These two works represented a highly novel illusionistic "sotto in su" treatment of dome decoration that would exert a profound influence upon future fresco artists, from Carlo Cignani in his fresco "Assumption of the Virgin", in the cathedral church of Forlì, to Gaudenzio Ferrari in his frescoes for the cupola of "Santa Maria dei Miracoli" in Saronno, to Pordenone in his now-lost fresco from Treviso, and to the baroque elaborations of Lanfranco and Baciccio in Roman churches.
Eden njegovih sinov, Pomponio Allegri je postal nepomemben slikar.