Instruction: Answer the given question by extracting information from the supporting document.

Input:
Question: I am looking for this nikon 50mm 1.2 lens for my Film body Nikon F3 and Nikon F5. Can i use for both?
Document: I've owned this lens for about twenty years and I can't let it go. I owned a Nikon F3 HP and a Nikon FM2. I sold the F3 but I held on to my FM2 and my 50mm 1.2 lens. I primarily shoot with a Canon 5D Mark II now but when I get in the mood to shoot film, I break out my FM2 and 50mm 1.2.
this is a most cheapest big apperature at 50mm. other 1.2 50mm lens need at least 1000 dollars. if you use the nikon camera, come on, buy it as fast sa possible. if don't, you will missing in you whole live!
The Nikkor 50mm 1.4 AiS lens does not have this problem (smaller circles of confusion wide open). And, you may not have this problem with your particular camera body. * Non-circular bokeh, even at f/1.4 -  from 1.4 to 2.0, there's a distracting "ban-saw blade" outline with specular bokeh (christmas lights, etc.)
But also with modern low light capabilities that a 1980's photographer could never dream of. I also own an Olympus OMD EM1 with a number of excellent lenses. So I am not an antiquarian. However, when I head out with a camera, it seems to be the DF with the Nikkor F 1.2 50mm lens that mostly accompanies me.
It's manual and one must be careful in focusing, but the effort is worth it because of the extreme sharpness of this lens. Excellent for portraits. For those who aren't interested in manual focus one should consider the Nikon 50mm 1.4 or 1.8.
* "Condom-ring" bokeh -- almost every lens that is neutrally corrected for circular aberration seems to have this "bright-edged" look with specular background lights, even expensive aspherical designs like the Canon EF 50mm & 85mm 1.2 L's. The only exceptions I've found so far are the Sigma 50mm 1.4, the Nikkor 50mm 1.8 G, the Nikkor 105mm f/2.0D AF DC and, surprisingly, the bargain-basement Rokinon/Samyang 85mm 1.4.
Unless you're really skilled, I wouldn't recommend it for fast moving subjects but then 50mm is not really something you'd typically use for sports or racing, etc.We take for granted the instantaneous response for focus and shooting of today's modern DSLR's. This lens is a step backward in the speed and automation departments but a step forward in restoring the thoughtfulness and focus on participation in imaging.
At first, I didn't like it because it was my first manual focus and I didn't know how to focus it right. I am a lazy autofocus guy. But I got a tip from a book that sometimes the other eye, in this case the left eye, sees the focus better, and to close the aperature a little. Now, I am having a good time experimenting with it in low light, and I enjoy the fast f/1.2 lens. It's a winner.
I even bought an adaptor so I can use it with my Canon. Here's a link to a shot I took with the 50mm and FM2: [...]
The lens is great. Beautifully designed and put together. This lens belongs firmly in the &#34;they don't build them like this anymore&#34; category, except that apparently at Nikon they still do. It has quality written all over it.Focus: This is a manual focus lens and the focus mechanism feels simply great. Very smooth yet not too light. All in all  easy to use but as with all manual focusing, it takes practice.
Answer: Yes.  Virtually all Nikon lenses work on all Nikon bodies, digital or film.