Sherrill later said in the book, "How Nashville Became Music City", that he was continually asked every year by the other Columbia executives, why he was keeping Mandrell, because she wasn't selling records.
Позднее Шеррилл писал в своей книге "How Nashville Became Music City", что руководство "Columbia" каждый год спрашивало, зачем он держит Мандрелл, если её записи не продаются.