But the sketch of the proposed scaenae frons for the Teatro Olimpico shows no such street scenes; the space behind the central archway and the doors to each side is blank.
Njegova ilustracija idealiziranih rimskih "scaenae frons", za izdajo Barbarovega prevoda Vitruvija, je pokazala pogled perspektive ulic, podobne tistim, ki naj bi se kasneje zgradile v Teatro Olimpico.