B,]3 |!>(! _D2 _C2!pppp! B,2)!>)! || %38
[K:Eb][K:treble]"^Un poco più Andante."[Q:1/4=40]!p! [EGe][Dd]!pp![I:staff +1][CEc][I:staff -1] x x!p! [A,EA]/[G,G]/ | %39
 FE!pp! [ege'] [ege']2!p! [Cc]/[Dd]/ | %40
 [EBe][Dd]!pp![I:staff +1][CEc][I:staff -1] x x!p! ([A,EA]/[G,G]/ | BE{/G}F) (E>!<(!GB/g/!<)! | %42
!mp!!>(! [Aa]2!>)! [Ff] [Gg]2)!p! ([Bb] | [Aa]2 [Ff] [Gg]2 [Ge] | %44
!<(! [Ff]2 [Ee]!<)!!mf! [Ff]2 ([f=a]) |!>(! [Beg][=Adf]e/d/ [E_Ac][DGB])!>)!!p! (B | %46
"_dolce" [Ee]2 [Ee] [Ee]2) ([Ee] | e2 e [Ee]2) ([Ee] | [Ee]2!<(! [Ee] [Ee]2) ([Ee] | %49
 [Ee]2"_dolce" [Dd]!<)!!mf! [Dd]2) (b | !fermata!e'>d'e'/c'/ e'/bag/ | f/d/e/g/b-) b>(cd/f/ | %52
"_rit. dim."!f!!>(! [Ee]2!mf![Q:1/4=39] [Ee]2!>(! [Ee]2) | %53
[Q:1/4=38] (e2 d-!>)![Q:1/4=37]!p! d2)"^espress."!>(! (!>![Ee]- | %54
!mp! [Ee]2!>)![Q:1/4=36] [Ee]-"_dim. rit." [Ee]2)[Q:1/4=34]!>(! ([Ee-] | e2[Q:1/4=32] d- d3) | %56
[Q:1/4=30] [Ee]2!>)! z[Q:1/4=28] x x2 | !fermata![Geg]3 x z2 |] %58
V:2
!ped! E,, | [E,G,]2 [E,G,] [E,G,]2 E,,!ped-up! |!ped! [E,G,]2 [E,G,] [E,G,]2 G,,,!ped-up! | %3
!ped! [G,,E,G,]2 [G,,E,G,] [G,,E,G,]2 B,,,!ped-up! |!ped! [B,,G,]2 [B,,A,] [E,G,]2 E,,!ped-up! | %5
!ped! [E,C]2 [E,A,] [E,B,]2 E,,!ped-up! |!ped! [E,C]2 [E,A,] [E,B,]2 ([E,,E,]!ped-up! | %7
!ped! [B,,B,][=A,,=A,][G,,G,] [F,,F,]2) ([E,,E,]/[D,,D,]/!ped-up! | %8
!ped! [F,,F,]2 [B,,,B,,]) [B,,,B,,]2 [B,,A,]!ped-up! | %9
!ped! !arpeggio![E,,G,]2 [E,G,] [E,G,]2 E,,!ped-up! |!ped! [E,G,]2 [E,G,] [E,G,]2 C,,!ped-up! | %11
!ped! [C,G,]2 [C,G,] [C,G,]2 F,,!ped-up! |!ped! [F,C]2 [F,=A,] [B,,B,]2 [B,D_A]!ped-up! | %13
!ped! (!arpeggio![E,B,G]2 !arpeggio![E,B,G]2 [E,B,]2)!ped-up! | %14
!ped! ([E,B,]2 [E,G,]2 [G,,E,G,]2)!ped-up! |!ped! ([=A,,E,G,]2 [B,,E,G,]2 [C,E,G,]2!ped-up! | %16
!ped! [B,,G,]2 [B,,_A,] [E,G,]2)!p! ([_F,,_F,]/[_G,,_G,]/!ped-up! | %17
!ped! [A,,A,][_G,,_G,][_F,,_F,] [E,,E,]2) [_D,,_D,]/[_C,,_C,]/!ped-up! | %18
!ped! E,2 E, E,2 [E,_D]!ped-up! |!ped! [E,_C]2 [E,A,] [E,E]2 ([_D,,_D,]!ped-up! | %20
!ped! [B,,,B,,]2 [=G,,,=G,,]2 [A,,,A,,]2)!ped-up! || %21
[K:Gb]!ped! (B,,,/B,,/E,/G,/) z (B,,,/B,,/F,/A,/) z!ped-up! | %22
!ped! (B,,,/B,,/=D,/F,/) z (B,,,/B,,/E,/G,/) z!ped-up! | %23
!ped! (B,,,/B,,/C,/E,/) z (A,,,/A,,/C,/E,/) z!ped-up! | %24
!ped! (A,,,/A,,/B,,/D,/) z (G,,,/G,,/B,,/D,/) z!ped-up! | %25
!ped! (G,,,/G,,/B,,/=C,/) z (F,,,/F,,/B,,/C,/) z!ped-up! |!ped! (E,D,=C, E,2 D,)!ped-up! | %27
!ped! (G,,,/G,,/B,,/=C,/) z (=C,,,/=C,,/E,,/B,,/) z!ped-up! | %28
!ped! (E,D,=C,) ([_A,,_A,][G,,G,][F,,F,])!ped-up! | %29
!ped! (E,,/B,,/E,/G,/) z (A,,,/A,,/C,/_F,/) z!ped-up! | %30
!ped! (B,,,/B,,/D,/_F,/) z (E,,/B,,/E,/=G,/) z!ped-up! | %31
!ped! (A,,,/E,,/A,,/=C,/) z (A,,,/E,,/A,,/_C,/) z!ped-up! | %32
!ped! (B,,,/B,,/D,/_F,/) z (=G,,,/=G,,/B,,/E,/) z!ped-up! | %33
!ped! (A,,,/E,,/A,,/C,/) z (_G,,,/E,,/_G,,/B,,/) z!ped-up! |!pp!!ped! (A,G,F, A,2 G,)!ped-up! | %35
!ped! (A,,,/A,,/C,/_F,/) z (B,,,/G,,/B,,/E,/) z!ped-up! |!ped!!>(! (B,,3 B,,3!>)! | %37
!ppp! _D,2 _C,2 B,,2)!ped-up! || %38
[K:Eb]"_col"!ped! !arpeggio![E,,B,,G,]2[K:treble] x [B,EB]2[K:bass] [E,,B,,]!ped-up! | %39
!ped! [E,,B,,F,]E,[K:treble][G,EG] [B,EB]2[K:bass] [G,,E,]!ped-up! | %40
!ped! [G,,E,]2[K:treble] x [B,EB]2[K:bass] [B,,,B,,]!ped-up! | %41
!ped! [B,,E,G,]2 [B,,,B,,] [E,,B,,]2 E,,!ped-up! |!ped! [E,C]2 [E,A,] [E,B,]2 E,,!ped-up! | %43
!ped! [E,C]2 [E,A,] [E,B,]2 ([E,,E,]!ped-up! | %44
!ped! [B,,B,][=A,,=A,][G,,B,,G,] [F,,B,,F,]2) ([E,,E,]/[D,,D,]/)!ped-up! | %45
!ped! [F,,F,]2 [B,,,B,,] [B,,,B,,]2 B,,/A,/!ped-up! | %46
!ped! !arpeggio![E,,G,]2 [E,G,] [E,G,]2 E,,!ped-up! |!ped! [E,G,]2 [E,G,] [E,G,]2 C,,!ped-up! | %48
!ped! [C,G,]2 [C,G,] [C,G,]2 D,,!ped-up! | %49
!ped! [D,^F,C]2 [D,F,=A,] [G,,G,]2[K:treble] [B,D_A]!ped-up! | %50
!ped! !arpeggio![E,B,G]2 !arpeggio![E,B,G] !arpeggio![E,B,G]2[K:bass] [E,B,]!ped-up! | %51
!ped! [E,B,]2 [E,A,] [E,G,]2 [G,,E,-G,-]!ped-up! |!ped! [=A,,E,G,]2 [B,,E,G,]2 [C,E,G,]2!ped-up! | %53
!ped! [B,,G,]2 [B,,A,]- [B,,A,]2!ped-up!!f!!ped! !arpeggio!!>![A,,E,C]- | %54
 [A,,E,C]2 [C,E,]- [C,E,]2!ped-up!!ped! [B,,G,]- | [B,,G,]2 [B,,A,]- [B,,A,]3!ped-up! | %56
!ped! [E,G,]2 z!pp! [B,,G,B,]2 z | !fermata![E,G,E]3 x z2!ped-up! |] %58
V:3
 x | edc B2 A/G/ | FEG B2 c/d/ | edc B2 A/G/ | BE{/G}F E>GB/g/ | fcd B>eg/e/ | fcd e!<(!Bc | %7
 [Fd]2 x4 | x4 x [CE]/[DF]/ | edc B2 A/G/ | FEG B2 c/d/ | edc B2 =A/G/ | =ABc [FBe]>dc/B/ | %13
 e'd'[ec'] [db][ca][Bg] | [Ae]G/F/E/G/ B2 E | edc B2 A/G/ | BE{/G}F E2 [_F_f]/[_G_g]/ | x6 | x6 | %19
 x6 | x6 ||[K:Gb] x [GB]2 [Ac]2 [FA] | x ([fa]!<)!.A[gb]!>)!.B[eg] | .G) [EG]2 [CEF]2 [CEF] | %24
 x [Bdf]F[Bde]E[Bd] | x B,[I:staff +1]=E,[I:staff -1]B,[I:staff +1]F,[I:staff -1]B, | (ed=c e2 d) | %27
[K:bass] x B,=E,B,G,[_E,G,] |[K:treble] (ed=c) ([_A_a][Gg]!ppp![Ff]) | x [GB]2 [Ac]2 [_FA] | %30
 x B!<)!Ad!>)!B[DB] | x =C[I:staff +1]G,[I:staff -1]_C[I:staff +1]G,[I:staff -1][CE] | %32
 x BAB_F[Bd] | x C[I:staff +1]=F,[I:staff -1]B,[I:staff +1]E,[I:staff -1]G, | (AGF A2 G) | %35
 x A_FGEG |[K:bass] x6 | [E,=G,E]3 [E,G,E]3 ||[K:Eb][K:treble] x2 [ege'] [ege']2 x | G,2 x4 | %40
 x2 [ege'] [ege']2 x | B,2 [A,D] [G,E]2 [GB] | fcd B>eg/e/ | f/e/f/c/e/d/ e/d/e/B/c/B/ | %44
 d/c/d/B/c/B/ d/c/d/B/=A/B/ | B/G/=A/F/[Gc]/[FB]/ E/C/D/B,/[CE_A]/[DF]/ | edc B2 A/G/ | %47
 FEG B2 c/d/ | edc B2 =A/G/ | =ABc B>dc/B/ | e2 e- e/d/e/c/e/B/- | %51
 B/(AG/[I:staff +1]!arpeggio![xF]/D/!arpeggio![xE]/G/)!<(![I:staff -1] B2!<)! | e!>)!dc B2 (A/G/ | %53
 BE) (G/F/-) F2 (!>!c | B2) =A _A2 G | BE(G/F/- F2- F/E/) | x6 | x6 |] %58
V:4
 x | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x6 | x4 x E, | %18
 [B,,,B,,][A,,,A,,][_C,,_C,] E,,2 x | x6 | x6 ||[K:Gb] x6 | x6 | x6 | x6 | x6 | %26
 [F,,=A,,E,F,]3 [F,,B,,F,]3 | x6 | [F,,=A,,E,F,]3 [B,,=D,]3 | x6 | x6 | x6 | x6 | x6 | %34
 [B,,=D,A,]3 [B,,E,]3 | x6 | A,,2 G,,2 F,,2 | E,,3 E,,3 ||[K:Eb] x2[K:treble] x3[K:bass] x | %39
 x2[K:treble] x3[K:bass] x | x2[K:treble] x3[K:bass] x | x6 | x6 | x6 | x6 | x5 B,, | x6 | x6 | %48
 x6 | x5[K:treble] x | x5[K:bass] x | x6 | x6 | x6 | x6 | x6 | x2 x [E,,,E,,]2 z | x6 |] %58


Questions about this score:
What is the title of the piece?
What is the initial tempo indication?
What is the initial expression marking?
In measure 1, what is the articulation marking?
In measure 5, what is the lowest pitch?
In measures 1–2, what is the chord progression? (use I, II, III, IV, V, VI, VII)
In measure 1, what are the repeated notes in chord I?
In measure 1, is there a first inversion of chord E♭ major?
In which measure does the melodic motif first appear?
What is the most frequently used accompaniment texture?
In measure 28, what is the tempo change marking?
What ornamentation techniques are used for the motif?

Reference answers (in the same order):
Intermezzo in E-flat major, Op.117, No.1
Andante moderato
Dolce
With Slur
E♭2
I–VI6–I
Root; Third
No
Measure 1
Arpeggio texture
Ritardando
Suspension ornament