Igor Stravinsky

thumb|Igor Stravinsky

Igor Fyodorovich Stravinsky (, ) ( – 6 April 1971) jẹ́ olu
ọ̀kọrin, atẹdùrù, àti Adarí orin ọmọ orílẹ̀-èdè Rọ́ṣíà, ó gbajúmọ̀ gẹ́gẹ́ bí ọ̀kan nínú Ọ̀kọrin tí ó nípa jùlọ nínú orin ní sẹ̀ńtúrì ogún tó kọjá.
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* Adorno, Theodor. 1973. Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Continuum. ISBN 0-8264-0138-4 Original German edition, as . Tübingen: J. C. B. Mohr, 1949.
* Anonymous. 1940. "Musical Count". Time Magazine (Monday, March 11).
* Berry, David Carson. 2006. "Stravinsky, Igor." Europe 1789 to 1914: Encyclopedia of the Age of Industry and Empire, editors-in-chief John Merriman and Jay Winter, 4:2261–63. Detroit: Charles Scribner’s Sons.
* Berry, David Carson. 2008. "The Roles of Invariance and Analogy in the Linear Design of Stravinsky's 'Musick to Heare.'" Gamut 1/1. Accessible at .
* Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". Musical Quarterly 21, no. 3 (July): 330–47. Reprinted 1991, Musical Quarterly 75, no. 4 (Winter): 51–69.
* Browne, Andrew J. 1930. "Aspects of Stravinsky's Work". Music & Letters 11, no. 4 (October): 360–66. Online link accessed 2007-11-19 (subscription access)
* Cocteau, Jean. 1918. Le Coq et l'arlequin: notes de la musique. Paris: Éditions de la Sirène. Reprinted 1979, with a preface by Georges Auric. Paris: Stock. ISBN 2-234-01081-0 English edition, as Cock and Harlequin: Notes Concerning Music, translated by Rollo H. Myers, London: Egoist Press, 1921.
* Cohen, Allen. 2004. Howard Hanson in Theory and Practice. Westport, Conn.: Praeger Publishers. ISBN 0-313-32135-3
* Copland, Aaron. 1952. Music and Imagination. Cambridge, Massachusetts: Harvard University Press.
* Craft, Robert. 1993. Stravinsky: Glimpses of a Life, St Martins Press.
* Craft, Robert. 1997. Stravinsky: Chronicle of a Friendship. Vanderbilt University Press.
* Dubal, David. 2001. The Essential Canon of Classical Music. New York: North Point Press.
* Eksteins, Modris. 1989. Rites of Spring: The Great War and the Modern Era. Boston: Houghton Mifflin Company. ISBN 0-395-49856-2 (Reprinted 1990, New York: Anchor Books ISBN 0-385-41202-9; reprinted 2000, Boston: Mariner Books ISBN 0-395-93758-2)
* Glass, Philip. 1998. “Igor Stravinsky” Time (Monday, 8 June).
* Greene, David Mason (1985). Biographical Encyclopaedia of Composers. New York: Doubleday.
* Holland , Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", The New York Times (11 March).
* Lambert, Constant. 1936. Music Ho! A Study of Music in Decline. New York: Charles Scribner's Sons.
* Lawson, Rex. 1986. Stravinsky and the Pianola, in Confronting Stravinsky, ed. Pasler. Los Angeles: University of California Press. ISBN 0-520-05403-2.
* Lehrer, Jonah. 2007. Igor Stravinsky and the Source of Music, in his Proust Was a Neuroscientist. Boston: Houghton Mifflin Co. ISBN 0-618-62010-9.
* Page, Tim. 2006. "Classical Music: Great Composers, a Less-Than-Great Poser and an Operatic Impresario". Washington Post (Sunday, 30 July): BW13.
* Robinson, Lisa. 2004. "Opera Double Bill Offers Insight into Stravinsky's Evolution". The Juilliard Journal Online 19, no. 7 (April). (No longer accessible as of March 2008.)
* Siegmeister, Elie (ed.). 1943. The Music Lover's Handbook. New York:William Morrow and Company.
* Slonimsky, Nicolas. 1953. Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time. New York: Coleman-Ross. Second edition, New York: Coleman-Ross, 1965, reprinted Washington Paperbacks WP-52, Seattle: University of Washington Press, 1969, reprinted again Seattle: University of Washington Press, 1974 ISBN 0-295-78579-9, and New York: Norton, 2000 ISBN 0-393-32009-X (pbk).
* Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. ISBN 0-521-80220-2 (cloth) ISBN 0-521-60288-2 (pbk)
* Stravinsky, Igor. 1936. Chronicle of My Life. London: Gollancz. Reprinted as An Autobiography (1903–1934). London: Marion Boyars, 1990. ISBN 0-7145-1082-3. Reprinted, New York: W. W. Norton & Co., 1998. ISBN 0-393-31856-7.
* Stravinsky, Igor, and Robert Craft. 1959. Conversations with Igor Stravinsky. Garden City, NY: Doubleday. OCLC 896750 Reprinted Berkeley: University of California Press, 1980. ISBN 0-520-04040-6
* Stravinsky, Igor, and Robert Craft. 1962. Expositions and Developments. London: Faber & Faber.
* Stravinsky, Igor, and Robert Craft. 1960. Memories and Commentaries. Garden City, N.Y.: Doubleday. Reprinted 1981, Berkeley and Los Angeles: University of California Press. ISBN 0-520-04402-9 Reprinted 2002, London: Faber and Faber. ISBN 0-571-21242-5
* Stravinsky, Théodore, and Denise Stravinsky. 2004. Catherine and Igor Stravinsky: A Family Chronicle 1906–1940. New York: Schirmer Trade Books; London: Schirmer Books. ISBN 0-8256-7290-2
* Taruskin, Richard. 1996. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Two vols. Berkeley: University of California Press. ISBN 0-520-07099-2
* Volta, Ornella. 1989. Satie Seen through His Letters. London: Boyars. ISBN 0-7145-2980-X.
* Wallace, Hellen. 2007. Boosey & Hawkes, The Publishing Story. London: Boosey & Hawkes. ISBN 978-0-85162-514-0.
* Walsh, Stephen. 2000. Stravinsky. A Creative Spring: Russia and France 1882–1934. London: Jonathan Cape.
* Walsh, Stephen. 2001. "Stravinsky, Igor." New Grove Dictionary of Music and Musicians, 2nd edition. London: MacMillian.
* Wenborn, Neil. 1985. Stravinsky. London: Omnibus Press. ISBN 0-7119-7651-1.
* Zappa, Frank, and Peter Occhiogrosso. 1989. The Real Frank Zappa Book. New York: Poseidon Press. ISBN 0-671-63870-X (reprinted twice in 1990, New York: Fireside Books, ISBN 0-671-70572-5 and New York: Picador Books ISBN 0-330-31625-7)
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