Model: Alessio-Borgi/all-mpnet-base-v2-margin-based-triplet-loss-finetuned-culture-10-epochs-enhanced
Author: Alessio-Borgi
Pipeline: sentence-similarity
Library: sentence-transformers
Tags: sentence-transformers, safetensors, mpnet, sentence-similarity, feature-extraction, generated_from_trainer, dataset_size:6551, loss:TripletLoss, arxiv:1908.10084, arxiv:1703.07737, base_model:sentence-transformers/all-mpnet-base-v2, base_model:finetune:sentence-transformers/all-mpnet-base-v2, endpoints_compatible, region:us
Base models (finetune): id: sentence-transformers/all-mpnet-base-v2
Card metadata: tags: sentence-transformers, sentence-similarity, feature-extraction, generated_from_trainer, dataset_size:6551, loss:TripletLoss
base_model: sentence-transformers/all-mpnet-base-v2
widget: source_sentence: Vechornytsia Slavic traditional social gathering Vechornytsi (Ukrainian: вечорниці, from вечір "evening") are Ukrainian traditional gatherings with music, songs, jokes and rituals. Vechornytsi traditionally began in late September, after the seasonal agricultural work was over. Young people from villages gathered in the evenings for entertainment. There were everyday and festive vechornytsi. During everyday parties, people created folk art objects like rushnyky while entertaining themselves by singing songs or telling jokes. During festive vechornytsi, rich dinners were cooked, and there was music and dancing. It was the ladies' responsibility to cook dinner and the men's responsibility to provide everybody with music, drinks, and sweets. Vechornytsi were mainly for younger people. Here they not only entertained each other during long winter evenings but also met new people, communicated more closely, and found partners. Each street in a village had at least one house for vechornytsi. Even small remote farms could have a few houses for parties because it was a custom that brothers and sisters could not attend the same vechornytsi. {'aliases': ['Vechornytsi']} {'instance of': 'ritual', 'subclass of': 'ritual', 'described by source': 'Brockhaus and Efron Encyclopedic Dictionary', 'country': 'India'}
sentences: Rudolph Goclenius German philosopher (1547-1628) Rudolph Goclenius the Elder (Latin: Rudolphus Goclenius; born Rudolf Gockel or Göckel; 1 March 1547 – 8 June 1628) was a German scholastic philosopher. He is sometimes credited with coining the term psychology in 1590, though the term had been used by Pier Nicola Castellani and Gerhard Synellius 65 years earlier. {'aliases': ['Rudolph Goclenius the Elder']} {'instance of': 'human', 'occupation': 'philosopher', 'sex or gender': 'male', 'languages spoken, written or signed': 'German', 'country of citizenship': 'Germany', 'described by source': 'Allgemeine Deutsche Biographie'}, Fasole cu cârnaţi Romanian dish Fasole cu cârnați ("beans with sausages", Romanian pronunciation: [faˈsole ku kɨrˈnat͡sʲ]) is a popular Romanian dish, consisting of baked beans and sausages. A variation replaces the sausages with afumătură (smoked meat). Also a traditional Army dish, fasole cu cârnați is prepared by Army cooks and served freely to the crowds during the National Day celebrations (on 1 December) in Bucharest and Alba Iulia. The main ingredients for this dish are: beans, smoked pork, carrots, onions, tomatoes, parsnip, tomato sauce and bay leaf. {'name': 'Fasole cu cârnați', 'caption': 'Fasole cu cârnați', 'country': 'Romania 25px|link=Cuisine of Romania', 'course': 'Main course', 'served': 'Hot', 'main_ingredient': 'Sausages, beans, tomato sauce, tomatoes, carrots, onions, parsnip, bay leaves'} {'subclass of': 'food', 'instance of': 'food', 'has part(s)': 'flour', 'maintained by WikiProject': 'WikiProject Intangible Cultural Heritage', 'course': 'main course'}, bicycle pedal-driven two-wheel vehicle A bicycle, also called a pedal cycle, bike, push-bike or cycle, is a human-powered or motor-assisted, pedal-driven, single-track vehicle, with two wheels attached to a frame, one behind the other. A bicycle rider is called a cyclist, or bicyclist. Bicycles were introduced in the 19th century in Europe. By the early 21st century there were more than 1 billion bicycles. There are many more bicycles than cars. Bicycles are the principal means of transport in many regions. They also provide a popular form of recreation, and have been adapted for use as children's toys. Bicycles are used for fitness, military and police applications, courier services, bicycle racing, and artistic cycling. The basic shape and configuration of a typical upright or "safety" bicycle, has changed little since the first chain-driven model was developed around 1885. However, many details have been improved, especially since the advent of modern materials and computer-aided design. These have allowed for a proliferation of specialized designs for many types of cycling. In the 21st century, electric bicycles have become popular. The bicycle's invention has had an enormous effect on society, both in terms of culture and of advancing modern industrial methods. Several components that played a key role in the development of the automobile were initially invented for use in the bicycle, including ball bearings, pneumatic tires, chain-driven sprockets, and tension-spoked wheels. {'aliases': ['bike', 'pushbike', 'pedal bike', 'pedal cycle', 'cycle', '🚲', 'Bicycles'], 'application': ':Transportation', 'caption': 'The most popular bicycle model—and most popular vehicle of any kind in the world—is the Chinese Flying Pigeon, with about 500 million produced.', 'classification': 'Vehicle', 'components': 'Frame, wheels, tires, saddle, handlebar, pedals, drivetrain', 'free_label': 'Types', 'free_text': 'Utility bicycle, mountain bicycle, racing bicycle, touring bicycle, hybrid bicycle, cruiser bicycle, BMX bike, tandem, low rider, tall bike, fixed gear, folding bicycle, amphibious cycle, cargo bike, recumbent, electric bicycle', 'fuel_source': 'Human-power (and/or motor-power)', 'image_upright': '1.35', 'invented': '19th century', 'inventor': 'Karl von Drais, Kirkpatrick MacMillan', 'name': 'Bicycle', 'wheels': '2'} {'instance of': 'mode of transport', 'on focus list of Wikimedia project': 'Wikipedia:List of articles all languages should have', 'described by source': 'Metropolitan Museum of Art Tagging Vocabulary'}, source_sentence: Slovak Figure Skating Championships recurring figure skating competition The Slovak Figure Skating Championships (Slovak: Majstrovstvá Slovenska v krasokorčuľovaní) are an annual figure skating competition organized by he Slovak Figure Skating Association (Slovak: Slovensky Krasokorčuliarsky Zväz) to crown the national champions of Slovakia. The senior-level championships are held in coordination with the skating federations of Hungary, Poland, and Slovakia as part of the Four Nationals Figure Skating Championships. The first Slovak Championships held after the dissolution of Czechoslovakia took place in 1993. The Czech Skating Association and the Slovak Figure Skating Association joined their national championships in 2007. Poland joined in 2009 and Hungary in 2014. Senior-level skaters from the four nations compete at the Four Nationals Championships, and then the results are split to form national podiums for each nation. Medals are awarded in men's singles, women's singles, pair skating, and ice dance at the senior level, and in pair skating and ice dance at the junior level, although not every discipline is held every year due to a lack of participants. Junior-level singles skaters and novice-level skaters in all disciplines compete in a separate competition that is exclusive to Slovakia. {'name': 'Slovak Figure Skating Championships', 'logo': 'Slovak Figure Skating Association Logo.jpg', 'logo_alt': 'Logo of the Slovak Figure Skating Association', 'status': 'Active', 'genre': 'National championships', 'frequency': 'Annual', 'country': '{{SVK}}', 'first': '1994', 'prev': '2025 Four Nationals Championships', 'organised': 'Slovak Figure Skating Association'} {'instance of': 'recurring sporting event', 'subclass of': 'recurring sporting event', 'event interval': '{"amount": "+1", "unit": "http://www.wikidata.org/entity/Q577"}', 'country': 'United States', 'sport': 'badminton', 'on focus list of Wikimedia project': 'WikiProject Badminton/tournament focus list'}
sentences: arm folding method of crossing arms The manner in which a person folds their arms is a dynamic morphological demonstration of two alternative phenotypes. Once adopted, manner of arms folding across the chest does not change throughout the lifetime and persons easily give up the unusual folding position, most commonly at the first attempt. If the right arm is folded above the left forearm, the phenotype is characterised as R (right; the right type), and in the opposite case, i.e. if the left arm is positioned above the right, it is the phenotype L (left; left-type). It has been shown that the phenotypes of these properties are distributed independently with left-handed and right-handed people. {'aliases': ['crossed arms']} {'subclass of': 'gesture', 'instance of': 'gesture', 'uses': 'hand', 'described by source': 'Brockhaus and Efron Encyclopedic Dictionary'}, Chilean takeover of the Strait of Magellan Chile's takeover of the Strait in 1843 The Chilean colonization of the Strait of Magellan began in 1843 when an expedition founded Fuerte Bulnes. In 1848 the settlement of Punta Arenas was established further north in the strait and grew eventually to become the main settlement in the strait, a position it holds to this day. The Chilean settlement of the strait was crucial to establish its sovereignty claims in the area. Argentina complained diplomatically this act in 1847, as part of the East Patagonia, Tierra del Fuego and Strait of Magellan Dispute, and once the dispute was settled, formally recognised Chilean sovereignty of the strait in 1881. The Magallanes territory was made a regular Chilean province in 1928. {'aliases': ['Takeover of the Strait of Magellan']} {'instance of': 'historical event', 'country': 'Weimar Republic', 'on focus list of Wikimedia project': 'Wikipedia:Vital articles/Level/4', 'location': 'Berlin', 'part of': 'German Revolution of 1918–1919'}, Sefer HaRazim magical book given by the Angel Raziel to Noah Sefer HaRazim (Hebrew: ספר הרזים; "Book of Secrets") is a Jewish magical text supposedly given to Noah by the angel Raziel, and passed down throughout Biblical history until it ended up in the possession of Solomon, for whom it was a great source of his wisdom and purported magical powers. This is not the same work as the Sefer Raziel HaMalakh, which was given to Adam by the same angel, although both works stem from the same tradition, and large parts of Sefer HaRazim were incorporated into the Sefer Raziel under its original title. It is thought to be a sourcebook for Jewish magic, calling upon angels rather than God to perform supernatural feats. {'aliases': ['Sepher Ha-Razim', 'Book of the Mysteries']} {'instance of': 'book', 'language of work or name': 'English', 'subclass of': 'book', 'country of origin': 'United Kingdom', 'publisher': 'White Wolf Publishing', 'copyright status': 'copyrighted', 'author': 'Derek Lambert', 'described by source': 'Meyers Konversations-Lexikon, 4th edition (1885–1890)'}, source_sentence: Gerardus Mercator Flemish geographer, cosmographer and cartographer (1512–1594) Gerardus Mercator (; 5 March 1512 – 2 December 1594) was a Flemish geographer, cosmographer and cartographer. He is most renowned for creating the 1569 world map based on a new projection which represented sailing courses of constant bearing (rhumb lines) as straight lines—an innovation that is still employed in nautical charts. Mercator was a notable maker of globes and scientific instruments. In addition, he had interests in theology, philosophy, history, mathematics, and geomagnetism. He was also an accomplished engraver and calligrapher. Unlike other great scholars of the age, he travelled little and his knowledge of geography came from his library of over a thousand books and maps, from his visitors and from his vast correspondence (in six languages) with other scholars, statesmen, travellers, merchants and seamen. Mercator's early maps were in large formats suitable for wall mounting but in the second half of his life, he produced over 100 new regional maps in a smaller format suitable for binding into his Atlas of 1595. This was the first appearance of the word Atlas in reference to a book of maps. However, Mercator used it as a neologism for a treatise (Cosmologia) on the creation, history and description of the universe, not simply a collection of maps. He chose the word as a commemoration of the Titan Atlas, "King of Mauretania", whom he considered to be the first great geographer. A large part of Mercator's income came from sales of terrestrial and celestial globes. For sixty years they were considered the finest in the world, and were sold in such numbers that there are many surviving examples. This was a substantial enterprise involving the manufacture of the spheres, printing the gores, building substantial stands, packing and distributing them all over Europe. He was also renowned for his scientific instruments, particularly his astrolabes and astronomical rings used to study the geometry of astronomy and astrology. Mercator wrote on geography, philosophy, chronology and theology. All of the wall maps were engraved with copious text on the region concerned. As an example, the famous world map of 1569 is inscribed with over five thousand words in fifteen legends. The 1595 Atlas has about 120 pages of maps and illustrated title pages, but a greater number of pages are devoted to his account of the creation of the universe and descriptions of all the countries portrayed. His table of chronology ran to some 400 pages fixing the dates (from the time of creation) of earthly dynasties, major political and military events, volcanic eruptions, earthquakes and eclipses. He also wrote on the gospels and the Old Testament. Mercator was a devout Christian born into a Catholic family at a time when Martin Luther's Protestantism was gaining ground. He never declared himself as a Lutheran but was clearly sympathetic, and he was accused of heresy by Catholic authorities; after six months in prison he was released unscathed. This period of persecution is probably the major factor in his move from Catholic Leuven (Louvain) to a more tolerant Duisburg, in the Holy Roman Empire, where he lived for the last thirty years of his life. Walter Ghim, Mercator's friend and first biographer, describes him as sober in his behaviour, yet cheerful and witty in company, and never more happy than in debate with other scholars. {'name': 'Gerardus Mercator', 'caption': 'Portrait by Hogenberg,1574.  (Translation)', 'alt': 'Portrait of Gerard Mercator', 'birth_name': 'Geert De Kremer', 'birth_date': '5 March 1512', 'birth_place': 'Rupelmonde, County of Flanders', 'death_date': '{{Death date and age|df|=|yes|1594|12|2|1512|3|5}}', 'death_place': 'Duisburg, United Duchies of Jülich-Cleves-Berg, {{avoid wrap|Holy Roman Empire}}', 'education': 'University of Leuven', 'known_for': '{{Plainlist|\n* World map based on the Mercator projection (1569)\n* Coining the term Atlas}}', 'spouse': '{{plainlist|\n* |marriage|Barbara Schellekens|1534|1586|end|=|d|\n* |marriage|Gertrude Vierlings|1589|}} {{marriage|Barbara Schellekens|1534|1586|end|=|d}} * {{marriage|Gertrude Vierlings|1589}}', 'children': '6, including Arnold and Rumold', 'signature': 'Signature of Gerardus Mercator (1512–1594).png', 'aliases': ['Gerhard Mercator', 'Gerhard Kremer', 'Mercat.e', 'Mercatore', 'Gerard Mercator', 'Mercator', 'Gherardo Mercatore', 'Gerard Merkator', 'Gérard de Cremer', 'Gerardus Cremers']} {'occupation': 'writer', 'instance of': 'human', 'sex or gender': 'male', 'position held': 'United States senator', 'described by source': 'Obálky knih', 'copyright status as a creator': 'copyrights on works have expired'}
sentences: Naoko Takeuchi Japanese manga artist Naoko Takeuchi (Japanese: 武内 直子, Hepburn: Takeuchi Naoko, born March 15, 1967) is a Japanese manga artist. She is best known as the author of Sailor Moon, one of the most popular manga series of all time. She has won several awards, including the 1993 Kodansha Manga Award for Sailor Moon. Takeuchi is married to Yoshihiro Togashi, the author of YuYu Hakusho and Hunter × Hunter. {'alias': 'Sumire Shirobara', 'aliases': ['Takeuchi Naoko'], 'awards': 'Kodansha Manga Award (1993)', 'birth_date': '{{Birth date and age|1967|3|15}}', 'birth_place': 'Kōfu, Yamanashi, Japan', 'caption': 'Takeuchi at the 1998 San Diego Comic-Con', 'children': '2', 'native_name': '武内 直子', 'notable works': "{{unbulleted list|''Sailor Moon''|''Codename: Sailor V''}}", 'occupation': 'Manga artist', 'spouse': '{{marriage|Yoshihiro Togashi|1999}}', 'years_active': '1986–present'} {'award received': 'Inkpot Award', 'copyright status as a creator': 'works protected by copyrights', 'instance of': 'human', 'occupation': 'comics artist', 'notable work': 'Sailor Moon'}, Prikaz military government agencies in Tsardom of Russia, 16th-17th centuries A prikaz (Russian: прика́з; IPA: [prʲɪˈkas] , plural: prikazy) was an administrative, judicial, territorial, or executive office functioning on behalf of palace, civil, military, or church authorities in the Grand Duchy of Moscow and the Tsardom of Russia from the 15th to the 18th centuries. The term usually suggests the functionality of a modern "ministry", "office", "department", or "bureau"; however, in practice prikaz was historically applied to most governmental organizations regardless of their function or authority. In modern Russian, prikaz literally means an 'order' in the meaning of 'directive' or 'command'. Most of the prikazy were subordinated to the boyar duma. Some of them, palace prikazy (Russian: дворцовые приказы, romanized: dvortsovyje prikazy), were subordinated to the taynyi prikaz or pervyi prikaz, which answered directly to the tsar of Russia. The patriarch of Moscow and all Rus' had his own prikazy. {'note': 'infobox not present in Wikipedia'} {'instance of': 'government agency', 'subclass of': 'government agency', 'country': 'United States', 'dissolved, abolished or demolished date': '{"time": "+1945-00-00T00:00:00Z", "timezone": 0, "before": 0, "after": 0, "precision": 9, "calendarmodel": "http://www.wikidata.org/entity/Q1985727"}', 'headquarters location': 'Washington, D.C.'}, Chicago Public Media not-for-profit media company Chicago Public Media (CPM) is a not-for-profit radio and print media company. CPM operates as the primary National Public Radio member organization for Chicago. It owns three non-commercial educational FM broadcast stations and one FM translator. In addition to local news and information productions, it produces the programs Wait Wait... Don't Tell Me! for NPR stations, and This American Life which is distributed by PRX to other radio stations. On January 30, 2022, Chicago Public Media acquired the Chicago Sun-Times daily newspaper. {'type': 'non-profit', 'leader_title': 'CEO', 'leader_name': 'Melissa Bell', 'subsidiaries': "WBEZ <br> WBEW <br> WRTE <br> ''Chicago Sun-Times'' <br> ''This American Life'' <br> ''Wait Wait... Don't Tell Me!''", 'formerly': 'The WBEZ Alliance', 'website': '{{Official URL}}', 'abbreviation': 'CPM', 'tax_id': '36-3687394', 'aliases': ['Chicago Public Radio']} {'instance of': 'media company', 'country': 'United States', 'industry': 'mass media', 'grants': "bachelor's degree", 'language of work or name': 'English'}, source_sentence: Beau Blackstone 1973 novel Beau Blackstone is a 1973 historical thriller novel by the British writer Derek Lambert, published under the pen name Richard Falkirk. It is the third in a series of six novels featuring Edmund Blackstone, a member of the Bow Street Runners in the pre-Victorian era. Blackstone goes undercover amongst a gang of navvies working on a new railway, and is called on for plans to thwart the first Great Train Robbery. {'name': 'Beau Blackstone', 'caption': 'First edition', 'author': 'Derek Lambert', 'country': 'United Kingdom', 'language': 'English', 'series': 'Edmund Blackstone', 'genre': 'Historical thriller', 'publisher': 'Stein and Day', 'release_date': '1973', 'media_type': 'Print', 'preceded_by': "Blackstone's Fancy", 'followed_by': 'Blackstone and the Scourge of Europe'} {'instance of': 'book', 'language of work or name': 'English', 'subclass of': 'book', 'country of origin': 'United Kingdom', 'publisher': 'White Wolf Publishing', 'copyright status': 'copyrighted', 'author': 'Derek Lambert', 'described by source': 'Meyers Konversations-Lexikon, 4th edition (1885–1890)'}
sentences: Bishop of Buddhist Churches of America The bishop is the highest spiritual leader in the Jodo Shinshu organization Buddhist Churches of America The bishop of the Buddhist Churches of America is the highest spiritual leader in the Buddhist Churches of America (BCA). Since BCA is part of Honganji-ha, the bishop is subordinate to the Monshu of Honganji-ha. Between 1899 and 1918 the leader of Buddhist Mission of North America (BMNA) had the title kantoku (superintendent). 1918 the title was changed to sochō (bishop). BMNA changed its name to Buddhist Churches of America in 1944. {'post': 'Bishop of the Buddhist Churches of America', 'native_name': 'Sochō', 'incumbent': 'Marvin Harada', 'incumbentsince': '1 April 2020', 'style': 'Reverend', 'member_of': 'Buddhist Churches of America', 'seat': 'San Francisco', 'formation': '1918', 'first': 'Kōyū Uchida', 'website': 'https://www.buddhistchurchesofamerica.org/'} {'occupation': 'religious leader', 'instance of': 'human', 'sex or gender': 'male', 'subclass of': 'religious leader', 'country of citizenship': 'United States', 'languages spoken, written or signed': 'English', 'canonization status': 'saint', 'described by source': 'Brockhaus and Efron Encyclopedic Dictionary'}, Cold Sweat 1970 film directed by Terence Young Cold Sweat is a 1970 French-Italian international co-production starring Charles Bronson and directed by Terence Young. It is based on the 1959 novel Ride the Nightmare by Richard Matheson. It was filmed in and around Beaulieu-sur-Mer. {'name': 'Cold Sweat', 'caption': 'Theatrical release poster', 'director': 'Terence Young', 'screenplay': 'Shimon Wincelberg<br />Jo Eisinger<br />Dorothea Bennett', 'based_on': "{{based on|''Ride the Nightmare''|Richard Matheson}}", 'starring': 'Charles Bronson<br />Liv Ullmann<br />James Mason<br />Jill Ireland', 'producer': 'Robert Dorfmann<br />Maurice Jacquin', 'music': 'Michel Magne', 'cinematography': 'Jean Rabier', 'distributor': 'Emerson Film Enterprises', 'released': '{{Film date|1970|06|14|df|=|y}}', 'runtime': '94 minutes', 'country': 'France<br>Italy', 'language': 'English'} {'instance of': 'film', 'color': 'color', 'original language of film or TV show': 'English', 'genre': 'drama film', 'distribution format': 'video on demand', 'country of origin': 'United States'}, plank flat rectangular piece of timber A plank is timber that is flat, elongated, and rectangular with parallel faces that are higher and longer than wide. Used primarily in carpentry, planks are critical in the construction of ships, houses, bridges, and many other structures. Planks also serve as supports to form shelves and tables. Usually made from timber, sawed so that the grain runs along the length, planks are usually more than 1+1⁄2 in (38 mm) thick, and are generally wider than 2+1⁄2 in (64 mm). In the United States, planks can be any length and are generally a minimum of 2×8 (1+1⁄2 in × 7+1⁄4 in or 38 mm × 184 mm), but planks that are 2×10 (1+1⁄2 in × 9+1⁄4 in or 38 mm × 235 mm) and 2×12 (1+1⁄2 in × 11+1⁄4 in or 38 mm × 286 mm) are more commonly stocked by lumber retailers. Planks are often used as a work surface on elevated scaffolding, and need to be thick enough to provide strength without breaking when walked on. The wood is categorized as a board if its width is less than 2+1⁄2 in (64 mm), and its thickness is less than 1+1⁄2 in (38 mm). A plank used in a building as a horizontal supporting member that runs between foundations, walls, or beams to support a ceiling or floor is called a joist. The plank was the basis of maritime transport: wood (except some dense hardwoods) floats on water, and abundant forests meant wooden logs could be easily obtained and processed, making planks the primary material in ship building. However, since the 20th century, wood has largely been supplanted in ship construction by iron and steel, to decrease cost and improve durability. {'note': 'infobox not present in Wikipedia'} {'subclass of': 'building material', 'instance of': 'building material', 'described by source': 'Encyclopædia Britannica 11th edition', 'on focus list of Wikimedia project': 'Wikipedia:Vital articles/Level/4', 'made from material': 'concrete'}, source_sentence: Court of Appeal Icelandic appellate court The Court of Appeal (Icelandic: Landsréttur, lit. National Court) is an appellate court in Iceland with appellate jurisdiction over all district court cases. The court was established by the Courts Act of 2016 and began operating 1 January 2018. The establishment introduced a three-tier judiciary in Iceland where before operated only district courts and the Supreme Court since the 1919 abolition of the National High Court. The court is composed of fifteen justices selected by the Qualifications Committee and nominated by the Minister of Justice for presidential confirmation. In cases where the minister wishes to make changes to the committee's selection, Parliament must approve of said changes with a simple majority vote. {'court_name': 'Court of Appeal', 'native_name': 'Landsréttur', 'established': '7 June 2016', 'jurisdiction': 'Iceland', 'location': 'Reykjavík', 'type': 'Presidential appointment after Minister of Justice nomination following Qualifications Committee selection. Parliamentary confirmation before appointment if minister nomination differs from committee selection.', 'authority': 'Courts Act No. 50/2016', 'appealsto': 'Supreme Court', 'appealsfrom': 'District courts', 'terms': 'Life tenure', 'positions': '15 (by statute)', 'budget': '703.8 million ISK (2019)', 'website': '{{URL|landsrettur.is}} {{In lang|is}}', 'chiefjudgetitle': 'President', 'chiefjudgename': 'Hervör Þorvaldsdóttir', 'chiefjudgetitle2': 'Vice-President', 'chiefjudgename2': 'Eiríkur Jónsson', 'aliases': ['Landsréttur']} {'instance of': 'government', 'subclass of': 'government', 'country': 'France', 'applies to jurisdiction': 'Israel'}
sentences: inker line artist in a traditional comic book or graphic novel The inker (sometimes credited as the finisher or embellisher) is one of the two line artists in traditional comic book production. After the penciller creates a drawing, the inker interprets this drawing by outlining and embellishing it with a pencil, a pen or a brush. Inking was necessary in the traditional printing process as presses could not reproduce pencilled drawings. Another specialist, the letterer, handles the "inking" of text, while the colorist applies color to the final art submitted by the inker. {'aliases': ['finisher', 'embellisher', 'comic inker', 'Inking (drawing technique)']} {'instance of': 'profession', 'subclass of': 'comics artist'}, Zhuazhou Chinese ritual held on a child's first birthday Zhuazhou (抓週 – literally, "pick" and "anniversary", meaning "one-year-old catch" ) is a Chinese ritual held at a child's first birthday party, when the child is 1 year, i.e. typically twelve months since birth (although variable reckonings as to what constitutes a year of age for entitlement for zhuazhou exist), old. The parents put various objects before the child. Parents will often put objects that symbolize career choices or personality traits. The child's choice is used to forecast its future. It is said that this custom can be dated back to the Northern and Southern dynasties (420-589). Yan Zhitui in his book Yanshi jiaxun 顏氏家訓 ("The Family Instructions of Master Yan") documented a custom that is very similar to Zhuazhou today. The earliest written record of this custom can be traced back to the Song dynasty (960-1279). It is portrayed in a well-known scene in the novel Dream of the Red Chamber. {'t': '{{linktext|抓週}}', 's': '{{linktext|抓周}}', 'p': 'zhuāzhōu', 'w': 'chua-cho', 'qn': 'thôi nôi'} {'instance of': 'ritual', 'subclass of': 'ritual', 'described by source': 'Brockhaus and Efron Encyclopedic Dictionary', 'country': 'India'}, Allgemeine Zeitung des Judentums magazine Allgemeine Zeitung des Judentums (until May 1903: Allgemeine Zeitung des Judenthums) was a Jewish German magazine devoted to Jewish interests, founded in 1837 by Ludwig Philippson (1811–89), published first in Leipzig and later in Berlin. In 1860 it had a circulation of approximately 1,500. It was read not only in Germany, Austria, and the Netherlands but also in Eastern Europe, and continued to appear until 1922. At the time of its founding, several Jewish journals had recently been launched in Germany – Sulamith (1806-1843), Jedidja (1817-1831), and Abraham Geiger's Wissenschaftliche Zeitschrift für Jüdische Theologie (1835-1847), as well as the Unparteiische Universal-Kirchenzeitung (1837), of Julius Vinzenz Höninghaus, which had a Jewish section edited by Michael Hess and Isaac Markus Jost – and Philippson recognized that none had kept pace with the needs of the times. He aimed to produce a journal for the intelligent lay person that would both advance knowledge of Jewish history and plead the cause of the Jews of his day. The first number of the paper appeared May 2, 1837, and was published by Baumgärtner in Leipzig with the subtitle "Unparteiisches Organ für Alles Jüdische Interesse in Betreff von Politik, Religion, Literatur, Geschichte, Sprachkunde, und Belletristik" (Impartial Organ for All Matters of Jewish Interest Pertaining to Politics, Religion, Literature, History, Philology, and Belles-lettres). During the first two years the paper appeared three times per week. For a year and a half a supplement was published three times a month, devoted to literature and homiletics. In the course of 1839 it was first published twice weekly and then eventually became a weekly. Isidore Singer, writing in 1906, highlighted the paper's editorial independence, noting that it had not ever received a subsidy from any Jewish body, and that during the revolutions of 1848, "when the publication of nearly all other Jewish journals was interrupted, the Allgemeine Zeitung braved the storm and spoke out plainly in the political turmoil." According to I. M. Jost, who devoted a chapter to the journal in his Neuere Geschichte der Israeliten (1847), the Allgemeine Zeitung "became epoch-making in Jewish history by attempting for the first time to give a general view of the life and conditions of the Jews." Philippson's chief aim was the civil emancipation of the Jews, carrying on the fight for that cause in the spirit of Gabriel Riesser's earlier periodical Der Jude (1832-1835). The paper was a voice for moderate religious reform, focusing attention on the organization of religious instruction, the form of worship in the synagogue, and the cultivation of all branches of Jewish learning. It also advocated for closer relations with non-Jews. It exercised considerable influence on Judaism in general, and, in particular, on the evolution of Judaism in Germany. It played a role in the establishment of a rabbinical seminary (Lehranstalt für die Wissenschaft des Judenthums) in Berlin, and of a Jewish Publication Society (Institut zur Förderung der Israelitischen Literatur), as well as the calling together of a Jewish synod (Leipzig, 1869). From the outset the Allgemeine Zeitung met with success, drawing the interest of cultured Jewish circles of Germany, Austria, and the Netherlands. Within the first months of its publication a society of students in Leyden (Netherlands) had formed to aid its circulation, and it even obtained several hundred subscribers in Poland. During the first years of its existence the paper had among its collaborators a number of the most distinguished scholars, including Gabriel Riesser, E. Carmoly, J. L. Saalschütz, S. D. Luzzatto, Leopold Zunz, Leopold Dukes, Julius Fürst, Leopold Löw, Franz Delitzsch, Adolph Jellinek, Abraham Geiger, and I. M. Jost. During the first year Phoebus Philippson, brother of Ludwig, contributed a series of 11 articles under the title "Ideas for an Encyclopedia and a Methodology of Jewish Theology." In the mid-1850s a supplement was published regularly, entitled Jüdisches Volksblatt zur Belehrung und Unterhaltung auf Jüdischem Gebiete (A Popular Jewish Journal for Instruction and Entertainment on Jewish Subjects). After Philippson's death Gustav Karpeles assumed the editorship, beginning with the issue of February 9, 1890. Under his tenure the paper's interests shifted toward the lives and situation of the Jews of Eastern Europe. At that time a change was made in the format so that the literary part, which formed the bulk of the paper, was separated from the part containing the news. The latter was paged separately as a supplement entitled Der Gemeindebote, which continued to appear until 1922. In 1890 the journal was acquired by Rudolf Mosse, and from then on published in Berlin. Later, beginning in the second half of 1920, the journal appeared only once every two weeks. It ceased publication with the issue of April 28, 1922, and was succeeded by the C.V.-Zeitung (C.V.-Newspaper), the organ of the Centralverein deutscher Staatsbürger jüdischen Glaubens (Central Association of German Citizens of Jewish Faith). {'note': 'infobox not present in Wikipedia'} {'instance of': 'magazine', 'language of work or name': 'German', 'country of origin': 'Germany', 'copyright status': 'public domain', 'described by source': 'Brockhaus and Efron Encyclopedic Dictionary', 'country': 'Germany'}
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