Black Metaphors: How Modern Racism Emerged from Medieval Race-Thinking (The Middle Ages Series)
Brand: University of Pennsylvania Press
Categories: Books, Literature & Fiction, History & Criticism



Dimensions: 6 x 0.75 x 9 inches
Language: English
ISBN-10: 081225158X
Publisher: University of Pennsylvania Press
Print length: 256 pages
Publication date: October 25, 2019
ISBN-13: 978-0812251586
Part of series: The Middle Ages
subtitle: Hardcover – October 25, 2019
author: Visit Amazon's Cord J. Whitaker Page search results Cord J. Whitaker
review: Editorial Reviews Review Cord J. Whitaker's fascinating new study, Black Metaphors, connects the field of medieval rhetoric to the history of racial thinking even as it probes fundamental questions such as the meaning of blackness in the Middle Ages. As such, it acts as an important contribution not only to the intellectual history of race, but also to the emerging field of premodern race studies . . . [T]his highly learned and innovative study constitutes an essential contribution to the growing body of scholarship examining the relation of the premodern era to the histories of race and colonialism. ― Studies in the Age of Chaucer Amid the growing studies of medieval race thinking, Black Metaphors explores the complicated discursive functioning of blackness in the Middle Ages. It's a timely study of metaphors of blackness (and whiteness) that evolved from classical into medieval, then modern valences of black and white . . . The strength of the study comes from mapping the emergence of modern racism onto medieval discursive culture while stressing an alterity of the Middle Ages that prohibits it from being co-opted by the present. ― Modern Philology Black Metaphors places itself not only firmly in the context of current debates around questions of race in the field of medieval studies, but it shows why those debates are so profoundly important to those conversations in society writ large . . . Whitaker aptly places this book in the context of 'Black Lives Matters' and the global rise of far right, showing how questions around the Middle Ages are urgent ones that must be addressed if we are to understand the prejudices of today's world . . . This book is essential reading for scholars of Europe of any period and those seeking to understand racism in the world more broadly today because of the legacy of European colonialism. ― EuropeNow "[A] timely and engaging study . . . Whitaker's book succeeds admirably well in demonstrating the frequent shimmer of black metaphor in medieval literature. ― Medium Ævum Cord Whitaker's timely study pinpointing the roots of modern Western racial thinking in medieval rhetorical practice is a deeply important book not just for medieval studies but for a general audience in these times of increased racial violence . . . The study's concluding pages offer a grim summary of the past twenty years both within and around medieval studies, illustrating the stratification and codification of the black metaphors Whitaker has been exploring through the preceding chapters. By making the connections explicit in these final pages, he crafts a subtle but nonetheless fierce call to action for medievalists, academics, and general readers alike. We would do well to heed it. ― Comitatus Writing from the intersections of English literary studies and premodern race scholars, this is a foundational text in an emerging field that presents novel ways of reading medieval texts for complexities surrounding race. ― Renaissance and Reformation Cord J. Whitaker performs an archaeology of how blackness came to be embedded as a fixture of persuasion, religious thought, and poetic imagery. Exploring the logic of 'contrariety' through medieval poetics and argumentation, he reveals the long intimacy of rhetoric and racial discourse from the Middle Ages to the present. ― Rita Copeland, author of Criticism and Dissent in the Middle Ages Black Metaphors is a bold, disruptive, penetrating study of the foundational grammars of modern racial thinking in late medieval literature. With provocative new readings of thirteenth- and fourteenth-century works, Cord J. Whitaker dials back the beginnings of modern racism from our commonplace understanding of its original flourishing in the widespread scientific racism of the seventeenth, eighteenth and nineteenth centuries to the rhetorical and religious obsessions with metaphors of blackness and whiteness in the Middle Ages. An important intervention in medieval studies and black studies alike, Black Metaphors sparkles as it fills a longstanding gap in between. ― Maurice Wallace, author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775-1995 Cord J. Whitaker's captivatingly well-written book takes on the centrality of blackness as a metaphor used in medieval romance, spiritual writings, rhetorical treatises, and travel writing. Weaving modern racialized news accounts of biker rallies together with contemporary folk music and popular medieval texts, Whitaker shows the lasting importance of the European Middle Ages on Western, particularly American, interpretations of white and black skin. An extremely important work in the field of race studies. ― Lynn Ramey, author of Black Legacies: Race and the European Middle Ages Cord J. Whitaker's rich and textured readings of both lesser-known and well-known texts render them wholly new, fresh, and exciting. Black Metaphors demonstrates an incredibly learned mind at work; Whitaker deftly maneuvers between religious philosophy, philology, classical rhetorical tropes, and contemporary critical race studies. ― Ayanna Thompson, author of Passing Strange: Shakespeare, Race, and Contemporary America Black Metaphors states plainly that its investigation into matters of race in the European Middle Ages is urgently informed by the agonizingly critical events of today, from the Black Lives Matter movement to the commonplace, quotidian racisms visited on black citizens of the United States. This book imparts stunning insights and will grace many a bookshelf for a long time to come. ― Geraldine Heng, author of The Invention of Race in the European Middle Ages Book Description In Black Metaphors , Cord J. Whitaker argues that rhetoric and theology establish blackness and whiteness as metaphors for sin and purity in medieval English and European writing. Whitaker shows how these metaphors came to guide the development of notions of race in the centuries that followed. About the Author Cord J. Whitaker is Associate Professor of English at Wellesley College. Read more